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Viscountess Boudica’s Drawings

May 21, 2016
by the gentle author

Viscountess Boudica is the most creative person I know. Her phenomenal artwork never ceases to astonish me with its endless invention and today it is my pleasure to publish this small selection from hundreds of her recent drawings, illustrating something of her extraordinary range of iconography.

As an non-academic artist, I place the Viscountess somewhere between Alfred Wallis and Henry Darger – possessing the playful abstract sense of the former in her compositions, use of colour and line – and the distinctive visionary quality of the latter, in creating her own imaginative universe peopled by magical characters of her devising.

There are only a few tickets left now for my AUDIENCE WITH VISCOUNTESS BOUDICA this Monday 23rd May at 7pm at The Society Club, 3 Cheshire St, E1. Click here to book.

Viscountess Boudica’ s drawing of The Gentle Author at work

Drawings copyright © Viscountess Boudica

Be sure to follow Viscountess Boudica’s blog There’s More To Life Than Heaven & Earth

Take a look at

Viscountess Boudica’s Domestic Appliances

Viscountess Boudica’s Blog

Viscountess Boudica’s Album

Viscountess Boudica’s Halloween

Viscountess Boudica’s Christmas

Viscountess Boudica’s Valentine’s Day

Read my original profile of Mark Petty, Trendsetter

and take a look at Mark Petty’s Multicoloured Coats

Mark Petty’s New Outfits

Mark Petty returns to Brick Lane

John Allin, Painter

May 20, 2016
by the gentle author

Gun St, Spitalfields

John Allin (1934-1991) began painting while serving a six month prison sentence for minor theft, and achieved considerable success in the sixties and seventies with his vivid intricate pictures recalling the East End of his childhood. There is a dreamlike quality to these visions in sharp focus of an emotionalised cityscape, created at a time when the Jewish people were leaving to seek better housing in the suburbs and their culture was fading from those streets which had once been its home.

Returning from National Service in the Merchant Navy, Allin worked in the parks department planting trees, later as a swimming pool attendant and then as a long distance lorry driver – all before his conviction and imprisonment. After discovering his artistic talent, he devoted himself to painting and won attention with his first exhibition in 1969 at the Portal Gallery, specialising in primitive and outsider art. In 1974, he collaborated with Arnold Wesker on a book of reminiscence, “Say Goodbye: You may never see them again” in which he reveals an equivocation about the East End. “I saw it as a place where people lived, earned their living, grew up, moved on … they had dignity … I like painting the past with dignity…” he said in an interview with Wesker, “but what they’ve done to the East End is diabolical! They’ve scuppered it, built and built and torn down and torn out and took lots of identity away and made it into just a concrete nothing… But people go on, don’t they? Eating their eels and giving their custom where they’ve always given their custom … Funny how people can go on and take anything and everything.”

Like Joe Orton in the theatre, Allin’s reputation as an ex-con fuelled his reputation in newspapers and on television but he found there was a price to pay, as he revealed to Wesker, “You know how I started painting don’t you? In prison! Well, when I come out the kids at school give my kid a rough time … the silly bloody journalists didn’t help. ‘Jail-bird becomes painter!’ You’d’ve thought I’d done God knows what … I mean the neighbours used to say things like ‘Look at ‘im! Jail-bird and he’s on telly! Ought to be sent back inside the nick!’ I was the oddity in the district, the lazy fat bastard that paints. Give me a half a chance and I’d move mate.” In fact, Allin joined Gerry Cottle’s Circus, touring as a handyman to create another book, “John Allin’s Circus Life” in 1982.

Although he was the first British recipient of the international Prix Suisse de Peinture Naive award in 1979, the categorisation of Outsider or Primitive artist is no longer adequate to apply to John Allin. More than twenty years after his death, his charismatic paintings deserve to be recognised as sophisticated works which communicate an entire social world through an unapologetically personal and emotionally charged visual vocabulary.

Spitalfields Market, Brushfield St.

Great Synagogue, Brick Lane.

Jewish Soup Kitchen, Brune St.

Christ Church School, Brick Lane.

Heneage St and Brick Lane.

Rothschild Dwellings, Spitalfields.

Whitechapel Rd.

Christ Church Park, Commmercial St.

Wentworth St.

Fashion St with gramophone man in the foreground..

Churchill Walk.

Young Communist League rally, corner of Brick Lane and Old Montague St.

Hessel St.

Snow Scene.

Anti-Fascist Rally at Gardiners’ Corner, 1936.

Cole’s Chicken Shop, Cobb St.

Factory Workers

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Edge Of The City

May 19, 2016
by the gentle author

Although most of these locations are familiar to me, I did not recognise many of them when I first saw these pictures. Using large plate cameras and taking inspiration from nineteenth century photography, especially the Society for Photographing the Relics of Old London, Robert Moye & Peter Young have created photos of contemporary London that place a distance between the viewer and the subject – as if we were people in the future looking back upon a time gone by or even viewers from the past granted a vision of the London that is to come. Either way, the unfamiliar perspectives of these fascinating photographs have succeeded in rendering afresh the city I know best and it is a strange new world that I discover myself in.

Artillery Lane, E1

Chicksand St, E1

Greatorex St, E1

Ford Sq, E1

Baldwin St, EC1

Clerkenwell Close, EC1

Cranwood St, EC1

Golden Lane Estate, EC1

Leather Lane EC1

Newbury St, EC1

Roberts Place, EC1

Christopher St, EC2

Clere Place, EC2

Dysart St, EC2

Vandy St, EC2

Bream’s Buildings, EC4

Johnson’s Court, EC4

Argyle Walk, WC1

Argyle Walk, EC1

King’s Cross Rd, EC1

Phoenix Place, WC1

St Chad’s Place, WC1

Swinton St, WC1

Wicklow St, WC1

Lindsey St, EC1

Photographs copyright © Robert Moye & Peter Young

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Garden Extracts

May 18, 2016
by the gentle author

In celebration of the East End’s horticultural history and heritage, Townhouse Spitalfields, is staging ‘Garden Extracts,’ a series of events between May 21st & June 5th as part of the Chelsea Flower Show Fringe, including an exhibition of botanical prints from ‘The British Herbal’ published in parts by John Hill 1756 – 1757 and a series of talks and workshops.

POTTING SHED: FLIFF CARR & MATILDA MORETON are running workshops this Saturday 21st & Sunday 22nd May, giving you the opportunity to impress flowers into clay and make your own ceramics Click here to book

STEPHEN NELSON: PLANTSMAN & PERFUMER will be giving three talks on the history of scent on 31st May, 1st June & 2nd June at 2:30pm

TWENTIETH CENTURY PERFUME: LIZZIE OSTROM AKA ODETTE TOILETTE will be giving a talk on contemporary perfume Sunday June 5th

Stephen Nelson, Plantsman & Perfumer recreates perfumes from history

Learn more about Stephen Nelson’s work at www.darasina.co.uk

You may like to read these other horticultural stories

Nicholas Culpeper in Spitalfields

Thomas Fairchild, Gardener of Hoxton

The Auriculas of Spitalfields

A Brief Survey of East End Garden History

The Return Of Pat Nightingale

May 17, 2016
by Sarah Winman

Contributing Writer Sarah Winman, author of When God Was a Rabbit & A Year of Marvellous Ways, interviewed Pat Nightgale last week on an especially showery day

“A little girl with long plaits on weekdays, ringlets on Sundays and baggy knickers most of the time. A shilling pocket money: sixpence to be saved, a penny for the Sunday school box, and five pennies for sweets.”

For many people, the memories laid down in childhood are vivid, often golden. They offer an unshifting narrative in an ever-changing world, a refuge to return to, a place that is simpler, kinder, and most of all, magical. And sitting with Pat Nightingale, overlooking Brushfield St, as heavy rain kept the promise of spring at bay, I had never felt this so keenly.

“Mum was in and out of hospital after my birth in 1946, so I ended up living with my grandparents in Harman St, Hoxton, for the first twelve years of my life. My grandfather was called Alfred Thomas Jenkins, but I called him Pop. Others called him ‘Oppy’ on account of his bad leg. My Nan was Susan Rose. She was lovely. She did everything for Pop. He wanted a cup of tea – she’d make him a cup of tea. He wanted the television channel changed – she’d change it. Rent needed paying at 9am every Monday – she’d do it. He was a bit of a bastard, really, a Victorian through and through, but a great storyteller.

They were market traders in Hoxton St where they had a vegetable stall. Nan’s parents were traders too, and my Great Grandmother, who was always known as Polly, was the Ladies Barrow Race Champion. The Barrow Race was held annually from 1918 to 1929, and the route was between Borough and Spitalfields, and any market trader could take part. And when Polly died, there were one hundred and forty wreaths at her funeral, all from the traders she raced against. She was a kind and charitable woman and if anyone came to her stall hungry, she’d send them back over to her house where Nan would be cooking dinner. Sometimes Nan had to cook for an extra twelve or fourteen people.

We had a whole townhouse to ourselves. Me, my grandparents and two aunts. An eight room house with an outside toilet. You’d go up the first flight of stairs to a half-landing where there was a small sink, then up another to the cooker. And looming over the whole of Hoxton was the workhouse, built on the Land of Promise. I never remember going without anything, but I had friends who did. Friends who had to sleep in the same bed with all their siblings. One wet the bed, they all smelt. And there was shame around poverty, real shame. I never liked walking past the workhouse, and I still don’t. People used to say it costs nothing to be clean but Nan would’ve said, ‘Then you’ve never had to choose between a bar of soap and a loaf of bread.’

End of day, the market traders dumped their rubbish in the gutter and me and my friends used to play there, searching for pennies and food. If my Nan had ever known, she would’ve murdered me. It just wasn’t done, see? Coal that had fallen on the streets, firewood, food, you left it for people who needed it. And if you could afford it, then you never needed it.

I remember oranges used to come in wooden crates that were nearly white and my friends used them for their furniture. And I wanted to too, instead of the mahogany stuff we had at home. Eventually, I got one to keep my books in and my Aunt Vera made a curtain to put around it.

On Mondays, I occasionally went to school but, when there was racing on, me, Nan and Pop went racing instead. We’d get the bus up to Stamford Hill and then get the coach. If the racing was at Brighton, we’d end up at the beach.

Every winter, I had a new coat, and a new coat meant Christmas was coming. We got it at Evada’s in Whitechapel. And there were all sorts of smells on the streets in winter, roasted chestnuts and baked potatoes and pigs’ trotters, and because Nan’s stall was on the corner of the street, we could smell the bread from Anderson’s too and the Pie and Mash at Fortunes, and it’s always the smells that take me back to that time.

But my favourite thing, though – and it only happened during school holidays – was to go to Spitalfields with Pop. I’d go to bed early and I could never sleep because I was so excited. I’d pile on the clothes, and we’d set out into the dark frosty winter morning, and you know, it was so lovely, so magical. And I can see my Nan watching me go, wondering if it was all right.

The stables were at the back of our street and that’s where we kept our pony called Mary, and the cart. I’d sit up front with Pop, and I’d look up at the sky, and there were dark blue skies then, with millions of stars that danced as we jolted across the streets and sparks shot out from the cobblestones as they clashed with the metal rim of the cart wheels. And, if we were early, we’d stop at the horse trough on the corner of Camwood St so Mary could drink.

Spitalfields was huge with baskets piled high and Pop knew exactly what he wanted at the right price, so we had to walk round and round. And he tipped the porters well because they let him know whose produce was good. And there were things there that we never had at home, like Sparrows Grass (asparagus) that people said made your wee green. I remember, when it was pea season, that’s all Pop bought for his stall. People talk about the smell of money, well, the money from Spitalfields had a greasy vegetable smell.

And it was on these trips that Pop liked to tell me his stories. He told me how he’d swum the English Channel. How he’d put grease all over himself to keep out the cold and a boat had followed him. He told me how he’d been a cowboy in America fighting the Indians, but he didn’t stay long because he didn’t like the food. And when Edmund Hillary climbed Everest, Pop said that he’d already done that but he didn’t like to brag.

And then he told me about the Rainbow Fairies. How when it rains and rainbows appear in greasy puddles, he said that it was really a sign that fairies were about, because when fairies’ wings get wet and heavy, they come down and land in puddles.

Pop was a clever man with little education, a man who told me I had to know my place in the world without telling me what my place was.

Later, in 1956 maybe, I asked what happened to Mary, and my Nan said, ‘She ran off to be a race horse.’ Pop said, ‘Don’t tell stories, she went off to the circus.’ To this day I never knew what happened.

It was a different time. All I know is that rain smelt different, street lights were fewer, and skies had more stars. I can never remember not feeling safe. I was a much-loved child, and I had the best of everything available. It was almost like magic. And I still look out for puddles, but I don’t tell everyone because everyone will come and look for them, and Pop said fairies are very private people.”

Pat’s grandparents, Susan Rose & Alfred Thomas Jenkins at their stall in Hoxton St

Pat Nightingale seeks rainbow fairies in Brushfield St

Portraits copyright © Sarah Ainslie

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Vanishing London

May 16, 2016
by the gentle author

Four Swans, Bishopsgate, photographed by William Strudwick & demolished 1873

In 1906, F G Hilton Price, Vice President of the London Topographical Society opened his speech to the members at the annual meeting with these words – ‘We are all familiar with the hackneyed expression ‘Vanishing London’ but it is nevertheless an appropriate one for – as a matter of fact – there is very little remaining in the City which might be called old London … During the last sixty years or more there have been enormous changes, the topography has been altered to a considerable extent, and London has been practically rebuilt.’

These photographs are selected from volumes of the Society’s ‘London Topographic Record,’ published between 1900 and 1939, which adopted the melancholy duty of recording notable old buildings as they were demolished in the capital. Yet even this lamentable catalogue of loss exists in blithe innocence of the London Blitz that was to come.

Bell Yard, Fleet St, photographed by William Strudwick

Pope’s House, Plough Court, Lombard St, photographed by William Strudwick

Lambeth High St photographed by William Strudwick

Peter’s Lane, Smithfield, photographed by William Strudwick

Millbank Suspension Bridge & Wharves, August 1906, photographed by Walter L Spiers

54 & 55 Lincoln’s Inn Fields and the archway leading into Sardinia St, demolished 1912, photographed by Walter L Spiers

Sardinian Chapel, Lincoln’s Inn Fields, August 1906, demolished 1908, photographed by Walter L Spiers

Archway leading into Great Scotland Yard and 1 Whitehall, September 1903, photographed by Walter L Spiers

New Inn, Strand,  June 1889, photographed by Ernest G Spiers

Nevill’s Court’s, Fetter Lane, March 1910, demolished 1911, photographed by Walter L Spiers

14 & 15 Nevill’s Court, Fetter Lane, demolished 1911

The Old Dick Whittington, Cloth Fair, April 1898, photographed by Walter L Spiers

Bartholomew Close, August 1904, photographed by Walter L Spiers

Williamson’s Hotel, New Court, City of London

Raquet Court, Fleet St

Collingwood St, Blackfriars Rd

Old Houses, North side of the Strand

Courtyard of 32 Botolph Lane, April 1905, demolished 1906, photographed by Walter L Spiers

32 Botolph Lane, April 1905, demolished 1906, photographed by Walter L Spiers

Bird in Hand, Long Acre

Houses in Millbank St, September 1903, photographed by Walter L Spiers

Door to Cardinal Wolsey’s Wine Cellar, Board of Trade Offices, 7 Whitehall Gardens

Old Smithy, Bell St, Edgware Rd, demolished by Baker St & Edgware Railway

Architectural Museum, Cannon Row, Westminster

Images courtesy Bishopsgate Insitute

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Happy Days At The Queen’s Head

May 15, 2016
by the gentle author

As regular readers will know, there is a campaign underway to Save The Queen’s Head in Limehouse, which was declared as an Asset of Community Value this spring. Supporters have until the end of August to buy the pub from its current owners and prevent it falling into the hands of developers. Pledges can be made here. Today, I publish an interview by ‘The Returning Native’ with Tony Minehane, whose family kept the pub open through two world wars.

John Driscoll at The Queen’s Head, 1926

To the locals downing their pints at The Queen’s Head today, Tony Minehane is an unfamiliar face – but this grand old East End boozer on Limehouse’s verdant York Sq was once home for Tony, whose family ran the pub from 1926 until 1961.

“My father found this tucked away under the counter the day he left The Queens Head in 1961,” he said, placing an unopened bottle of Young’s Coronation Ale in my hand. “This may well be the only one in existence.”

As a schoolboy, Tony earned pocket money delivering bottles of gin and advocaat to a house of upmarket prostitutes on Cable St. “These girls used to drink in the saloon bar here and they’d take drink back with them,” he recalled.“But once a month, usually about midnight, they’d phone up and say, if Tony’s available, could he drop something down to us? So I’d jump on my bike and take it there.”

Tony’s grandfather, John Driscoll, was the first in the family to take charge behind the bar, securing the tenancy in 1926 after a career as a sailor in the merchant navy.

“At that time this place had more mice than it had customers,” Tony claimed, rifling through his folder stuffed with sepia photographs of the pub and documents he has gathered from his family’s history.

“Fortunately it had the beer, which was good.  My grandparents came in for a drink and the landlord said he was getting out. So my granddad thought, ‘Well, I’ll get in touch with the brewery.’”

In the early part of the twentieth century, it was not uncommon for former seaman to retire to run East End pubs, not least because there were so many of both dotted around London’s docks at the time. But Tony’s grandfather went to the front of the queue when he discovered an unlikely connection with the executive at Young’s brewery who was picking between the candidates.

“They were shown into this guy’s office, and my grandfather thought he recognised him, but didn’t say any more because he wasn’t sure. They talked about his career in the Merchant Navy and my grandfather mentioned that he worked on a ship called the ‘Omrah’, going backwards and forwards to Australia.

The guy said, ‘Do you remember anything a bit strange in such-and-such a year?’  My grandfather thought about it and said, ‘Oh, yes, we had a fire in the bunker that took two days to put it out and we had a stowaway that we dumped off in Sydney.’  The guy then said, ‘Well, I was the stowaway.’”

The pub was extended around the time that Tony’s father, James Minehane, agreed to take over as manager from his parents in 1938.

“At the time, this place was packed, but there was this great big yard out there at the back,” Tony explains. “My dad had this thing about going to Australia, and he said to the brewery, ‘Either you’ve got to make the pub bigger or I’m going to emigrate.’ So the brewery said, ‘Right, we’ll extend’.  The new bar opened about twelve weeks before the Second World War started.”

Although the smart frontage of The Queen’s Head is much as Tony remembers it from his childhood, some things have disappeared, like the pewter counter top that once ran the length of the bar. Tony’s father also used to keep a revolver under the bar, taking it with him for protection when he and a couple of other local landlords together the takings to the local Midland Bank each Friday morning by hand, carrying the silver and copper coins in large sacks with ‘money’ written on them.

“They used to go into the bank, dump it all on the counter, which at that time was just a four-foot-wide oak table. They would put the paying-in book in the sacks for the cashier to sort out, while they went off to a cafe and had breakfast.”

Tony has a detailed knowledge of the firearm since cleaning it was one of his weekly chores as a child, something – he admits – might lead to a call from Social Services today.

As the evening progressed we attract a large crowd of regulars to our table, eager to hear more about the pub’s colourful past. The carpets at The Queen’s Head might be a little more faded and the bar top a little less grand than in Tony’s youth, but the place still offers a warm welcome to both old and new East Enders and has a loyal cohort of local customers.

Their hope is that the story of The Queen’s Head will continue, but this is currently in doubt. In 2013, under former mayor Lutfur Rahman, Tower Hamlets council sold the pub’s 125-year lease to a charity called Unity Welfare Foundation. This organisation decided to sell off the venue after a group of locals this year successfully applied for the Queen’s Head to gain protections from redevelopment as an Asset of Community Value.

The challenge supporters now face is trying to raise more than £500,000, which will be needed to meet the asking price. Let us hope that this latest chapter in The Queen’s Head’s long history has a happy ending.

The Queen’s Head, 1926

Pub dogs in the yard, 1928

New Saloon Bar, 1939

Public Bar, 1939

James Minehane, landlord 1939-1961

The Queen’s Head Beano in the late forties with James Minehane second from left in front row

High jinks in the Saloon Bar in the fifties

Christmas party, c.1954

Customers in the Public Bar in the fifties

Darts in the Saloon Bar in the fifties

The Queen’s Head Beano in the fifties

James Minehane’s retirement in 1961

The Queen’s Head – photography by Sarah Ainslie

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