Baking Speculaas At E5 Bakehouse
This year Louise Lateur, the Flemish baker at the E5 Bakehouse, has made giant gingerbread figures – or speculaas as they are called in Flanders – in the form of St Nicholas from a nineteenth century mould that has been in her family for generations.
Below you can read my account of the first speculaas Louise baked last year, thereby inaugurating a new Christmas tradition in London.

St Nicholas, newly baked from a nineteenth century mould
Louise Lateur at E5 Bakehouse
Many years ago, I bought a gingerbread figure of St Nicholas in a bakery in Galway. A few years later, I bought another gingerbread figure – this time of Krampus – in Prague. While St Nicholas brings gifts to good children each December, Krampus punishes those who have misbehaved, so I realised that my gingerbread figures belonged together. And all this time, they have lived side by side in a glass case on my bookshelf.
Imagine my excitement when Fiona Atkins, antique dealer and proprietor of Townhouse in Fournier St, showed me a hefty old wooden mould for a gingerbread man she had bought in an auction. The design was of a man in Tudor clothing, not unlike the outfits worn by the yeoman warders at the Tower of London, and the figure was over two and a half feet high. He wore a wide-brimmed hat, a ruff and long quilted coat with slashed sleeves.
At once, I persuaded Fiona to let me find a baker to make us some giant gingerbread men. My good fortune was to meet Louise Lateur, a pastry chef from Flanders working at E5 Bakehouse, who agreed to take on the challenge. Thus it was that, early one frosty morning this week, Contributing Photographer Patricia Niven & I arrived at the Bakehouse under the arches in London Fields to record the baking of London’s largest gingerbread man.
As a Flemish baker, Louise knew that the correct name for these gingerbread figures was ‘speculaas’ and recognised the design of the mould as one of St Nicholas’ helpers. Her father had a similar mould hanging on the wall at home in Ghent and she knew the traditional recipe. “At pastry school in Belgium, it is one of the things you have to make to qualify,” Louise revealed proudly. Yet although Louise has made speculaas, she has never made one of this size before.
Already, Louise had done a week of experimentation to address the challenges posed by the giant gingerbread man. She perfected her recipe to create dough that was flexible enough to take an imprint of all the details of the mould yet stiff enough when baked so the gingerbread man was not too brittle to stand up. At first she experimented with decoration, adding icing to the figure, but decided it was better without. Most importantly, she created the ideal mixture of spices – ginger, cloves, nutmeg, cardamon, pepper and coriander to bake the classic speculaas. “In Belgium,” she revealed, “every bakery has their own spice mix for speculaas.”
Taking out a large lump of the golden dough, Louise rolled it on the table and then placed it on top of the mould, pressing and spreading it out to fill the figure. The density of the dough rendered this an arduous task, demanding twenty minutes of pushing and pummelling, requiring skill and muscle in equal degree. As she worked, Louise trimmed the excess from the back of the mould with a flat knife and added it to the bulk of the dough as it extended to fill the mould.
Once the mould was full and the edges of the dough neatly trimmed, Louise faced the challenge of turning the gingerbread man out in one piece. Tilting the mould sideways, she stood it up on its longest side and then quickly turned it face down onto a sheet of greaseproof paper. Lifting one end carefully, she used her flat knife to coax the edge of the dough from the mould. We held our breaths.
Suddenly the head fell out and, as Louise lifted the mould away, the entire figure rolled down onto the greaseproof paper in a single wave. He did not break and the impression of the mould was perfect in every detail. What had seconds before been mere dough suddenly acquired presence and personality. Behold, London’s largest gingerbread man was born. We stood amazed and delighted at this new wonder of creation.
Exhilarated and relieved, Louise painted the figure with egg white to give it a shine and a crust when baked. Meanwhile the gingerbread man lay inert, regarding us with a vacant grin. After another twenty minutes, he emerged from the oven as shiny-cheeked as a footballer from a tanning salon. Glowing with delight, we stood together and admired our festive bakery miracle. Could this be the birth of a new Christmas tradition in London Fields?
Speculaas are available now at Leila’s Shop and E5 Bakehouse
The Gentle Author’s St Nicholas purchased in Galway in 1989 and Krampus purchased in Prague in 1992
Pressing the dough down into the mould to imprint the design
Slicing off excess dough
The completed mould is filled with gingerbread dough
Preparing to remove the gingerbread man from the mould
The gingerbread man comes out head first
The birth of London’s largest gingerbread man
The gingerbread man and the mould
Detail of the mould
“the gingerbread man lay inert, regarding us with a vacant grin”
Coating the gingerbread man to give him a shine and a crust
Taking him to the oven
The gingerbread man emerges from the oven
London’s largest gingerbread man
Pastry chef Louise Lateur at E5 Bakehouse
Photographs copyright © Patricia Niven
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Rory Stewart Declares His Support To Save The Whitechapel Bell Foundry

‘An imaginative planner, in fact anyone with any imagination seeing the possibilities here, could not possibly turn this down’ says Rory Stewart
Independent Mayorial Candidate for London, Rory Stewart, came to the East End on a damp wintry day this week to offer his support for our campaign to Save The Whitechapel Bell Foundry as a proper working foundry.
Last week Secretary of State, Robert Jenrick, issued a Holding Order preventing Tower Hamlets Council proceeding with granting permission for change of use to the developers who want to turn the Whitechapel Bell Foundry into a boutique hotel, while he decided what to do.
Now the election is over and Robert Jenrick is back as Secretary of State, we are waiting to hear if he is going to call in the planning application and hold a Public Inquiry. So Rory Stewart’s declaration of support for the campaign this week is opportune timing and we hope this will encourage the Secretary of State to call in the Whitechapel Bell Foundry.
At East London Mosque, Rory Stewart met Steven Musgrave of UK Historic Building Preservation Trust who outlined their plans to reopen the foundry as a proper working foundry and make it viable again, just as they did at Middleport Pottery in Stoke. Then Sufia Alam of the London Muslim Centre spoke on behalf of the mosque and the local community in support of the campaign, explaining Whitechapel Bell Foundry’s immense cultural significance in terms of local pride of place and the opportunity that a renewed foundry offered for apprenticeships, training and education.
Then it was time to head out from the Mosque into the rain where local campaigners had gathered outside the front door of the Whitechapel Bell Foundry to greet Rory Stewart.
Speaking of his enthusiasm for the potential for a renewed bell foundry marrying old and new technology, and with a strong relationship to the local community, he declared, “All of this in one of the most interesting parts of our city – so an imaginative planner, in fact anyone with any imagination seeing the possibilities here, could not possibly turn this down. This is a challenge of courage, it’s a challenge of joyful imagination and of adventure, and we need to let the bells ring forth!”

Rory Stewart in conversation at East London Mosque with Sufia Alam of East London Mosque and Stephen Musgrave of UK Historic Building Preservation Trust

Charles Saumarez Smith welcomes Rory Stewart to the Whitechapel Bell Foundry

Rory Stewart declares his support for our campaign outside the foundry

“This is a challenge of courage, it’s a challenge of joyful imagination and of adventure, and we need to let the bells ring forth!” – Rory Stewart

Rory Stewart at Whitechapel Bell Foundry
Photographs copyright © Andrew Baker
These are three key reasons why the Secretary of State should call in the Whitechapel Bell Foundry and hold a Public Inquiry

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The Secretary of State steps in
A Letter to the Secretary of State
The Fate of the Whitechapel Bell Foundry
Nigel Taylor, Tower Bell Manager
Four Hundred Years at the Whitechapel Bell Foundry
Pearl Binder at Whitechapel Bell Foundry
Dorothy Rendell at Whitechapel Bell Foundry
Hope for The Whitechapel Bell Foundry
A Petition to Save the Bell Foundry
Save the Whitechapel Bell Foundry
So Long, Whitechapel Bell Foundry
Fourteen Short Poems About The Whitechapel Bell Foundry

The Streets Of Old London
Piccadilly, c. 1900
In my mind, I live in old London as much as I live in the contemporary London of here and now. Maybe I have spent too much time looking at photographs of old London – such as these glass slides once used for magic lantern shows by the London & Middlesex Archaeological Society at the Bishopsgate Institute?
Old London exists to me through photography almost as vividly as if I had actual memory of a century ago. Consequently, when I walk through the streets of London today, I am especially aware of the locations that have changed little over this time. And, in my mind’s eye, these streets of old London are peopled by the inhabitants of the photographs.
Yet I am not haunted by the past, rather it is as if we Londoners in the insubstantial present are the fleeting spirits while – thanks to photography – those people of a century ago occupy these streets of old London eternally. The pictures have frozen their world forever and, walking in these same streets today, my experience can sometimes be akin to that of a visitor exploring the backlot of a film studio long after the actors have gone.
I recall my terror at the incomprehensible nature of London when I first visited the great metropolis from my small city in the provinces. But now I have lived here long enough to have lost that diabolic London I first encountered in which many of the great buildings were black, still coated with soot from the days of coal fires.
Reaching beyond my limited period of residence in the capital, these photographs of the streets of old London reveal a deeper perspective in time, setting my own experience in proportion and allowing me to feel part of the continuum of the ever-changing city.
Ludgate Hill, c. 1920
Holborn Viaduct, c. 1910
Woman selling fish from a barrel, c. 1910
Trinity Almshouses, Mile End Rd, c. 1920
Throgmorton St, c. 1920
Highgate Forge, Highgate High St, 1900
Bangor St, Kensington, c. 1900
Ludgate Hill, c. 1910
Walls Ice Cream Vendor, c. 1920
Ludgate Hill, c. 1910
Strand Yard, Highgate, 1900
Eyre St Hill, Little Italy, c. 1890
Muffin man, c. 1910
Seven Dials, c. 19o0
Fetter Lane, c. 1910
Piccadilly Circus, c. 1900
St Clement Danes, c. 1910
Hoardings in Knightsbridge, c. 1935
Wych St, c.1890
Dustcart, c. 1910
At the foot of the Monument, c. 1900
Pageantmaster Court, Ludgate Hill, c. 1930
Holborn Circus, 1910
Cheapside, 1890
Cheapside ,1892
Cheapside with St Mary Le Bow, 1910
Regent St, 1900
Glass slides copyright © Bishopsgate Institute
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Remembering Scars Of War
Last week, Tower Hamlets Council gave permission for the demolition of part of the Chamber St railway arches for a hotel extension, ignoring the fact that the best preserved wall of World War II shrapnel damage in the East End is part of the site.
An appeal has been made to the developers, Marldon, to consider integrating the wall into their new hotel. Meanwhile, I am including the link to apply for listing, in case any of my readers have the wherewithal to pursue this at Historicengland.org.uk
Next year is the eightieth anniversary of the Blitz and below I publish my photos of the few remaining examples of shrapnel damage still visible in Central London.

This wall of shrapnel damage at the junction of Mansell St & Chamber St from World War II is threatened by a hotel extension

Shrapnel pock-marks upon Southwark Cathedral from February 1941

Damage at St Bartholomew’s Hospital from zeppelin raids on 8th September 1915 and on 7th July 1917

Damage at St Bartholomew’s Hospital from zeppelin raids on 8th September 1915 and on 7th July 1917

Damage at Stone Buildings, Lincoln’s Inn Fields, from a bomb dropped on Wednesday 18th December 1917 at 8pm

Damage at Stone Buildings, Lincoln’s Inn Fields, from a bomb dropped on Wednesday 18th December 1917 at 8pm

Repair of shrapnel damage from September 194o at University College London, Zoology Museum, Gower St

Damage at St Clement Dane’s in the Strand from 10th May 1941 when the church was gutted

Damage at St Clement Dane’s in the Strand from 10th May 1941 when the church was gutted

Sphinx on the Embankment with damage from the first raid by German aeroplanes Tuesday 4th September 1917

Cleopatra’s Needle with damage from the first raid by German aeroplanes Tuesday 4th September 1917

Damage at Victoria & Albert Museum from two bombs in Exhibition Rd during World War II

Damage at Victoria & Albert Museum from two bombs in Exhibition Rd during World War II

Damage at Tate Britain from September 16th 1940

The hotel extension in Chamber St that will replace the wall of shrapnel damage with the location of the existing wall marked
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Julie Price’s Christmas Cards
Julie Price is in thrall to the romance of old Spitalfields at Christmas and has painted a series of greetings cards on this theme

Dennis Severs House, Folgate St

A Gold, Brushfield St

Leadenhall Market

Wilkes St

Wiltons Music Hall

Dennis Severs’Door

Spitalfields Door Knocker

Elder St

Spitalfields Door Knocker

Christ Church, Spitalfields

Spitalfields Door Knocker

Whitechapel Bell Foundry
Paintings copyright @ Julie Price
Julie’s Christmas cards are available from Townhouse Spitalfields and her website www.passionforpaint.net
Some Old London Trade Cards
I discovered this selection of old London trade cards by rummaging down the back of a hypothetical sofa and searching under a hypothetical bed. Especially noteworthy are the cards for Lacroix’s and Peter De la Fontaine which are the early work of William Hogarth.


















Images courtesy Bishopsgate Institute
You may like to see my original selection
At Burley Fisher Books

We are delighted to collaborate with our friends at Dalston’s independent bookshop BURLEY FISHER BOOKS to host a festive Authors’ Evening at which Eleanor Crow, Dan Cruickshank, Reuben Lane & The Gentle Author will be presenting contrasted views of London, next Thursday 19th December from 6:30pm.
Eleanor will be showing her watercolours of shopfronts including some in Kingsland Rd from her book SHOPFRONTS OF LONDON. Dan will be celebrating the joys of exploring London on foot, guided by his new book LONDON, A PORTRAIT OF A CITY IN THIRTEEN WALKS. Reuben will be telling the story of six months spent on the edge of homelessness in London from his book FREEDOM OF MOVEMENT. The Gentle Author will be showing some notorious East End examples of THE CREEPING PLAGUE OF GHASTLY FACADISM.

Schrodinger will be otherwise engaged on Thursday night

























































