At KTS, The Corner
Thank you to everyone who has contributed so far to my crowd-funder to launch a COMMUNITY TOURISM PROJECT in Spitalfields as a BETTER ALTERNATIVE to the serial killer tours that monetise misogyny. We are around halfway now, so please help by spreading the word.
CLICK HERE TO SUPPORT THIS PROJECT

Map of The Gentle Author’s Tour of Spitalfields designed by Adam Dant
Everyone in East London knows KTS The Corner, Tony O’Kane’s timber and DIY shop. With Tony’s ingenious wooden designs upon the fascia and the three-sided clock he designed over the door, this singular family business never fails catch the eye of anyone passing the corner of the Kingsland Rd and Englefield Rd in Dalston. In fact, KTS The Corner is such an established landmark that it is “a point of knowledge” for taxi drivers.
Yet, in spite of its fame, there is an enigma about KTS which can now be revealed for the first time. “People think it stands for Kingsland Timber Service,” said Tony with a glint in his eye, “Even my accountant thinks it does, but it doesn’t – it stands for three of my children, Katie, Toni and Sean.” And then he crossed his arms and tapped his foot upon the ground, chuckling to himself at this ingenious ruse. It was entirely characteristic of Tony’s irrepressible creative spirit which finds its expression in every aspect of this modest family concern, now among the last of the independent one-stop shops for small builders and people doing up their homes.
On the Kingsland Rd, Tony’s magnificent pavement display of brushes, mops and shovels, arrayed like soldiers on parade, guard the wonders that lie within. To enter, you walk underneath Tony’s unique three-sided clock – constructed to be seen from East, South and North – with his own illustrations of building materials replacing the numerals. Inside, there are two counters, one on either side, where Tony’s sons and daughters lean over to greet you, offering key cutting on your left and a phantasmagoric array of fixtures to your right. Step further, and the temporal theme becomes apparent, as I discovered when Tony took me on the tour. Each department has a different home made clock with items of stock replacing the numerals, whether nails and screws, electrical fittings, locks and keys, copper piping joints, or even paints upon a palette-shaped clock face. Whenever I expressed my approval, Tony grimaced shyly and gave a shrug, indicating that he was just amusing himself.
Rashly, Tony left his sons in charge while we retired to his cubicle office stacked with invoices and receipts where, over a cup of tea, he explained how he came to be there.
“I’m from from Hoxton, I went to St Monica’s School in Hoxton Sq. To get me to concentrate on anything they had to tie me down, but, if anything physical needed doing, like moving tables and chairs, I’d be there doing it. My dad did his own decorating and my mother wanted everything completely changed every year or eighteen months, so he taught me how to hang wallpaper and to do lots of little jobs. After Cardinal Pole’s Secondary School, I did an apprenticeship in carpentry and got a City & Guilds distinction. Starting at fifteen, I did four years apprenticeship at Yeomans & Partners. Back then, when you came out of your apprenticeship, they made you redundant. You got the notice in your pay packet on the Thursday but on Saturday you’d get a letter advertising that they needed carpenters at the same company. They wanted you to work for them but without benefits and you had to pay a weekly holiday stamp.
I went self-employed from that moment. At the age of nineteen, I started my own company. I covered all the trades because I learnt that the first person to arrive on a building site is a carpenter and the last person to leave the site upon completion is a carpenter. Nine out of ten foremen are ex-carpenters and joiners, since the carpenter gets involved with every single other trade. So, over the years, I picked up plumbing, heating, electrics. When I started my company, I wouldn’t employ anyone if I couldn’t do their job – so I knew how much to pay ’em and whether they was doing it right or wrong.
This was in 1973, and Hackney Council offered me a grant to do up a building in Broadway Market. I just wanted an office, a workshop and a warehouse but they said you have to open a shop. So, as I was a building company, I opened a builders’ merchants and then, twenty years ago, I bought this place. When I bought it, it was just the corner, there was no shopfront. I designed the shopfront and found the old doors. I used to come here with my dad when we were doing the decorating for my mum, because they made pelmets to order here but, as a child, I never thought I’d own this place.”
Tony is proud to assure you that he stocks more lines than those ubiquitous warehouse chains selling DIY materials, and he took me down into the vast cellar where entire aisles of neatly filed varieties of hammers and hundreds of near-identical light fixtures illustrated the innumerable byways of unlikely creativity. At the rear of the shop, through a narrow door, I discovered the carpentry workshop where resident carpenter Mike presides upon some handsome old mechanical saws in a lean-to shed stacked with timber. He will cut wood to any shape or dimension you require upon the old workbench here.
Tony’s witty designs upon the Englewood Rd side of the building are the most visible display of his creative abilities, in pictograms conveying Plumbing & Electrical, Joinery, Keys Cut, Gardening and Timber Cut-to-Size. When Tony took these down to overhaul them once, it caused a stir in the national press. Thousands required reassurance that Tony’s designs would be reinstated exactly as before. It was an unexpected recognition of Tony’s talent and a powerful reminder of the secret romance we all harbour for traditional hardware shops.
Tony with his sons Jack and Sean.
A magnificent pavement display of brushes, mops and shovels.
The temporary removal of Tony’s wooden pictograms triggered a public outcry in the national press.
In the Kingsland Rd, you may also like to read about
Andy Strowman, Poet Of Stepney
Thank you to everyone who has contributed so far to my crowd-funder to launch a COMMUNITY TOURISM PROJECT in Spitalfields as a BETTER ALTERNATIVE to the serial killer tours that monetise misogyny. We are almost halfway, so please help by spreading the word.
CLICK HERE TO SUPPORT THIS PROJECT

Map of The Gentle Author’s Tour of Spitalfields designed by Adam Dant

Andy Stroman
Let me introduce Andy Strowman, the poet of Stepney. ‘I’ve kept quiet for long periods of my life,’ Andy confessed to me when I met him recently. ‘I hope this interview will help people not to be ashamed and feel able to talk about whatever subject they want in life.’ Of modest yet charismatic demeanour, Andy is a born storyteller and I was rapt by his tale, unsentimental yet full of human sympathy too.
‘At Bearsted Maternity Hospital in Stoke Newington, the doctors said to my mother, ‘I’m sorry Mrs Strowman, you’re going to have to have a caesarean.’ But she said, ”Oh no you won’t’ and I gave one push and out you came.’ She showed formidable East End spirit. They brought me back to Milward St, where we lived at the back of the Royal London Hospital, one of the oldest streets in Whitechapel.
Rose, my mother – maiden name Cohen – was a true East Ender born at the Royal London Hospital. Her sister, my Aunty Rae, lived with us. Her brother Jack worked at the Cumberland Hotel where he introduced me to Mohammed Ali. Then there was Barney who was also a formidable, beautiful man. He ended up in Wormwood Scrubs because he was a Conscientious Objector. He was in the army but he had no bad bones in his body and refused to fight.
My mother started work at fourteen years old, her first job was in Whitechapel Rd at the junction with New Rd. She was besotted with wanting to be a milliner. She always stood up for herself and, in another generation, she would have been a Suffragette. In her first job, the governor told her to clean the toilets so she went home and told my grandmother.
My grandmother told the governor, ‘I sent my daughter here to get a training and learn a trade, she’s not here to clean toilets.’ He said, ‘But that’s how I started…’ So my grandmother told him, ‘My daughter’s not going to be working for you any more,’ and took her away. God bless her for fighting for her rights! My mother got another job and went up to the West End, copying designs for hats, then making them at home before taking them into her new work place where the manager was very pleased.
Her mother came from Vilna which was then in Russia, escaping the pogroms, the mass slaughter of Jews. She was fourteen when she came over and seventeen when she married. It was an arranged marriage to my grandfather, who was nineteen. He was from Warsaw, most likely the Vola district, and he was in the garment trade.
Sam, my father, was an American who became a black cab driver in London. His parents were Russian, from the Ukraine, who landed in New York. He came over here as a soldier in the Second World War and my mother met him in a night club in Piccadilly Circus. They got married in Philpot St Synagogue in Whitechapel, where I and my brothers had our Bar Mitzvahs.
It is emotional for me to talk about my childhood, because although there were many happy moments there were also many very sad ones. It still stays with me now and it is why I do everything I can to help other people.
There was an expectation that we would go out and play in the street to give our parents a break and we used to play football. We were often tasked with running errands for old people and my mum used to arrange for me to sit with old people in their houses too.
Next door lived Rosie Botcher. Mum and Betty Gillard used to go round and wash her down after she had cancer. When I was born, she was given a year to live but lived another thirteen years. Also in our street was Byla Kahn who was from Poland, I used to love to sit with her because she told me stories. Since I was always a good boy, I waited for that formidable moment when she pulled open a little drawer and produced a bar of Cadbury’s chocolate for me.
One of the stories she told me was about when she was living with her grandparents. One day, she was washing clothes in the river when a resplendent man came along on a horse. He climbed off and started to talk to her. He was beautifully dressed and had a sabre. When she got home and told her grandmother what had happened, her grandmother was furious. That man was a Cossack and they had a terrible reputation for violence against Jewish people.
I have so many memories of Milward St but, like so many good things, it came to an end. We got a letter and my brother Paul, the journalist, read at it and said, ‘We’re going to have to leave.’ By that time, my mum and dad had split up. My father left when I was fourteen and I did not see or hear from him again for nearly seven years. After he left my mother stayed in bed for year and gave up washing. The letter said the houses were ‘unfit for human habitation.’ I did not understand what it meant but my brother told me, ‘We can’t live here anymore.’
We moved to a maisonette in Wager St off Bow Common Lane but we missed the strong community in Milward St where neighbours helped each other. My uncle told me that on a Friday night, before the war, people would go out into the street and talk until one o’clock in the morning. He said that once the war came, people did not do it anymore and the habit never returned afterwards.
Primary school was an adventure for me. I was always the last one in and the first one out. I think I got it from my mother, she was born with a club foot and did not like school because the children used to make fun of her, so she had to leave school after everyone else had gone home.
However I made a lot of good friends at Robert Montefiore School in Hanbury St. My favourite memory is when I was late and got taken upstairs and put into the class room by my mum. She asked ‘Where’s Mr Martin?’ and one of the children said, ‘He’s gone out.’ So she went to the front and announced, ‘I’m going to take the class now – everybody be quiet.’ As you can imagine, I was embarrassed to the hilt but also secretly proud that my mum with so little education had become a teacher. She asked, ‘Anybody going on holiday this year?’ One by one, they announced where they were going to go. Then Mr Martin returned in an advanced state of intoxication and said, ‘Well done, Mrs Strowman, you’re doing a marvellous job, you’d make a great teacher.’
We all had to take the 11-plus exam before we went to a grammar school or a secondary school but we never told our mums. Four of us – Colin McGraw, Keith Britten, Stephen Jones and me – made this pact to sit near each other and fail the exam, so we would all end up in the same school. But, although they failed and stuck together, I got a place at a grammar school, Davenant School in Whitechapel.
There began the tumult of my life. If I had one wish, it would be to have left school at eleven. In the first week, I was completely sabotaged by what was going on. I could not cope or keep up, moving classrooms, and doing homework.
The Chemistry teacher had a formidable stance and a bellowing voice like a ship’s captain. I was beginning to shake in fear and he noticed that – he picked up on my anxiety. He dragged me along the floor by my jacket until we reached the blackboard, where he smashed me to the ground. I could not believe what was going on. He pulled me up and dragged me all the way back. The lesson continued. We were performing our first experiment, a test for hydrogen with a lighted splint. We were all working from textbooks and I was the only one to take it with me at the end of the class. He swore at me and smashed me against the wall with his fist. I was crying on the floor and my head was swollen. No charge was ever made against this man but I later discovered that he was well known for this kind of behaviour. The climate was fully acceptable for violence in that school.
The next day the headteacher pulled me out of class, took me to his office and said, ‘Strowman, you’ve got to learn to take the rough with the smooth. Now get back to class.’ From that moment onwards, my life was hell. Boys made fun of me and I was frightened most of the time, getting beatings off the other kids – sometimes four or five times a week. I had nobody to tell.
I asked to my brother, ‘Why didn’t you warn me?’ He told me, ‘They are all bad in there.’ He told me he was lining up outside the Art room once before class and heard this noise inside, so one of the boys opened the door to discover the headmaster and the Art teacher on the floor, punching each other.
The Geography teacher tried to make it kinder for me. He encouraged me to look beyond. ‘Look out the window and think of the real world,’ he said to me once.
Our English teacher gave the books out quickly and put his feet up on the desk. He would learn back in his chair, while a pupil read ‘The Pied Piper of Hamelin,’ and drink a half bottle of whisky right down at three o’clock in the afternoon. I got endeared to him quite quickly. On my way back to school after lunch at home, I would see him come out of the Blackboard pub and steer him across Valance Rd and back into school.
Eventually, I was put in a separate class with eight others – two of whom were known to the police – and we did not have to do homework. School was very damaging for me. I received an apology from the deputy headteacher, forty-eight years later.
The sun only began to come out when writing came into my life – it happened for two reasons. I had a teacher who encouraged me to write poetry and my brother Paul became a journalist, he was an inspiration to me. When I came back from school after the beatings and the taunts at fourteen years old, I found reading poetry was a great release – I wanted to change my name to W B Yeats! He was my hero, also Dylan Thomas, John Keats, Wilfred Owen and Isaac Rosenberg – also the Yiddish writers. These people inspired me. Without money coming in, like a lot of East End boys, I lived on my wits – so I used to dodge my fare to buy books.
After I had left school, when I was sixteen and a half, I met Becky who was from California at Liverpool St Station, where I used to go in the evenings as write my poetry. I wrote her a poem.
To this day, when I write, I cannot believe it is me. It was a passion. It was the way out for me. Suddenly I learnt I could express myself. For around a year and a half, I was wandering around trying to get someone to take on my poetry. I visited publishers but got nowhere.
In the end somebody said to me, ‘Why don’t you try Chris Searle?’ He was the Stepney English teacher whose pupils went on strike after he was sacked. So went to a phone box in Aldgate by Gardiner’s Corner to call him and he said, ‘Why don’t you come round this evening?’ He became like a surrogate father to me. He recognised my work and helped publish STORY OF A STEPNEY BOY. He opened this magic door and I could go through it.
Poetry elevated my spirit and helped me to see myself more objectively. It took the thorns out of my soul.’

Andy, aged seven


Andy with his mother at the seaside

Andy aged eleven, with his parents


Uncle Davey

Uncle Jack once introduced Andy to Mohammed Ali


Andy’s father with Uncles, Davey and Jack

After Andy’s brother Howard’s Bar Mitzvah – Andy sits front left


Andy’s maternal grandmother

Aunty Rae

The wedding of Andy’s maternal grandparents
Copies of STORY OF A STEPNEY BOY may be obtained direct from Andy Strowman by emailing andy.strowman1@gmail.com
You may also like to read about
Chris Searle & the Stepney School Strike
Crudgie, Motorbicycle Courier
Thank you to everyone who has contributed this week to my crowd-funder to launch a COMMUNITY TOURISM PROJECT in Spitalfields as a BETTER ALTERNATIVE to the serial killer tours that monetise misogyny. We still have a way to go, so please help by spreading the word.
CLICK HERE TO SUPPORT THIS PROJECT

Map of The Gentle Author’s Tour of Spitalfields designed by Adam Dant

Behold the noble Crudgie!
I have been hoping for the opportunity to catch up with Crudgie ever since we were first introduced at the Fish Harvest Festival, so I was delighted to accept his invitation to meet at that legendary bikers’ rendezvous, the Ace Cafe on the North Circular.
Over six foot six in height, clad head to toe in black leather, with extravagant facial hair trained into straggling locks and carrying the unmistakable whiff of engine oil wherever he goes, Crudgie makes an unforgettable impression. Crudgie’s monumental stature, beady roving eyes and bold craggy features adorned with personal topiary, give him the presence of one from medieval mythology, like Merlin on a motorbike. Yet in spite of his awesome appearance and gruff voice, I found Crudgie a warm and friendly personality, even if he does not suffer fools gladly, issuing fearsome warnings to pedestrians not to get in his way.
“I’m only called by my surname, Crudgington. “Ington” means family living in an enclosed dwelling, and “crud” is a variation of curd, so they were probably cheesemakers. There’s a place in Shropshire named Crudgington, but there’s nobody buried in the church with that name, nobody living there with that name either and nobody that lives there has ever heard of anybody called Crudgington. The shortened version of my name came about when I went to play rugby and cricket where everyone gets a nickname ending in “ie.” I’ve swum for the county, and competed as an athlete in the four hundred metres and javelin, as well.
I grew up in Billericay, famous for being the first place to count the votes in the General Election. My father was builder called Henry but everyone knew him as Nobby. I went into banking for ten years in Essex but I couldn’t get on with it, even though I was the youngest person ever to pass the banking exam. So then I went to work in insurance in the City, I worked for Barclays for ten years and played for their rugby team until they couldn’t afford to fund it anymore. In the nineteen nineties, I felt I was getting nowhere in insurance so I started motorbicycle couriering. I got a motorbike from my parents for fifteenth birthday, so I’ve always been a biker and I do thousands of miles on it every year, going to sporting events, meet-ups and scrambles.
It’s the camaraderie of it that appeals to me, meeting up with your mates, but unfortunately you are perceived as an outlaw. I have been stopped eighty-nine times in twenty-one years by the police. Apparently, couriers are the second most-disliked Londoners after Estate Agents. It’s because people get scared out of their wits when they are not thinking where they are going and a courier brushes by and gives them the shock of their life. People should look where they are going. If you are going to hit a pedestrian, it’s best to hit them them straight on, that way they get thrown over the handlebars. A few cuts and bruises, but nobody gets killed by a motorbicycle. Whereas if you veer to either side to avoid them, the danger is you clip them with your handlebars and it sends you into a tailspin, and you fall off.
I’m a member of the most important biker club – The 59 Club, set up by Father Bill Shergold in 1959. He was a vicar who was a biker, and he wanted to bring the mods and rockers together, so he opened up in a church hall in West London in 1961 and on the first day he had Cliff Richard & The Shadows performing there. Then in 1985, it moved to Yorkton St, Bethnal Green. It was open three days a week, and you could go in and have a cup of tea after work. They had a bike repair workshop for maintenance, two snooker tables and a stage where lots of bands performed. And once a year, you could go to a church service. They moved to Plaistow now, but everybody that was in it is still in it – it’s the largest bike club in the world.
There’s only a few British couriers left, most are Brazilians now. It used to be Polish until they earned enough money and all went back home. Once upon a time, there was a lot of money in it though it’s gone down thanks to technology, but the beauty is you can work when you like and you get to go interesting places that you’d never go otherwise. I’ve picked up the Queen’s hair products from SW3 and driven into Buckingham Palace to deliver them. I do a lot of deliveries for film companies and quite often I stay around on set to watch, especially if it’s in some interesting stately home that you wouldn’t normally get to visit. If I have to go somewhere on a journey out of London, I always take time to visit the museum or castle or whatever there is to see.
I’ve worked from nine until seven for years, but I’ve decided I’m only going to do nine thirty to six because I’m getting old. If I had independent funds, I wouldn’t be riding anymore. I haven’t missed a day in quite a few years and I’ve only ever had one week off in twenty years…”
When I arrived at the Ace Cafe, I saw Crudgie’s bike outside and I spotted him through the window, head and shoulders above his fellows. Inside, a long counter ran along one wall, facing a line of windows looking out on the North Circular, and the space in between was filled by tables, scattered with helmets to indicate those which were reserved by customers. Once Crudgie had greeted me with a firm bikers’ handshake, we settled by the window where he squeezed every drop from his teabag to achieve a beverage that was so strong it was almost black. A characteristic Crudgie brew.
Like the questing knight or the solitary cowboy, Crudgie has no choice but to follow his ordained path through the world, yet he is a law unto himself and the grime he acquires speeding through the traffic is his proud badge of independence. A loner riding the city streets with his magnificent nose faced into the wind, Crudgie is his own master.



Crudgie at the Ace Cafe on the North Circular. “- Like Merlin on a motorbike.”
You may also like to read
The Weathervanes Of Old London
Thank you to everyone who has contributed this week to my crowd-funder to launch a COMMUNITY TOURISM PROJECT in Spitalfields as a BETTER ALTERNATIVE to the serial killer tours that monetise misogyny. We still have a way to go, so please help by spreading the word.
CLICK HERE TO SUPPORT THIS PROJECT

Map of The Gentle Author’s Tour of Spitalfields designed by Adam Dant

Spire of St Mary-Le-Bow, Cheapside, by Christopher Wren
Clinging on for dear life in the midst of the raging tempest, it occurred to me that this was the ideal moment to publish these weathervanes. There is no more magical sight to glimpse in a London street on a bright spring morning, after the storm has passed, than that of a gilded weathervane, glinting in sunlight high above the rooftops. At once – in spite of all the changes that time has wrought – you know you are sharing in a visual delight enjoyed by three centuries of Londoners before you and it makes your heart leap.
Consequently, I am grateful to Angelo Hornak who photographed this gallery of magnificent weathervanes in his book AFTER THE FIRE, London Churches in the Age of Wren, Hawksmoor & Gibbs published by Pimpernel Press.

Dragon upon St Mary-Le-Bow, representing the City of London

Arrow & pennant on St Augustine, Watling St

Spire of St Bride’s Fleet St by Christopher Wren

Gridiron on St Lawrence Jewry, symbol of the martyrdom of St Lawrence

Weathervane on St Magnus the Martyr by Christopher Wren

Weathervane on St Michael Paternoster Royal, College St

Galleon on St Nicholas Cole Abbey, moved from St Michael Queenhithe after demolition

Weathervane on St James Garlickhythe

Crown on St Edmund King & Martyr, Lombard St

Key on the Tower of St Peter Cornhill

Cockerell on St Dunstan-in-the-East by Christopher Wren

Comet on St Mary-Le-Strand

Spire of St Martin in the Fields by James Gibbs

Square-rigged ship on St Olave Old Jewry

Flaming red-eyed dragon on St Luke, Old St, described as a flea in popular lore

Weathervane on St Stephen Walbrook by Nicholas Hawksmoor

‘Flame’ on the top of the Monument by Christopher Wren
Photographs copyright © Angelo Hornak
You may also like to take a look at
Richard Dighton’s City Characters
Thanks to everyone who has contributed, we are now a third of the way towards my crowd-funder to launch a COMMUNITY TOURISM PROJECT in Spitalfields as a BETTER ALTERNATIVE to the serial killer tours that monetise misogyny. We still have a way to go to reach our target, so please help by spreading the word.
CLICK HERE TO SUPPORT THIS PROJECT

Map of The Gentle Author’s Tour of Spitalfields designed by Adam Dant
At the end of the week in which bumper bonuses for bankers were celebrated in the City of London, I thought I would publish Richard Dighton’s cartoons of their Regency counterparts from 1824 in the archive at the Bishopsgate Institute, thus testifying that fat cats are not a new phenomenon.
Images courtesy Bishopsgate Institute
You may also like to take a look at
A Walk Through Time In Spitalfields Market
Thanks to everyone who has already contributed towards my crowd-funder to launch a COMMUNITY TOURISM PROJECT in Spitalfields as a BETTER ALTERNATIVE to the serial killer tours that monetise misogyny. Please help me by spreading the word.
CLICK HERE TO SUPPORT THIS PROJECT

Map of The Gentle Author’s Tour of Spitalfields designed by Adam Dant

Once upon a time, the Romans laid out a graveyard along the eastern side of the road leading north from the City of London, in the manner of the cemetery lining the Appian Way. When the Spitalfields Market was demolished and rebuilt in the nineteen-nineties, stone coffins and funerary urns with copper coins were discovered beneath the market buildings – a sobering reminder of the innumerable people who came to this place and made it their own over the last two thousand years. Outside the City, there is perhaps no other part of London where the land bears the footprint of so many over such a long expanse of time as Spitalfields.
In his work, Adam Tuck plays upon this sense of reverberation in time by overlaying his own photographs upon earlier pictures to create subtly modulated palimpsests, which permit the viewer to see the past in terms of the present and the present in terms of the past, simultaneously. He uses photography to show us something that is beyond the capability of ordinary human vision, you might call it God’s eye view.
Working with the pictures taken by Mark Jackson & Huw Davies in 1991, recording the last year of the nocturnal wholesale Fruit & Vegetable Market before it transferred to Leyton after more than three centuries in Spitalfields, Adam revisited the same locations to photograph them today. The pictures from 1991 celebrate the characters and rituals of life within a market community established over generations, depicted in black and white photographs that, at first glance, could have been taken almost any time during the twentieth century.
In Adam Tuck’s composites, the people in the present inhabit the same space as those of the past, making occasional surreal visual connections as if they sense each others presence or as if the monochrome images were memories fading from sight. For the most part – according to the logic of these images – the market workers are too absorbed in their work to be concerned with time travellers from the future, while many of the shoppers and office workers cast their eyes around aimlessly, unaware of the spectres from the past that surround them. Yet most telling are comparisons in demeanour, which speak of self-possession and purpose – and, in this comparison, those in the past are seen to inhabit the place while those in the present are merely passing through.
Although only thirty years have passed since the market moved out, the chain stores and corporate workers which have supplanted it belong to another era entirely. There is a schism in time, since the change was not evolutionary but achieved through the substitution of one world for another. Thus Adam’s work induces a similar schizophrenic effect to that experienced by those who knew the market before the changes when they walk through it today, raising uneasy comparisons between the endeavours of those in the past and the present, and their relative merits and qualities.
Brushfield St, north side.
Lamb St, south side.
Brushfield St, looking east.
In Brushfield St.
In Gun St.
Brushfield St, looking south-east.
Looking out from Gun St across Brushfield St.
In Brushfield St.
Market interior.
Northern corner of the market.
In Lamb St.
Lamb St looking towards The Golden Heart.
Photographs copyright © Mark Jackson & Huw Davies & Adam Tuck
Mark Jackson & Huw Davies photographs courtesy Bishopsgate Institute
You may like to look at more of Adam Tuck’s work
A Walk Through Time in Spitalfields
and Mark Jackson & Huw Davies pictures of the Spitalfields Market
Spitalfields Market Portraits, 1991
Night at the Spitalfields Market, 1991
Mark Jackson & Huw Davies’ Photographs of the Spitalfields Market
Spitalfields Market Portraits, 1991
Thanks to everyone who contributed yesterday to help me launch a COMMUNITY TOURISM PROJECT in Spitalfields as a BETTER ALTERNATIVE to the serial killer tours that monetise misogyny. Please help by spreading the word to your family, friends and workmates.
CLICK HERE TO SUPPORT THIS PROJECT

Map of The Gentle Author’s Tour of Spitalfields designed by Adam Dant
It is my pleasure to publish this gallery of portraits of Spitalfields Market traders chosen from more than three thousand photographs taken by Mark Jackson & Huw Davies in the last year of the Fruit & Vegetable Market in Spitalfields in 1991.
When Mark and Huw arrived at the market, they often separated to pursue different lines of inquiry, convened regularly through the night to compare results. Huw, the more more experienced photographer of the two, might set up the ambitious wide shots of the market and wait for figures to walk into the frame, while Mark, who did not even know how to load a camera at first, would chat with traders and snap portraits. And thus their different qualities complemented each other, so that today the body of pictures detailing the life of market exists as a totality in which the work of each photographer cannot be disentangled from the other.
All these portraits were the result of conversations as the photographers came to know their subjects. Always, conversation came first and once both parties were comfortable, the pictures were taken. As the traders came to appreciate the project, more were keen to have their portraits done, waving the photographers over and demanding a picture. It was an event that grew more frequent as the closure approached, and those who had spent their working lives there were desirous of being photographed in their market. They wanted their existence recorded along with their fellows.
There was a rigor imposed upon the endeavour by the cost of the film and the limitation of the budget, giving value to every single frame. At first, Mark & Huw bought cheap second hand cameras that broke and then they saved for months to buy new Nikon cameras and lenses, including a precious 35mm lens for portraits which they shared between them. And, to save money they bought great rolls of film and wound it into their cameras, but it quite often got damaged by fingerprints in the process.
Then, each weekend when the market was closed, Mark & Huw filled the bath in their tiny flat with smelly chemicals mixed up from powder and developed the week’s films, hanging them with clothes pegs on strings to dry – and sometimes the mix of the developer was wrong and the pictures came out too dark. Yet in spite of all these limitations, and the resultant pitfalls and mishaps, Mark & Huw were able to produce the splendid, emotionally-charged portraits which you see here and, thanks to them, we are able to meet the Spitalfields Market traders of 1991 face to face.
Photographs copyright © Mark Jackson & Huw Davies
You can see the original selection of
Mark Jackson & Huw Davies’ Photographs of the Spitalfields Market
and read about



















































































