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The Comic Alphabet

January 24, 2023
by the gentle author

 

You might like to see other work by George Cruikshank

Dick Turpin, Highwayman

Jack Sheppard, Thief, Highwayman & Escapologist

Tom & Jerry’s Life in London

Joseph Grimaldi, Clown

The Bloody Romance of the Tower

Henry Mayhew’s Punch & Judy Man

A Lost Corner Of Whitechapel

January 23, 2023
by the gentle author

Now that Whitechapel Station has been completely rebuilt and the new Elizabeth Line is fully operational, few remember how it used to be half a century ago but photographer Philip Cunningham recorded the vanished streets and yards that once occupied this lost corner

Winthrop St

“I first started taking photographs of Winthrop St and Woods Buildings in Whitechapel in the mid-seventies. I remember the first time I went to Winthrop St on a cold frosty morning with a bright blue sky. A woman came out of one of the houses and asked what I was doing. ‘Photographing the streets,’ I said. ‘You’d better hurry up they’re coming down!’ she replied. She was right, within a few months they were gone.

‘Comprehensive Development’ was the only philosophy pursued by the London County Council and Greater London Council for rebuilding London after the war. Their planners complained that too much pre-war building was left, making comprehensive planning really difficult. Yet it would not have taken much imagination to have incorporated streets like these within any new development, creating a richer and more diverse urban landscape.

Even Mile End Place, where I lived in my grandfather’s house, was designated for demolition in 1968 to become a car park for Queen Mary College. Fortunately, the council did not have enough money to build flats for us to be decanted into so our street was saved.”

Winthrop St

Durward St School was built in 1876 and eventually restored by the Spitalfields Trust in 1990

Winthrop St

Winthrop St

Winthrop St

Winthrop St

Woods Buildings looking towards Whitechapel Market

“Woods Buildings was a subject I photographed over and over, it always held that feeling for me of Dickens’ London. To the left, as you approached the arch under the buildings, was a urinal and when I climbed the wall to take a look, it appeared to be for public use but had been bricked up. It must have been quite intimidating to pass through that passage at night.”

‘We live here, it’s not a toilet’

Entrance to Woods Buildings in Whitechapel Market

“By 1984, the land opposite Woods Buildings on the north side comprised a combination of wasteland and sheds where a boot fair would be held every Sunday. It was licensed by the Council and very popular. One Sunday, I observed a group of Romanians selling secondhand clothes just outside the compound which did not go down well with the gatekeepers as they had not paid a fee. There followed a quite violent fracas, although fortunately no one was seriously hurt and only a little blood spilt. I felt sorry for the children, it must have been frightening for them. Those were desperate days!”

Durward St

Photographs copyright © Philip Cunningham

You may also like to take a look at

Philip Cunningham’s East End Portraits

More of Philip Cunningham’ Portraits

Philip Cunningham at Mile End Place

Horace Warner, Photographer

January 22, 2023
by the gentle author

Back in 2014, Spitalfields Life Books published Horace Warner’s SPITALFIELDS NIPPERS. Now there are just the last copies left and I am giving my final lecture on this subject at 6pm on Tuesday 7th February at the beautiful Hanbury Hall in Spitalfields, explaining how we discovered the photographs, who Horace Warner was and why he took his pictures, and revealing what we discovered about the lives of the Nippers.

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CLICK HERE TO BOOK A TICKET FOR THE LECTURE FOR £6

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Horace Warner (1871-1939)

This is a self-portrait by Horace Warner taken when he was around thirty years old at the time he was photographing the Spitalfields Nippers, the pictures by which he is remembered and that establish his posthumous reputation as a photographer. If you look closely you can just see the bulb in his left hand to control the shutter, permitting him to capture this image of himself.

With his pale moon-like face, straggly moustache and shiny locks, Horace looks younger than his years and yet there is an intensity in his concentration matched by the poised energy of his right arm. This is how he chose to present himself – wielding a brush, indicative of his profession as a wallpaper designer in the family business of Jeffrey & Co, run by his father Metford Warner (1843-1930), where he and his brother Marcus worked. The company was established in 1836 and Metford was a junior partner who became proprietor by 1869 and, under his leadership, they became a leading manufacturer. He was committed to representing artists’ designs more accurately than had been done before and commissioned William Burges and Walter Crane, among other leading designers of the time – most famously, collaborating with William Morris.

I set out to visit three places that were familiar to Horace Warner in an attempt to better understand the connections between the different aspects of his life that found their expression in these locations. First, I took the train to Highbury and walked up the hill beside the long eighteenth century terrace bounding the fields, turning off into the quiet crescent of Aberdeen Park, a private estate laid out in the eighteen-fifties.

The turret of the former Warner family house stood out among the other comfortably-appointed villas, as testimony to the success of Jeffrey & Co, supplying wallpaper to the artistic classes in the growing capital at the end of the nineteenth century. A woman pushing a pram along the pavement in front of me turned out to be the nanny employed by the current residents and, when I explained the reason for my visit, she volunteered that there were a series of old photographs still hanging in an upper room, which also retains its turn of the century embossed wallpaper.

Leaving the ghosts of Aberdeen Park, I turned south, following Horace’s route to work by walking for half an hour down through Canonbury, past the Tower and along the route of the New River, to meet the Essex Rd where the Jeffrey & Co wallpaper factory stands. An elegant turn-of-the century utilitarian building with three well-lit floors above for manufacturing and a showroom on the ground floor, it is currently occupied by a wholefood chain. William Morris’ wallpaper designs were all printed here until the thirties when they were taken over by Sandersons and the factory closed in 1940 but, if you go round to the side street, the loading doors remain as if another delivery might arrive at any time.

From here, the East End is a couple of miles south. In her nineties, Horace Warner’s daughter, Ruth Finken, still remembered accompanying her father on this journey as a small child to deliver Christmas presents in Quaker St, where he was Sunday School teacher. She recalled how dark, dirty and frightening everything looked, and being told to hold her father’s hand and keep close. Ruth reported that her father was always one for getting the family to pose for his photos and that he spent ages getting everyone in exactly the right position. She also had a memory of one of his photographs of a pair of child’s boots upon the drawing room wall, along with a couple of his portraits of the Spitalfields Nippers, as reminders of those who were less fortunate.

Horace Warner’s participation as Superintendent at the Bedford Institute continued an involvement for his family in Spitalfields that stretched back to the seventeenth century when the Warner Bell Foundry was established. The Warner family were part of the Quaker movement too, almost since its inception, and the naming of Quaker St derives from the Friends Meeting House that opened there in 1656.

Yet the Quaker Mission at the Bedford Institute, that Horace Warner knew, owed its origin to a revival of Quakerism that happened a century later in Spitalfields – encouraged by Peter Bedford (1780-1864), a philanthropist silk merchant who devoted himself to alleviating poor social conditions. Rebuilt in 1893, the handsome red brick Bedford House that stands today would have been familiar to Warner.

In The Condition of The Working Class in England, Frederick Engels referred to the tragedy of a family living in the courtyards south of Quaker St as an example of the degradation of the poor in London and it was these people, living almost upon the doorstep of the Bedford Institute, that Horace Warner befriended and photographed. It was a small area, a narrow rectangle of shabby dwellings circumscribed by roads upon four sides, and no more than a hundred yards wide and five hundreds yards long. Today there is nothing left of it but Horace Warner’s photographs, yet since he annotated them with the names of his subjects we hope we discovered more about the lives of these people through research into the records. Ultimately, what we can discover about Horace Warner exists in his response to others and their response to him, as manifest in his photographs.

“There isn’t a great deal of information we know about Horace,” his grandson Ian McGilvray admitted to me, “and, in any case, I imagine he would probably have been quite content to have it that way.”

The Warner family home in Aberdeen Park, Highbury

Jeffrey & Co, Wallpaper Factory & Showroom, 64 Essex Rd – the family business run by Metford Warner, where Horace worked with his brother Marcus

Bedford Institute, Quaker St, Spitafields, where Horace Warner was Sunday School Superintendent

Horace Warner’s photograph of one of the yards off Quaker St

Horace Warner’s photograph of Union Place off Quaker St

Horace Warner’s photograph of the children who lived in the yards beside Quaker St in 1900

Washing Day, Horace Warner’s photograph of children boiling up hot water for laundry

Little Adelaide’s Best & Only Boots – a photograph by Horace Warner that Ruth Finken, his daughter, remembered upon the drawing room wall as a child – the Bedford Institute distributed boots to children

Click here to buy a copy of SPITALFIELDS NIPPERS

You can see more of Horace Warner’s photographs here

An Astonishing Photographic Discovery

My Last Spitalfields Nippers Lecture

January 21, 2023
by the gentle author

Back in 2014, Spitalfields Life Books published Horace Warner’s SPITALFIELDS NIPPERS. Now there are only a few copies left and I am giving my final lecture on this subject at 6pm on Tuesday 7th February at the beautiful Hanbury Hall in Spitalfields, explaining how we discovered the photographs, who Horace Warner was and why he took his pictures, and revealing what we discovered about the lives of the Nippers.

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CLICK HERE TO BOOK A TICKET FOR THE LECTURE FOR £6

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This boy is wearing Horace Warner’s hat

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Around 1900, Photographer, Wallpaper Designer and Sunday School Teacher Horace Warner took portraits of children in Quaker St, who were some of the poorest in London at that time. When his personal album of these astonishing photographs came to light nine years ago, we researched the lives of his subjects and published a book of all his portraits accompanied by biographies of the children.

Although we were shocked to discover that as many as a third did not reach adulthood, we were also surprised and heartened by the wide range of outcomes among the others. In spite of the deprivation they endured in their early years, many of these children survived to have long and fulfilled lives.

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Walter Seabrook was born on 23rd May 1890 to William and Elizabeth Seabrook of Custance St, Hoxton. In 1901, when Walter’s portrait was taken by Horace Warner, the family were living at 24 & 1/2 Great Pearl St, Spitalfields, and Walter’s father worked as a printer’s labourer. At twenty-four years old, Walter was conscripted and fought in World War One but survived to marry Alice Noon on Christmas Day 1918 at St Matthew’s, Bethnal Green. By occupation, Walter was an electrician and lived at 2 Princes Court, Gibraltar Walk. He and Alice had three children – Walter born in 1919, Alice born in 1922 and Gladys born in 1924. Walter senior died in Ware, Hertfordshire, in 1971, aged eighty-one.

Sisters Wakefield

Jessica & Rosalie Wakefield. Jessica was born in Camden on January 16th 1891 and Rosalie at 47 Hamilton Buildings, Great Eastern St, Shoreditch on July 4th 1895. They were the second and last of four children born to William, a printer’s assistant, and Alice, a housewife. It seems likely they were living in Great Eastern St at the time Horace Warner photographed them, when Jessica was ten or eleven and Rosalie was five or six.

Jessica married Stanley Taylor in 1915 and they lived in Wandsworth, where she died in 1985, aged ninety-four. On July 31st 1918 at the age of twenty-three, Rosalie married Ewart Osborne, a typewriter dealer, who was also twenty-three years old, at St Mary, Balham. After five years of marriage, they had a son named Robert, in 1923, but Ewart left her and she was reported as being deaf. Eventually the couple divorced in 1927 and both married again. Rosalie died aged eighty-four in 1979, six years before her elder sister Jessica, in Waltham Forest.

Jerry Donovan, or ‘Dick Whittington & His Cat’

Jeremiah Donovan was born in 1895 in the City of London. His parents Daniel, news vendor, and Katherine Donovan originated in Ireland. They came to England and settled in Spitalfields at 14 Little Pearl St, Spitalfields. By 1901, the family were resident at Elizabeth Buildings, Boleyn Rd. Jeremiah volunteered for World War I in 1914 when he was nineteen and was stationed at first at City of London Barracks in Moorgate. He joined the Royal Artillery, looked after the horses for the gun carriages, but was gassed in France. In 1919, Jeremiah married Susan Nichols and they had one son, Bertram John Donovan, born in 1920. He died in Dalston in 1956 and is remembered by nine great grandchildren.

Adelaide Springett in all her best clothes

Adelaide Springett was born in February 1893 in the parish of St George-in-the-East, Wapping. Her father, William Springett came from Marylebone and her mother Margaret from St Lukes, Old St. Both parents were costermongers, although William was a dock labourer when he first married. Adelaide’s twin sisters, Ellen and Margaret, died at birth and another sister, Susannah, died aged four. Adelaide attended St Mary’s School and then St Joseph’s School. The addresses on her school admissions were 12 Miller’s Court, Dorset St, and then 26 Dorset St. In 1901, at eight years old, she was recorded as lodging with her mother at the Salvation Army Shelter in Hanbury St.

Adelaide Springett died in 1986 in Fulham aged ninety-three, without any traceable relatives, and the London Borough of Kensington & Chelsea Social Services Department was her executor.

Charlie Potter was born in Haggerston to John – a leather cutter in the boot trade – and Esther Potter. He was baptised on 13th June 1890 at St Peter’s, Hoxton Sq. In 1911, they were living at 13 Socrates Place, New Inn Yard, Shoreditch and he was working as a mould maker. Charlie married Martha Elms at St John’s, Hoxton, on 3rd August 1913. They had two children, Martha, born in 1914 and, Charles, born in 1916. In World War One, Charlie served in the Royal Field Artillery Regiment, number 132308. He died on 19th October 1954 at the Royal Free Hospital. By then, he and Martha were living 46 De Beauvoir Rd, Haggerston, and he left four hundred and seventy pounds to his widow.

Celia Compton was born in 11 Johnson St, Mile End, on April 28th 1886, to Charles – a wood chopper – and Mary Compton. Celia was one of nine children but only six survived into adulthood. Two elder brothers Charles, born in 1883, and William, born in 1884, both died without reaching their first birthdays, leaving Celia as the eldest. On January 25th 1904, she married George Hayday, a chairmaker who was ten years older than her. They lived at 5 George St, Hoxton, and had no children. After he died in 1933, she married Henry Wood the next year and they lived in George Sq until it was demolished in 1949. In later years, Celia became a moneylender and she died in Poplar in 1966 aged eighty years old.

Lizzie Flynn & Dolly Green

Lizzie Flynn was living at 19 Branch Place, Haggerston, when she was nine years old in 1901. Daughter of John and Isabella Flynn, she had two brothers and a sister. By 1911, the children were living with their widowed father at 89 Wilmer Gardens, Shoreditch. Their place of birth was listed as “Oxton” in the census. On 9th May 1915, Lizzie married Robert May at St. Andrew, Hoxton. He died at the age of just thirty-four in 1926 and they had no children. Lizzie died in Stepney in 1969, aged seventy-seven.

Dolly Green (Lydia Green) was living at 31 Hyde Rd, Hoxton, with her parents Edward and Selina in 1901 when she was twelve years old. Dolly had a brother and sister who had been born before her parents’ marriage in 1881. Dolly married Edward Moseley in 1909 at St Jude in Mildmay Grove and they had two children – Arthur born in 1912, who died in 1915, and Lydia born in 1914, who lived less than a year. In 1959, Edward Mosley remarried after his wife’s death.

Annie & Nellie Lyons – is it their mother at the window?

Annie & Nellie Lyons, born 1895 and 1901 respectively, were the sixth and ninth of ten children of Annie Daniels. Only half of Annie’s children survived to adulthood. Their mother’s words are recorded in the Bethnal Green Poor Law document of 1901.

“My name is Annie Daniels, I am thirty-five years old. My occupation is a street seller. I was born in Thrawl St to Samuel Daniels and Bridget Corfield. Around fifteen or sixteen years ago, I met William Lyons who is thirty-eight years old, at this time he was living at 4 Winfield St. He is a street hawker. The last known address for William is Margaret’s Place. I have had eight children: Margaret born 1888 in Beauvoir Sq. William born 1889 in Tyssen Place. Joseph born 1891 in Whiston St. William born in Tyssen Place died. James died in Haggerston Infirmary. Annie born in 1895 at Hoxton Infirmary. Lily born April, one year and four months ago at Baker’s Row. Ellen born April, one month ago at Baker’s Row. About ten or eleven years ago, I had a son called John. He was sent away around seven years ago to the Hackney Union House. My eldest daughter Margaret is living with my sister Sarah and her husband Cornelius Haggerty. My son Joseph is living with my other sister Caroline and her husband Charles Johnson. I have moved from various addresses over the last ten years and have been lodging with my sister Mary for three years in Dorset St previous to Lily’s birth.”

Click here to order SPITALFIELDS NIPPERS

Cecile Moss Of Old Montague St

January 20, 2023
by the gentle author

Cecile aged four

Although Cecile Moss lived in Old Montague St for fourteen years, this is the only photograph taken of her in Spitalfields, and it was taken for a precise purpose. A photographer came round to take it in 1955, the year Cecile arrived from Jamaica aged four years old, and the picture was sent back to her family in the Caribbean as evidence that she was attending a proper Catholic school with a smart uniform and therefore all was well in London. Yet in contrast to the image of middle class respectability which Cecile’s mother strove to maintain, the family lived together in one room in a tenement and the reason there are no other photographs is because they had no money for a camera.

Almost no trace survives today of the Old Montague St that Cecile knew – a busy thoroughfare crowded with diverse life, filled with slum dwellings, punctuated by a bomb site and a sugar factory, and lined with small shops and cafes. There, long-established Jewish traders sat alongside dodgy coffees bars in which Maltese, Somalis, Caribbeans and others congregated to do illicit business. In fact, Old Montague St offered a rich and stimulating playground to a young child filled with wonder and curiosity, as Cecile was.

The presence of black people proved a challenge to many East Enders at that time. “Sometimes, they knotted their handkerchiefs when they saw me,” recalled Cecile with mixed emotion, “and they’d say, ‘If you see a black person that’s good luck.'” Fortunately, Cecile’s mother’s professional status as a teacher proved to be an unexpected boost to Cecile in this new society and later Cecile became a teacher herself, an occupation that she pursues today from her home in New Cross Gate where she lives with her children and grandchildren. “Since the new overground train, I’ve spent a lot more time in the East End and I still have a lot of friends there.” she admitted to me when I visited her, “As you grow older, you tend to want to go back to your home.”

“We came to England from Jamaica in 1955, me, my sister Clorine and my mother, Marlene Moss, to Old Montague St in Spitalfields. She left my father and came over to live with her sister, Daisy. I was four years old and I didn’t know I was coming to England, I was traumatised. But I remember what I was wearing, I wore a double-breasted coat with a velvet Peter Pan collar and lace-up shoes. My mother was a teacher in Jamaica and she didn’t want us to look like refugees arriving in England. The voyage lasted ten days and we were met by my uncle at Southampton. It was very confined on the boat so that when I got off, I kept on running around.

We lived in a building where the Spitalfields health centre is today. We were 9b, above a shop where two elderly Jewish sisters lived. My mother cried for days because we had to share one toilet with three other floors, so it was really quite disgusting. I was told that I had come to get a doll. But it was an ugly chalky-skinned blond doll, and I was so angry and upset that I threw it away and smashed it, which made my aunt think I was a very ungrateful little girl. My mother,my sister and I all lived in one room. My sister was eleven and she remained silent, whereas my mum and I just cried a lot. I missed my family in Jamaica.

Because we were Catholics, we went to St Anne’s Catholic church and mother got talking to the priest. He told her she could teach in St Gregory, a Secondary Modern in Wood Close, doing supply work. When she started at the school she was shocked. One of the pupils was absent from the register and they said, ‘He’s gone down for GBH.’ My mother came back and asked my aunt, ‘What is this GBH?’ She said she was going introduce Shakespeare to the school but they said,’We don’t want you bringing any of your kind of rubbish here!’

I went to St Patrick’s school around the back of St Anne’s and my sister, because she had already passed the eleven-plus, went to Our Lady’s convent in Stamford Hill. Yet I only lasted two weeks at St Patrick’s because the kids hit me and pushed me over. I can’t remember if they called me racist names, but I know I was terribly unhappy. My mother took me away and sent me to Stamford Hill too. I was five years old, and she put me on the 653 bus and told the conductor where to let me off. The people on the bus would look after me and I never missed my stop. I felt safe. So we lived in the East End but we went to school in North London. That was unusual but, because my mother was a teacher, we were middle class, even though we lived in Old Montague St which was a slum. Old Montague St had quite a reputation for drugs. There were dark tenements with dark passages with dark dealings.

When my mum got a permanent job at St Agnes’ school in Bow, she took me away from Our Lady’s at seven years old. So I never went back to school in Spitalfields but I used to play out on the street a lot. Most of the children I played with were second generation Irish with names like Touhy, O’Shea, Latimer and Daley – that’s who I grew up with. There was an older Irish boy who looked out for me, he said I was part of the gang. He told us we mustn’t speak to the people on Brick Lane because they were Jewish. He was looked after by his grandmother. She was a character. Every Saturday night, she went to the pub on the corner of Chicksand St and filled a jug with port or whatever and stumbled back singing, ‘Daisy, Daisy give me your answer do.’ And my mother cried and said, ‘Look what we have come down to.’ One day, the old lady, she tied a skipping rope across the street to stop the traffic so that we could play. When the police came along, she said, ‘ The children have got nowhere to play.’ And we were all shocked, but later they opened a playground on the corner of Old Montague St and Vallance Rd.

I loved going to Petticoat Lane. Every Friday, my aunt would go and get a chicken – you could choose one and they would kill it for you. There were street entertainers, an organ grinder and man who lay on a bed of hot coals. Walking up  Wentworth St, there were all Jewish shops with barrels of pickles and olives outside. I was fascinated but my mother said, ‘That’s not our food.’ A lot of the stallholders were quite friendly to me and my mother because they thought we were the next wave of immigrants. There was a cafe I walked past with my mum, it was full of black-skinned men but I couldn’t understand what they were saying even though they were like us. They were Somalis. The men outside, they’d give me sixpence and put me on their knee. They liked to see me because they were away from their own children. I think we were some of the first West Indians here, there were no other black kids.

I spent a lot of time in the fleapit cinema on Brick Lane on Saturdays. But by the time I turned seven, my mum stopped me playing out. She forbade me, so my wanderings around Spitalfields stopped and I don’t mix with the kids on the street anymore. Instead I became more friendly with the kids I was at school with in Bow.

My aunt Daisy went back to Jamaica and my sister returned when she was eighteen. So it was just me and my mum in the end. We shared a bedroom and we had a sitting room, with the kitchen in the hallway. I was very embarrassed about where I lived and I didn’t bring friends home because it was a slum. All this time, my mother was not divorced, she was still married and it really held her back. She even had to ask a friend to his name down for her to be able to buy a television.

There was a hardware shop and other shops run by Jewish people, where they got on well with my mother. There was a bit of snobbishness because she was a teacher. It used to cushion me too, I was Mrs Moss’ daughter. When she complained, they used to say to her, ‘Never mind, we had it, now it’s your turn.’ Referring the racial prejudice, they meant it was something you put up with, then it would pass. And by the time I left Spitalfields, it was the Bengalis coming in, so it was quite profound what they said – it was a rite of passage at that time.

When I was eighteen, we moved out. Looking back on it, I’ve got to say it was a happy time. I knew when I’d forgotten Jamaica and made my transition to England. I played a lot on the stairs and I pretended to have a ‘post office’ there. One day my mother was there too, washing some clothes on the landing and she corrected my speech. ‘It’s not ‘spag-ETTEE,” she said, ‘It’s ‘spaghetti” And, I realised then, that was because I’d left Jamaica behind and I spoke Cockney.

Today I often teach immigrants, children for whom English is their second language, and I can say to them, ‘I know what you are going through.'”

Old Montague St 1965 by Geoffrey Fletcher

Cecile Moss

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More Spires Of City Churches

January 19, 2023
by the gentle author

St Lawrence Jewry, Gresham St

This January, I waited so long for a clear day to take pictures of spires in the City of London that, when we were blessed with one, I could not resist taking as many photographs as possible. Such has been my preoccupation that, in future, I shall always be inclined now to think of clear days early in the year as “ideal weather to photograph church spires in the City.”

Yet there were other obstacles beyond the meteorological that I had to contend with in my quest for spires, not just delivery vans parked in the wrong places and people standing in front of churches making long mobile phone calls, but the over-zealous guard who challenged my motives as I stood with my camera upon the public footpath, suspiciously implying I might have sinister intent in photographing church spires – which could have grave implications for national security. “You realise this is the City of London,” he informed me in explanation of his impertinence, as if I could be unaware.

Fortunately, it is in the nature of photographing church spires that I had no choice but to lift up my eyes above these trifles of life and I was rewarded for my tenacity in the pursuit with all the wonders that you see here. In Rome or any other European capital, such a close gathering of  architectural masterpieces would be venerated among the finest treasures of the city. In London, our overfamiliarity with these epic churches means they have become invisible and hardly anyone looks at them. Commonly, the ancient spires are overshadowed by the modern buildings which surround them today, yet I found – in many cases – that the act of focusing attention upon these under-appreciated edifices revealed them newly to my eyes.

St Mary Le Bow, Cheapside

St Margaret’s, Lothbury

St Vedast, Foster Lane

Christchurch Greyfriars, Newgate St

Christchurch Greyfriars, Newgate St

St Mary Le Bow, Cheapside

St Mary Le Bow, Cheapside

St Stephen, Walbrook

Whittington’s Almshouses, College Hill

St James, Garlickhythe

St Michael Paternoster Royal, College Hill

1 & 2 Lawrence Pountney Hill – Built in 1703, these are the finest surviving merchants’ houses in the City.

Churchyard of St Laurence Pountney

St Magnus the Martyr, Lower Thames St

St Dunstan in the East, Idol Lane

All Hallows Staining, Mark Lane

St Botolph’s, Aldgate

You may also like to take a look at

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In City Churchyards

Signs Of New Life

January 18, 2023
by the gentle author

First Snowdrops in Wapping

Even now, in the depths of Winter, there is plant life stirring. As I travelled around the East End over the past week in the wet and cold, I kept my eyes open for new life and was rewarded for my quest by the precious discoveries that you see here. Fulfilling my need for assurance that we are advancing in our passage through the year, each plant offers undeniable evidence that, although there may be months of Winter yet to come, I can look forward to the spring that will arrive before too long.

Hellebores in Shoreditch

Catkins in Bethnal Green

Catkins in Weavers’ Fields

Quince flowers in Spitalfields

Cherry blossom in Museum Gardens

Netteswell House is the oldest dwelling in Bethnal Green

Aconites in King Edward VII Memorial Park in Limehouse

Cherry Blossom near Columbia Rd

Hellebores in Spitalfields

Spring greens at Spitalfields City Farm

The gherkin and the artichoke

Cherry blossom in Itchy Park

Soft fruit cuttings at Spitalfields City Farm

Seedlings at Spitalfields City Farm

Cherry blossom at Christ Church

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