Bluebells At Bow Cemetery
With a few bluebells in flower in my garden in Spitalfields, I was inspired make a visit to Bow Cemetery and view the display of bluebells sprouting under the tall forest canopy that has grown over the graves of the numberless East Enders buried there. In each season of the the year, this hallowed ground offers me an arcadian refuge from the city streets and my spirits always lift as I pass between the ancient brick walls that enclose it, setting out to lose myself among the winding paths, lined by tombstones and overarched with trees.
Equivocal weather rendered the timing of my trip as a gamble, and I was at the mercy of chance whether I should get there and back in sunshine. Yet I tried to hedge my bets by setting out after a shower and walking quickly down the Whitechapel Rd beneath a blue sky of small fast-moving clouds – though, even as I reached Mile End, a dark thunderhead came eastwards from the City casting gloom upon the land. It was too late to retrace my steps and instead I unfurled my umbrella in the cemetery as the first raindrops fell, taking shelter under a horse chestnut, newly in leaf, as the shower became a downpour.
Standing beneath the dripping tree in the half-light of the storm, I took a survey of the wildflowers around me, primroses spangling the green, the white star-like stitchwort adorning graves, a scattering of palest pink ladies smock highlighting the ground cover, yellow celandines sharp and bright against the dark green leaves, violets and wild strawberries nestling close to the earth and may blossom and cherry blossom up above – and, of course, the bluebells’ hazy azure mist shimmering between the lines of stones tilting at irregular angles. Alone beneath the umbrella under the tree in the heart of the vast graveyard, I waited. It was the place of death, but all around me there was new growth.
Once the rain relented sufficiently for me to leave my shelter, I turned towards the entrance in acceptance that my visit was curtailed. The pungent aroma of wild garlic filled the damp air. But then – demonstrating the quick-changing weather that is characteristic of April – the clouds were gone and dazzling sunshine descended in shafts through the forest canopy turning the wet leaves into a million tiny mirrors, reflecting light in a vision of phantasmagoric luminosity. Each fresh leaf and petal and branch glowed with intense colour after the rain. I stood still and cast my eyes around to absorb every detail in this sacred place. It was a moment of recognition that has recurred throughout my life, the awe-inspiring rush of growth of plant life in England in spring.
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Find out more at www.towerhamletscemetery.org
Easter Procession In Stepney
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Every Easter, George & Dunstan, donkeys at Stepney City Farm enjoy an outing when they join the Parishioners of St Dunstan’s for the annual procession around the vicinity on Palm Sunday – and, one year, Contributing Photographer Colin O’Brien & I joined the enthusiastic throng on a cold and grey spring morning.
Walking down from Whitechapel, Colin & I followed Stepney Way, which was once a path across the fields used by worshippers when St Dunstan’s was the parish church for the whole of Tower Hamlets. St Dunstan founded it in 952 and it stands today as earliest surviving building after the Tower on this side of London.
At the old stone church, we discovered the wardens were eager to show us their ancient silver, a mace and a staff, with images of St Dunstan, the Tower and a Galleon referring to the days when this was the parish of seafarers. Once, all those who were born or died at sea were entered here in the parish register.
Curate Chris Morgan led off across the churchyard along the fine avenue of plane trees, swinging incense and followed by church wardens, sidesmen, George & Dunstan the donkeys, members of the parish and a solo trumpeter, with the Rector Trevor Critchlow bringing up the rear.
Anyone still nursing a hangover from Saturday night might have been astounded to be awoken by the sound of a heavenly host, and parted the curtains to discover this rag tag parade. Yet it was a serious commemoration of Christ’s entry into Jerusalem in which the streets of Stepney became transformed into the Via Sacra for a morning.
They marched through the empty terraced streets, past the large development site, turned left at the curry restaurant, passing the pizza takeaway and the beauty parlour, before turning left again at the youth centre to re-enter the churchyard. Then there was just time to pet the donkeys before they filed into the church to warm up again and begin Sunday morning prayers. And this was how Easter began in Stepney.

St Dunstan with his metalworkers’ tongs on top of the seventeenth century mace

A galleon upon an eighteenth century staff is a reminder St Dunstan’s was the parish of seafarers

Tower of London upon the reverse of the staff

Sidesmens’ batons from the era of George IV

Julian Cass, Sidesman

Jenny Ellwood, Sidesperson, and Sarah Smith, Parish Clerk

Trevor Critchlow, Rector of St Dunstan’s


Curate Chris Morgan leads the procession















Photographs copyright © Estate of Colin O’Brien
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Nativity Procession In Spitalfields
Easter Flowers At St Dunstan’s
Tony Bock’s East Enders
Clock Winder at Christ Church, Spitalfields
Here are the East Enders of the nineteen seventies as pictured by photographer Tony Bock in the days when he worked for the East London Advertiser – the poncy dignitaries, the comb-over tories, the kids on the street, the market porters, the fascists, the anti-fascists, the shopkeepers, the sheet metal workers, the unions, the management, the lone dancers, the Saturday shoppers, the Saturday drinkers, the loving family, the West Ham supporters, the late bride, the wedding photographer, the clock winder, the Guinness tippler, the solitary clown, the kneeling politician and the pie & mash shop cat.
Welcome to the teeming masses. Welcome to the infinite variety of life. Welcome to the exuberant clear-eyed vision of Tony Bock. Welcome to the East End of fifty years ago.
Dignitaries await the arrival of the Queen Mother at Toynbee Hall. John Profumo kneels.
Children playing on the street in Poplar.
On the steps of St Paul’s Cathedral.
National Front supporters gather at Brick Lane.
Watching a National Front march in Hackney.
Shopkeepers come out to watch an anti-racism march in Hackney.
A family in Stratford pose in their back yard.
Wedding photographer in Hackney – the couple had been engaged many years.
West Ham fans at Upton Park, not a woman to be seen.
Sports club awards night in Hackney.
Dancers in Victoria Park.
Conservative party workers in the 1974 electoral campaign, Ilford.
Ted Heath campaigns in Ilford for the General Election of 1974.
Ford workers union meeting, Dagenham.
Ford managers, Dagenham.
Press operator at Ford plant, Dagenham.
At Speakers’ Corner, Hyde Park.
Mr East End Contest at E1 Festival.
The shop cat at Kelly’s Pie & Mash Shop, Bethnal Green Rd.
At the White Swan in Poplar.
Enjoying a Guinness in the Royal Oak, Bethnal Green.
Boy on demolition site, Tiller Rd, Isle of Dogs.
Brick Lane Sunday Market.
Clown in Stratford Broadway.
Saturday morning at Roman Rd Market.
Saturday night out in Dagenham.
Spitalfields Market porter in the workers’ club
Photographs copyright © Tony Bock
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The Ceremony Of The Widow’s Sixpence

While my tours start tomorrow afternoon in Spitalfields at 2pm, over in Smithfield tomorrow morning at 11:30am hot cross buns will be distributed at St Bartholomew the Great.
Distribution of buns to widows in the churchyard of St Bartholomew the Great
St Bartholomew the Great is one of my favourite churches in the City, a rare survivor of the Great Fire, it boasts the best Norman interior in London. Composed of ancient rough-hewn stonework, riven with deep shadow where feint daylight barely illuminates the accumulated dust of ages, this is one of those rare atmospheric places where you can still get a sense of the medieval world glimmering. Founded by Rahere in 1123, the current structure is the last vestige of an Augustinian Priory upon the edge of Smithfield, where once martyrs were burnt at the stake as public entertainment and the notorious St Bartholomew Fair was celebrated each summer from 1133 until 1855.
In such a location, the Good Friday tradition of the distribution of charity in the churchyard to poor widows of the parish sits naturally. Once known as the ‘Widow’s Sixpence,’ this custom was institutionalised by Joshua Butterworth in 1887, who created a trust in his name with an investment of twenty-one pounds and ten shillings. The declaration of the trust states its purpose thus – “On Good Friday in each year to distribute in the churchyard of St. Bartholomew the Great the sum of 6d. to twenty-one poor widows, and to expend the remainder of such dividends in buns to be given to children attending such distribution, and he desired that the Charity intended to be thereby created should be called ‘the Butterworth Charity.'”
Those of use who gathered at St Bartholomew the Great on the Good Friday I visited were blessed with sunlight to ameliorate the chill as we shivered in the churchyard. Yet we could not resist a twinge of envy for the clerics in their heavy cassocks and warm velvet capes as they processed from the church in a formal column, with priests at the head attended by vergers bearing wicker baskets of freshly buttered Hot Cross Buns, and a full choir bringing up the rear.
In the nineteen twenties, the sum distributed to each recipient was increased to two shillings and sixpence, and later to four shillings. Resplendent in his scarlet robes, Rev Martin Dudley, Rector of St Bartholomew the Great climbed upon the table tomb at the centre of the churchyard traditionally used for that purpose and enacted the motions of this arcane ceremony – enquiring of the assembly if there were a poor widow of the parish in need of twenty shillings. To his surprise, a senior female raised her hand. “That’s never happened before!” he declared to the easy amusement of the crowd, “But then, it’s never been so cold at Easter before.” Having instructed the woman to consult with the churchwarden afterwards, he explained that it was usual to preach a sermon upon this hallowed occasion, before qualifying himself by revealing that it would be brief this year, owing to the adverse meteorological conditions. “God’s blessing upon the frosts and cold!” he announced with a grin, raising his hands into the sunlight, “That’s it.”
I detected a certain haste to get to the heart of the proceedings – the distribution of the Hot Cross Buns. Rev Dudley directed the vergers to start with the choir, who exercised admirable self-control in only taking one each. Then, as soon as the choir had been fed, the vergers set out around the boundaries of the yard where senior females with healthy appetites, induced by waiting in the cold, reached forward eagerly to take their allotted Hot Cross Buns in hand.
The tense anticipation induced by the chill gave way to good humour as everyone delighted in the strangeness of the ritual which rendered ordinary buns exotic. Reaching the end of the line at the furthest extent of the churchyard, the priests wasted no time in satisfying their own appetites and, for a few minutes, silence prevailed as the entire assembly munched their buns.
Then Rev Martin returned to his central position upon the table tomb. “And now, because there is no such thing as free buns,” he announced, “we’re going to sing a hymn.” Yet we were more than happy to oblige, standing replete with buns on Good Friday.
The Priory Church of St Bartholomew the Great, a century ago
John Betjeman once lived in this house overlooking the churchyard.
The ceremony of the Widow’s Sixpence in the nineteen twenties.
“God’s blessing upon the frosts and cold!”
A crowd gathers for the ceremony a hundred years ago
Hungry widows line up for buns
The churchyard in the nineteenth century
Rev Martin Dudley BD MSc MTh PhD FSA FRHistS AKC is the 25th Rector since the Reformation
Testing the buns
The clerics ensure no buns go to waste
Hymns in the cold – “There is a green hill far away without a city wall…”
The Norman interior of St Bartholomew the Great at the beginning of the twentieth century
The Gatehouse prior to bombing in World War I and reconstruction
Archive images courtesy Bishopsgate Institute
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Udham Singh, The Patient Assassin
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Udham Singh
On this day, we remember the victims of the mass shooting of 13th April 1919 at Jallianwala Bagh, known as the Amritsar Massacre, in which between four hundred (low estimate) and fifteen hundred (high estimate) were shot by British soldiers at the instruction of Sir Michael O’Dwyer, Lieutenant Governor of the Punjab.
Although this event of a century ago might appear remote, there is a direct connection with Spitalfields because Udham Singh, who survived the massacre as a child, came to London in the thirties and lodged in Artillery Passage before taking action in 1940 to avenge the atrocity.
Udham Singh is widely remembered in his home country but in here in Spitalfields, and indeed throughout Britain, he almost unknown. In common with many figures of such renown, myths have grown up around Udham Singh, fuelled by multiple films and representations in popular culture, yet his story is real and this is how I understand it.
During World War I, a significant number of Indian soldiers fought for Britain. Yet British rulers were increasingly concerned by anti-colonial activities, in particular by the pro-independence Ghadar party, and they recognised a need to suppress them.
On 13th April 1919, over twenty thousand unarmed people were assembled at Jallianwala Bagh, Amritsar, to celebrate the sikh festival of Baisakhi. At the instruction of Sir Michael O’Dwyer, Lieutenant Governor of the Punjab, soldiers were sent under the command of Brigadier General Reginald Dyer and they shot the crowd of men, women and children, indiscriminately.
Udham Singh was an orphan of seven years old and he claimed to have been present serving water to the picnicking crowd, witnessing the massacre and receiving a bullet wound in his arm. Although this was contested by the British authorities for lack of proof, what is certain is that he joined Ghadar party in response to the events of that day and made it his life’s purpose to seek revenge.
The Amritsar Massacre was a turning point that led moderate Indians to turn against British rule and was one of the darkest moments in the history of the British in India, but Rudyard Kipling justified it. In 1927, at the death of Brigadier General Reginald Dyer – known as the Butcher of Amritsar – who ordered the soldiers to shoot at the crowd in the park, Kipling wrote, ‘He did his duty as he saw it.’
Udham Singh came to London in 1934, aged twenty-two, and led a transient existence. He told Scotland Yard he lived at Nayyar’s warehouse, 30 Back Church Lane, Whitechapel, and 4 Duke St, Spitalfields, yet he was registered on the electoral roll at 4 Crispin St where he shared with thirteen pedlars. Another pedlar believed he lived with them in Adler St, Aldgate, as well as at 15 Artillery Passage.
On 13th March 1940, Sir Michael O’Dwyer gave a speech at the Caxton Hall to a meeting of the East India Association and the Central Asian Society. Udham Singh attended, carrying a book in which he had cut out the pages to conceal a gun and, at the end of the meeting, he shot O’Dwyer twice, killing him.
After a hunger strike and force-feeding at Brixton Prison, Udham Singh came to trial on 4th June at the Old Bailey where he explained his motive eloquently, ‘I did it because I had a grudge against him. He deserved it. He was the real culprit. He wanted to crush the spirit of my people, so I have crushed him. For full twenty-one years, I have been trying to seek vengeance. I am happy that I have done the job. I am not scared of death. I am dying for my country. I have seen my people starving in India under the British rule. I have protested against this, it was my duty.’
After being declared guilty, Udham Singh made a speech which the judge ruled could not be made public and that was not published until 1996, in which Singh declared, ‘I say down with British Imperialism. You say India do not have peace. We have only slavery. Generations of so-called civilisation has brought us everything filthy and degenerating known to the human race. All you have to do is read your own history.’
On 31st July, Udham Singh was executed by hanging at Pentonville Prison. In 1974, his remains were exhumed and repatriated to India where they were received by Indira Gandhi and today he is revered as a martyr in his homeland.
I learnt of the presence of Udham Singh in Spitalfields from Parkash Kaur who lives on the Holland Estate beside Petticoat Lane. Suresh Singh, author of A Modest Living, Memoirs of a Cockney Sikh, introduced me to Parkash who told me how she ran the first sikh grocers in the East End with her late husband Jarnail Singh at 5 Artillery Passage.
She recalled Suresh’s father Joginder who came to London in 1947 and became a close friend of her husband, saying ‘They often spoke of the assassin Udham Singh who lodged in 15 Artillery Passage in the thirties.’

Udham Singh lodged on the first floor at 15 Artillery Passage in the thirties

Jarnail Singh outside his grocery shop at 5 Artillery Passage

Portrait of Parkash Kaur by Sarah Ainslie
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Vera Hullyer, Parishioner of St Dunstan’s
This is Vera Hullyer sitting in front of the cupboard in the parish room where she keeps the vases and other paraphernalia she uses for creating the spectacular floral displays at St Dunstan’s – just one of myriad ways she has been involved with this ancient East End church since she first came here in 1945. Vera’s life has been interwoven with that of St Dunstan’s and its community over all these years, and she has become its devoted custodian, captivated by its mythic history and speaking of the distant past as vividly as she describes events of recent years.
Older in origin even than the Tower of London, St Dunstan’s once served the entire area now defined by the Borough of Tower Hamlets, which means that until Christ Church was built in the eighteenth century it was the parish church for Spitalfields. A wooden church dedicated to All Saints was built in Stepney after St Augustine’s conversion of the English in the sixth century and St Dunstan himself built the first stone church here in 952. A rough hewn stone relief from his time survives today, set into the wall behind the altar.
Along Fieldgate St from Whitechapel, I followed the route of the former path across the fields to visit this low-set medieval ragstone church that for centuries stood among orchards and farms until the modern East End grew up around it, spawning no less that sixty-seven “daughter” parishes out of the former rural parish of St Dunstan’s. Stepping in from the August rain and placing my umbrella in the stand, I was greeted by that distinctive silence which is unique to old stone buildings, and standing there in the gloom to survey the scene beneath the vast wooden roof, like a great upturned ship, I realised could have been in a country church almost anywhere in England.
A door opened at the far end of the chancel, spilling illumination into the half-light, and Vera came out of the shadows with nimble steps to greet me, shepherding me kindly to the octagonal parish room, where she made me a cup of tea and I was able to dry out my raincoat while she told her story.
I had an aunt that lived nearby in Stepney, she stayed here all through the war and had her roof blown off seven times. And my mother promised me that when the war ended we could come up from Fordingbridge, where we lived, to visit her for a holiday. So we came in August 1945 for VJ night, and I remember the church bells and the hooters on the river. Next day, we went up to Buckingham Palace and joined the crowd up against the railings.
I came to stay with my aunt every year after that for holidays, until 1953 when I came to London to work at the Air Ministry and I lived with her for the first two years. I was young and impecunious and seventeen and three quarters – people didn’t really go away from home then as they do now.
I’m half a Londoner, on my father’s side – he was born in Lambeth – and that bit came through. I’m a very different person now than if I had stayed down in Fordingbridge. Because I had been up to London for holidays, I knew my way around and I enjoyed it. I worked for several officers who had been in the war and Spitfire pilots who had been promoted – for a young girl it was very exciting. I was responsible for ordering and making sure that all the radio parts were in stock. From the Air Ministry, I went to be PA to a senior officer in Whitehall and I was there all through the Suez crisis and when Cyprus was partitioned.
I moved into a hostel in Queensgate, Kensington, in Spring 1955. It was a nice area, but there were four of us to a room. You got bed, breakfast and an evening meal, and the food was terrible. This was before fridges, and I acquired an ability to drink black Nescafe and toast made on the gas fire. At twenty-two, I moved out to Chiswick because we could afford a shared flat. But I still kept on coming to St Dunstans, and when I got married I came to live here and never moved again.
From when I first came to London, I joined the church badminton club to get to meet people. I met my husband, Charlie Hullyer, through the club, we were members of a big group of people there and I knew him for quite a while before we got married. He worked at the Whitechapel Bell Foundry as a carpenter. He made the frames for the bells and his last job, before he died in 1981, was to make a frame for the bells at Canterbury Cathedral. We got married at St Dunstan’s in 1965 and my son was baptised here. Charlie had a flat because he was the last child to leave home and he took it over after his parents died. So when we got married, we had somewhere to live – we didn’t have to move out like most people did. It was very difficult for the children of families to find homes locally and stay here, that’s why many East End families are split.
When I first came to the Ocean Estate, it was a bomb site and we used to walk my aunt’s dog there and there was this smell I will never forget. Then the flats went up. Most people were living in two-up two-downs, with no bathroom and a toilet in the backyard. Some were still living in bomb damaged homes. People were worn out, they had been evacuated and come back, and many had lost family in the bombing. So they were delighted with the new flats, it was real step up and it was luxurious.
The population then was old East Enders and Jewish people, but it’s changed a lot since 1953 and now it’s changing again. The Jewish people have all gone, and West Indians and Bangladeshis came in. It was all social housing then and people were poor. But the new housing is a mixture of some to buy and some to rent, so we have young professionals today who work in the City or at Canary Wharf. Whereas before it was just secretaries and machinists in the garment trade, while the men all worked in the docks.
Yet all the changes that Vera has seen are set in perspective by her relationship with St Dunstan’s. “We fly the red duster,” she announced to me with raffish glee, referring to red merchant navy flag fluttering from the tower, “That’s because before the registrar at Trinity House was established, all births and marriages at sea wherever they took place in the world were registered here in St Dunstan’s parish register and those people were parishioners of St Dunstan’s.”
Over more than seventy years now, Vera has pursued a constant involvement with St Dunstan’s, as member of the parish church council, as a church warden, as a sidesperson and as member of the congregation too. She has read the lesson. She has raised money to replace the magnificent wooden roof and to renovate the elaborate churchyard railings. She has headed the 17th Stepney Cub Scouts and she has done the church flowers for the last twenty years. When her husband Charlie brought his carpentry skills to the construction of crosses for elaborate performances of the Stations of the Cross performed upon the streets of Stepney in the seventies, Vera was stitching costumes.
It all adds up to a rich existence for Vera Hullyer at the centre of her chosen community in this remarkable building – a charismatic meeting place with a long history of devotion, offering an endless source of tales of those who have gone before to inspire the imagination.
Vera at the Tower of London when she first moved to London to work at the Air Ministry in the Winter of 1953, aged seventeen and three quarters, in the bottle green coat that she bought with her first earnings.
This tenth century stone relief carving is a relic of the church built by St Dunstan in 952.
St Dunstans on a map of 1615.
Honest Abraham Zouch, Ropemaker of Wapping, died 16th July 1648.
The Carthage stone, a souvenir of a sailor’s visit to Tunis.
Spandrel over the West door – legend has it that the devil came to tempt St Dunstan when he was working at his anvil, and the saint tweaked the devil’s nose with his red-hot pincers.
Vera Hullyer first came to St Dunstan’s on VJ day in the Summer of 1945.
East End Blossom Time
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In Bethnal Green
Let me admit, this is my favourite moment in the year – when the new leaves are opening fresh and green, and the streets are full of trees in flower. Several times, in recent days, I have been halted in my tracks by the shimmering intensity of the blossom. And so, I decided to enact my own version of the eighth-century Japanese custom of hanami or flower viewing, setting out on a pilgrimage through the East End with my camera to record the wonders of this fleeting season that marks the end of winter incontrovertibly.
In his last interview, Dennis Potter famously eulogised the glory of cherry blossom as an incarnation of the overwhelming vividness of human experience. “The nowness of everything is absolutely wondrous … The fact is, if you see the present tense, boy do you see it! And boy can you celebrate it.” he said and, standing in front of these trees, I succumbed to the same rapture at the excess of nature.
In the post-war period, cherry trees became a fashionable option for town planners and it seemed that the brightness of pink increased over the years as more colourful varieties were propagated. “Look at it, it’s so beautiful, just like at an advert,” I overheard someone say yesterday, in admiration of a tree in blossom, and I could not resist the thought that it would be an advertisement for sanitary products, since the colour of the tree in question was the exact familiar tone of pink toilet paper.
Yet I do not want my blossom muted, I want it bright and heavy and shining and full. I love to be awestruck by the incomprehensible detail of a million flower petals, each one a marvel of freshly-opened perfection and glowing in a technicolour hue.
In Whitechapel
In Spitalfields
In Weavers’ Fields
In Haggerston
In Weavers’ Fields
In Bethnal Green
In Pott St
Outside Bethnal Green Library
In Spitalfields
In Bethnal Green Gardens
In Museum Gardens
In Museum Gardens
In Paradise Gardens
In Old Bethnal Green Rd
In Pollard Row
In Nelson Gardens
In Canrobert St
In the Hackney Rd
In Haggerston Park
In Shipton St
In Bethnal Green Gardens
In Haggerston
At Spitalfields City Farm
In Columbia Rd
In London Fields
Once upon a time …. Syd’s Coffee Stall, Calvert Avenue































































































































