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Join The Bottletop Royalty

December 10, 2019
by the gentle author

Robson Cezar, the King of the Bottletops has been making these ingenious bottletop crowns for the forthcoming festive season. Ideal for all celebrations, especially parties, dinners and carol singing.

They are suitable for men and woman who aspire to become bottletop kings and queens, and for younger folk who wish to be bottletop princes and princesses.

A satin ribbon tied at the back of the head means one size fits all.

CLICK HERE to order your bottletop crown and face the festive season with confidence!

 

Robson Cezar, The King of the Bottletops

Photographs copyright © Sarah Ainslie

A pair of bottletop princesses model Robson Cezar’s crowns

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Robson Cezar, King of the Bottletops

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King of the Bottletops at Spitalfields City Farm

Maria Pellicci’s Christmas Ravioli

December 9, 2019
by the gentle author

Elide Pellicci looks down upon Maria & Nevio Pellicci

If you should spot a light, gleaming after hours in the back kitchen at E. Pellicci in the Bethnal Green Rd at this time of year, it will be Maria Pellicci making the Christmas ravioli for her family as she has done each year since 1962.

Maria originates from the same tiny village of Casciana near Lucca in Tuscany as her late husband Nevio Pellicci (senior). And, to her surprise, when Maria first arrived in London she discovered his mother Elide Pellicci, who came over in 1899, was already making ravioli to the same recipe that she knew from home in Italy.

Elide is the E. Pellicci celebrated in chrome letters upon the primrose yellow art deco facade of London’s best-loved family-run cafe, the woman who took over the running of the cafe in the thirties after the death of her husband Priamo who worked there from 1900 – which means we may be assured that the Christmas ravioli have been made here by the Pelliccis in this same spot for over a century.

Thus it was a great honour that Photographer Patricia Niven & I were the very first outsiders to be invited to witness and record this time-hallowed ritual in Bethnal Green. But I regret to inform you that this particular ravioli is only ever made for the family, which means the only way you can get to taste it is if you marry into the Pelliccis.

“It’s a Tuscan Christmas tradition – Ravioli in Brodo – we only do it once a year and every family has their own recipe,” Maria admitted to me as she turned the handle of the machine and her son Nevio Pellici (junior) reached out to manage the rapidly emerging yellow ribbon of pasta. “My mother and my grandmother used to make it, and I’ve been doing it all my life.”

In recent years, Maria has been quietly tutoring Nevio in this distinctive culinary art that is integral to the Pellicci family. “I was going with the boys to see Naples play against Arsenal tonight, but that’s down the drain,” he declared with good grace – revealing he had only discovered earlier in the day that his mother had decided the time was right for making the special ravioli, ready for the whole family to eat in chicken broth on Christmas Day.

“He’s a good boy,” Maria declared with a tender smile, acknowledging his sacrifice, “years ago I used to stay here on my own making the ravioli until eleven o’clock at night.”

“She’s trying to hand it over to me,” Nevio confirmed proudly.

“Nevio’s good and he’s got the patience,” Maria added encouragingly, as Nevio lowered the pasta carefully onto the ravioli mould.

“I’ve got the rubbish job, I have to fill the ravioli,” he complained in mock self-pity, grinning with pleasure as the two of them set to work with nimble fingers to fill the ravioli. Although the precise ingredients are a fiercely guarded secret, Maria confided to me that the filling comprises beef and pork with Parmigiano and Percorino, along with other undisclosed seasonings. “Everyone does it differently,” she confessed modestly, making light of the lifetime of refining that lies behind her personal recipe.

Already Maria had cooked the mixture slowly for a hour and added a couple of eggs to bind it, and – now it had cooled – she and Nevio were transferring it into the ravioli mould. “We used to do this by hand,” she informed me, turning contemplative as she watched Nevio expertly produce another ribbon of yellow pasta to sit on top of the mould. “We rolled the pasta out on the table before we had the machine. Sometimes, large families used to fill the whole table rolling out enough pasta to feed everyone on Christmas Day. When my mother was small, they were poor and lived in a hut but they had their own flour and eggs, so they could always make pasta.”

It was Nevio’s task to turn the mould over and press it down hard onto the table, binding the layers of pasta together. Then, with intense concentration as Maria waited expectantly, he peeled the ravioli away from the mould, revealing a sheet that looked like a page of neatly upholstered postage stamps. Making swift work of it, Maria wielded her little metal wheel by its wooden handle, separating the individual ravioli and transferring them to a metal tray.

In the kitchen of the empty restaurant, mother and son surveyed their fine handiwork with satisfaction. Each mould produced forty ravioli and, in the course of the evening, they made eight batches of ravioli, thus producing three hundred and sixty ravioli to delight the gathered Pelliccis on Christmas Day – and thereby continuing a family tradition that extends over a century. Yet for Maria, Ravioli in Brodo is more than a memento of her origin in Tuscany, making it here in the East End over all this time incarnates this place as her home.

“I am happy here and I know everyone in Bethnal Green,” she admitted to me, “It’s my village and it’s my family.”

Maria & Nevio rolling out the pasta

Maria sprinkles semolina in the mould to stop the pasta sticking

Maria & Nevio placing the meat filling in the ravioli

Nevio presses down on the ravioli mould

The ravioli are turned out from the mould

Maria cuts out the individual ravioli

 

Over three hundred ravioli ready for Christmas Day

Elide & Priamo, the Pellicci ancestors look down in approval upon the observance  of making Christmas ravioli for more than a century in Bethnal Green

Photographs copyright © Patricia Niven

E.Pellicci, 332 Bethnal Green Rd, E2 0AG

You may like to read my other Pellicci stories

Maria Pellicci, Cook

Maria Pellicci, The Meatball Queen of Bethnal Green

Pellicci’s Celebrity Album

Pellicci’s Collection

Colin O’Brien at E.Pellicci

Colin O’Brien’s Pellicci Portraits ( Part One)

Colin O’Brien’s Pellicci Portraits (Part Two)

Colin O’Brien’s Pellicci Portraits (Part Three)

Colin O’Brien’s Pellicci Portraits (Part Four)

Nicholas Borden’s Latest Paintings

December 8, 2019
by the gentle author

Ever since I met Nicholas Borden painting at his easel in the midst of a blizzard in Bethnal Green in 2013, it has been my delight to follow his work and publish his new pictures here in the pages of Spitalfields Life. Over recent months, Nicholas has been extraordinarily productive out on the streets of London, creating all these new paintings that you see below.

Liverpool St Station

Petticoat Lane

City Rd

Waterloo Station

Thames Embankment

Jogger in the rain, E9

St John of Jerusalem Hackney, E9

St Leonard’s Shoreditch, E2

St Peter’s Bethnal Green, E2

Well St, E9

Terrace Rd, E9

Columbia Rd Market, E2

My back garden with washing drying, E9

Looking north towards Hackney Central, E8

Looking west towards Bethnal Green from the ninteenth floor, E3

Paintings copyright © Nicholas Borden

If you wish to enquire about any of these paintings, please contact Nicholas direct nicholasborden100@yahoo.co.uk

You may also like to take a look at

Catching Up With Nicholas Borden

Nicholas Borden, Artist

Nicholas Borden’s East End View

Nicholas Borden’s Winter Paintings

Nicholas Borden’s Spring Paintings

Nicholas Borden’s New Paintings

Nicholas Borden’s Recent Paintings

On The Eve Of The Bloomsbury Jamboree

December 7, 2019
by the gentle author

The King of the Bottletops has been making festive crowns (Photo by Sarah Ainslie)

Louise Lateur at E5 Bakehouse has been baking gingerbread figures (Photo by Patricia Niven)

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Tim Mainstone of Mainstone Press, Joe Pearson of Design for Today, & I have been scurrying around London making last minute preparations for our BLOOMSBURY JAMBOREE, a festival of books and print, talks and merriment tomorrow SUNDAY 8th DECEMBER from 11am until 5pm at the ART WORKERS GUILD, 6 Queens Sq, WC1.

This is your last chance to book the few remaining tickets for Adam Dant’s lecture on MAPPING AN IMAGINARY LONDON & Eleanor Crow’s lecture on SHOPFRONTS OF LONDON.

We advise readers to come early to avoid the rush…

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Click here for a talk on MAPPING AN IMAGINARY LONDON by Adam Dant at 3pm 

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Click here for a talk on SHOPFRONTS OF LONDON by Eleanor Crow at 2pm

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Eleanor Crow’s Map Of East End Trades

December 6, 2019
by the gentle author

Tomorrow is Small Business Saturday and Eleanor Crow has illustrated this map for the East End Trades Guild which will be distributed free in shops – so don’t forget to pick up your copy.

In these testing times, we must cherish and support the independent shops and small businesses which contribute so much to the East End by creating employment for local people and building communities.

Eleanor Crow will be talking about her book SHOPFRONTS OF LONDON at 2pm this Sunday at our BLOOMSBURY JAMBOREE at the Art Workers Guild. Click here for tickets

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Click on the map to enlarge it

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CLICK HERE TO ORDER A SIGNED COPY FOR £14.99

At a time of momentous change in the high street, Eleanor’s witty and fascinating personal survey champions the enduring culture of Britain’s small neighbourhood shops.

As our high streets decline into generic monotony, we cherish the independent shops and family businesses that enrich our city with their characterful frontages and distinctive typography.

Eleanor’s collection includes more than hundred of her watercolours of the capital’s bakers, cafés, butchers, fishmongers, greengrocers, chemists, launderettes, hardware stores, eel & pie shops, bookshops and stationers. Her pictures are accompanied by the stories of the shops, their history and their shopkeepers – stretching from Chelsea in the west to Bethnal Green and Walthamstow in the east.

Winter Light In Spitalfields

December 5, 2019
by the gentle author

The inexorable descent into the winter darkness is upon us, even if just a couple of weeks from now we shall reach the equinox and days will start to lengthen. At this season, I am more aware of light than at any other – especially when the city languishes under an unremitting blanket of low cloud, filtering the daylight into a grey haze that casts no shadow.

Yet on some recent mornings I have woken to sunlight and it always lifts my spirits to walk out through the streets under a clear sky. On such days, the low-angled sunshine and its attendant deep shadow conjures an exhilarating drama.

In these particular conditions of light, walking from Brick Lane down Fournier St is like advancing through a cave towards the light, refracting around the vast sombre block of Christ Church that guards the entrance. The street runs from east to west and, as the sun declines, its rays enter through the churchyard gates next to Rectory illuminating the houses opposite and simultaneously passing between the pillars at the front of the church to deliver light at the western end where it meets Commercial St.

For a spell, the shadows of the stone balls upon the pillars at the churchyard gate fall upon the houses on the other side of the street and then the rectangle of light, admitted between the church and the Rectory, narrows from the width of a house to single line before it fades out. At the junction with Commercial St, the low-angled sun directed through the pillars in the portico of Christ Church casts tall parallel bars of light and shade that travel down Fournier St from the Ten Bells as far as number seven, reflecting off the window panes to to create a fleeting pattern like stars within the gloom of the old church wall.

As you can see from these photographs, I captured these transient effects of light with my camera to share with you as a keepsake of winter sunshine, for consolation when those clouds descend again.

The last ray

The shadow of the cornice of Christ Church upon the Rectory

The shadow of the pillars of Christ Church upon Fournier St

Windows in Fournier St reflecting upon the church wall

In Princelet St

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Midwinter At Christ Church Spitalfields

A View of Christ Church Spitalfields

The Secretary Of State Steps In

December 4, 2019
by the gentle author

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Thanks to all the letters written by you – the readers of Spitalfields Life – Robert Jenrick, the Secretary of State, has stepped in and issued a Holding Direction to Tower Hamlet Council which prevents them proceeding with approving the Whitechapel Bell Foundry planning application for change of use to a boutique hotel while he considers what to do.

If you have not yet written to the Secretary of State, you should do so at once to PCU@communities.gsi.gov.uk

Emphasise the national and international significance of the bell foundry and point out that the planning application causes ‘substantial harm’ to an important heritage asset. Explain there is a viable scheme to continue the Whitechapel Bell Foundry as a proper working foundry and ask him to hold a Public Inquiry.

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You may also like to read about

A Letter to the Secretary of State

The Fate of the Whitechapel Bell Foundry

Save Our Bell Foundry

A Bell-Themed Boutique Hotel?

Nigel Taylor, Tower Bell Manager

Benjamin Kipling, Bell Tuner

Four Hundred Years at the Whitechapel Bell Foundry

Pearl Binder at Whitechapel Bell Foundry

Dorothy Rendell at Whitechapel Bell Foundry

Hope for The Whitechapel Bell Foundry

A Petition to Save the Bell Foundry

Save the Whitechapel Bell Foundry

So Long, Whitechapel Bell Foundry

Fourteen Short Poems About The Whitechapel Bell Foundry

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