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William Morris In The East End

August 27, 2018
by the gentle author

Celebrating the ninth birthday of Spitalfields Life with a week of favourite posts from the past year

William Morris spoke at Speakers’ Corner in Victoria Park on 26th July & 11th October 1885, 8th August 1886, 27th March & 21st May 1888

If you spotted someone hauling an old wooden Spitalfields Market orange crate around the East End, that was me undertaking a pilgrimage to some of the places William Morris spoke in the hope he might return for one last oration.

The presence of William Morris in the East End is almost forgotten today. Yet he took the District Line from his home in Hammersmith regularly to speak here through the last years of his life, despite persistent ill-health. Ultimately disappointed that the production of his own designs had catered only to the rich, Morris dedicated himself increasingly to politics and in 1884 he became editor of The Commonweal, newspaper of the Socialist League, using the coach house at Kelsmcott House in Hammersmith as its headquarters.

As an activist, Morris spoke at the funeral of Alfred Linnell, who was killed by police during a free speech rally in Trafalgar Sq in 1887, on behalf of the Match Girls’ Strike in 1888 and in the Dock Strike of 1889. His final appearance in the East End was on Mile End Waste on 1st November 1890, on which occasion he spoke at a protest against the brutal treatment of Jewish people in Russia.

When William Morris died of tuberculosis in 1896, his doctor said, ‘he died a victim to his enthusiasm for spreading the principles of Socialism.’ Morris deserves to be remembered for his commitment to the people of the East End in those years of political turmoil as for the first time unions struggled to assert the right to seek justice for their workers.

8th April 1884, St Jude’s Church, Commercial St – Morris gave a speech at the opening of the annual art exhibition on behalf of Vicar Samuel Barnett who subsequently founded Toynbee Hall and the Whitechapel Gallery.

During 1885, volunteers distributed William Morris’ What Socialists Want outside the Salmon & Ball in Bethnal Green

1st September 1885, 103 Mile End Rd

20th September 1885, Dod St, Limehouse – When police launched a violent attack on speakers of the Socialist League who defended the right to free speech at this traditional spot for open air meetings, William Morris spoke on their behalf in court on 22nd September in Stepney.

10th November 1886 & 3rd July 1887, Broadway, London Fields

November 20th 1887, Bow Cemetery – Morris spoke at the burial of Alfred Linnell, a clerk who was killed by police during a free speech rally in Trafalgar Sq. ‘Our friend who lies here has had a hard life and met with a hard death, and if our society had been constituted differently his life might have been a delightful one. We are engaged in a most holy war, trying to prevent our rulers making this great town of London into nothing more than a prison.’

9th April 1889, Toynbee Hall, Commercial St – Morris gave a magic lantern show on the subject of ‘Gothic Architecture’

1st November 1890, Mile End Waste – Morris spoke in protest against the persecution of Jews in Russia

William Morris in the East End

3rd January & 27th April 1884, Tee-To-Tum Coffee House, 166 Bethnal Green Rd

8th April 1884, St Jude’s Church, Commercial St

29th October 1884, Dod St, Limehouse

9th November 1884, 13 Redman’s Row

11th January & 12th April 1885, Hoxton Academy Schools

29th March 24th May 1885, Stepney Socialist League,  110 White Horse St

26th July & 11th October 1885, Victoria Park

8th August 1885, Socialist League Stratford

16th August 1885, Exchange Coffee House, Pitfield St, Hoxton

1st September 1885, Swaby’s Coffee House, 103 Mile End Rd

22nd September 1885, Thames Police court, Stepney (Before Magistrate Sanders)

24th January 1886, Hackney Branch Rooms, 21 Audrey St, Hackney Rd

2nd February 1886, International Working Men’s Educational Club, 40 Berners St

5th June 1886, Socialist League Stratford

11th July 1886, Hoxton Branch of the Socialist League, 2 Crondel St

24th August 1886, Socialist League Mile End Branch, 108 Bridge St

13th October 1886, Congregational Schools, Swanscombe St, Barking Rd

10th November 1886, Broadway, London Fields

6th March 1887, Hoxton Branch of the Socialist League, 2 Crondel St

13th March & 12th June 1887, Hackney Branch Rooms, 21 Audrey St, Hackney Rd

27th March 1887, Borough of Hackney Club, Haggerston

27th March, 21st May, 23rd July, 21st August & 11th September, 1887 Victoria Park

24th April 1887, Morley Coffee Tavern Lecture Hall, Mare St

3rd July 1887, Broadway, London Fields

21st August 1887, Globe Coffee House, High St, Hoxton

25th September 1887, Hoxton Church

27th September 1887, Mile End Waste

18th December 1887, Bow Cemetery, Southern Grove

17th April 1888, Mile End Socialist Hall, 95 Boston St

17th April 1888, Working Men’s Radical Club, 108 Bridge St, Burdett Rd

16th June 1888, International Club, 23 Princes Sq, Cable St

17th June 1888, Victoria Park

30th June 1888, Epping Forest Picnic

22nd September 1888,  International Working Men’s Education Club, 40 Berners St

9th April 1889, Toynbee Hall, Commercial St

27th June 1889, New Labour Club, 5 Victoria Park Sq, Bethnal Green

8th June 1889, International Working Men’s Education Club, 40 Berners St

1st November 1890, Mile End Waste

This feature draws upon the research of Rosemary Taylor as published in her article in The Journal of William Morris Studies. Click here to join the William Morris Society

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Sophie Spielman, Shorthand Typist

August 26, 2018
by the gentle author

Celebrating the ninth birthday of Spitalfields Life with a week of favourite post from the past year

Portrait of Sophie Spielman by Sarah Ainslie

I had the pleasure of visiting ninety-three-year-old Sophie Spielman at her immaculate flat in Treves House, an elegant modernist block at the Whitechapel end of Vallance Rd, designed by Ralph Smorczewski and built by Stillman & Eastwick Field in 1956.

As the most senior resident in the building, where she has lived longer than anyone else, and at such a venerable age, you might expect Sophie to be taking it easy. Yet she has reluctantly found herself the focus of recent national media attention as the spokeswoman and figurehead for the residents of Treves House and the neighbouring Lister House, who are confronted with the prospect of losing their homes as part of Tower Hamlets Council’s plans to demolish and redevelop the properties.

Blessed with natural dignity and possessing a innate sense of decorum, Sophie is an heroic figure who is able to face these current troubles with fortitude, viewing her situation from the perspective of one who has lived a full life and experienced a great deal. In particular, I was fascinated by the pleasing irony that Sophie who was born into an Iranian Jewish family, resident in India, should find herself at home in Whitechapel for the last half century, living among Jewish and Asian neighbours.

Sophie clasped her hands and gave me a world-weary smile, casting her mind back over the long journey which led her to the domestic happiness she found in Whitechapel, before confessing her disappointment that anyone could be so petty as to challenge her right to live out her days in her home of fifty-five years.

“I was born in Bombay but my parents were Iranians. My grandmother was called Rachel and my mother was Leah, they were born in Iran. When my grandfather died, my mother was still very small and so my grandmother brought her to Bombay. Those children that were married stayed in Iran but those that were young came with her to Bombay, where there was a Jewish community known as the Sassoons who were from Iraq. They came to Bombay and they were like the Rothschilds of the East, so there was help there. We stayed there and I went to a Jewish school that was founded by the Sassoons.

When I was older, I worked in the Bombay Telephone Company for about twelve years. I joined as a shorthand typist, but I preferred to work with my hands because that is what I like to do. So I went into the Inspection Department checking all the different parts that go into a telephone.

At that time, India was under British rule and I had very good English. Although I had an English and a Jewish education, I felt closest to the English. My brother went to Canada for a while. When he came back, he said, ‘I’m going to England, do you want to come?’ So I said, ‘Oh I’d love to!’ That was my dream to come to England.

When I came here in 1957, I was first in Stamford Hill but, when I met my husband Nathan Spielman and got married, he already had this flat in Whitechapel. He was moved here in 1959 from Anthony St which was demolished and the residents were all given new flats. He worked in the railways, as a ticket collector at Liverpool St Station. He told me had been involved in the anti-fascist movement and was at the Battle of Cable St in 1936. He passed away in 1982 when my daughter Gloria was nineteen. I only had one child, my one and only – but she has five children!

I worked in Nortons, the suitcase factory, as a secretary in the office. I worked there until I got married and Gloria was born. At first, I took her to nursery and, when she was bit older and went to school, I worked part-time in Hatton Garden, in an office where they received and sold jewellery.

When I first moved into Treves House in 1962, it was all new and modern and I thought it was very nice. Now it is different, the council has neglected it for years, but I do not want to move from here. We had very good neighbours. Most of the original residents have died or moved away, apart from me. There is one tenant still living in the flat that was his grandparents, who were the very first to move in. I have Nora, an Irishwoman next door who is a very good neighbour. She always comes and visits me and asks, ‘Are you alright?’ I still walk down to Whitechapel every day, I have done it since I moved in. It is the only place I know now.

According to what I understand, the council want to pull down all these houses to build new flats, but I am a leaseholder and it has a great many years to go still. So I am fighting, I am trying to find out what is going to happen. I would like them to improve these flats by taking care of the building. They promised to replace the windows and I went to three or four meetings. What happened to that money? I went to the meeting with the Mayor of Tower Hamlets, it was the same thing. They say, ‘Yes, yes,’ but we do not know what is going on behind our backs. I wish they would tell us exactly what they want to do. They do not discuss it with us.”

Sophie in Bombay in 1950

Sophie as a young woman

Nathan & Sophie Spielman

Sophie with her daughter Gloria

Treves House, designed by Ralph Smorkczewski and built by Stillman & Eastwick Field in 1956

Treves House seen from the garden

James Leman, Silk Designer

August 25, 2018
by the gentle author

Celebrating the ninth birthday of Spitalfields Life with a week of favourite posts from the past year

The oldest surviving set of silk designs in the world, James Leman’s album contains ninety ravishingly beautiful patterns created in Steward St, Spitalfields between 1705 and 1710 when he was a young man. It was my delight to visit the Victoria & Albert Museum and study the pages of this unique artefact, which is currently the subject of an interdisciplinary research project under the auspices of the V&A Research Institute, funded by the Andrew W. Mellon Foundation. The Leman Album  offers a rare glimpse into an affluent and fashionable sphere of eighteenth century high society, as well as demonstrated the astonishing skill of the journeyman weavers in East London three hundred years ago.

James Leman (pronounced ‘lemon’ like Leman St in Aldgate) was born in London around 1688 as the second generation of a Huguenot family and apprenticed at fourteen to his father, Peter, a silk weaver. His earliest designs in the album, executed at eighteen years old, are signed ‘made by me, James Leman, for my father.’ In those days, when silk merchants customarily commissioned journeyman weavers, James was unusual in that he was both a maker and designer. In later life, he became celebrated for his bravura talent, rising to second in command of the Weavers’ Company in the City of London. A portrait of the seventeen-twenties in the V&A collection, which is believed to be of James Leman, displays a handsome man of assurance and bearing, arrayed in restrained yet sophisticated garments of subtly-toned chocolate brown silk and brocade.

His designs are annotated with the date and technical details of each pattern, while many of their colours are coded to indicate the use of metallic cloth and different types of weave. Yet beyond these aspects, it is the aesthetic brilliance of the designs which is most striking, mixing floral and architectural forms with breathtaking flair in a way that appears startling modern. The Essex Pink and Rosa Mundi are recognisable alongside whimsical architectural forms which playfully combine classical and oriental motifs within a single design. The breadth of James Leman’s knowledge of botany and architecture as revealed by his designs reflects a wide cultural interest that, in turn, reflected flatteringly upon the tastes of his wealthy customers.

Until last year, the only securely identified woven example of a James Leman pattern was a small piece of silk in the collection of the Art Gallery of South Australia. Miraculously, just as the V&A’s research project on the Leman Album was launched, a length of eighteenth-century silk woven to one of his designs was offered to the museum by a dealer in historical textiles, who recognised it from her knowledge of the album. The Museum purchased the silk and is now investigating the questions that arise now design and textile may be placed side by side for the first time. With colours as vibrant as the day they were woven three hundred years ago, the sensuous allure of this glorious piece of deep pink silk adorned with elements of lustrous green, blue, red and gold shimmers across the expanse of time and is irresistibly attractive to the eye. Such was the extravagant genius of James Leman, Silk Designer.

On the left is James Leman’s design and on the right is a piece of silk woven from it, revealing that colours of the design are not always indicative of the woven textile

The reverse of each design gives the date and details of the fabric and weave

Portrait of a Master Silk Weaver by Michael Dahl, 1720-5 – believed to be James Leman

All images copyright © Victoria and Albert Museum, London

Click here to read about recent research into James Leman’s Album

With grateful thanks to: Dr Olivia Horsfall Turner, Senior Curator of Designs – Dr Victoria Button, Senior Paper Conservator – Clare Browne, Senior Curator of Textiles – Dr Lucia Burgio, Senior Scientist and Eileen Budd, V&A Research Institute Project Manager

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Ninth Annual Report

August 24, 2018
by the gentle author

In late August, upon the anniversary of starting to write Spitalfields Life, it is my custom to make a summary of the year’s activities, prior to taking a short break and recommencing in September.

When I began nine years ago, my ambition was to write celebrating the people of the East End. More than three thousand stories later, this undertaking has proven an education. In learning of the extraordinary resilience of East Enders, equally I have become aware of their struggles.

In 2012, I was involved in the founding of the East End Trades Guild because I believe that independent shops and small businesses here need to collaborate to fight for their survival. The excessive increases in business rates and rents are destroying these small endeavours that have characterised the East End for centuries. You will have read in these pages of the plight of traders operating under railway arches as Network Rail hikes the rents to unrealistic levels prior to selling them off. Thousands of people in London and across the country will lose their livelihoods. Similarly, the redevelopment of workshops is destroying affordable workspaces for small trades. The human cost of this became starkly apparent with the suicide of Kevin Cordery, Clerkenwell jewellery worker, following his eviction from his workshop by a developer this spring.

In Spitalfields, the redevelopment of the London Fruit & Wool Exchange, retaining just the facade of the original building, nears completion. It will be occupied by a single international legal corporation replacing hundreds of small businesses that formerly occupied this publicly-owned building. On a more positive note, the architect for the monstrous development on the Bishopsgate Goodsyard has been fired, and the proposal for monolithic towers of luxury flats aimed at the international market and overshadowing the Boundary Estate abandoned. Meanwhile, British Land’s plans for the demolition of most of Norton Folgate remain in abeyance as the market for offices for financial industries declines in the City of London.

Gratifyingly, at the Geffrye Museum, the restoration is underway of the 1838 Marquis of Lansdowne that we fought to save. In the City of London, the corporation rejected the developer’s appeal to revoke the Asset of Community Value status for the historic Still & Star in Aldgate which we campaigned for.

No decision has yet been made about the future of the historic Bethnal Green Mulberry in the grounds of the former London Chest Hospital next to Victoria Park and I am hopeful it will be saved.

As you know, I support a scheme to save the Whitechapel Bell Foundry proposed by the UK Historic Buildings Preservation Trust and Arte Factum, reopening it as a working foundry marrying old and new technology, and offering apprenticeships and training to local people. Unfortunately the developer who has acquired the foundry wants to redevelop it as a boutique hotel like Shoreditch House. In order to proceed, they need to apply to the council for permission for a change of use from foundry to hotel. When this happens, I hope you will join me in challenging this application which would destroy the possibility of any future for the Whitechapel Bell Foundry forever.

Last autumn, I was proud to publish East End Vernacular, Artists who painted London’s East End streets in the 20th century, reclaiming the work of forgotten artists whose works form a continuum stretching back to the nineteenth century. This summer, I collaborated with Batsford Books to publish Adam Dant’s Maps of London & Beyond, collecting Adam’s celebrated cartography which has graced these pages in recent years.

Already a year has passed since the death of my beloved old cat Mr Pussy and now that Schrodinger, his successor, is established in his new home, I feel the time is right to bring out The Life & Times Of Mr Pussy, A Memoir of a Favourite Cat in September.

Over the next week, I will be publishing favourite posts from the past year until I resume with new stories on Monday 3rd September.

Thus another year passes in the pages of Spitalfields Life.

Click here to pre-order a copy of THE LIFE & TIMES OF MR PUSSY

Click here to order a signed copy of EAST END VERNACULAR

Click here to order a signed copy of MAPS OF LONDON & BEYOND

Schrodinger, formerly Shoreditch church cat, came to live with The Gentle Author this year

You may like to read my earlier Annual Reports

First Annual Report 2010

Second Annual Report 2011

Third Annual Report 2012

Fourth Annual Report 2013

Fifth Annual Report 2014

Sixth Annual Report 2015

Seventh Annual Report 2016

Eight Annual Report 2017

A Walk Around The Docks With Lew Tassell

August 23, 2018
by the gentle author

Constable Tassell of the City of London Police is going to escort us around the London Docks today

Police Constable Tassell, 1971

“During the summer of 1971, I was on duty one Sunday on Tower Bridge, walking up and down and spending a bit of time in the control box. On my way back to Bishopsgate where I was stationed, I bumped into a couple of London Port Authority Police who were opening up St Katharine Dock to have a look inside. I said, ‘I’d love to have a look in there myself.’ and they replied, ‘When you finish work, come round to our office in Thomas More St – we’ll give you the keys and you can spend the afternoon in Western Dock and Eastern Dock up to Shadwell Basin.’ So I said, ‘That’s wonderful, thankyou very much!’

I dashed back to Bishopsgate Police Station where I was living at the time, changed and got my camera, picked up the keys and made my way to the Western Dock just east of St Katharine Dock. Today this area is a housing estate and a supermarket, and virtually all the water has gone. So I spent the afternoon going round the derelict docks taking pictures. It was quite unsafe as you can see from some of the photographs. There are only eighteen pictures because I used the other eighteen frames on the film to take pictures of my girlfriend at the time, whom I married the next year and is my wife today.’

Western Dock parallel with Pennington St looking east

Looking towards Wapping Pierhead

Looking west across Western Dock

Bridge between Western Dock to the left and Tobacco Dock on the right

Interior in Western Dock

Interior in Western Dock

Western Dock looking towards Tower Bridge

Western Dock looking towards Wellclose Sq

Western Dock looking towards St George-in-the-East

Western Dock looking east

Southern part of Western Dock, partly demolished

At Crescent Warehouse

Interior of Crescent Warehouse

Interior of Crescent Warehouse

Interior of Crescent Warehouse

Buildings east of St Katharine Dock

Semi-demolished buildings east of St Katharine Dock

Photographs copyright © Lew Tassell

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Barbara Jezewska, Teacher

August 22, 2018
by the gentle author

Barbara as a pupil of the Central Foundation Grammar School for Girls, Spitalfields

Barbara Jezewska was not born in the East End nor was she of East End parentage, yet she lived her formative years here and it left an indelible impression upon her.“I love the people, the places and the experiences that I have known, and look for every opportunity to go back and visit,” she confessed to me, “I consider myself so rich for having grown up in a time and a place that was quite extraordinary.”

Barbara grew up in Casson St, a modest back street connecting Old Montague St and Chicksand St in Spitalfields. Opposite was Black Lion Yard, known then as the Hatton Garden of the East End because it contained eighteen jewellery shops. Old Montague St had a sleazy reputation in those days – it was a busy thoroughfare crowded with diverse life, filled with slum dwelllings, punctuated by a bomb site and a sugar factory, and lined with small shops and cafes. There, long-established Jewish traders sat alongside coffees bars in which Maltese, Somalis, Caribbeans and others congregated.

While others might consider themselves disadvantaged to grow up in such an environment,  Barbara’s experience was quite the opposite and she recognised a keen sense of loss from the moment her family were rehoused in 1965 as part of the slum clearance programme. Very little of Casson St survives today and the spot where Barbara’s house stood is now a park, yet it is a location that still carries immense significance for her.

“We moved to 1 Casson St in 1957 when I was three years old. We came to London from Paxton, Berwickshire on the border with Scotland where my mother, Elizabeth Carr, had been born. My father was Polish, born in Lublin, and when he was fifteen, he ran away from home and ended up fighting in the Warsaw Uprising in 1944. He never talked about it but he had a graze on his arm that he said was from a bullet wound. I believe he met my mother while he was washing dishes at a West End hotel where she also worked. When I was eighteen he left and married again, and I only saw him a few times before he died. We became estranged and, in 1994, we got a phone call to say he had died in Poland.

My father couldn’t speak English when he arrived in this country, but he was very talented in music and he paid for guitar lessons out of his earnings. As a child, I remember him practising and practising and I didn’t appreciate what was going on, yet eventually he ended up teaching at Trinity College, Cambridge.

We shared the house in Casson St with a Greek family, the Hambis. It wasn’t partitioned, they had some rooms and we had the others. There was no bathroom, no heating and no hot running water. We did have an inside toilet but the Hambis had one in the back yard. They had five children and there were the three of us, so there was always somebody to play with and always something going on.

Across the street from us was the Beehive Nougat Factory (‘nugget’ as we used to say it). We rang the bell and asked for an old man we called ‘Uncle Alf’ who worked there, and he gave us sweets, handfuls of broken chocolates and nougat. We used to raid the bins of the textile factories and get cardboard tubes, then we’d stage incredible battles, lining up on either side of the street and hitting each other with the tubes until they broke. There was Mrs Miller who sold toys on Petticoat Lane, when she and my mother met they would talk for hours. One day, a dandelion seed – which we called fairies – floated by and went into Mrs Miller’s mouth while they were talking. She swallowed it and never noticed, so we always remembered ‘the day Mrs Miller swallowed a fairy!’ There was Mrs Isaacs, a widow who lived next door who spent all her time at the upstairs window, watching. If you did anything she didn’t approve of, she’d shout at you. One day, I was going to chalk on the wall and she shouted out, ‘Don’t you make a mess!’ I stuck my tongue out at Mrs Isaacs and she disappeared from the window, so I ran back inside and said to my mother, ‘Mrs Isaacs is coming,’ and she came round and said, ‘Your daughter stuck her tongue out at me!’

We used to play on the bomb sites and I climbed into a basement of a bombed-out house in Old Montague St. I was scared because there was a lot of rubble on top but I found some silver threepenny bits in a bag. We took them to the sweet shop and passed them off as sixpences. I think the shopkeeper realised they were silver and was happy to accept them for sweets. Round the corner in Hopetown St, lived Alfie and his parents who were the first get a television. So, at 4pm, we’d all queue up outside Alfie’s house – half a dozen of us – and ask to watch the Children’s Hour, and we’d sit on the kitchen floor to watch. The only time we went to the seaside was on a Sunday school trip, and they gave us Christmas parties at which we’d all get a present of a second-hand toy.

There were several tramps that I remember. Coco worked for the stallholders and slept in an empty building on the corner of Black Lion Yard, every morning he came out with his bucket of slops and threw it over onto the bomb site. Ivan used to wander up and down Old Montague St, and I think I saw two men trying to kill him once, dropping bricks from the roof as he walked past. Stinky Sheridan had one leg and used to sell matches in Whitechapel Rd. Whenever we saw the tramps, my mother who was a very kind person, taught me to respect them, she’d say, ‘Remember, that’s somebody’s son.’

In 1965, we were moved out as part of slum clearance to Brownlow Rd, off Queensbridge Rd in Haggerston. At the time, I was eleven and  we thought it was very exciting. It was a maisonette with a bathroom, so we thought it was wonderful, but my experience when we moved was I felt lonely and missed the other children in our extended family. It felt strange. But being realistic, it would have been pretty awful staying in Casson St without any privacy or a bathroom.

I went to Robert Montefiore Primary School in Hanbury St and, when I left, I remember saying to my mother, tell the headmaster I want to go to the Central Foundation Grammar School in Spital Sq. I’d heard it was the good place to go. We were allowed out to wander around the Spitalfields Market at lunchtime. Every month the girls used to support a different charity there. We’d go down to the market and beg boxes of fruit and sell it at breaktimes and the money would go to charity. The art room overlooked the market and I did a painting of it that won a prize. I joined the choir so I could sing at St Botolph’s in Bishopsgate and get invited back for sandwiches and ice cream by the Worshipful Company of Fan Makers. I thought I was very clever because I went to a Grammar School.

My first job was at Fox’s the Chemist in Broadway Market, from four until six every day after school and all day Saturday for £2.50. At eighteen, I left school and worked for two years in the City at the National Westminster Bank in Threadneedle St. It was easy to get work, you could go to an agency and get a job, and if you didn’t like it you could go back in the afternoon and get a different one.

Then I did teacher training in Tooting. I couldn’t do it at eighteen because my father wouldn’t sign the grant form as he was about to remarry and didn’t want to commit himself, but when the divorce came through my mother signed. I asked to do my teaching practise in the East End and I was placed at Virginia Rd Primary School. I qualified as teacher in 1978, and I worked at Randal Cremer school in Hackney, I was part-time at Redlands School off Sidney St and deputy head at St Luke’s in Old St. I had wanted to be a teacher since the age of five, I think I just wanted a register and a red pen.

At forty-five, I had a son and we moved to Walthamstow and then to Hertfordshire, but I want to be back here – and one day I’ll be back. You can’t explain it to some people, because so many worked so hard to get out. I bring my son Adam to see the street art. I think he’s interested in the East End.”

Barbara keeps the button box from her childhood in Casson St. On the table are swatches from her mother’s dresses bought in Petticoat Lane and a necklace she made out of melon pips at age nine in 1963.

Barbara’s school report from the Central Foundation Grammar School in Spital Sq, July 1968.

Barbara, aged three.

The ‘goal’ where Barbara and her friends played football, photographed in the eighties.

Barbara, aged five.

The furniture factory opposite Barbara’s home in Casson St, photographed in the eighties.

Barbara (second from the left) in the Central Foundation School production of The Mikado.

Casson St under demolition.

Jerzy Jezewska, Barbara’s father was a celebrated guitarist who taught at Cambridge.

Barbara visits Columbia Rd in the eighties.

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The Hounds Of Hackney Downs

August 21, 2018
by the gentle author

I was among the first to admire the latest masterpiece created by Hackney Mosaic Project under the presiding genius of Tessa Hunkin, completed on Hackney Downs yesterday. Tessa’s design takes its inspiration from the canine users of the park and proud owners were lining up at once to identify their pets immortalised upon the wall. The mosaic can be visited any day in the park and look out for a celebration in September when all the dogs portrayed will gather for an official unveiling ceremony.

THE HACKNEY MOSAIC PROJECT is seeking commissions, so if you would like a mosaic please get in touch hackneymosaic@gmail.com

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