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In a Well in Spitalfields

May 24, 2013
by the gentle author

Twenty years ago, eighteen wooden plates and bowls were recovered from a silted-up well in Spitalfields. One of the largest discoveries of medieval wooden vessels ever made in this country, they are believed to be dishes belonging to the inmates of the long-gone Hospital of St Mary Spital, which gave its name to this place. After seven hundred years lying in mud at the bottom of the well, the thirteenth century plates were transferred to the Museum of London store in Hoxton where I went to visit them yesterday as a guest of Roy Stephenson, Head of Archaeological Collections.

Almost no trace remains above ground of the ancient Hospital of St Mary yet, in Spital Sq, the roads still follow the ground plan laid laid out by Walter Brune in 1197, with the current entrance from Bishopsgate coinciding to the gate of the Priory and Folgate St following the line of the northern perimeter wall. Stand in the middle of Spital Sq today, and you are surrounded by glass and steel corporate architecture, but seven hundred years ago this space was enclosed by the church of St Mary and then you would be standing in the centre of the aisle where the transepts crossed beneath the soaring vault with the lantern of the tower looming overhead. Stand in the middle of Spital Sq today, and the Hospital of St Mary is lost in time.

In his storehouse, Roy Stephenson has eleven miles of rolling shelves that contain all the finds excavated from old London in recent decades. He opened one box containing bricks in a plastic bag that originated from Pudding Lane and were caked with charcoal dust from the Fire of London. I leant in close and a faint cloud of soot rose in the air, with an unmistakable burnt smell persisting after four centuries. “I can open these at random,” said Roy, gesturing towards the infinitely receding shelves lined with boxes in every direction, “and every one will have a story inside.”

Removing the wooden plates and bowls from their boxes, Roy laid them upon the table for me to see. Finely turned and delicate, they still displayed ridges from the lathe, seven centuries after manufacture. Even distorted by water and pressure over time, it was apparent that, even if they were for the lowly inhabitants of the hospital, these were not crudely produced items. At hospitals, new arrivals were commonly issued with a plate or bowl, and drinking cup and a spoon. Ceramics and metalware survive but rarely wood, so Roy is especially proud of these humble platters. “They are a reminder that pottery is a small part of the kitchen assemblage and people ate off wood and also off bread which leaves no trace.” he explained. Turning over a plate, Roy showed me a cross upon the base made of two branded lines burnt into the wood. “Somebody wanted to eat off the same plate each day and made it their own,” he informed me, as each of the bowls and plates were revealed to have different symbols and simple marks upon them to distinguish their owners – crosses, squares and stars.

Contemporary with the plates, there are a number of ceramic jugs and flagons which Roy produced from boxes in another corner of his store. While the utilitarian quality of the dishes did not speak of any precise period, the rich glazes and flamboyant embossed designs, with studs and rosettes applied, possessed a distinctive aesthetic that placed them in another age. Some had protuberances created with the imprints of fingers around the base that permitted the jar to sit upon a hot surface and heat the liquid inside without cracking from direct contact with the source of heat, and these pots were still blackened from the fire.

The intimacy of objects that have seen so much use conjures the presence of the people who ate and drank with them. Many will have ended up in the graveyard attached to the hospital and then were exhumed in the nineties. It was the largest cemetery ever excavated and their remains were stored in the tall brick rotunda where London Wall meets Goswell Rd outside the Museum of London. This curious architectural feature that serves as a roundabout is in fact a mausoleum for long dead Londoners and, of the seventeen thousand souls whose bones are there, twelve thousand came from Spitalfields.

The Priory of St Mary Spital stood for over four hundred years until it was dissolved by Henry VIII who turned its precincts into an artillery ground in 1539. Very little detail is recorded of the history though we do know that many thousands died in the great famine of 1258, which makes the survival of these dishes at the bottom of a well especially plangent.

Returning to Spitalfields, I walked again through Spital Sq. Yet, in spite of the prevailing synthetic quality of the architecture, the place had changed for me after I had seen and touched the bowls that once belonged to those who called this place home seven centuries ago – and thus the Hospital of St Mary Spital was no longer lost in time.

Sixteenth century drawing of St Mary Spital as Shakespeare may have known it, with gabled wooden houses lining Bishopsgate.

“Nere and within the citie of London be iij hospitalls or spytells, commonly called Seynt Maryes Spytell, Seynt Bartholomewes Spytell and Seynt Thomas Spytell, and the new abby of Tower Hyll, founded of good devocion by auncient ffaders, and endowed with great possessions and rents onley for the releffe, comfort, and helyng of the poore and impotent people not beyng able to help themselffes, and not to the mayntennance of chanins, preestes, and monks to lyve in pleasure, nothyng regardyng the miserable people liying in every strete, offendyng every clene person passyng by the way with theyre fylthy and nasty savours.” Sir Richard Gresham in a letter to Thomas Cromwell, August 1538

Finely turned ash bowl.

Fragment of a wooden plate

Turned wooden plate marked with a square on the base to indicate its owner.

Copper glazed white ware jug from St Mary Spital

Redware glazed flagon, used to heat liquid and still blackened from the fire seven hundred years later.

White ware flagon, decorated in the northern French style.

A pair of thirteenth century boots found at the bottom of the cesspit in Spital Sq.

The gatehouse of St Mary Spital coincides with the entrance to Spital Sq today and Folgate St follows the boundary of the northern perimeter .

Bruyne:

My vowes fly up to heaven, that I would make
Some pious work in the brass book of Fame
That might till Doomesday lengthen out my name.
Near Norton Folgate therefore have I bought
Ground to erect His house, which I will call
And dedicate St Marie’s Hospitall,
And when ’tis finished, o’ r the gates shall stand
In capitall letters, these words fairly graven
For I have given the worke and house to heaven,
And cal’d it, Domus Dei, God’s House,
For in my zealous faith I now full well,
Where goode deeds are, there heaven itself doth dwell.
.

(Walter Brune founding St Mary Spital from ‘A New Wonder, A Woman Never Vexed’ by William Rowley, 1623)

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New Delivery System

May 24, 2013
by the gentle author

A new delivery system for subscribers is now in place and we beg your indulgence for any teething problems, strange deliveries or other curious anomalies that may occur while we get it working smoothly.

The Tower of Old London

May 23, 2013
by the gentle author

A contemplative moment at the Tower

Rummaging through the thousands of glass slides from the collection of the London & Middlesex Archaeological Society, used for magic lantern slides a century ago at the Bishopsgate Institute, I came upon these enchanting pictures of the Tower of London.

The Tower is the oldest building in London, yet paradoxically it looks even older in these old photographs than it does today. Is it something to do with the straggly beards upon the yeoman warders? Some inhabit worn-out uniforms as if they themselves are ancient relics that have been tottering around the venerable ruins for centuries, swathed in cobwebs. Nowadays, yeoman warders are photographed on average four hundred times a day and they have learnt how to work the camera with professional ease, but their predecessors of a century ago froze like effigies before the lens displaying an uneasy mixture of bemusement  and imperiousness. Their shabby dignity is further undermined in some of these plates by the whimsical tinter who coloured their uniforms in clownish tones of buttercup yellow and forget-me-not blue.

As the location of so many significant events in our history, the Tower carries an awe-inspiring charge for me. And these photographs, glorying in the magnificently craggy old walls and bulbous misshapen towers, capture its battered grim monumentalism perfectly. Today, the Tower focuses upon telling the stories of prisoners of conscience that were held captive there rather than displaying the medieval prison guignol, yet an ambivalence persists for me between the colourful pageantry and the inescapable dark history. In spite of the tourist hordes that overrun it today, the old Tower remains unassailable by the modern world.

The Ceremony of the Keys, c.1900

Salt Tower, c. 1910

Byward Tower, c.1910

Bloody Tower, c. 1910

The Tower seen from St Katharine’s Dock, c.1910

Tower Green, c.1910

View from Tower Hill, c, 1900

Upon the battlements, c. 1900

View from the Thames, c. 1910

Bell Tower, c.1900

Bloody Tower, c. 1910

Courtyard at the Tower, c.1910

Byward Tower, c 1910

Yeoman warders at the entrance to Bloody Tower, c. 1910

Vegetable plot in the former moat adjoining the Byward Tower, c.1910

Byward Tower, c. 1900

Water Lane, c 1910

Rampart, c 1900

Yeoman Gaoler – “displaying an uneasy mixture of bemusement  and imperiousness.”

Middle Tower, c. 1900

Steps leading from Traitors’ Gate, c. 1900

Steps inside the Wakefield Tower, c. 1900

The White Tower, c. 1910

Royal Armoury, c. 1910

Beating the Bounds,  c. 1920

Cannons at the Tower of London, c. 1910

Queen’s House, c. 1900

Elizabeth’s Walk, Beauchamp Tower, c. 1900

Yeoman Warder, c. 1910

Tower seen from St Katharine’s Dock, c. 1910

Images copyright © Bishopsgate Institute

Residents of Spitalfields and any of the Tower Hamlets may gain admission to the Tower of London for one pound upon production of an Idea Store card. Visit the new exhibition which opens tomorrow Coins and Kings: The Royal Mint at the Tower

You may like to take a look at these other Tower of London stories

Chris Skaife, Raven Keeper & Merlin the Raven

Alan Kingshott, Yeoman Gaoler at the Tower of London

Graffiti at the Tower of London

Beating the Bounds at the Tower of London

Ceremony of the Lilies & Roses at the Tower of London

Bloody Romance of the Tower with pictures by George Cruickshank

John Keohane, Chief Yeoman Warder at the Tower of London

Constables Dues at the Tower of London

The Oldest Ceremony in the World

A Day in the Life of the Chief Yeoman Warder at the Tower of London

Joanna Moore at the Tower of London

and these other glass slides of Old London

The Nights of Old London

The Ghosts of Old London

The Dogs of Old London

The Signs of Old London

The Markets of Old London

The Pubs of Old London

The Doors of Old London

The Staircases of Old London

The High Days & Holidays of Old London

The Dinners of Old London

The Shops of Old London

The Streets of Old London

The Fogs & Smogs of Old London

The Chambers of Old London

The Tombs of Old London

The Bridges of Old London

The Forgotten Corners of Old London

The Thames of Old London

The Statues & Effigies of Old London

The City Churches of Old London

The Docks of Old London

Michelle Attfield, Pointe Shoe Fitter

May 22, 2013
by the gentle author

There is one woman, above all others, whom the world’s greatest ballerinas rely upon when it comes to fitting their shoes perfectly, Michelle Attfield of Freed of London. With generous spirit, self-effacing nature and fierce professionalism, Michelle is the queen of the pointe shoe and a legend in ballet circles.

In her half century at Freed, she has fitted ten-year-olds at the Royal Ballet School and accompanied them throughout the course of their careers, subtly modulating the design of their pointe shoes to accommodate both their physical change and the needs of their repertoire. “Sometimes I discover I know more than I think I do, when I look around for an expert and then realise that I have been around longer than anyone.” she admitted to me with a laugh of self-deprecation. In the volatile world of show business, Michelle is one of those rare figures whom dancers can always count upon for unwavering loyalty, appreciation and practical advice.

An ex-dancer and former customer of Freed, who was trained to fit shoes by Mrs Freed herself, Michelle embodies the spirit of the company that she has served all these years and which she delights to speak of. Yet she is the model of discretion, drawing a tactful curtain over the details of her intimate relationships with the great divas, and preferring to enthuse about show-business customers such as her beloved Patrick Swayze who visited Michelle at the shop after hours for extra fittings. “Supine with admiration,” is her verdict upon Mr Swayze.

“I’ve worked for Freed of London for forty-nine years, I’ve given my life to this company. I trained as a dancer but I wasn’t quite good enough to be a ballerina, so I qualified as a teacher and, since Freed’s shop in St Martin’s Lane were always advertising for staff in The Stage, I went along.

I was a Royal Academy of Dance student from the age of ten, so I had known Mrs Freed all that time. It was April and I had a teaching position starting in September, and when I told Mrs Freed she said ‘Why don’t you  stay with us and stop all this nonsense?’ I said, ‘But I’ve got a job with the Royal Ballet.’ So I went to work at Freed permanently and never looked back. I tried to leave once when my daughter was born but, luckily for me, some of my customers refused to deal with anyone else. So they rang me and said, ‘You’ve got to come back.’

She was a monster. Mr Freed made shoes but Mrs Freed made the business. She was the dynamo. He was a shoemaker and a good one, she was a milliner. He did the making and she did the sewing. He invented the concept of making the shoe to fit the foot, prior to that they were very stylised, they propped you up but they didn’t let you dance. This development coincided with choreographers like Frederick Ashton and John Cranko wanting a little more and dancers who were willing to give a little more, and our shoes helped them to do it.

Mrs Freed visited the factory every day at seven-thirty and then she went and ran the shop all day – and she did that every day. I discovered the reason they always advertised in The Stage was because no-one could work for Mrs Freed. People exited from the shop very quickly, girls used to start in the morning and leave in the afternoon. I’d come back from lunch and ask ‘Where has she gone?’

Mr & Mrs Freed loved dancers but they didn’t want to go to the ballet. ‘No dear, you take the tickets and go to the ballet,’ they’d say to me, ‘we’ve had enough of that all day.’ You had to work uber-hard but I had been a dancer and dancers are used to hard work – class in the morning, rehearsal in the afternoon and performance in the evening. People either left at once or stayed forever, and it was the most wonderful place to work if you loved ballet – I fitted Margot Fonteyn!

I learnt to dance with one of the founder members of the Royal Academy of Dance and I learnt to fit shoes with Mrs Freed – the perfect foundation for this job. I try to be the bridge between the aspiration of the shoe and the reality of what can be achieved. Because Freed shoes are handmade, we can deliver exactly what an individual dancer needs and that’s why we have our reputation. A pointe shoe is a tool of the trade for a dancer, the shoe has to perform whatever she has to perform and, while a student may require longevity, a professional needs a show purposed for performance. The Freed pointe shoe is a chameleon because it will do anything for anyone.

I’ve fitted so many dancers that wherever I go in the world someone will come up and say, ‘Hello Michelle, I didn’t know you were going to be here.’ I’ve been all over to fit shoes, Japan, Australia, America, Milan, Verona, Paris – it goes on and on. But my greatest pleasure is what I regard as my ‘home companies,’ Royal Ballet, Birmingham Royal Ballet, English National Ballet, Scottish Ballet and Northern Ballet. I sit cross-legged on the floor and dancers come and stand in front of me, and I put shoes on them and decide which maker’s shoes would be best for them to wear. They chose the size but I choose the maker. It has to be a relationship of trust. I look at the whole dancer not just the feet. I say, ‘I know what you want and I’ll do it.’ You want the shoe to fit the dancer so well that you see the dancer not the shoe, you don’t want to see the shoe. And it’s a great feeling when you’ve got them where they want to be.

I think how lucky you are if you are involved with dance. Mine is a job that will never end because there will always be ballet. I used to take my daughter Sophie to  the factory and she’d be crawling around on the floor getting dirty while I was picking up shoes. When she was eight, she stood in the wings when Nureyev was dancing, and she turned to me and asked ‘May I have a sandwich?’ She worked in the shop as a Saturday girl and Saturday in our shop is a baptism of fire. Then she went off to work in finance but after she got married, she asked to come back and now accompanies me when I do fittings. I’ve got to start handing over to her because I want to be like the Cheshire Cat, I want to disappear without people noticing me go.”

Michelle with Shevelle Dynott – “One of my darling boys…”

Michelle with Darcy Bussell.

Michelle with Agnes Oaks and Thomas Edur, joint directors of the Estonian National Ballet.

Michelle and fellow shoe fitters at the Freed shop in St Martin’s Lane in the eighties.

Frederick & Dora Freed in their shop.

Michelle in her dancing days.

Portrait of Michelle Attfield copyright © Patricia Niven

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Announcement To Subscribers

May 21, 2013
by the gentle author

Please accept my apologies for any disappointment that may have been caused by the non-appearance of the daily mailings since Sunday. The mailing system died and we are putting a new once in place. Normal service will be resumed later this week but in the meantime you can catch up on any stories you have missed at www.spitalfieldslife.com

Canal Dogs

May 21, 2013
by the gentle author

Photographer Sarah Ainslie & Novelist Sarah Winman were up with the lark to undertake a survey of canine life along the towpath of the Regent’s Canal recently and here is their report.

“It was a balmy spring morning when we set out from The Narrow Boat pub in Islington and headed east in search of dogs and their owners. It was a Sunday, and London seemed slow to waken. The canal rippled in the breeze, and blossom fell like first-flurry snow and narrow boats rocked lazily in the sunlight. Billie Holiday sang out from one, Nina from another. But no dogs passed. Towpaths were overhanging with green, and the heat released a pungent scent of nettles and cow parsley and forget-me-nots, and sweet grass and that something other, hidden in the shady depths. Joggers and cyclists and walkers passed, late-night hipsters keen to keep going. But then as the sun rose higher, tails did too, and noses rose and sniffed the fecund air, and soon the patter of tiny feet echoed along the well-trodden path…” – Sarah Winman

Alfie (Staffordshire Bull Terrier) & Frankie

“I’ve only just got him. Alfie’s a rescue dog and I saw on Facebook that he needed a home because he came from an environment of domestic abuse. When his owner got pregnant it all got a bit too much, so they had to let him go. If I hadn’t taken him he might have got put down. I’ve always had dogs. He’s really friendly and nice, but he still needs a firm hand. At first, if I went to stroke him he would flinch. Guess he’d been slapped about a bit. He also liked to sleep under the covers. At first I was a bit like “Whoa, what have I taken on?” But I’ve got the time for him because I work from home. I’m a musician. Dogs need long walks twice a day and I can give him that. Unfortunately I have to get rid of his balls next week ‘cause we share a house with a female dog. I’ve known dogs to break down doors to get to a bitch on heat.”

Lilly (Jack Russell/Collie mix) & Linda

“We’ve been together for six years now. Lilly was found in a cardboard box on the Holloway Road and taken to the RSPCA. Two years later, a neighbour who worked there said, “You know you wanted a naughty dog? Well I think I’ve found it.” She comes on all our cob builds. We use clay from excavations and build anything with it. We’re using clay from the Crossrail site at Tottenham Court Rd to build a community centre over at Meadow Orchard in Crouch End. She likes to come to parties with us and has eye lashes like a drag queen. She’s very loving and likes to rub herself against things and people a lot. She’s quite randy, but choosy. That’s why we call her a ‘Jackie Collins.'”

Cassie (Golden Retriever) & Chris

“After I got burgled I thought about getting a dog. I wanted an Alsatian but then I went to a puppy farm and Cassie was there and she jumped up at me and held on to me, so that was that. She’s a clever dog. Obsessed by food. She had a traumatic year two years ago when she was attacked by two dogs. Whilst she was being treated, the vet found a tumour behind her eye, and that’s how she lost it. She’s a very friendly girl, and is known by name by everyone. I’m not. She’s so well known at The Talbot that she’s even allowed to go behind the bar and serve.”

Hopper (whippet) & Nadia

“Both my boyfriend and I wanted a dog. We love dogs. We have a restaurant on Brick Lane – Fika – which is dog friendly. But we knew it was a big decision to make, so we chose a dog suitable for us and for where we live. We wanted a dog that didn’t bark too much and with an exercise routine that could fit around our life. We’ve had him since he was eight weeks old. He’s ten months now. I love having him around. He’s like a comedian and has great expressions. But he knows my boyfriend’s the master so it’s tougher on me. He’s a bit of a naughty teenager with me. Taking him off the lead at picnics is a definite no-no.”

Moo (Cavalier King Charles Spaniel crossed with a Bichon Frise) & Katie

“I got her when she was seven weeks old. She’s eighteen months now. I got her from Gumtree. I typed in ‘dog.’ She was cheap and very pretty. When we go to the vets I love to hear the vet come out and go, ‘Moo! Moo!’ Once I dressed her up in a sailor outfit and we went out on a boat. She fell in though.”

Max & Tasha (Schnauzers) & Tony

“The dogs were born in Australia, near Newcastle just north of Sydney, and we all came over together. They love it here. Love the snow. They go mad in the snow. They’ve just met another Schnauzer back there, called Buster. I don’t know if they all knew they were Schnauzers or just dogs, but they seemed to love each other. They’re great dogs to be around and a lot of fun. Max & Tasha are a couple of nice eight year olds.”

Bridget (Miniature Dachshund) & Carol

“We’ve been together three years. I got her as a puppy from a Breeder in Kent and she’ll be four in August. She’s beautiful. I named her after the Ray Steven’s song ‘Bridget the Midget,’ because she’s tiny. I thought Bridget was a German name too which would have gone with the Dachshund bit, but then I found out it was Irish. She loves playing ball. She plays ball continuously. She is a relentless player. You have to take the ball away physically to make her stop.”

Aggie  (West Highland Terrier) & Jude

“We’ve been together three and a half years now. I got her from a breeder in Cambridgeshire. I always wanted a Westie. She likes to do tricks – she can beg and hop and she can pick what hand the treat’s in. She does rollover too, but only on grass. She can also massage herself with a tennis ball.”

Serge (Miniature Labradoodle) & Sophie

“I named him after the French singer Serge Gainsbourg (not Kasabian). I got him two years ago from Gumtree. There were only two left and I went for the curly-haired one because of Colin. Colin’s not a man but another dog I fell in love with from the office. Serge is very well-behaved because I took him to dog training (which I highly recommend) and feed him healthy sprouts. He comes to work with me every day. I run a charity called Trekstock which raises money through music and fashion for young people with cancer. He can do high-fives and was recently in the Sunday Times Style Section.”

Jessie (Cocker Poo) with Zoe & Nick

Zoe – “I’ve had Jessie for three years. I got her as a puppy. I really really wanted a dog (mum says I nagged) and then I got her for my birthday. Beforehand, mum had set me a test. Dad wasn’t too bothered because Dad says he’s chilled. Mum told me I had to pick up thirteen other dog poos to show her I could do it. I don’t have to do it anymore though, dad does that bit. Jessie’s really cute and cuddles me. She comes and jumps up at me after school. I’m ten.”

Romeo (Staffordshire Bull Terrier) & Dave

“Romeo was actually my partner’s nephew’s dog, but they couldn’t look after him. I’ve had him for five or six months now. He’s got such a friendly temperament and gets on with everyone. He’s slowly getting used to the traffic after living in the country. I walk him everywhere. Where I go, he goes. I walk him through Newington Green to Clissold Park to Finsbury Park along the railway tracks to Crouch End. I’ve done that walk on crutches before and in the snow. Romeo hasn’t found his Juliet yet. But he does love pigs’ ears.”

Photographs copyright © Sarah Ainslie

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The Dogs of Spitalfields

More Dogs of Spitalfields

The Dogs of Spitalfields in Spring

The Dogs of Spitalfields in Autumn

The Dogs of Spitalfields in Winter

The Dogs of Spitalfields in the Snow

The Dogs of Old London

Photos from London’s Oldest Ironmongers

May 20, 2013
by the gentle author

David Lewis, the proprietor of London’s oldest ironmongers – specialising in serving the coach-building trade and operating from the same location in the Hackney Rd since 1797 – is the proud custodian of this archive of photographs which illustrate the history of his business and some of its key protagonists over the past century.

Originally opened as H. M. Presland & Sons, the business became W. H. Clark Ltd in the eighteen-nineties and has traded as Daniel Lewis & Son Ltd – The One Stop Metal Shop since 2002 . In a rare and astonishing survival, the company trades from premises built to suit their purpose in the early nineteenth century, remaining largely unaltered over two hundred years later. Yet CCTV cameras enforcing parking restrictions have resulted in the loss of half their customers recently and as a consquence, this summer, they will be leaving the Hackney Rd forever.

Timber components for assembling wagon wheels in the wheelwright’s shop, c.1900.

This wheelwright’s shop is unchanged today, c. 1900.

Mayor of Hackney, W.H.Clark’s car parked outside his business in 1920.

Mrs W.H.Clark who managed the business on her husband’s behalf – she was a member of the businesswomen’s league and an active participant in many local social charitable projects.

W.H. Clark vans, 1930

Gwladys Lewis outside her grocer shop and dairy in the Hackney Rd with her son Daniel on the right.

The gasometer at the rear of the premises next to the Regent’s Canal.

Daniel Lewis and his dog in the yard with the bombsite of the Chandler & Wiltshire Brewery, 1945.

Daniel Lewis at his sloped-top desk in 1953.

Daniel & Audrey Lewis.

The staff, 1950.

Daniel Lewis outside the premises, 1963.

Lewis Lewis, dairyman, outside his grocer’s shop and dairy in the Hackney Rd with his grandson David and daughter-in-law Audrey, nineteen sixties.

Lewis Lewis and David in the nineteen sixties.

Daniel Lewis with the Royal Carriage for which he supplied two-hundred-year-old-oak panelling from his stock for restoration, 1975.

Arthur Hinton, shop manager, 1980.

Shop staff, 1980

W.H.Clark van, 1960.

In the twentieth century.

In the nineteenth century.

The One Stop Metal Shop, Daniel Lewis & Son Ltd, 493-495 Hackney Rd, E2 9ED

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