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The Gentle Author Speaks

February 3, 2012
by Tim Rich

This interview, conducted and edited by Tim Rich, was first published last year in Random Spectacular, a limited edition magazine with a circulation of  seven hundred and fifty, and I am republishing the piece today so that those who were unable to obtain a copy may read it here. The print which was commissioned to accompany the interview was created by Justin Knopp of Typoretum.

I wanted to find out more about the writer whose words transport me each day, whose stories take me through previously unseen doorways in my own neighbourhood in the East End. But that also required a promise from me – that I wouldn’t reveal the identity of The Gentle Author. I feared that this guarding of the person behind the pen might go hand in hand with a reticence to talk. What I encountered was something else entirely. Here are some of the words we exchanged over a pot of tea in East London.

Tim Rich – Your promise to readers includes a picture of a sundial on Fournier Street that features the words ‘Umbra Sumus’ – “We are shadows.” Reading your writing for the first time, I had the immediate feeling that you were either pursuing or escaping something.

The Gentle Author – Well, there’s a wonderful notion that Kierkegaard described – that being a writer is like being in the continual state of running through a burning house, trying to decide what to rescue. I do feel that sensation a lot of the time. Also, that people’s stories go unrecorded is a matter of grief to me. I think that arose after the death of my parents. I grew up in Devon around old people, and I used to knock on their doors and ask to spend a day with them. I suppose I have a vertiginous sense of all the stories in the world, and accompanying that is a sense of the loss of all the stories. So I have a compulsion to collect as many as I can, for as long as I can.

Tim Rich – Your stories became longer after a couple of months of the blog, and that coincided with you writing more pen portraits.

The Gentle Author – I have a personal sense of responsibility to people that I’ve met to do them justice. The idea of trying to sum someone up in a thousand words is terrifying. That was why the stories got longer and longer. The other thing that happened in the first year – unexpectedly – was that a lot of readers came along. It gave me a different responsibility, to not disappoint the reader. You want to give them something wonderful. So I became more ambitious.

Tim Rich – That is a terrific counterblast to the common, pessimistic notion that people don’t read much any more, and that writing for the Web should always be short. You show that the Web can be a place for a longer and more personal form of writing.

The Gentle Author – I respect the discipline of writing, that a piece should be well structured and a story well told. But I also aspire to write in an unmediated way, and to not withhold an emotionalism if that’s how I react to a subject. I am also attracted to use vocabulary in a way that it is not used in journalism, but is perhaps more common in fiction. I chose to be this voice speaking from the darkness, because I want to be in private with the reader. I want the reader to understand that the writer’s intention is benign, and that we can trust each other. And I hope the readers create their own sense of who they are listening to and take ownership of what they read.  In this sense, the Gentle Author is a conceit to bring readers closer to the subject, and I want the subject to be the people I’m writing about, not me.

Tim Rich – Do you have to get into the character of the Gentle Author when you write?

The Gentle Author – Graham Greene said that reading Charles Dickens was like listening to the mind talking to itself. It is the internal voice that I aspire to in my writing – what I hear inside my mind.

Tim Rich – Tell me a little more about the ‘hare-brained’ task you have set for yourself.

The Gentle Author – I wanted readers to know they could rely on something new every day. And I felt that if I created this cage for myself, then I could have no escape. I have written more than 800,000 words in the last two years, so it has worked to that degree. It’s a miracle. I spend most of the day running around the streets after people and doing interviews. In the evening, I sit down to supper, and then I write. The golden rule is that I can’t go to sleep until it’s done. People sometimes think that I knock off six stories in advance and press a button each day, but it isn’t like that at all. I may write interviews up a few days later, but it appeals to me that the Gentle Author has no choice but to write a story every day. I’m aware that it’s an excessive way to live but my experience has taught me that life is excessive.

Tim Rich – Your interviewees tell you remarkable things about their lives. How do you earn their trust?

The Gentle Author – You have to be open-hearted and honest, and you hope people see that it is just you, and that there’s no ulterior motive – and that no one’s paying you to do it. That you are doing it for love. People are wisely suspicious of writers, so I commonly send someone a piece I have already written and they can see what the outcome of being interviewed will be like.

Tim Rich – You write about the tension between tradition and change, such as the spiraling rents that have threatened to push out merchants like Paul Gardner.

The Gentle Author – It’s very difficult to trace what’s a right or wrong way for change to happen, but it’s vital that good things don’t get destroyed. For me, Paul Gardner, the Market Sundriesman, incarnates the essence of Spitalfields. Unless you have gone and shaken hands with Paul Gardner you can’t really say you have been to Spitalfields. His shop is where all the small traders in East London go to get their bags. What happened in Paul’s case was that, after my story, the landlords relented in their original demand for an excessive rent increase and showed themselves to be enlightened, recognising he is a special case. I hope people appreciate that the things which make this place distinctive are worth holding on to. One of the lessons revealed by the crash in the City was that the short-term profit motive is destructive and people need to take a longer-term view.

Tim Rich – You seem to revel in those lively nights out with the Bunny Girls and the trannies and the boys’ club reunions, but how do you feel about Spitalfields on a Saturday night – the drinkers and clubbers?

The Gentle Author – I think it’s a beautiful phenomenon. I often go out and walk the streets just to see the crowds on a Saturday night. Nothing has changed much there. In the 1860s The Eagle Tavern on the City Road was getting 12,000 people turning up a night and there were complaints about the crowds then. I think the young people who dress up and come to show off their outfits on Brick Lane embody a wonderful flowering of culture. So many people compete for ownership of this place, but the truth is that it belongs to everybody and nobody. There is a magic in Spitalfields, but if you love the area you must also be generous to others who love it too.

Tim Rich – Will there be enough space in your life to do other types of writing, as well as your daily report?

The Gentle Author – Dickens wrote six or seven stories a week for Household Words, but he also wrote the novels of Dickens as well. My background is in fiction, and originally I envisaged that there would be a chapter of a novel by me on the first of the month through the year. That has been sidelined, but as I get more confident and more in control of what I’m doing it could resurface. I’m attracted to the idea that the Gentle Author might have fictional adventures.

Tim Rich – What about visits to other places far from Spitalfields?

The Gentle Author –  I am a favoured person in that I have had so many experiences and lived so many lifetimes in my life already. I remember, I went to Los Angeles for the Millennium and I was with a friend in a car on New Year’s Eve, and we turned left onto the freeway into oncoming traffic. She said, “We’re going to die.” And I said, “I don’t mind because I’ve done so much in my life, but what about your son?” There are lots of places I would like to go back to – Beijing, Cuba – but what I do now forces me to live in the day. My mind is so crowded I don’t have much space to think about anything else.

Tim Rich – You said something curious in a story on Dennis Severs’ house, which was, “Much as I love a good chat, I have many times wished that I never had to speak again.”

The Gentle Author – I think talking is hard. We take people’s words to be the expression of who they are. But I have always felt, with me, that was a contradiction because I didn’t feel that in speech I could represent who I was. That was why I began to write, because by writing down I could wrestle with words and become more truthful to who I am. So yes, I think it would be wonderful if I could get through the rest of my life without talking. I once lived on an island in the Outer Hebrides. I was the only inhabitant and I had to row forty-five minutes to the shore to get my mail. I would not see people for months on end and I did so much writing then. Your internal monologue becomes much more apparent when all the interference of external conversations is gone. Walking is very important in that respect too. I long for the release of the mind.

Tim Rich – So, writing is a release from the deluge of thoughts in your head.

The Gentle Author – Yes. For me, the act of writing is writing it down. There are no drafts. Writing is the act of recording an internal monologue. Coming back to the notion of the mind talking to itself – for me writing is the outcome of an unquiet mind, I suppose.

Tim Rich – How has Spitalfields Life changed your life?

The Gentle Author – I walk down the street and sometimes people lean out of windows to wave and come out and shake my hand. It is a beautiful thing, yet for that to happen in the middle of this huge city is bizarre. Generally, I don’t understand why people don’t talk to each other more. I think this is a political construct, this situation where we are all alienated from one another. A book that was important to me as a student was Raymond Williams’ Culture and Society. I think one of the outcomes of mass distribution through the printing press in the nineteenth and twentieth centuries was that it made everybody strangers to each other. We see all those people out there as ‘the masses’. It’s rubbish. It’s a lie. The hope of the internet is that it allows everyone to talk to each other again, and not be strangers.

Tim Rich lives in Bethnal Green and writes at

A few copies of Justin Knopp’s print are still available from the Spitalfields Life online shop.

17 Responses leave one →
  1. February 3, 2012

    And many thanks to Tim for giving us this remarkable insight into our own Gentle Author.

    More power to both your elbows !


  2. February 3, 2012

    Marvellous interview; I’m so glad to read it.

  3. February 3, 2012

    Thank you for republishing this article – I really enjoyed it!

  4. February 3, 2012

    Re – The last question/response –
    This neighbourhood really is a community in the old-fashioned, talk to your neighbour sense – it’s a rare day that I leave my house and walk five minutes without meeting someone I know and they’re not all peers – they are neighbours, some in their eighties, parents from my child’s school who come from many backgrounds and cultures, customers from Shelf, colleagues, old friends…. and on it goes.
    But you do need to put yourself out there a bit, take responsibility for your side of things – smile, say good morning or whatever – the interaction is a two-way experience and I have lived in the area for about 14 years, it doesn’t happen overnight – it takes commitment.
    The Gentle Author is now, in a sense, a lynch-pin of the community and Spitalfields Life has given us all a wonderful daily experience to share in an online expression of a very lively, thriving London community.

  5. Ree permalink
    February 3, 2012

    I am ever more in awe of our dear Gentle Author…

  6. Sally Baldwin permalink
    February 3, 2012

    Thanks so much for including this: you sound just about exactly as I’d imagined you to be. And I appreciate knowing a little more about how you approach the work — and that there are no drafts! I’m so glad that the work you’ve set yourself has given you all the rewards of friendship, openness and a unique place in your community… it has certainly given me a lot of pleasure.

  7. Teresa Stokes permalink
    February 3, 2012

    I found Spitalfields Life only last November through Paul Bommer, and I have to admit I was beginning to think that surely the “Gentle Author” was more than one person. Incredible feat to do this every day – what happens if she/he gets ill?

  8. February 3, 2012

    Sometimes it is easier to talk to a stranger than someone you know. I like the idea of the internet being a way for people to talk to each other again! Great interview. Have a lovely evening, love Linda x

  9. Anne Forster permalink
    February 3, 2012

    If we keep up to date with your postings GA, then we shall each learn a little more as days go by about YOU the person behind the words. Tantalising as most of us will never perhaps visit your place or meet you….

    In learning more about you we do learn a little more about ourselves.

  10. Stephen Harvey permalink
    February 3, 2012

    I very much appreciate your loving, understanding and compassionate writing about the community in which you live. It is a rare thing to be able to write in this way about one of the largest cities in the world – or at least a part thereof. It shows that a sense of community grows from the people who form it and cannot be tacked on from the outside. This is now part of my daily reading and I thank you very much for it.

  11. Gary permalink
    February 3, 2012

    Allthough I know you personally I found this article an interesting insight into your mind, rather like taking the back off of a TV set to see the works. I was very interested in the philosophical way you reacted to the risk of death. When I was fighting to pull a four engined bomber out of a dangerous stall, I swore my head off. Thanks for forwarding this article.

  12. February 5, 2012

    hurray ,I was really hoping to get to read this interview,and am inspired by it .I relate to the feeling you mention G.A of
    “writing is the outcome of an unquiet mind”because that is how I feel exactly about my need to draw.
    Reading your writing and meeting all the amazing people is a highlight of my day.Thank you wholeheartedly and may all the rewards keep you going even if you do not have time to think of much else,what you are doing will never be forgotten and has reached more hearts and souls than maybe a work of fiction.

  13. February 7, 2012

    Oh, I like you more and more.

    I understand that in your pieces you seek to be secondary to the subject, and that is exactly what happens. But also you are a very present presence in them, an attitude, a responsiveness, a wide open receptiveness. You are fully there but not coloured in; you are discernible but your features are indistinct. So to read this very candid interview is a lovely thing and there were lots of exclamations of ‘oh yes!’ and lots of bells ringing here. It would be boring to state them all, but one (of the many) thing(s) I most emphatically agree with you on is that ‘the masses’ don’t exist. And your blog is an antidote to precisely that way of thinking.


  14. TokyoDon permalink
    February 8, 2012

    PP – I feel the same way. The GA is amazing and the more I learn about him/her the more I appreciate what he/she’s doing.

    The stuff he/she says about the pain of losing stories that haven’t been told. That’s happening every day, everywhere.

    We’re lucky to have him/her – if only every community could have its own GA: forging links, recording people’s experiences and keeping history alive.

  15. Margaret MCDermott permalink
    August 16, 2017

    I love the Gentle Author and her writings are an inspiration to me.Today I read of the death of the beautiful Mr Pussy and the tears were streaming down my face.

  16. Mary Nicholls permalink
    March 15, 2020

    Just discovered the “gentle author” today and wanted to find out his/her identity… so I googled the question and it brought me to your page… I am so glad that I read your interview… it has opened a whole new world for me to explore….Thankyou

  17. February 5, 2021

    For those of us who in the course of our life and maybe very young in age enter the realms of London for whatever purpose its touches us in a way that becomes a sliver of life’s strata, it grows each time we work or visit.
    In my case it touched my life as a 15 year old boy going to receive the documents to join my first ship at both the Merchant Navy pool of London and also P&O house in 1968.
    Since that memorable day I have been a part of London as both a visitor and an employee of many companies, I’ve even dug her up in the course of my employ as and engineer.
    Nonetheless, having even lived within her bounds and was always made welcome by both East Enders and those up West, like Dick Whittington we all return to the greatest city on Earth.
    The Gentle Author has found the strata and wealth of her history in stories and pictures, for this I like many give you our heartfelt thanks, electronic is all and well, but maybe some day the whole as a series of books for generations to come, this is a work of tremendous importance and can’t be lost in the ether.

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