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Adam Dant’s Map of the Journey to the Heart of the East End

April 15, 2012
by the gentle author

Click to enlarge

The Museum of London commissioned cartographer extraordinaire Adam Dant to explore the question“Where is the East End today?” And, with characteristic ingenuity, Adam contrived an elaborate ruse, in the form of an epic quest to discover the heart of East London, resulting in the map you see above which records both the details of the journey and its unexpected outcome.

Daniel Langton served as Adam’s scout, making a reconnaissance by asking people on the street for the whereabouts of the heart of the East End and following their directions to the letter, however whimsical or strange. Some of the people “Scout Langton” encountered had never visited the territory before while others had lived here for generations, but all the directions they gave him led inexorably to the same location. Once the heart of the East End had been discovered, Adam designed his map around it, organising the postcodes of East London in a similar fashion to the map of central Paris which is structured around a spiral of the arrondissements in ascending numerical order. Thus his map charts the East End of popular conception and lore rather than the East End of conventional topography.

Those of us who are disappointed to learn that the consensus on the street is that a bin in Westfield Shopping Centre is perceived to be the heart of the East End, let us consider Odysseus. We may recall that while Ithaca was the purpose of his twenty-year voyage, Odysseus understood that Ithaca had given him a wonderful journey in itself. Let us contemplate Adam Dant’s map of the journey to the heart of the East End in the same spirit and take our consolation in the widely-held belief that “travelling is more important than arriving.”

According to Adam Dant’s researches on behalf of the Museum of London, this waste bin in the Westfield Shopping Centre in Stratford marks the Heart of the East End.

Map reproduced courtesy of Museum of London

Images copyright © Adam Dant

You may like to take a look at some of Adam Dant’s other maps

Map of Hoxton Square

Hackney Treasure Map

Map of the History of Shoreditch

Map of Shoreditch in the Year 3000

Map of Shoreditch as New York

Map of Shoreditch as the Globe

Map of Shoreditch in Dreams

Map of the History of Clerkenwell

Click here to buy a copy of The Map of Spitalfields Life drawn by Adam Dant with descriptions by The Gentle Author

Sotez Choudhury, Community Organiser

April 14, 2012
by the gentle author

Twenty-two year old Sotez Choudhury was beaten up and stabbed in the street, yet what shocked him was not being on the receiving end of the violence but the reaction of his contemporaries who said, “Let’s go find him and beat him up,” and the disdain of a man on a bike who cycled right past when Sotez was alone and bleeding and asking for help.

Of the desire for revenge, Sotez says categorically, “I don’t know what the answer is but I know that’s not the answer,” while the indifference of the passerby still still puzzles him. “I don’t know the man who attacked me,” Sotez admits, reflecting on the implacable nature of the incident ,“I was a random person. He was carrying a knife and he started hitting me without saying anything.”

This was an experience that inspired Sotez to think deeply about the kind of society he wishes to live in. It is a question that he confronts daily in his work for Shoreditch Citizens as a Community Organiser in the common interest, assisting people to work collectively to address social problems – in a role similar to that once undertaken by two of his role models and inspirations, Martin Luther King and Barack Obama. But when Sotez told me his story, I realised that his brave passion to work and engage with people to improve the world around him is the result of a collection of personal influences, more profound in their import than this single isolated incident.

“My dad was a political leader in Bangladesh’s war of Independence. In 1952, they were taught they were Pakistanis not Bangladeshis and the official language was Urdu not Bengali. The name Choudhury is common in my country because the word means “landlord.” It stems from when the British appointed certain people to collect rents and wield power as they pleased, as long as they delivered the money. My father grew up under this and he rejected it, he stopped being a civil servant and became involved in the socialist movement, and he received death threats under the conservative government between 1971 and 1991.

In the late eighties, he came to Britain to work. He saw how many of his friends and family had suffered in the political regime in Bangladesh. Yet – on purpose – he kept his Bangladeshi passport because he only intended to stay a few years, but he met and got married to my mum, who had been born here, and he took a job as a journalist on “Deshpatria,” a newspaper based in Brick Lane. Then he fell ill in 1996 and became housebound when I was still quite young, and eventually he couldn’t walk or even speak, but he continued reading. He had done an MA in literature and he liked to read absolutely everything.

My mum’s family had been in this country since the nineteen thirties and they were among the first Bengalis to buy their own property here, in Princelet St, and they sold it in the sixties for four thousand pounds. With the money, my grandfather took the family to Wales to start a new life in Cardiff. My mum and dad, they always had the policy that you should work where you live. They didn’t want to move to Redbridge and work in Tower Hamlets, so I grew up in Kingwood House, Hanbury St, Spitalfields, and none of my family wants to leave this place now, even to return to the land we come from, because we love it too much. The reason I love it is the same reason I hate it, there’s so much I want to change and so much I don’t want to change, and that’s why I will always stay here.

My mother, she’s the matriarch, she’s always kept everything together. She had three full-time jobs while I was growing up, taking care of my dad, bringing us up and going to work each day too. “You can do everything, when everything falls upon you,” she says, meaning – the more you do, the more you can do. Everything ran like clockwork in our house. My mum got up early and took care of my dad before she saw us off to school. Then carers would come to visit him during the day. After school, I would pick up the little ones and when she got back from work, she would tend to the family, cook dinner and check that we had done our homework. She only slept four hours a night, and then she got up and did it again. This went on for more than five years, until my dad passed away when I was in my mid-teens. She’s always been there to help me and she helps other family members, and her job is helping people out, she’s a therapist counsellor at Mile End Hospital. She used to say to me, “You always worry about things you are not supposed to worry about.”

At school, I was told I had learning difficulties, and they took me out of my class and moved me down two sets. I knew I wasn’t supposed to be there, but I was told they had put me down to help the others. I was confident of my ability, so I set myself a target that I’d get into the top group because what they did looked much more interesting. I did get labelled as a boffin but I did achieve it, because I have always loved learning. Secondary school bored me because I was more interested in all the things my dad was reading about – the history of ancient civilisations, Egypt and Greece. It fired my imagination. I suppose because we were responsible for my dad, I never had much of the conventional childhood things, like kicking a ball around – though I wouldn’t change it. Now I’m older, it’s very enjoyable to discuss, but when I was younger no-one was interested in the same things as me.

When I was sixteen, I went to college in North London rather Tower Hamlets because I wanted to go somewhere different with a different mix of people. I thought it would be really good if I didn’t stay in my comfort zone. At this time, my father passed away and I wasn’t permitted to sit my exams, so I didn’t get into university but ended up doing Social Sciences at Westminster studying Psychology. At that time I was volunteering and I did a placement at the Financial Standards Authority. At eighteen, I realised it was not for me, so I got involved in youth charities instead.

After my degree, I had planned to apply to LSE to study Politics but I wanted to do something practical, and I heard of a Masters in Community Organising and part of it was a five month placement as a Community Organiser. So I learnt about the long history of community organisation in the East End and then I undertook the placement. This way you don’t study to be an organiser, you learn to be an organiser by doing it. The programme is about giving power to communities to change things in the interests of the community. By doing the placement, I learnt this is what I wanted to do and, after six months, I was given the job of community organiser for Shoreditch. It’s an area with one the highest crime rates, 43% child poverty and 40% unemployment. I did a listening campaign, including both churches and mosques, to find common interests. We are looking at large problems like crime and prostitution, but also at smaller issues such as solving damp in housing blocks.

My job is not to do the campaign but to be developing and supporting people to achieve what they want to achieve. A lot of people see you as an expert, but you’re not there with an agenda, the job is not to be a leader but to develop leaders. I didn’t know I was going to be doing this when I was twenty – I have discovered that it is politics that interests me, but definitely politics with a small “p.”

“My family in 1996 – my father Showkat H. Chowdhury and my mother Rowshanara B. Chowdhury with me at the front, Soroubh, the baby, and Shayok, my younger brother.”

Sotez Choudhury

A Big Send-Off For Charlie Burns

April 13, 2012
by the gentle author

Every seat in St Matthew’s Bethnal Green was filled by East Enders who had come to give Charlie Burns a big send-off, while overhead, the clouds gathered in equally dark attire as the coffin of the grand old man was carried into the church. Born as one of thirteen children in Butler’s Buildings off Brick Lane, Charlie was carried from the house at one day old to escape a bomb dropped by a Zeppelin in 1915. And between these two events – the carrying-in and the carrying-out – he was a living presence in Bacon St for ninety-six years.

The exceptional nature of Charlie’s longevity was indicative of the strength of the life force in one who at the age of six was put in a halter by his father, to pull a barrow as they went around the City collecting waste paper. Yet the halter never held him back, it served to steel Charlie’s determination to make his way in life. “We went broke, but we still carried on because it was what we did.” he confided to me once, speaking of the grind he endured to make a success of the waste paper business started by his grandfather John Burns in Bacon St in 1864.

Through perseverance, Charlie came out of the poverty and the struggle of the Dickensian East End to achieve glamorous success and universal respect as the patriarch of the Burns family, celebrated for their endeavours in boxing. “All of the notorious people used to come to our shows at the York Hall. We had the Kray brothers and Judy Garland and Liberace. I remember the first time I met Tom Mix, the famous cowboy from the silent films. We met all the top people because this was the place to be. I had a private audience with the Pope and he gave me a gold medal because of all the work we did for charity.” Charlie told me,We were young people and we were business people and we had money to burn.”

In spite of Charlie’s declaration that money was his religion, the man had a quality that transcended the material and, as we all stood in silence in the church, brought together by our connection to this remarkable figure, his presence was tangible. His children were there, his grandchildren were there and his great-grandchildren were there. His employees and customers were there, his neighbours and relations were there, his boxers were there, his friends were there and maybe his enemies were there too. The audacity of Charlie’s ripe age filled us all with humility and encouraged modest reflection on how we had spent our meagre years. By living so long, Charlie became the last representative of a distant world and through the depth of his perspective in time, recalling his parents and grandparents, he was our living link to the nineteenth century.

At the culmination of the short service, the heavens opened and the dark clouds let their tears fall in a heavy shower upon St Matthew’s, Bethnal Green, as Charlie Burns’ coffin was carried from the church into the waiting hearse from W. English & Sons. “Goodbye Charlie!” called one of a cluster of women lingering outside in the rain, speaking in a plaintive tone as if she expected to be heard by him. The congregation reached the church door and stood there prevented from leaving by the shower, waiting and looking ahead to where Charlie had gone before. They paused and gazed skyward and frowned and recognised the solidarity of the bereaved, isolated together in the moment of loss.

Soon enough, the rain eased off, tempered by April sunshine and the crowd surged forward in collective relief, greeting each other and appreciating the brief conviviality of the moment before they climbed into the cars decked with elaborate wreaths, spelling out “CHARLIE” and “GRANDAD.” Then the procession set off as the clouds broke up to reveal the sky, and the cortege entered Bacon St with the priest and the mourner walking in front. They passed the building where Charlie grew up. They crossed Brick Lane, and they came into the part of Bacon St where C.E. Burns & Sons is located.

Here, where for years and years, he sat every day in the car, observing all those coming and going from his premises, Charlie had taken possession of the place. The hearse with Charlie’s coffin slowed down at the spot where he used to sit at the kerb each day, where recently a street artist painted his portrait upon the wall. For a moment it seemed as if the hearse might park – in strange re-enactment of the daily ritual – allowing Charlie to occupy the position in death that he had occupied in life. But then the hearse pulled away, leading the line of cars onwards to the City of London Cemetery where Charlie was to be interred alongside his wife Sarah. And finally, after ninety-six years, Charlie Burns left Bacon St forever.

Carol Burns

After ninety-six years, Charlie Burns’ farewell to Bacon St as he is driven through in the hearse.

Apple blossom in Bacon St.

You may also like to read my portrait of Charlie

So Long, Charlie Burns

Colin O’Brien’s Kids on the Street

April 12, 2012
by the gentle author

Spitalfields Life Contributing Photographer Colin O’Brien has been photographing children playing on the street since 1948 when, at eight years old, he snapped his pals in the markets of Hatton Garden and the bombsites of Clerkenwell that served as their playground. And now Colin has searched back through his archives, documenting the changing patterns of juvenile street life over more than sixty years, to create this exuberant selection of images for a new exhibition at the Museum of Childhood in Bethnal Green.

For Colin in his childhood – as for many others – the bombed-out ruins of London proved the largest adventure playground in the world and the streets of the city and its markets offered as much drama, distraction and delight that any child could wish for. These pictures show how children once inhabited the city and made it their own, exploring and discovering the world that they would inherit, learning to respect it dangers and savour its pleasures. Colin was especially fascinated by the age-old pastimes such as hopscotch and skipping games, and the ingenuity that children displayed in making their own amusement, turning any space into a playground.

Little did Colin know he was photographing the end of a certain street culture, as the age in which children could run freely passed away, and the television and then the computer encouraged them indoors. In the current climate of anxiety over perceived threats, today’s children have lost the freedom of previous generations and consequently are denied the opportunity to become streetwise at an early age. Yet Colin’s superlative photographs exist to remind us that the city belongs to children, as much as to everyone else, and removing their right to the streets sacrifices an important part of the urban experience of childhood.

Colin’s photograph of his pals, taken in 1948 at the age of eight in Hatton Garden.

Photographs copyright © Colin O’Brien

Playing In or Out? the exhibition featuring Colin O’Brien’s photographs runs at the Victoria & Albert Museum of Childhood in Bethnal Green until November 4th 2012.

Take a look at more pictures by Colin O’Brien

Gina’s Restaurant Portraits

Colin O’Brien, Photographer

Travellers’ Children in London Fields

Colin O’Brien’s Brick Lane Market

Colin O’Brien Goes Back To School

Henrietta Keeper’s Collection

April 11, 2012
by the gentle author

Henrietta Keeper, Singer

Henrietta Keeper (widely known as “Joan”), the vivacious octogenarian ballad singer who commonly performs at E.Pellicci in the Bethnal Green Rd on Fridays, invited me to round to her tiny flat yesterday to show me her remarkable collection of photographs and meet her daughter Lesley who is custodian of the family album. And it is my pleasure to publish some favourites here today.

These pictures show Henrietta’s life as it existed within a small corner of the East End on the boundary of Spitalfields and Bethnal Green in the nineteen fifties. On one side of Vallance Rd was Cranberry St where Henrietta’s mother-in-law Selina lived and took care of her daughters while the family waited for a house of their own. On the other side of Vallance Rd was Selby St where Henrietta’s husband Joe and his brother Jim ran Keeper & Co, making coal deliveries. And at the end of Vallance Rd was New Rd where Henrietta worked as a machinist at Bartman & Co making coats and jackets.

Having grown up in Bethnal Green during the war and brought her own family up though the austerity that followed, Henrietta is a woman of indefatigable spirit. Most remarkable of all, she sang throughout these years, winning innumerable singing competitions and giving free concerts – and she is still singing today.

Henrietta with fellow machinist Izzie. “When I was nineteen I started here and I became the top machinist,” she explained, “I think my hair looks a bit like Barbara Windsor’s in this picture.”

Henrietta with Mr Bartman at Bartman & Co.

“This is Selina Keeper, my mother-in-law at her house in Cranberry St. She was real Victorian lady. She used to whip the cup of tea off the table before you had finished it!” said Henrietta. And Lesley added, “She had a best front room that she kept under lock and key, and only once – when she unlocked it – did I go in, but she said ‘Get out!’ You couldn’t touch anything. It had to be kept perfect.”

“My husband Joe took this picture of his two best friends George Bastick and Leslie Herbert in Nelson Gardens next to St Peter’s Church, Bethnal Green. What a pity he isn’t in it?”

Coronation Day, 1953, celebrated at Hemming  St, Bethnal Green. Lesley is in the blazer on the right hand side of the front row and Henrietta can be distinguished by her blonde hair beneath the Union Jack, peering round the lady in front of her.

“This is Jim Keeper, my brother-in-law, with his horse Trigger. My husband, Joe, worked with him and he had the biggest coal round in the East End – Keeper & Co. Joe was so strong he could carry a two hundredweight sack of coal on his back up the stairs of the buildings with ease. The brothers used to go home to lunch with their mum in Cranberry St and take Trigger with them. She always collected the horse manure for her roses while they were there and when the Queen Mother visited the East End, she leaned over the fence and said ‘This one should win best garden.'”

“Taken in 1947 at Southend, when I was twenty, this is Cathy Tyler, my sister Marie and me – I was known as Minxie at the time and we all sang together like the Andrews sisters. I was a bit shocked when I saw it because you can see I am pregnant.  I thought, ‘Is that me?'”

Henrietta (far right) photographed with her workmates by a street photographer around Brick Lane during a lunch break in the fifties.

This is Henrietta’s daughter Lesley visiting Petticoat Lane with her grandfather James Keeper in 1953. “He was a delivery man with a horse and cart, they called it a ‘carman,'” Henrietta remembered, “he was also a cabinet-maker and he brought me beautiful polished wooden boxes that he made.”

Henrietta and her husband Joe with their daughter Lesley on a trip to Columbia Rd.

The two children on the right are Lesley and Linda Keeper playing at Cowboys and Indians with their friends in the nineteen fifties in Cranberry St while they lived with their grandmother. Lesley remembers Mrs Dexter across the road who called out “Play nicely on the debris!” to the children and you can see the bomb site where they played in the back of the photograph. Today Cranberry St no longer exists, just the stub of road beside Rinkoff’s bakery in Vallance Rd indicates where it once was.

Henrietta singing at a Holiday Camp at Selsey Bill in the nineteen sixties.

Henrietta singing at Pelliccis last week.

Henrietta Keeper, also known as “Joan”

You may like to read my original portrait

Henrietta Keeper, Ballad Singer

Dick Turpin, Highwayman

April 10, 2012
by the gentle author

Dick Turpin upon Black Bess

There is a story that Dick Turpin was apprenticed as a butcher in Whitechapel, and – whatever the truth of it – he returned consistently to this area of East London, and there are further stories connecting him to the Red Lion in Whitechapel and the Nag’s Head in the Hackney Rd. Yet as one who led an elusive transitory criminal existence and who achieved fame only after his death, the actuality of Dick Turpin’s life remains uncertain, overshadowed by the vivid fictions that were contrived later.

Richard Bayes, landlord of the Green Man in Leytonstone, was author of one of the earliest accounts, published in 1739 shortly after Turpin’s execution in York.“He was placed apprentice to a Butcher in White-chaple, where he served his Time, he was frequently guilty of Misdemeanours, and behaved in a loose disorderly Manner…” wrote Bayes, emphasising the authenticity of his narrative by taking a role himself. After a horse theft near Waltham Forest in 1736, Bayes tracked the stolen animal to the Red Lion Inn in Whitechapel and attempted to retrieve it from Turpin’s accomplice Tom King when Turpin himself appeared in Red Lion St, a thoroughfare later subsumed into Commercial St.

“Turpin, who was waiting not far off on Horſeback, hearing a Skirmiſh came up, when King cried out, Dick, ſhoot him, or we are taken by G—d; at which Inſtant Turpin fir’d his Piſtol, and it miſt Mr. Bayes, and ſhot King in two Places, who cried out, Dick, you have kill’d me; which Turpin hearing, he rode away as hard as he could. King fell at the Shot, though he liv’d a Week after, and gave Turpin the Character of a Coward…”

Yet it was primarily due to Harrison Ainsworth and his illustrator George Cruikshank in the novel “Rookwood” of 1834 that the story of the butcher-turned-brutal-petty-thief from Essex was transformed into the myth of Dick Turpin – the swashbuckling highwayman who stole from the rich and gave to the poor while charming the ladies with his valour and flamboyant style. A century after Turpin’s death, highway robbery ceased to be a threat in this country, permitting the possibility of a romantic fiction upon the subject. In constructing the myth we recognise today, Ainsworth invented the notion of the death-defying ride to York upon Black Bess to establish an alibi. He ignored the banal fact that Turpin had been operating in Yorkshire for over a year before he was arrested under the name of John Palmer for shooting a “tame fowl,” and his true identity discovered after his arrest only when a letter he signed was recognised in the mail.

Born in Essex in 1705, Richard Turpin set up his own butchery business in Waltham and when trade was slow, he took to poaching venison in Epping Forest and became drawn into robbery as a member of the Gregory Brother’ Essex Gang – one of many criminal gangs that existed on the margins of large cities when times were hard and law enforcement ineffectual. Far from being the “gentleman” as that Ainsworth characterised him, Turpin was capable of savage violence to achieve his desired ends, which this account from Read’s Weekly Journal of February 1735 reveals – “On Saturday night last, about seven o’clock, five rogues entered the house of the Widow Shelley at Loughton in Essex, having pistols &c. and threatened to murder the old lady, if she would not tell them where her money lay, which she obstinately refusing for some time, they threatened to lay her across the fire, if she did not instantly tell them, which she would not do. But her son being in the room, and threatened to be murdered, cried out, he would tell them, if they would not murder his mother, and did, whereupon they went upstairs, and took near £100, a silver tankard, and other plate, and all manner of household goods.”

After the killing of Tom King, Turpin took refuge in Epping Forest where he shot one of the Forest-Keepers who tried to capture him, and the offer of a reward for his arrest for murder published in the Gentleman’s Magazine  in June 1737 gives the only contemporary description – “Turpin was born at Thackſted in Eſſex, is about Thirty, by Trade a Butcher, about five Feet nine Inches high, brown Complexion, very much mark’d with the Small Pox, his Cheek-bones broad, his Face thinner towards the Bottom, his Viſage ſhort, pretty upright, and broad about the Shoulders.”

This account of the pock-marked broad-shoulder butcher does not quite match the devilishly handsome highwayman of popular lore, yet Turpin is recorded as meeting his death with remarkable courage. Sir George Cooke, Sheriff of Yorkshire, recalled that, “he behav’d himself with amazing assurance” at the execution and “bow’d to the spectators as he passed.” When it came to the moment and his head was in the noose,“he threw himself off the ladder and expired directly.” As the life of Dick Turpin ended, the legend of Dick Turpin was born.

Dick Turpin’s accomplice Tom King – shot in Commercial St.

Rescue of Lady Rookwood by Dick Turpin.

Dick Turpin & Tom King in the Arbour at Kiburn.

Dick Turpin’s flight through Edmonton.

Dick Turpin leaps the Hornsey Gate.

“I’ll let ’em see what I think of ’em!”

The death of Black Bess at the end of the ride to York.

Cover of a pamphlet published in York after Turpin’s execution.

Plates from “The Life of Richard Turpin” by Richard Bayes.

Title page of the life of Dick Turpin written by Richard Bayes, landlord of the Green Man in Leytonstone.

The opening page of Richard Bayes’account, placing Turpin as an apprentice butcher in Whitechapel.

Richard Bayes’ account of his skirmish with Dick Turpin at the Red Lion in Whitechapel.

The former Nag’s Head opposite Hackney City Farm in the Hackney Rd. Dick Turpin was reputed  to frequent an earlier coaching inn known as The Nag’s Head upon this site.

You may also like to read about

Jack Sheppard, Thief, Highwayman & Escapologist

John Allin, Artist

April 9, 2012
by the gentle author

Gun St, Spitalfields

John Allin (1934-1991) began painting while serving a six month prison sentence for minor theft, and achieved considerable success in the sixties and seventies with his vivid intricate pictures recalling the East End of his childhood. There is a dreamlike quality to these visions in sharp focus of an emotionalised cityscape, created at a time when the Jewish people were leaving to seek better housing in the suburbs and their culture was fading from those streets which had once been its home.

Returning from National Service in the Merchant Navy, Allin worked in the parks department planting trees, later as a swimming pool attendant and then as a long distance lorry driver – all before his conviction and imprisonment. After discovering his artistic talent, he devoted himself to painting and won attention with his first exhibition in 1969 at the Portal Gallery, specialising in primitive and outsider art. In 1974, he collaborated with Arnold Wesker on a book of reminiscence, “Say Goodbye: You may never see them again” in which he reveals an equivocation about the East End. “I saw it as a place where people lived, earned their living, grew up, moved on … they had dignity … I like painting the past with dignity…” he said in an interview with Wesker, “but what they’ve done to the East End is diabolical! They’ve scuppered it, built and built and torn down and torn out and took lots of identity away and made it into just a concrete nothing… But people go on, don’t they? Eating their eels and giving their custom where they’ve always given their custom … Funny how people can go on and take anything and everything.”

Like Joe Orton in the theatre, Allin’s reputation as an ex-con fuelled his reputation in newspapers and on television but he found there was a price to pay, as he revealed to Wesker, “You know how I started painting don’t you? In prison! Well, when I come out the kids at school give my kid a rough time … the silly bloody journalists didn’t help. ‘Jail-bird becomes painter!’ You’d’ve thought I’d done God knows what … I mean the neighbours used to say things like ‘Look at ‘im! Jail-bird and he’s on telly! Ought to be sent back inside the nick!’ I was the oddity in the district, the lazy fat bastard that paints. Give me a half a chance and I’d move mate.” In fact, Allin joined Gerry Cottle’s Circus, touring as a handyman to create another book, “John Allin’s Circus Life” in 1982.

Although he was the first British recipient of the international Prix Suisse de Peinture Naive award in 1979, the categorisation of Outsider or Primitive artist is no longer adequate to apply to John Allin. Twenty years after his death, his charismatic paintings deserve to be recognised as sophisticated works which communicate an entire social world through an unapologetically personal and emotionally charged visual vocabulary.

Spitalfields Market, Brushfield St.

Great Synagogue, Brick Lane.

Jewish Soup Kitchen, Brune St.

Christ Church School, Brick Lane.

Heneage St and Brick Lane.

Rothschild Dwellings, Spitalfields.

Whitechapel Rd.

Christ Church Park, Commmercial St.

Wentworth St.

Fashion St with gramophone man in the foreground..

Churchill Walk.

Young Communist League rally, corner of Brick Lane and Old Montague St.

Hessel St.

Snow Scene.

Anti-Fascist Rally at Gardiners’ Corner, 1936.

Cole’s Chicken Shop, Cobb St.

Factory Workers.

You may also like to look at

Alfred Daniels, Artist

Noel Gibson, Artist

Dan Jones’ Paintings

Mark Gooderham, Artist