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East End Women At Work In Black And White

April 20, 2026
by the gentle author

This weekend we launched our crowdfund and have raised £2,714 towards our target so far.

Click here to support our crowdfund to publish Sarah Ainslie’s WOMEN AT WORK

Sarah took these black and white portraits of women in Hackney between 1990 and 1991 as a commission for Hackney Museum. “I was aware there were a lot of women in the workplace but mostly in behind the scenes roles,” Sarah explained to me, “I wanted to give them visibly and also show the variety of work that women were doing.”

Terrie Alderton, Bus Driver

Loretta Leitch, Electrician

Rosemary More, Architect

Fontanelle Alleyne, Environmental Health Officer

Hackney Regristar of Births, Marriages & Deaths

Jenny Amos, Heating & Ventilation Engineer

Carol Straker, Dancer

Annie Johns, Sculptor

Sue Hopkins, Doctor at Lawson Practice Baby Clinic

Lilly Claridge, Age Concern Charity Shop Manager

Karen Francis & Carolyn Donovan, Dustwomen

Helen Graham, Street Sweeper

Denise Martin, Truck Driver

Judy Benoit, Studio Manager

Luz Hollingsworth, Fire Fighter

Diane Abbott, Member of Parliament

Dionne Allacker, Joanne Gillard, Winnifred John, Clothing Warehouse Supervisors

Lanette Edwards, Machinist

Nora Fenn, Buttonholist

Jane Harris, Carpenter

Eileen Lake, Chaplain at Homerton Hospital

Dr Costeloe, Homerton Hospital

Ivy Harris & E Vidal, Cleaners at Homerton Hospital

Sister Ferris Aagee, Homerton Hospital

Joan Lewis, Homerton Hospital

Sister Sally Bowcock

Valerie Cruz, Catering Assistant

K Lewis, Traffic Warden

Gerrie Harris, Acupuncturist

WPC Helen Taylor

Mary, Counter Assistant at Ridley’s Beigel Bakery

Mandy McLoughlin & Angela Kent, Faulkners Fish & Chip Restaurant

Terrie Tan, Driver at Lady Cabs

Maureen McLoughlin, Supervisor at Riversdale Laundrette

Anna Sousa, Hairdresser at Shampers

Jane Reeves, Councillor

Carolin Ambler, Zoo Keeper

Mrs Sherman, Dentist

Eileen Fisher, Police Domestic Violence Unit

Yvonne McKenzie, Jacqui Olliffe & Dirinai Harley, Supervisors at Oranges & Lemons Day Nursery

Jessica James, Active Birth Teacher

Di England, Supervisor at Free Form Arts

Sally Theakston, Chaplain, St John’s Hackney

Photographs copyright © Sarah Ainslie

Photographs courtesy Hackney Museum

East End Women At Work

April 19, 2026
by the gentle author

Yesterday I launched our crowdfund and we raised £1,288 on the first day.

Click here to support our crowdfund to publish Sarah Ainslie’s WOMEN AT WORK

Sarah celebrates the contribution of female labour in exuberant portraits that capture the passion and struggle of the working life. Drawn from Sarah’s personal archive and her sixteen years as Spitalfields Life Contributing Photographer, this is a panoramic survey of social change over four decades.

Today we preview a small selection of Sarah’s portraits.

“It means so much to me and will be an important recognition of all the women I have photographed over the years for this book to be published by Spitalfields Life Books, a perfect home for it.”

Sarah Ainslie

Merle Curtis, Sultana Begum, Armagan Middlemast & Husna Begum, Tower Hamlets Food Bank

Afa Simpson, Painter, Decorator & Clown

Donna Wood, Postwoman, Royal Mail

Claire Carmelo, Customer Service Assistant, Bethnal Green Station

Kelly Wood, Carer, Silk Court Care Home

Kellyan Saunders, Manager, Oxfam Shop

Lucinda Rogers, Artist

Maria & Anna Pellicci,  E Pellicci

Nafisa & Marlene, Newmans’ Stationery

Rachel Hippolyte, Education Manager, Spitalfields City Farm

Anita Patel, Tesco

Sue Venning, Proprietor, G Kelly Pie & Mash, Roman Rd

Iflet, Garage Mechanic, Three Colts Lane

Anjum Ishtaq, Heba Women’s Project, Brick Lane

Mrs Mustapha, Nazal Dry Cleaners, Hackney Rd

Sandra Esqulant, Publican at The Golden Heart, Spitalfields, and Molly

Shakala, Customer Assistant at Favorite Fried Chicken

Fatima Chowdury, Jumara Noor Eli and Sumsun Nahar Shirna at Mahir Sarees in Bethnal Green

Arful Nessa, Home Machinist, Spitalfields

Laura Porter, Powerlifter, Bethnal Green

Carol Burns, Manager, C.E. Burns Waste Paper Merchants, Spitalfields

Chloe Robertson, Electroplater at Margolis Silver, London Fields

Photographs copyright © Sarah Ainslie

Help Me Publish A Book Of Sarah Ainslie’s Women At Work

April 18, 2026
by the gentle author

Today I launch a crowdfund to publish a book of the magnificent portraits of WOMEN AT WORK taken by Spitalfields Life Contributing photographer Sarah Ainslie since 1992.

Please click here to learn more

Sarah celebrates the contribution of female labour in exuberant photographs that capture the passion and struggle of the working life, forming a panoramic survey of social change over four decades.

“My pictures are a testament to the indomitable spirit of women whose work is often unrecognised, whether in factories, working from home or caring for the vulnerable – tradeswomen, community organisers, garment workers, faith leaders, artists, firefighters, shopkeepers, transport workers, cleaners and NHS staff, women who are catering, and many more who sustain and bind together communities with their warmth, labour and fellowship.

The process of searching and building relationships with the women who participate has been an adventure, and these photographs are a celebration of the generosity of these women who welcomed me into their working lives.

It means so much to me and will be an important recognition of all the women I have photographed over the years for this book to be published by Spitalfields Life Books, a perfect home for it.”

Sarah Ainslie

Please help us publish a handsome 200 page hardback to honour the work of these women who shape the fabric of our lives. We are organising a major exhibition of these portraits at the Four Corners photography gallery in Bethnal Green to coincide with publication of the book this autumn.

 

Please click here to learn more

 

Loretta Lietch, Electrician 1992 & Evie Spray, Firefighter 2022

Claire Camelo, Bethnal Green Tube Station 2022

Sabeh Miah, Mahmuda Jaigirdas, Cooks 2011 & Sister June, Sister Pam, Cooks 1992

Lanma Horton, Smithfield Market 1992

Lannette Edwards, Machinist 1992 & Hafsa Diallo, Publican, DJ 2022

Sue Venning, Kelly’s Pie & Mash 2011

William Kent’s Arch In Bow

April 17, 2026
by the gentle author

Click here to book your tickets

‘a curious vestige from a catalogue of destruction’

This fine eighteenth century rusticated arch designed by the celebrated architect and designer William Kent was originally part of Northumberland House, the London residence of the Percy family in the Strand which was demolished in 1874. Then the arch was installed in the garden of the Tudor House in St Leonard’s Street, Bow, by George Gammon Rutty before it was moved here to the Bromley by Bow Centre in 1997, where it makes a magnificent welcoming entrance today.

The Tudor House was purchased in a good condition of preservation from the trustees of George Gammon Rutty after his death in 1898 by the London County Council, who chose to demolish it and turn the gardens into a public park. At this point, there were two statues situated at the foot of each of the pillars of the arch but they went missing in the nineteen-forties. One of the last surviving relics of the old village of Bromley by Bow, the house derived its name from a member of the Tudor family who built it in the late sixteenth century adjoining the Old Palace and both were lovingly recorded by CR Ashbee in the first volume of the Survey of London in 1900.

The Survey was created by Ashbee, while he was living in Bow running the Guild of Handicrafts at Essex House (another sixteenth century house nearby that was demolished), in response to what he saw as the needless loss of the Old Palace and other important historic buildings in the capital.

Ever since I first discovered William Kent’s beautiful lonely arch – a curious vestige from a catalogue of destruction – I have been meaning to go back to Bow take a photograph of it when the wisteria was in bloom and, although for a couple of years circumstances conspired to prevent me, eventually I was able to do so and here you see the result.

William Kent (1685 –1748) Architect, landscape and furniture designer

Northumberland House by Canaletto, 1752

Northumberland House shortly before demolition, 1874

William Kent’s arch in the grounds of the Tudor House, Bow, in 1900 with its attendant statues, as illustrated in the first volume of the Survey of London by CR Ashbee (Image courtesy Survey of London/ Bishopsgate Institute)

William Kent’s arch at St Leonard’s Street, Bromley by Bow

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Andy Strowman Remembers His Uncle Barney

April 16, 2026
by the gentle author

Click here to book for my next City of London tour on Spring Bank Holiday May 4th

 

Poet Andy Strowman wrote this memoir and poem as a tribute to his late Uncle Barney whose birthday it is today.

 

There is a quiet cemetery where you may find yourself the only living soul other than the grave diggers. It is East Ham Jewish cemetery. Amongst the graves is one Barnett Cohen, my Uncle Barney. He is the only Barnett Cohen buried there.

The East End is a sparsely populated Jewish area now. Time has crept away, and Barney and I are of a time long gone. Yet behind each gravestone there is a story.

Uncle Barney was born in Whitechapel in the early twenties, to Milka and Herschel Cohen, refugees who escaped the pogroms, the mass slaughter of Jews, in Eastern Europe.

The memory I have of him is as the personification of kindness. A man with a gentle sense of humour who came to visit our house in Milward St where he had grown up himself, a street that was one hundred and fifty years old when I was born, behind the London Hospital. He was born in Villa, now part of Russia, in 1897 and was married in 1914.

I recall he would always eat an orange after every meal to conclude it. When he visited me and my mum, he would bring us so much joy by doing magic tricks, like holding a penny in place in front of an eye. He confided to me about the time he visited London Zoo dressed in his new suit and a chimpanzee humiliated him. The large creature came to greet him at the side of the cage, then spat water all over his suit while the surrounding crowd laughed.

Yet the bravery of his choice to leave the army during the Second World War as a Conscientious Objector because he did not want to kill anyone revealed the moral courage of the man. Even so, he was ridiculed by North London Jews when he moved there from the East End.

It was something I identified with personally, since when my school moved to Essex, me and my friend were humiliated by Mr Philpott, the head teacher, in front of the school assembly when he said, ‘We will not have children in our school, who live in the gutter and play in the gutter, behaving badly in our school.’ Today I recall those words and how the rest of the school turned to look at us. I still remember how the teacher asked ‘Where’s your pen?’ with the reply, ‘I ain’t got one, Sir.’ To which the teacher said, ‘Speak properly, boy’ and the pupil said ‘I haven’t got one, Sir.’ ‘Not “I haven’t got one”‘ insisted the teacher, ‘I have not got one, Sir.’

So what became of Uncle Barney? He had an arranged marriage to a woman called Dolly. Before I was born, he had lived in the same house where I grew up. His brothers were Jack and David and his sisters were Rachel and Rose. They occupied 17 Milward St behind the London Hospital and their mum and dad were Milka (Millie in English) and Hershel (Harris in English).

I got the feeling that Barney lacked confidence. Much like me, he went to a school where University was not an option. The concern of the day was survival and so he went to work in the garment industry, leaving school at the tender age of fourteen to enter the workplace.

When the World War Two broke out, he enlisted into the army. Sensitivity and inferiority left him unable to hurt anyone and full of fear. He told his sergeant that he did not want to be shipped out to fight. Barney did not want to kill anyone. In all my time of knowing him I never heard him say a bad word about anybody. He was put in the guardhouse and then transferred to Wormwood Scrubs Prison where his weight deteriorated to five and a half stone. Millie, his mother, knew she had to act or risk his death.

She had two sisters who were well-off and lived in North London. One of them went with her to a government office and – as we say in the East End – ‘the old brown envelope’ was handed over and Barney was released.

One retired prison officer told me recently, ‘You wouldn’t have liked it in there. The cells were very small and there was only a tiny courtyard. You could have had someone banging on the wall of the next cell and shouting through the night, and be threatened too. The only time we intervened was if one prisoner hit another.’

Uncle Barney had lost a lot by being in prison and developed a habit of scratching his backside. In the workplace he was not an asset and, if he worked alongside his brother Jack, he continually asked him if it was any good the work he was doing.

When I was sixteen, my mum told me Uncle Barney had endured six sessions of Electro-Convulsive Therapy at Long Grove Hospital, the same place Ronnie Kray went to. The hospital was closed in 1992.

Yet it would be unbalanced to leave out the wonderful kindness bestowed on Uncle Barney that he transferred to others. Nor his sense of humour which he brought out in others with his magic tricks.

Such was his aura and persona that, when I was a child, I did not want Barney to leave. Whenever he visited us at 17 Milward St during his lunch hour from Ellis & Goldstein where he worked and was talking to mum, I crept quietly to the front door and locked it by sliding the bolt across. When my mum struggled to open the door, it prompted a laugh from my Uncle Barney. I must have been about eight years old at the time.

At the tender age of fourteen, my mum was chosen to be bridesmaid at his wedding to Dolly. Marriage can be very hard at times and I am sure the legacy of coming from a poor family and having complex mental health problems demanded much understanding from all the family. In my experience, it can be very challenging not only to get help for it, and good help, but having your family understand what you are going through, because unless they have been through it themselves it can be very straining for them and for the patient.

Barney looking dapper at this son’s wedding

BARNEY

 

I honour you today

Like an FA cup,

Your eyes glazed by kindness

And your lips sealed by honesty.

 

Kissing the frontiers of your life

I exchange sugar with Alan Sugar,

Tip toe through the darkness of your life

And strangle the people who ridiculed you.

 

Hours have passed and light bulbs have died.

We could not stop you going into the Army

Or the mental hospitals,

But we never stopped loving you

For the laughter you gave us.

 

Daily we watched it grow.

 

Uncle Barney is fourth from the left at the back at my brother  Howard’s Barmitzvah party. I am seated on the chair at the bottom left.

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Alan Shipp, Hyacinth Grower

April 15, 2026
by the gentle author

Click here to book for The Gentle Author’s Tours

 

‘I could not imagine what my life would have been like without hyacinths’

One blustery day, I took the train up to Waterbeach outside Cambridge to visit Alan Shipp, Hyacinth Grower who cultivates two hundred and forty-three different varieties of this favourite flower, which are in bloom now. I stood in the rain, inhaling the fragrance of the gentle breeze wafting over Alan’s field of hyacinths, flourishing in the rich soil of the silted water-meadows of the River Cam.

Alan Shipp is Britain’s only Hyacinth Grower and is also the Custodian of the National Collection of Hyacinths. He has the world’s largest collection of varieties and knows more about this intriguing plant than anyone else alive. In other years, Alan has opened his hyacinth nursery to the public at peak flowering time, drawing international press attention to the tiny village of Waterbeach for this celebrated event in the horticultural calendar, which can attract over a thousand enthusiasts – travelling from far and wide to gawp at this incomparable hyacinth spectacle.

The lines of multicoloured hyacinths stretch to horizon. They seem to sing against the black soil. The rain makes them shine and then the sun makes them glow, luminous with light beneath a dark East Anglian sky. Alan Shipp & I stood alone together in the field contemplating the hyacinths in silent pleasure – until the storm broke, when we took shelter in Alan’s greenhouse where he told me the astonishing story of his life in hyacinths, as the rain hammered on the glass and the wind rattled the panes around us.

“In the eighteen-eighties my grandfather, Thomas Shipp, won a pony and whip in a raffle. To put it to some use, he managed to borrow a harness and cart, and went round door to door selling vegetables. Then he bought a piece of ground and started growing his own, and that is this piece of ground. That was how it all started, growing fruit and vegetables.

Eventually when my father, Kenneth Shipp, got involved, he started wholesaling the produce we grew ourselves. In the fifties, we started selling imported fruit too which we used to bring up from Spitalfields Market on Monday and Wednesday each week.

At the entrance to the Floral Market on Lamb St in Spitalfields was the Floral Cafe and I can still remember the bacon sarnies. It was a whole slice of fried gammon between two pieces of bread. We used to try and get there at four-thirty or five – it was a wonderful atmosphere. The owner was a chap called Leonard Swindley. I said to him once, ‘I’ve seen the porters just walk behind the counter, make themselves a jug of tea and disappear. You can’t carry on like that, you’re being robbed!’ He replied, ‘Can you think of a happier way of losing money?’ I left the argument defeated.

We stopped selling produce after one of our salesmen left and set up on his own in opposition. We had been growing acres and acres ourselves but the method of vegetable production changed out of all recognition. We would have a little plot of a couple of hundred square metres of leeks that we would plant by hand but today, two miles away, there is a field of one hundred and forty-five acres of leeks. To get a reasonable living, we needed a larger farm but I know of no land that has come up for rent in Waterbeach in the last thirty years.

So in 1985, I decided I could best increase the output per acre by becoming a hyacinth grower. It was just sheer chance. There was a clearance sale at a bulb nursery at the the other side of Cambridge, including hyacinth bulbs. So I bought one hundred, twenty each of five different varieties, and planted them because I had always been a very keen gardener. After the leaves died down, I dug them up and moved them elsewhere but there was one that I missed. It had rolled under a shrub. When I found it next summer, it had put its roots down but the rest of the bulb had been eaten away where it was exposed and, upon this surface, small bulbs had formed. The slugs had actually illustrated for me the method of propagating hyacinths.

I thought, ‘I wouldn’t mind doing this,’ so I got a planting stock from Taylors Bulbs of Holbeach. Their general manager gave me advice, he said, ‘Alan, don’t grow many varieties.’ I didn’t really heed his advice because I now have two hundred and forty-three. And that’s how I got started!

I discovered there was a National Collection of Hyacinths at Barnard Castle and I got in touch to say that, as I was the only hyacinth grower in the country, I was willing to propagate for them free of charge. They brought me two bulbs each of fifty varieties that I propagated and which became the nucleus of my collection. I seemed to come up against a wall, regarding getting more varieties, after one hundred and eight varieties. Then I got a letter from a lady in Lithuania who had a collection of hyacinths that she had assembled from all over the former Soviet Union – things I’ve never heard of, things that we thought were extinct! She’d got the names but knew nothing but about them so I sent her my research and we exchanged bulbs.

I thought I had missed double-flowered yellow hyacinths by one hundred years but lo-and-behold she had got two – one with a name and one unidentified. The one with the name was in catalogues from 1897 and the other I grew as ‘unidentified double-yellow hyacinth.’ Then in 2013, by sheer chance, a friend of mine came across an illustration of it by Mary Delany in the British Library. That was the world’s first double-yellow hyacinth, introduced in 1770! When it was introduced, it was £800 a bulb yet Mary Delany had painted it, so I wondered how she got access. But it was reported she had contact with Court and it was George III’s bulb that she illustrated at the time he was at Kew Palace in Kew Gardens. So that was a breakthrough.

I am on the Royal Horticultural Society’s Bulb Committee. It was the ‘Daffodil & Tulip Committee’ but, in 2012, the remit embraced all bulbs and we had an intake of other specialists. One of them was Alan Street from Avon Bulbs who regularly wins a gold medal at the Chelsea Flower Show. ‘Alan,’ he said, ‘I’ve got an unusual hyacinth, it’s red and white. I can tell you’ve heard of it by the look on your face.’ It was Gloria Mundi.

Hyacinth Mania was a hundred years after Tulip Mania. It was started by the Scottish Horticulturalist Peter Voorhelm who found a white double hyacinth with a rosy coloured centre in 1708. Previously, all double hyacinths had been discarded as inferior because they are deformed by extra petals in the middle, but he so liked this one that he propagated it and called it Konig Van Groot-Brettanje in honour of William of Orange – and that started Hyacinth Mania for white doubles with coloured centres.

Gloria Mundi was a lost variety of white double with a coloured centre in the catalogues in 1767. Alan Street had a friend in Switzerland called Ingrid Dingwell and Ingrid had a gardening friend who was a lorry driver called Theo, who took a load of humanitarian aid to Romania during the Ceaucescu era to a remote village with a population of three hundred and seventy-odd souls. Theo’s friend fell in love with a local girl and married her, and Theo was given hospitality by the bride’s father at the wedding. To show his gratitude, Theo gave the bride’s father a pocket watch and the old man asked Theo to help himself to any plant growing in the garden, including bulbs of a hyacinth called Gloria Mundi. Theo gave them to Ingrid who sent them to Alan Street who grew them for fifteen years, oblivious of what he had. The year after I identified them, Alan took a pot to the RHS and they were given an award, two hundred and fifty years after the variety had been lost.

I cannot say that what I do is much of a business, it is more a hobby that gives a little bit of income and the selling of the bulbs has financed the conservation scheme. Without my work, the National Collection of Hyacinths would have just disappeared. I have saved well over a hundred varieties of hyacinths from extinction.

I love hyacinths. There is their fragrance, there is their beauty. There is no other flower that can give you this range of colours at the end of March. If someone gave me a paint chart, I could match every colour on it with hyacinths. I would have a job to get black but I could get pretty close to it.

They are so fascinating. They are all evolved from just the one wild species growing from eight hundred to a thousand metres in the hills at the border of Iran, Iraq, Syria and Turkey. It is believed that the Romans may have brought them to Europe because there is a sub-species which grows on the Mediterranean coast of France. How did hyacinths get from the Levant to there, unless they were taken as bulbs by the Romans and gone feral?

The first recorded introduction of hyacinths to Europe was by the Flemish Botanist Carolus Clusius who was appointed Prefect of the imperial gardens in Vienna in 1573 by Ferdinand II. Ferdinand’s ambassador to Turkey was Ogier Ghiselin de Busbecq and he brought back tulips, crocuses, cyclamen and hyacinths to the palace gardens – all the bulbs from the Levant. Unfortunately, Ferdinand died that year but Clusius got a job at the botanic garden in Leyden and took the bulbs with him. That was the start of the Dutch bulb industry.

Clusius may have introduced hyacinths to Britain when he visited in 1590 and John Gerard records growing them in his garden in London in 1597. Hyacinths would undoubtably have been included among the ‘florists’ flowers,’ along with tulips, carnations, auriculas and roses, grown competitively in the East End during the eighteenth and nineteenth centuries. In the Victorian era, florists’ competitions were rampant up and down the country, and hyacinths always featured.

Hyacinths have formed my life. They have got me onto the RHS Bulb Committee, brought me lots of friends and won me worldwide recognition – probably got me into the Rotary Club too. To be honest, I could not imagine what my life would have been like without hyacinths. How did I ever live without them?”

Alan Shipp, National Hyacinth Collection, Waterbeach, Cambridge, CB25 9NB.

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Cockney Cats

April 14, 2026
by the gentle author

Click here to book your walk through the City of London

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These are Cockney Cats by Warren Tute, with photographs by Felix Fonteyn from 1953, in the archive at Bishopsgate Institute

Micky is the centre of the Day family of Copley St in the parish of Stepney. The whole family pamper him and have a wonderful time

Bill on weekdays, William on Sundays, the cat at the Bricklayers Arms in Commercial Rd has a wonderful life since the Guv’nor Jim Meade was once a Dumb Animals’ Food Purveyor. At seventy-seven Jim looks back on a long and distinguished life in Stepney during his thirty-two years as Guv’nor.

Yeoman Warder Clark & Pickles on Tower Green

On duty at the Tower of London

The tail-less cat of the guardroom who came out to watch Pickles being photographed

Min, Port of London Authority cat has many friends among the dockers and very good ratting at night

Min of the magnificent whiskers has made her home in the office of K Warehouse in the Milwall Docks

Customs & Excise cat guards the Queen’s Warehouse and is paid a Treasury Allowance of sixpence a day

Mitzi has the run of her ship from the lifeboats to the Officers’ Mess

Old Bill the railway cat, his favourite position is the entrance to Blackfriars Station

Old Bill takes cover when necessary in the rush hour

Tibs the Great (1950-64), the official Post Office cat at Headquarters, does not normally live in this 1856 pillarbox

This cat’s curiosity unearthed a box of ancient stamps and seals, some dating back to Queen Anne

Minnie the Stock Exchange cat was a self-willed and determined kitten who adopted the dealing floor as her own preserve

Minnie enjoys the banter in the tea room

Tiger of The Times is the best office cat in Fleet St

Tiger of The Times is equally at ease whether in the Board Room …

… or doing his rounds in the Print Room

Sneaking back into Lloyds of London is difficult even for the resident cat

Cecil is the Front of House cat at the Theatre Royal Drury Lane

Cecil is very elusive in his many hiding places from which he has to be coaxed by the Royal Waiter before the performance can begin

When thirteen people sit down to dine at the Savoy and the thirteenth guest is Jimmy Edwards, almost anything can happen. The famous black cat is invited to occupy the fourteenth place so that everyone can enjoy the sparkling conversation.

Bill at the Tower of London (1935-47)

Images courtesy Bishopsgate Institute

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