Fritz Wegner’s Christmas Plates
A few years ago, I came across this set of small souvenir Christmas plates Fritz Wegner designed for Fleetwood of Wyoming between 1980 and 1983 in limited editions, which I acquired for almost nothing. They are crudely produced, not unlike those ceramics sold in copyshops with photographic transfers, yet this cheap mass-produced quality endears them to me and I set them out on the dresser every Christmas with fondness.
I discovered my delight in the work of illustrator Fritz Wegner (1924-2015) in primary school through his drawings for Fattypuffs & Thinifers by Andrew Maurois. Throughout my childhood, I cherished his book illustrations whenever I came across them and the love of his charismatically idiosyncratic sketchy line has stayed with me ever since.
Only recently have I learnt that Fritz Wegner was born into a Jewish family in Vienna and severely beaten by a Nazi-supporting teacher for a caricature he drew of Adolf Hitler at the age of thirteen. To escape, his family sent him alone to London in August 1938 where he was offered a scholarship at St Martin’s School of Art at fourteen years old, even though he could barely speak English.
Journey to Bethlehem, 1983
The Shepherds, 1982
The Holy Child, 1981
The Magi, 1980
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Chapter 4. New Sanguinary Atrocities
If any of my readers would care to join me for a socially-distanced guided walk through the history of Spitalfields on Boxing Day at noon please drop a line to spitalfieldslife@gmail.com

Late on the night of 19th December 1811, events were to take an even more remarkable turn. Mr Anderson, the Parish Constable, who lived in New Gravel Lane opposite the King’s Arms in Shadwell, decided to cross the road after closing time to get a top-up for his pint-pot from his good friend Mr Williamson, the landlord. As he opened his front door, he saw a nearly-naked man suspended in mid-air by sheets knotted together from a garret window of the pub opposite screaming, “Murder! Murder!” Mr Anderson grabbed his sword and staff from his house and emerged again just as John Turner, the lodger, dropped the last eight feet into the arms of the watchman Shadrick Newhall.
Mr Anderson prised open the pavement flap that led to the cellar of the King’s Arms. Inside, on the cellar steps, the landlord’s dead body was visible in the darkness, lying upside down with its legs splayed in the direction of the bar room above. An iron bar smothered in blood lay alongside the corpse, Mr Williamson’s throat was cut to the bone, his head was beaten in and his right leg fractured. He had put up a courageous fight, revealed by the hand dreadfully hacked up as if in his last moments he had clutched at the knife that finished him off. One thumb dangled loosely in the blood trickling down the staircase.
As Mr Andersen stood transfixed at his discovery, a cry came from the crowd gathering in the street, “Where’s the old man?” Startled from his reverie, Andersen made his way up the stairs, stepping carefully over the body. On the ground floor, he found the corpses of Mrs Williamson and the servant girl, Bridget Harrington, both slaughtered with equal cruelty. In the darkness of the first floor bedroom, he came upon the Williamson’s grandchild, Kitty Stillwell, lying in her bed asleep and unharmed. Overcome with powerful mixed emotions, he carried the sleepy little girl from the house into the street.
As John Turner recovered himself, he explained that he had seen a tall man in a long Flushing coat standing over the body of Mrs Williamson, corresponding to a description of a man seen outside the King’s Arms that night. A window at the back which had been used for escape was left open with bloodstains on the sill. It was discovered that Mr Williamson’s watch was missing.
That night, the wardens of St Paul’s Shadwell gathered in the vestry in incredulous horror, realising that they were caught up in events so chillingly macabre as to be entirely beyond control of any mortal. No-one could say how many more murders were yet to come or predict where these disquieting events might lead. They did all they could, which was to issue a reward of one hundred guineas.
Earlier that day, a critical discovery had been made concerning the maul which had been used in the slaying of Timothy Marr and his family. Although a handbill had been published requesting information as to the origin of the maul, it was only now that the blood and hair were removed from the maul to reveal the owner’s intials I.P.
As the feast of Christmas came closer and innocent children lay sleepless in their beds listening for the tinkle of St Nicholas’ sleigh bells, all across London their parents lay awake in terror craning for any sound that might presage the imminent invasion of unknown intruders with violent murderous intent.
Below you can see the site of the King’s Arms today. The building was swept away with the expansion of the London docks in the nineteenth century, now these walls that weave through Wapping are mere remnants of the docks that survived the bombing of World War II to be closed down in the late twentieth century, and behind this wall is a housing estate of recent date.
Reports will be posted as there is further news of these escalating occurrences.
Click on Paul Bommer’s map of the Ratcliffe Highway Murders to explore further
I am indebted to PD James’ ‘The Maul & The Peartree’ which stands as the authoritative account of these events. Thanks are also due to the Bishopsgate Institute and Tower Hamlets Local History Archive.
You may like to read the earlier instalments of this serial which runs throughout December
1. The Death Of A Linen Draper
Spitalfields Parties of Yesteryear

The van drivers of the Spitalfields Market certainly knew how to throw a party, as illustrated by this magnificent collection of photographs in the possession of George Bardwell who worked in the market from 1946 until the late seventies. George explained to me how the drivers saved up all year in a Christmas Club and hired Poplar Town Hall to stage shindigs for their families at this season. Everyone got togged up and tables overflowed with sponge cakes and jam tarts, there were presents for all and entertainments galore. Then, once the tables were cleared and the children safely despatched to their beds, it was time for some adult entertainment in the form of drinks and dancing until the early hours.











































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The Dinners Of Old London
Dinner at the Mercers’ Hall, c.1910
Is that your stomach rumbling or is it the sound of distant thunder I hear? To assuage your hunger, let us pass the time until we eat by studying these old glass slides once used for magic lantern shows by the London & Middlesex Archaeological Society at the Bishopsgate Insititute. Observe the architecture of gastronomy as expressed in the number and variety of ancient halls – the dining halls, the banquet halls and the luncheon rooms – where grand people once met for lengthy meals. Let us consider the dinners of old London.
The choicest meat from Smithfield, the finest fish from Billingsgate, and the freshest vegetables from Covent Garden and Spitalfields, they all found their way onto these long tables – such as the one in Middle Temple Hall which is twenty-seven feet long and made of single oak tree donated by Elizabeth I. The trunk was floated down the river from Windsor Great Park and the table was constructed in the hall almost half millennium ago. It has never been moved and through all the intervening centuries – through the Plague and the Fire and the Blitz – it has groaned beneath the weight of the dinners of old London.
Dinners and politics have always been inextricable in London but, whether these meals were a premise to do business, make connections and forge allegiances, or whether these frequent civic gatherings were, in fact, merely the excuse for an endless catalogue of slap-up feasts and beanos, remains open to question. John Keohane, former Chief Yeoman Warder at the Tower of London told me that his troupe acquired their colloquial name of “beefeaters” because – as royal bodyguards – Henry VII granted them the privilege of dining at his table and eating the red meat which was denied to commonfolk. In the medieval world, your place at dinner corresponded literally to your place in society, whether at top table or among the lower orders.
Contemplating all these empty halls where the table has not been laid yet and where rays of sunlight illuminate the particles of dust floating in the silence, I think we may have to wait a while longer before dinner is served in old London.
Christ’s Hospital Hall, c.1910
Buckingham Palace, State Dining Room, c.1910
Grocers’ Hall, c.1910
Ironmongers’ Hall, Court Luncheon Room, c.1910
Mercers’ Livery Hall, 1932
Merchant Taylors’ Hall, c.1910
Painters’ Hall, c.1910
Salters’ Livery Hall, c.1910
Skinners’ Hall, c.1910
Skinners’ Hall, c.1910
Stationers’ Hall, Stock Room, c.1910
Drapers’ Hall, c.1920
The Admiralty Board Room, c.1910
King’s Robing Room, Palace of Westminster, c.1910
Buckingham Palace, Throne Room, c.1910
Houses of Parliament, Robing Room, c.1910
Lincoln’s Inn, Great Hall, c.1910
Lincoln’s Inn Old Hall, c.1928
Drapers’ Hall, c.1920
Middle Temple Hall, c.1910
Mansion House Dining Room, c.1910
Ironmongers’ Hall, Banqueting Room, c.1910
Apothecaries’ Hall, Banquet in the Great Hall, c.1920
Boys preparing to cook, c.1910
Boar’s Head Dinner at Cutler’s Hall, c.1910
Lord Mayor’s Banquet at the Guildhall, 1933
Baddeley Cake & Wine, Drury Lane, c.1930
Glass slides courtesy Bishopsgate Institute
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Chapter 3. The Burial Of The Victims
On 15th December 1811, one week after their violent deaths, the Marr family were buried in the churchyard of St George’s-in-the-East in the shadow of the pepperpot tower designed by Nicholas Hawksmoor. In spite of the frost, crowds of mourners lined the Highway from early morning and at one o’clock the coffins were carried out from the draper’s shop at 29 Ratcliffe Highway, where the deceased met their end, and into the church where two months earlier the family had attended the christening of Timothy Marr junior.
The following verse was inscribed upon the stone –
- Stop mortal, as you pass by
- And view the grave werein doth lie
- A Father, Mother and a Son
- Whose Earthly course was shortly run.
- For lo all in one fatal hour
- O’er came were they with ruthless power
- And murdered in a cruel state
- Yea, far too horrid to relate!
- They spared no-one to tell the tale
- One for the other could not wail
- The other’s fate in anguish sighed
- Loving they lived, together died
- Reflect, O Reader, o’er their fate
- And turn from sin before too late
- Life is uncertain in this world
- Oft in a moment we are hurled
- To endless bliss or endless pain
- So let not sin within your reign.
Meanwhile, no progress had yet been made in the detection of the perpetrators of the crime. Three Greek sailors loitering with blood on their trousers on the Ratcliffe Highway were arrested on the night of the murders but released again once an alibi was established, proving they had just come up from Gravesend.
More pertinently, Mr Pugh the carpenter who had undertaken the improvements to the Mr Marr’s shop was questioned. He had employed a subcontractor to make the shop window, who requested the iron chisel (discovered on the shop counter after the killings) which Mr Pugh had borrowed from a neighbour. Once the work was complete the chisel could not be found, though the contractor claimed he had left it in the shop for Mr Pugh. However, Mr Pugh was found to be of good character and had a reliable alibi too. Either Mr Marr succeeded in finding the chisel after Margaret Jewell, the servant girl, had gone out at ten to midnight to buy oysters – or he had kept it secretly all along and brought it out in vain self-defence against persons unknown – or one of the murderers had brought it into the house as a weapon and not used it.
Without any significant leads in the case, the neighbourhood was left with only speculation and the deadly brooding fear that – although the Marr family were now buried – the train of events unleashed by their savage murder on the night of 11th December was far from over.
Click on Paul Bommer’s map of the Ratcliffe Highway Murders to explore further
I am indebted to PD James’ ‘The Peartree & The Maul’ which stands as the authoritative account of these events. Thanks are also due to the Bishopsgate Institute and Tower Hamlets Local History Archive.
You may like to read the earlier instalments of this serial which runs throughout December
Robson Cezar’s Whitechapel Houses For Sale
ALL ROBSON CEZAR’S HOUSES ARE SOLD!

Spitalfields artist Robson Cezar has put twenty-five of the wooden houses he has made from fruit crates from Whitechapel Market for sale at £30 each, plus £4 postage & packing. Every house is different and each comes with an LED light and battery.
We are selling them on a first-come-first-served basis, so if you would like one please email spitalfieldslife@gmail.com giving your first, second and third choice, and we will supply payment details. We can only post these within the United Kingdom.
These houses are sculptures not toys and we do not recommend them for children under the age of twelve.

Click here to read the story of the creation of these houses
Photographs © Sarah Ainslie
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Readings At Midwinter

Sarah Winman
On Midwinter’s Night, 21st December at 6:30pm, I shall be giving a reading with my friend, novelist Sarah Winman, at BURLEY FISHER BOOKS in Haggerston. Sarah will be reading from her celebrated new novel STILL LIFE and I shall be reading my Christmas stories.
Click here to book your ticket
Still Life is a richly tapestried story of characters brought together by love, war, art, flood, and the ghost of E.M. Forster. It is 1944 and in the ruined wine cellar of a Tuscan villa, as the Allied troops advance and bombs fall around them, two strangers meet and share an extraordinary evening together.

Burley Fisher Books, 400 Kingsland Rd, E8 4AA

Schrodinger will be otherwise engaged on Midwinter’s Night
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