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At Colin O’Brien’s Flat

October 26, 2012
by the gentle author

Colin O’Brien at Michael Cliffe House in Clerkenwell

Photographer Colin O’Brien enjoyed a happy childhood growing up during the forties and fifties in Victoria Dwellings on the corner of the Clerkenwell Rd and the Farringdon Rd. Yet the dilapidated nineteenth century tenement was considered a slum and whenever politicians came round canvassing for votes, Colin’s father Edward would ask them to build better homes for the residents.

The promise was finally delivered by Finsbury Borough Council in 1965 when Colin’s parents were offered the pick of the flats in newly-built, Michael Cliffe House, just a quarter of a mile away on the other side of Clerkenwell. Modestly, Colin’s parents suggested choosing a flat halfway up the soaring modernist tower but Colin, who was now in his twenties, had other ideas and he persuaded them to take the very top flat, which offered the most spectacular panoramic views.

In Victoria Dwellings, Colin’s nascent photographic imagination had been fired by the frequent car crashes which took place beneath his window whenever the traffic lights all turned green at once. There were no car crashes to be seen at Michael Cliffe House but, unfortunately, in its early years it became a magnet for suicides. “You’d hear them going down and there’d be an almighty thump,” Colin recalled with a frown, rolling his eyes, “I walked in once and there as a body under a blanket but, even as a photographer, I didn’t want to see.”

Instead, at Michael Cliffe House, Colin’s new source of inspiration was the heart-stopping spectacle of forked lightning over the City of London – a phenomenon that he was ideally placed to photograph from his favoured vantage point at cloud level in Clerkenwell. When he took his first photograph of lightning, Colin delivered his print in person to Fleet St the next morning to the offices of the Daily Express and sold the picture at once. It was subsequently used in adverts by Brown-Boveri Ltd, a company that manufactured lightning conductors. And, the next year, Colin took another even more dramatic picture of lighting descending from the heavens towards St Paul’s and sold that one to the Evening Standard.

Michael Cliffe House was named in honour of the local Labour MP, an ex-Mayor of Finsbury , who had been Chairman of the Housing Committee and famously wrote to President Kennedy and Nikita Kruschev in 1961, at the peak of the Cold War, urging a moratorium on nuclear testing. One of the last high-rise developments in the borough, its towering structure expressed the optimism of its time, and Colin and his parents were delighted with their brand new home in the clouds. They had moved so far up in the world, they could now amuse themselves watching people tobogganing on Parliament Hill each winter.

“I could look down on Northampton Buildings where I was born in 1940 and from where we moved to Victoria Dwellings, both of which I saw demolished once we moved into Michael Cliffe House.” Colin explained to me, as I stood with him on  the balcony of his flat last week. From this lofty perch, Colin’s entire childhood landscape was visible even if  he has now witnessed it change beyond all recognition. Yet this height also grants a liberating sense of perspective, confronting the viewer with the overwhelming wonder of the city. There’s supposed to be no money and we’re in a recession, but look at all the cranes,” declared Colin with a bemused grin, gesturing to the new structures that punctuate the skyline, evidencing London’s continuing transformation.

“My father lived here for ten years alone after my mother died, and I got really close to him,” confided Colin, as we returned inside to the shelter of the domestic space, “He was a nice hardworking man who worked twelve hours a day sorting letters at the Mount Pleasant Post Office. After he died, I found a diary that said, ‘We’re five shillings short on the rent this week, I don’t know what we’ll do.'” Once it became possible, Colin’s parents bought their beautiful flat in the sky and Colin keeps it now as a haven containing his memories of them and as a vantage point to keep an eye upon his home territory.

Just one item of furniture survives in Colin’s flat from the Victoria Dwellings days, a small wooden table that was the only piece he ever made at school in woodwork class. Once upon a time, Colin brought it home proudly on the tube from Sir John Cass School in Aldgate to Victoria Dwellings in Farringdon. Yet, with its clean modern lines and unfussy design, it matches the aesthetic of the new flat better than it could ever have suited Victoria Dwellings. Colin O’Brien’s table is at home in Michael Cliffe House.

The view from Colin O’Brien’s flat looking towards the City of London.

At dusk.

In the sixties, when the Tate Modern building was still operating as a power station.

The building of the Barbican towers in the seventies.

Michael Cliffe House today – Colin’s flat is the top one on the right.

The entrance.

Colin’s photograph of lightning over St Paul’s taken from the flat in 1971.

As published in the Daily Express next day.

As used in an advert for lightning conductors.

Colin’s second, even more spectacular, photograph of lightning over St Paul’s from 1972.

As published in the Evening Standard next day.

Northampton Buildings in Clerkenwell where Colin was born.

Looking down in  Northampton Dwellings from Michael Cliffe House.

Colin’s childhood flat was the top window on the far right of Victoria Dwellings in the Clerkenwell Rd.

Victoria Dwellings were demolished in the seventies.

The Rio Cinema where Colin used to sneak in to watch films as a child.

The site of the Rio Cinema today, with Michael Cliffe House in the background, photographed by Sam Nightingale.

Colin’s mother Edith relaxes in the new flat at Michael Cliffe House.

Colin’s father Edward in the lounge of the flat in Michael Cliffe House.

Colin O’Brien sits in his room in Michael Cliffe House that he moved into in 1965, with the table he made in woodwork classes at Sir John Cass School – the only piece of furniture left from the previous flat in Victoria Dwellings.

Photographs copyright © Colin O’Brien

Take a look at these other Colin O’Brien stories

Colin O’Brien, Photographer

Colin O’Brien’s Clerkenwell Car Crashes

Colin O’Brien’s Kids on the Street

Gina’s Restaurant Portraits

Travellers’ Children in London Fields

Colin O’Brien’s Brick Lane Market

Colin O’Brien at E.Pellicci

Colin O’Brien Goes Back To School

Adam Dant’s Map of Stories from the History of Rotherhithe

October 25, 2012
by the gentle author

Undertaking a rare trip south of the river, cartographer extraordinaire Adam Dant presents this map of that fabled ‘terra incognita’ once known as Redriff.

1. (Twelfth century) The name of the village of Rotherhithe or “Rederheia” is thought to mean “cattle-landing place.”

2. (1016) King Cnut begins digging a trench from Rotherhithe to Vauxhall to lay seige to London, according to myth.

3. (c.1370) During the reign of Edward III a fleet is fitted out at Rotherhithe by order of the Black Prince and John of Gaunt.

4. (c.1400) Henry IV lives in an old stone house in Rotherhithe while suffering from leprosy.

5. (1485) The Lovell family, owners of the Manor at Rotherhithe distinguish themselves during the Wars of the Roses. Francis Lovell is made Lord Chamberlain – “The cat, the rat and Lovell the dog rule all England under a hog.”

6. (1587) The Queen grants Thomas Brickett “Le Gone Powder Mill Pond,” formerly possession of Bermondsey Abbey and source of Guy Fawkes’ gunpowder.

7. (1605) Shipwrights of England are incorporated under Royal Charter, so that ships “will not be made slenderlie and deceitfullie.”

8. (1620) The Mayflower is brought to Rotherhithe by its master Christopher Jones.

9. (1635) Reclaimed land and “inclosed” wharfs are claimed by poor tenants over preference to kings, lords and rich men.

10. (1684) Christopher Monck, Duke of Albemarle receives a grant for Saturday goods and merchandise market, and for a ferry at Rotherhithe.

11. (1699) John Evelyn records in his diary, “a dreadful fire destroying three hundred houses and divers ships.”

12. ( 1699) 18th October, revellers en route to the The Charlton Horn Fair disembark at Cuckold’s Point, marked by a tall pole topped by a pair of horns.

13. (1770) The St Helena Tea Gardens open in Deptford where evening music and dancing is supported by the lower classes and shipyard workers’ families.

14. (1725) The South Sea Company take the lease of the The Howland Great Wet Dock and plan unsuccessfully to revive fishing in Greenland. The dock is renamed Greenland Dock.

15.  (1725) One thousand tons of “unfragrant” whale blubber are boiled and processed annually at Greenland Dock.

16. (1726) Lemuel Gulliver,  Jonathan Swift’s sailor protagonist in “Gulliver’s Travels” is born at Redriff.

17. (1792) Eleven shipyards are recorded in the parish of Rotherhithe.

18. (1680) Charles II makes a “frolicksome excursion” to Rotherhithe.

19. (1777) The China Hall, previously “The Cock & Pye,” opens as a theatre with plays “The Wonder,” “Love in a Village,” “The Comical Courtship” and “The Lying Valet,” before burning down in 1778.

20. (1725) A nurseryman named Warner cultivates cuttings of Burgundy vines in the vicinity of Rotherhithe. He is – in time – rewarded with one hundred gallons of wine annually.

21. (1792) Forty acres of the parish are occupied by market gardeners famous for their produce, four hundred and seventy acres by pasture.

22. (1802) Work begins on Ralph Dodd’s ship canal, “The Grand Surrey Canal.”

23. (1809) The decline in the whaling trade and the increase in timber importing accounts for Greenland Dock being named “Baltic Dock,” later enlarged and reopened as “The Commercial Dock.”

24. (1825-42) The Thames Tunnel is bored by Sir Marc Brunel.

25. (1832) Raw materials such as hemp, iron, tar and corn from many Baltic countries, as well as timber, arrive at Surrey & Commercial Docks.

26.(1869) Rotherhithe Underground Station is opened to Wapping.

27. (1869) Dockers strike in Surrey Dicks for “the Dockers’ Tanner” a rate of sixpence an hour. The strike drew public attention to issues of poverty in Victorian London.

28. (1830) Ship breaking begins to take over from ship building in Rotherhithe with many ships built to fight in the Napoleonic Wars meeting their end.

29. (1850) Charles Lungley builds The Dane at Greenland Dock North Shipyard chartered by the French Government as transport during the Crimean War.

30. (1909) Surey Docks is taken over and reinvigorated by the newly formed Port of London Authority.

31. (1926) Only seven people arrive for work out of two thousand on the first day of the General Strike.

32. (1940) September 7th, Surrey Docks are set on fire in the first raid of the Blitz.

33. (1940) King Haakon VII, with the Norwegian government in exile and Norwegian resistance during World War II,  came to worship at St Olav’s.

34.( 1940s) Dock workers play “The down the slot game” in social clubs such as “The Gordon Club.”

35. (1900-1950) Cunard white star liners trade from Greenland Dock to Canada and North America.

36. (1960) Princess Margaret meets her future husband, photographer Anthony Armstrong-Jones, in Rotherhithe.

37. (1970) Surrey Docks close.

38. (19810 Michael Heseltine, Secretary of State, forms “The Docklands Development Corporation” to redevelop the area of the former docks. It causes controversy, accused of favouring luxury developments over affordable housing.

39. (2000) Mudlarking on the foreshore yields clay pipes, oyster shells and the occasional Saxon or Roman coin.

40.( 2011) The new “super library” opens in Canada Water.

Images copyright © Adam Dant

You may like to take a look at some of Adam Dant’s other maps

Map of Hoxton Square

Hackney Treasure Map

Map of the History of Shoreditch

Map of Shoreditch in the Year 3000

Map of Shoreditch as New York

Map of Shoreditch as the Globe

Map of Shoreditch in Dreams

Map of the History of Clerkenwell

Map of the Journey to the Heart of the East End

Click here to buy a copy of The Map of Spitalfields Life drawn by Adam Dant with descriptions by The Gentle Author

We Are The Beating Heart Of The East End

October 24, 2012
by the gentle author

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After a year of planning, THE EAST END TRADES GUILD launches on Monday 19th November at Christ Church, Spitalfields, with an assembly of two hundred founding members declaring “WE ARE THE BEATING HEART OF THE EAST END.”

It seems incredible now to think back to the time when I first interviewed Paul Gardner, fourth generation paper seller and proprietor of Spitalfields’ oldest family business. Although I knew at once that Gardners’ Market Sundriesmen was an extraordinary endeavour, supplying cheap paper bags to the smallest businesses and traders in the East End for over a century, I could never have recognised the outcome of writing the story of it.

Paul Gardner was being faced with an excessive rent increase at the time which threatened to put him out of business, yet the public expression of support was such that the landlord relented and the point was made – that small proprietor-owned businesses like this are the essence of the East End. If property pieces have gone up and multiples choose to come here, it is because of the distinctive appeal of businesses like Gardners. And, in the hundreds of features that I have written since then about the small tradesmen, market traders and independent shops, it became obvious that the potential existed for them come together to find a collective voice, asserting their importance and working collaboratively to ensure their survival.

Community organiser Krissie Nicolson spoke with Paul Gardner and some other traders, arranging meetings at the Bishopsgate Institute throughout the last year at which people met to pool ideas. Attending these gatherings, it was fascinating to observe the notion take flight and observe new members arriving at every meeting bringing new energy, until this autumn it was obvious that the Guild had acquired its own momentum. And already, membership badges have started going up in shop windows around the East End announcing the presence of the Guild.

The culmination of this process is the event on 19th November which constitutes the founding of The East End Trades Guild as a new co-operative of small independent traders working together in the interests of all proprietor-owned-and-run-businesses in the East End. The ceremony will commence at 7pm sharp with a trumpet fanfare for The East End Trades Guild by Tim Davy accompanied by a presentation of photographic portraits of all the founding members, followed by the premiere of a film by Sebastian Sharples entitled “We Are the Beating Heart of the East End” featuring the traders and celebrating the infinite variety of small businesses in the East End.

If you are a trader and you would like to join the East End Trades Guild, please email krissie@eastendtradesguild.org.uk  Members of the public are invited to attend to be witnesses to the founding of the Guild – please arrive at 6:30pm.

EETG logo designed by James Brown

Calling all brass players! We need you to help launch the EAST END TRADES GUILD on Monday 19th November. Tim Davy will be creating a fanfare with as many brass players as possible to announce the founding of the Guild.

All brass players are welcome that can read music. Email  spitalfieldsbrass@gmail.com to sign up, giving information about your level of experience, and be prepared to come to the rehearsal at 5pm on Monday 19th November at Christ Church, Spitalfields, ready for the performance at 7pm.

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Archive image courtesy Bishopsgate Institute
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THE EAST END TRADES GUILD is a co-operative of small independent traders working together in the interests of all proprietor-owned-and-run-businesses in the East End. As well as offering goods and services, and creating employment for local people, our members provide social spaces that sustain relationships between residents – building stronger communities and making our streets safer and better places to be.

We carry the history of this place which has always been characterised by the culture of small traders and family businesses who know their customers personally. Vital both to the local economy and to the life of community, it is the infinite variety of small traders that make the East End such an appealing destination, adding value to property and attracting other businesses.

In the past, these truths have been ignored and exploited by landlords, their agents, big business and government. Yet small businesses are the starting point for social and economic innovation, aligning commerce with the common good and bringing a human face to the marketplace. Speaking in unity, at this time of economic crisis, we demand recognition for small traders, asserting their central importance to the economy and advocating their interests to achieve a better deal for our members.

What does THE EAST END TRADES GUILD do?
We develop campaigns based on the issues that are important to our members.
We provide a voice for small business to influence government policy at local and national levels.
We create networking and promotional opportunities for members at our meetings and through our website.
We offer advice to members on rent reviews and contracts.
We pursue initiatives that build our local economy, keeping money here and creating jobs for local people.

OUR MISSION is to bring the traders of the East End together to speak with one voice, harnessing public support and educating policy makers on the economic, social and cultural value that independent businesses bring to our communities. By working together, we aim to support our local economy to thrive and grow.
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Paul Gardner, the founder member of The East End Trades Guild

Read my orginal story about Gardners’ Market Sundriesmen

Paul Gardner, Paper Bag Seller

John Claridge’s Boxers (Round Two)

October 23, 2012
by the gentle author

Photographer and Ex-Boxer John Claridge took on members of London Ex-Boxers Association on a recent visit to the East End. John distinguished himself  with some fine shots in Round One and now, after a quick rub down with a towel and a hasty gulp of water, he is back in the ring with an intensified energy for Round Two.

Brian Hudson (First fight 1956 – last fight 1967)

Stan Kennedy (First fight 1961 – last fight 1966)

James Cook MBE (First fight 1982 – last fight 1994)

Terry Austin (Boxing fan)

Bernie Khan (Boxed in the sixties)

Mickey Oats (First fight 1969 – last fight 1972)

Mick Hayes (First fight 1945 – last fight 1958)

Roby Cameron (First fight 1948 – last fight 1956)

George Day (First fight 1942 – last fight 1951)

John Smallwood (First fight 1934 – last fight 1949)

Colin Hayday (First fight 1955 – last fight 1959)

John O’Callaghan (First fight 1942 – last fight 1957)

Photographs copyright © John Claridge

Take a look at

John Claridge’s Boxers (Round One)

and these other pictures by John Claridge

John Claridge’s East End

Along the Thames with John Claridge

At the Salvation Army with John Claridge

In a Lonely Place

A Few Diversions by John Claridge

This was my Landscape

John Claridge’s Spent Moments

Signs, Posters, Typography & Graphics

Working People & a Dog

Invasion of the Monoliths

Time Out with John Claridge

Views from a Dinghy by John Claridge

People on the Street & a Cat

In Another World with John Claridge

A Few Pints with John Claridge

A Nation Of Shopkeepers

Some East End Portraits by John Claridge

Sunday Morning Stroll with John Claridge

John Claridge’s Cafe Society

Graphics & Graffiti

Just Another Day With John Claridge

At the Salvation Army in Eighties

So Long, Philip Christou

October 22, 2012
by the gentle author

There was a hush over the market yesterday as – for the first time that anyone could remember – Gina’s Restaurant was closed on a Sunday,  following the sad news of Philip Christou’s death that morning. Today, I am republishing my portrait of Gina & Philip Christou as a tribute to this remarkable couple who served the people of Spitalfields since 1961.

Gina & Philip Christou

In recent years, if you were looking for a Sunday roast in the East End then you could do no better than to go along to Gina’s Restaurant at 17 Bethnal Green Rd where Gina & Philip Christou opened just one day a week out of loyalty to their longstanding customers, many of whom had been coming since Gina & Philip first opened in Brick Lane in 1961.

“We used to open every day,” Philip explained to me with startling frankness when I spoke with him, “but what’s the point in killing yourself when you only have a few years left?”

Looking back over half a century, Gina confessed that she cried when she first saw the Hungarian Restaurant in Brick Lane, with three filthy rooms above it, that Philip bought. “I said ‘Jesus Christ! What I have we got here? I can’t live in this,'” she shrieked, growing visibly emotional at the mere recollection of moving with her one-month-old son into a flat with no bathroom and a rat infested toilet in the yard. Gina’s father had paid for her to train for six months as a hairdresser in Regent St and Philip had set out to buy her a salon, but he could not afford one and bought the lease on a restaurant instead. “I was going to buy her a hairdressing salon but it didn’t work out,” Philip admitted to me with a shrug, “so I said, “I’ll buy a cafe, I know how to cook, how to serve customers, how to do the shopping, and my wife can be a waitress!”

“I bought it from a Hungarian Jew and people used to come in and ask ‘Are you kosher?’  So I said, ‘Yes, I am kosher,’ And I used to offer them ‘kosher’ bacon sandwiches.” continued Philip with a twinkle in his eye. “My father told him he wasn’t good enough, when he asked if he could marry me,” interrupted Gina, raising a hand and turning sentimental as she recalled how they met when she joined her father for lunch at the Kennington restaurant where Philip was a waiter – adding, “but afterwards, he said, ‘As long as it’s alright with her.'”

“When we moved in, I went to Gostins, the timber merchants across the road and said, ‘Excuse me, I’m looking for old wallpaper books that you’re going to give away. I ‘ve got no money but I need wallpaper.'” Philip told me, amazed at his own resourcefulness “I papered the cafe with all the different coloured squares of wallpaper and painted the woodwork with some old blue paint my brother gave me. We opened up the cafe and we made a few bob, five pounds on the first day. It was good.”

“We had no furniture,” Gina announced with a gleeful smile, “My parents moved in, so I cleaned up a room for them and gave them our bed. The baby slept with them and we slept on the floor. ” When Gina & Philip came to Brick Lane in 1961 it was a Jewish neighbourhood with a few Asians, but by 1975 when they left it was mostly Bengali people. “We all used to help each other,” Gina explained, “Mrs Sagar across the road was an Indian lady married to a Jewish gentleman. When she learnt I had to sleep on the floor, she said, ‘I’ve got a bed, I’ll give it to you’ and later she gave me a wardrobe too.'”

Gina & Philip found themselves at the centre of a self-supporting community. “I couldn’t afford a van, so the chicken shop across the road leant me their bicycle to go to Smithfield Market each morning to buy chops, steak and sausages, and I used to be back by six thirty to open at seven every day.” Philip remembered fondly, amazed at his former vitality.

“Every Christmas, I used to open only for the old people and give them lunch,” Gina confessed to me, almost in a whisper, as if she did not want the word to get round, “I did it for years because I felt sorry for them. And I remember it was two shillings and sixpence to stay at the Salvation Army Hostel, and they charged a penny for hot water for their hot water bottles on top, so I told the hostellers to bring their bottles round to me and I gave them hot water for free.”

Yet in these unpromising circumstances, Gina & Philip’s Hungarian Restaurant became a unlikely commercial success when some long-distance lorry drivers, who parked their trucks at Aldgate, discovered it as they walked up Brick Lane on their way to the Well & Bucket public house. “One day these men came in and asked for a ‘Mixed Grill.'” Gina said, recalling the auspicious moment that changed her life, “So I went into the kitchen and said to Philip, ‘We’ve got new customers and they want a “Mixed Grill.” He made up a big plate of meat, and they ate it all and said, ‘Thankyou very much, we’ll see you again.’ The next day there was six, and ten the day after. In a month’s time, we had a multitude and a queue outside. I became famous for lorry drivers!”

On the basis of their new-found income, Gina & Philip were able to buy a house in Haringey, permitting extra space for their growing family of four children – exceedingly fortunate, because in 1972 the council served a compulsory purchase order on the restaurant to demolish it. “I cried when we had to leave!” declared Gina with a helpless smile, confessing the lachrymose parentheses to her sojourn in Brick Lane.

“I didn’t want to buy a cafe again, so I went to work at Blooms restaurant in Whitechapel,” said Philip. “And I wanted to be a machinist, but I couldn’t do it – I was always crying!” said Gina, eagerly carrying the narrative forward, “They asked me, ‘Why are you crying?’ I said, because it’s not a restaurant, there’s no people in it.’ I missed all the people, they were so friendly.”

Gina & Philip borrowed money from the bank to buy the cafe in the Bethnal Green Rd and all the regulars from Brick Lane and the long-distance lorry drivers followed them – especially as they now offered bed and breakfast above the cafe too. When they arrived, the Sunday animal market was still in full swing, filling the surrounding streets, selling birds and all kinds of creatures – “We bought a goat and called it Billy, but the neighbours complained about it eating their cabbages and we had to give it back,” Gina told me, as an aside. They originally opened up as G’N’T’S, changing it to “The Steakhouse” on a whim, only to discover this attracted a crowd that was too posh, which led to the ultimate incarnation as Gina’s Restaurant.

“I’ve got one old boy, he comes every week  from Croydon. He’ll always have sausage, chips and beans – and eight to ten coffees.” Gina told me in affectionate reminiscence, “I’m a very soft woman, I talk to him and I feel good. I’m happy to listen to him because he lives by himself and has no-one to talk to but me.”

Sundays at Gina’s Restaurant – with Philip in the kitchen and Gina behind the counter – were a long-standing ritual in this corner of the East End, the focus of a particular world and one of the last places you could get a good cup of tea for 80p. Gina told me that many of the fly-pitchers who trade on the pavement outside – constantly hassled by council officials – are pensioners who have lived their whole lives in the neighbourhood and come to sell a few of their possessions simply to afford a Sunday lunch. Gina & Philip always opened every weekend to offer a safe haven to these people, and to anyone else that wanted an honest roast dinner.

Philip with his favourite frying pan.

Gina with her favourite teapot.

Gina & Philip Christou in their restaurant.

You may also like to take a look at these other stories of Gina’s Restaurant

Gina’s Restaurant Portraits by Colin O’Brien

Henry Chapman, Jack of All Trades

Gary Aspey, Wheel Truer

The Fly-Pitchers of Spitalfields

The Staircases of Old London

October 21, 2012
by the gentle author

Mercers’ Hall, c.1910

It gives me vertigo just to contemplate the staircases of old London – portrayed in these glass slides once used for magic lantern shows by the London & Middlesex Archaeological Society at the Bishopsgate Institute. Yet I cannot resist the foolish desire to climb every one to discover where it leads, scaling each creaking step and experiencing the sinister chill of the landing where the apparition materialises on moonless nights.

In the Mercers’ Hall and the Cutlers’ Hall, the half-light of a century ago glimmers at the top of the stairs eternally. Is someone standing there at the head of the staircase in the shadows? Did everyone that went up come down again? Or are they all still waiting at the top? These depopulated photographs are charged with the presence of those who ascended and descended through the centuries.

While it is tempting to follow on up, there is a certain grandeur to many of these staircases which presents an unspoken challenge – even a threat – to an interloper such as myself, inviting second thoughts. The question is, do you have the right? Not everybody enjoys the privilege of ascending the wide staircase of power to look down upon the rest of us. I suspect many of these places had a narrow stairway round the back, more suitable for the likes of you and I.

But since there is no-one around to stop us, why should we not walk right up the staircase to the top and take a look to see what is there?  It cannot do any harm. You go first, I am right behind you.

Cutlers’ Hall, c.1920.

Buckingham Palace, Grand Staircase, c.1910.

4 Catherine Court, Shadwell c.1900.

St Paul’s Cathedral, Dean’s staircase, c.1920.

House of Lords, staircase and corridor, c.1920.

Fishmongers’ Hall, marble staircase, c.1920.

Girdlers’ Hall, c.1920.

Goldsmiths’ Hall, c.1920.

Merchant Taylors’ Hall,  c.1920.

Cromwell House Hospital, Highgate Hill, c.1930.

Ironmongers’ Hall, c.1910.

Cromwell House Hospital, Highgate Hill, c.1930.

Stairs at Wapping, c.1910.

Cromwell House Hospital, Highgate Hill, c.1930.

Staircase at the Tower of London, Traitors’ Gate, c.1910.

Hogarth’s “Christ at the Pool of Bethesda” on the staircase at Bart’s Hospital, c.1910.

Lancaster House, c.1910.

2 Arlington St, c.1915.

73 Cheapside, c.1910.

Dowgate stairs, c.1910.

Crutched Friars, 1912.

Grocers’ Hall, c.1910.

Cromwell House Hospital, Highgate Hill, c.1930.

Salters’ Hall, Entrance Hall and Staircase, c.1910.

Holy Trinity Hospital, Greenwich, c.1910.

Salter’s Hall, c.1910.

Skinners’ Hall, c.1910.

1 Horse Guards Avenue, 1932.

Ashburnham House, Westminster, c.1910.

Buckingham Palace, c.1910.

Home House, Portman Sq, c.1910.

St Paul’s Cathedral, Dean’s Staircase, c.1920.

Glass slides copyright © Bishopsgate Institute

You may also like to take a look at

The Nights of Old London

The Ghosts of Old London

The Dogs of Old London

The Signs of Old London

The Markets of Old London

The Pubs of Old London

The Doors of Old London

Terry Bay, Boxer, Compositor & Cab Driver

October 20, 2012
by the gentle author

Terry aged four sitting on a cow named Tom

When he was evacuated from Bethnal Green at four years old, Terry Bay rode a cow through an orchard in Cambridgeshire but these days he rides a taxi around the London streets. In between these peregrinations – each delighting him with their ever-changing perspectives – Terry became a boxer and a compositor, exercising the breadth of his talents by adopting new professions to suit the varying demands of his life. Yet a pair of boxing gloves hangs from the rear-view mirror of Terry’s cab as an indicator of his true passion and, if any passenger should ask – as they often do – Terry brings out an envelope of boxing pictures that he always carries, eager to share his reminiscences with any fellow enthusiast.

I visited Terry in Barkingside where lives today, but I discovered his was a story of Bethnal Green and, in the hallway of his comfortable flat, he has an extraordinary gallery of sepia portraits of members of his and his wife’s families who all lived in Bethnal Green through many generations.

You would not automatically characterise Terry as a fighter, such is his gentle and self-effacing nature. Though when he told me his story and revealed that his father died when Terry was twelve, just before he started boxing, I understood how it became necessary to find the courage to stand up for himself. In fact, Terry discovered he was blessed with a natural talent as a boxer, yet although he won most of his fights he never became a champion. Instead, Terry shared an enduring camaraderie with his fellow boxers, benefiting from a wealth of friendships that has sustained him through the years and which he still enjoys today.

“If anybody asks, I say I come from Bethnal Green. I was born in Cranberry St off Vallance Rd in 1937 – but a bomb fell there in 1940 and we moved out, first to Corfield St and then to Middleton St where I lived until was twenty-six. But, in 1941, at four years old I was evacuated to Chatteris with my brother Albert and my sister Rita. My mother Connie – she was born in Russia Lane – she wouldn’t let us be separated. My father Bill – he was a fireman during the war – he came from Menotti St, and he died when I was twelve. He had TB and didn’t go for treatment. He worked in the Docks before the war and that’s how my brother got into the Docks. Later, me and my brother and my sister, were put under observation for TB because we were so skinny. We had to go the children’s clinic in Underwood Rd and they gave us spoonfuls of cod-liver oil which I hated.

The man we were sent to in Chatteris was a farmer, and he had an orchard out the back where he kept the chickens and pigs. He cleared out the chicken house and we stayed there, and my mum came to visit too. She used to wring the chicken’s necks and pluck them, and shoot the pigs with a pig gun. She did everything, she worked in bottle factory and she was a cleaner, and she lived for her children. Later, my cousins came down to join us and we all stayed in a cottage, and then my mum and dad came to visit us – and when the war was over, they came down and took us back to Bethnal Green.

I went to infant school in Teesdale St and then at eleven years old I went to the Mansford St where they had an after-school boxing club. There were all these boys standing in a circle and there was one kid who looked like a boxer. He was deciding who to box and – as I was thin and I didn’t look as if I could box –  he picked me. It went a couple of rounds and he was supposed to be boxing me, but I was boxing his head off and he realised I had a natural talent –  and he got the hump. So then I went off to the Mansford Boxing Club with Terry Staines and Georgie Whaiter and I had a couple of bouts there. The Repton Boxing Club was going strong and they poached Terry and Georgie, so I tagged along and became a Repton boy. They took me to the London Federation of Boys’ Clubs Competition and I won my first fight but got beaten in the semi-final. That was the story of my life, there was always somebody better than me! I boxed seventeen times as a junior and lost five. Then I gradually fell away from it, I was a teenager and I got distracted.

I left school and did a six year apprenticeship and became a compositor and got married and wanted to better myself and I went to work in Fleet St. At first, I worked for the Evening News where I got a holiday frame, covering for people on leave, but then I applied for a permanent job the next year and they kept me on. And I thought I was a millionaire, I was getting fifteen pounds before but at the Evening News I got thirty-seven pounds a week! This was in 1969 and I was thirty-two. You worked with hot metal and you had deadlines to meet. Firey Fred was the head printer and he used to be always on your back when you were working on a page, ‘Hurry up! Quick as you can, mates.’ There was a metal frame for the page and stories came in hot metal, and you had a graph of how it was supposed to be. The journalists came and told you where they’d like their stories and, if it was too long, they’d cut it down. Finally, you had to plane the plate down and that’s when I got my finger permanently bent. There was two of us working on a single page. One worked at the top and the one that worked at the bottom was the assistant. He was planing the finished page down to make it smooth and we were in a hurry because Firey Fred was making us sweat. It used to be a bit crazy. Then it’d all go quiet – and you’d go off and have breakfast or a beer until the next edition.

My wife and I moved into a flat in Cressy Mansions in Stepney when we got married but six months after our son Fraser was born in 1970 we moved out to a house in Chigwell. Eventually, after twelve years at the News Chronicle, I was made redundant when it closed in 1981. Then I did ten years at the Daily Mirror until computers came in and I was made redundant again, after Robert Maxwell took it over. I worked at Tower Typography in Holywell Lane, Shoreditch, doing general typesetting for a while, but I didn’t like it after the excitement of the newspapers. When I finally left printing, I bought a pub, The Dolphin on Redchurch St, but that didn’t suit either, the life of a publican. That’s when I became a cab driver, and that’s what I’ve done ever since, for the past twenty-four years.

I was never a famous boxer. My father loved boxing, he would have liked what I did but he died before I started. And although my mother never liked me doing it, I made a lot of friends and I had a fun-filled time with my pals. I was brought up in a rough area and people got into trouble. I was in a car once with some friends, and the police stopped us and found wax impressions and tools for making keys in the boot. They took us back to the station and I was remanded in Brixton for two weeks, even though I was never a villain or a thief.

The only thing I’ve done that I’m really proud of is my boxing life. Once I overheard the headmaster at my school talking to a class and he said, ‘I watched Terry Bay sparring in the playground and he’s very good.’ I didn’t know I was good. And for him to have said that meant everything to me.

I didn’t try to be a tough guy but you had to take care of yourself. I wasn’t brave, I was scared of being scared.”

Terry at the Repton Boxing Club.

Terry is on the far right of this picture of the Mansford St School Boxing team 1951.

Terry as a schoolboy.

Terry and his friend Bobby in Petticoat Lane, 1954.

Terry enjoys a drink with his mates at the Westminster Arms on the corner of Old Bethnal Green Rd.

Terry with pals outside departures at London Airport on the way to a holiday in Jersey.

At Strakers & Sons, Hackney Wick, where Terry was apprenticed as a compositor in 1956. Terry can be seen in the distance on the right in a white shirt.

Mr Souter, the press man, and Nobby, the overseer. Terry is on the extreme left.

Terry & Eileen at their marriage in 1969.

Terry with his good friend Terry Spinks, the famous boxer who won a gold medal in the 1956 Olympics and died this year, also shown as a younger man in the inset.

Terry Bay has a pair of boxing gloves hanging in his cab and always carries his boxing photos in an envelope in case he meets a fellow boxing enthusiast.

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