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Colin O’Brien’s Children On The Street

April 7, 2016
by the gentle author

Colin O’Brien will be showing his pictures and talking about photographing London through seven decades at The Wanstead Tap next Tuesday 12th April. Click here for tickets

Spitalfields Life Contributing Photographer Colin O’Brien has been photographing children playing on the street since 1948 when, at eight years old, he snapped his pals in the markets of Hatton Garden and the bombsites of Clerkenwell.

For Colin in his childhood – as for many others – the bombed-out ruins of London proved the largest adventure playground in the world and the streets of the city and its markets offered as much drama, distraction and delight as any child could wish for.

Colin’s pictures show how children once inhabited the city and made it their own, exploring and discovering the world that they would inherit, learning to respect it dangers and savour its pleasures. Colin was especially fascinated by the age-old pastimes such as hopscotch and skipping games, and the ingenuity that children displayed in making their own amusement, turning any space into a playground.

Little did Colin know he was photographing the end of a certain street culture, as the age in which children could run freely passed away, and the television and then the computer encouraged them indoors. In the current climate of anxiety over perceived threats, today’s children have lost the freedom of previous generations and consequently are denied the opportunity to become streetwise at an early age.

Yet Colin’s superlative photographs exist to remind us that the city belongs to children, as much as to everyone else, and removing their right to the streets sacrifices an important part of the urban experience of childhood.

Colin’s photograph of his pals, taken in 1948 at the age of eight in Hatton Garden.

Photographs copyright © Colin O’Brien

Take a look at more pictures by Colin O’Brien

Gina’s Restaurant Portraits

Colin O’Brien, Photographer

Travellers’ Children in London Fields

Colin O’Brien’s Brick Lane Market

Colin O’Brien Goes Back To School

This Is The Modern World

April 6, 2016
by the gentle author

In this extract from the forthcoming Issue 6 of FALLON’S ANGLER (a medley of piscatorial prose), John Andrews contemplates Colin O’Brien’s photographs of Burgess Park.

Colin O’Brien will be showing his pictures and talking about photographing London through seven decades at The Wanstead Tap on 12th April. Click here for tickets

Where were you in 1984? On Sunday 17th June of that year, photographer Colin O’Brien was in Burgess Park just off the Old Kent Rd. In recalling it, he says ‘The weather was dry and warm and the park buzzed with activity’.

I first saw one of the photos Colin took that day when he held a slideshow to celebrate the launch of his book London Life, a collection spanning seven decades, published last year. Amongst the shots of London landscapes lost to us now – including an array of bomb sites, proto-Teds, street markets, public bars without carpet or television, fun fairs, fly-pitchers, men and women in everyday hats, streets devoid of motor traffic, gangs outside junkyard gates, prefabs, football coaches called ‘Mick the Fruit,’ Ford Populars, a portrait of an English World-Cup-Winning Captain, dustmen with handcarts, shops selling Rover Biscuits, nuns sweeping the streets and the last day of the Routemaster – an angler suddenly looked directly at me from a new slide that had just lit up the room.

There he sat on a folding aluminium stool on the banks of Burgess Park Lake his rod across his knees the rim of his hat pulled down, his hands busy baiting up.  In his slacks and trainers like everyone else and yet in his gaze an angler apart. All the other fishermen watch the water, but he stares straight at the camera from several tens of yards away.

Like many subjects in Colin’s photographs, he is not speaking but his look, his expression, his stance speaks volumes. There is the look of an angler drawn to their local water only a few miles from the centre of the city and suddenly called back into the ‘real’ world by an outside distraction.

In June 1984, a lot of photographers were travelling north to record the daily battles on the picket lines of the Miners’ Strike. But Colin O’Brien stayed in London and went to Burgess Park – a place which had been under construction as an open space since the war and where the lake had only been dug two years earlier, in 1982, close to the site of the old R. White’s Ginger Beer Factory.

When finished, it was filled with twelve million gallons of water and stocked with 11,000 fish many of them taken from other municipal ponds such as Highgate.  The park, named in 1973 after local councillor and former Camberwell Mayor Jessie Burgess in recognition for her work during the Blitz, was an evolving social project called by some a social experiment so perhaps it is no surprise it should attract a photographer like O’Brien as a chronicler of Londoners’ lives?

But he was also a lapsed fisherman too. ‘When I was younger I was a really keen angler and used to go to various venues in and around London.  I remember catching my very first fish in the Kennet and still remember the excitement and thrill of it all. I would take pictures and send them into Angling Times.’

Published above is the shot I saw on the night of the launch of London Life, accompanied below by a number of others not previously published from the same roll of film. They tell the story of the day after the season opened in 1984. You may recognise a younger self in one of the pictures.  Every angler will recognise the sheer fervour of the opening days of a new season, still preserved on most of London’s municipal park lakes.  The tackle will be familiar to many too.  An Olympic match rod, most likely in blue and white glass with a gold foil trim, a Pegley-Davies visor pulled down over an H-Blocker’s haircut and a nylon fishing umbrella – we nearly all had one – eleven quid from Argos.

‘I can’t believe that it is more than thirty years ago’ said Colin and yet it is, it is almost another age and it is most definitely last century. These were the days before angling changed into what it has now become. There is no specific angling clothing, there are no chairs other than the ubiquitous press-ganged nylon deckchair and the odd picnic stool or seat box. Any trolley here would have been submerged in the lake not parked on the bank.

Oh yes, what were you doing on 17th June 1984?  Colin O’Brien – who had been born in May 1940 and had grown up in ‘The Dwellings’ on the corner of Farringdon Rd and Clerkenwell Road and who began shooting film on a Box Brownie and later went on to shoot the dust jacket for the First Hard-Backed Edition of Bill Naughton’s ‘Alfie’ – has his own record.

I wonder what happened to the people in these shots. ‘The girls would now be in their forties probably with families of their own’. Yes, I wonder who they were and how many of them would have ended up on the production line at R. Whites had it still stood? We are fortunate through these shots to have known them for a brief moment in their lives, preserved in the hours of grace after the season had opened in the year 1984, three days before the summer solstice where even this virgin lake acted as a magnet to everyone despite the warning posters about the water quality put up around the park by the GLC. ‘Everyone was having a good time and there was great excitement when the Ice Cream Van turned up with its chimes ringing out to complete what was almost the perfect South London Day.’

Photographs copyright © Colin O’Brien

Click here to buy a copy of LONDON LIFE by Colin O’Brien for £25

LONDON LIFE is also available in bookshops. Alfie (1st Ed. Hardback) by Bill Naughton with cover photograph by Colin O’Brien is now out of print but you may find it in street markets and second hand bookshops. Burgess Park Lake is now London’s largest Post-War water standing in parkland of 135 acres. The fishing is controlled by Burgess Park Lake Angling Club who regularly catch the carp that were stocked at 3-4lbs when the lake was built but which are now much bigger. Read more at www.thewonderer.co.uk

A Concert To Save Norton Folgate

April 5, 2016
by the gentle author

History will be made on 26th April when The Spitalfields Trust takes the Mayor of London to the High Court for a Judicial Review of his mishandling of British Land‘s application to destroy Norton Folgate in Spitalfields, when he overturned the decision of Tower Hamlets Council to reject this development. There are four grounds for the review and this hearing will be the first time in Boris Johnson‘s eight year tenure that anyone has succeeded in summoning him to a Judicial Review of his behaviour as Mayor.

To raise a fighting fund, The Spitalfields Trust is staging a benefit concert on Monday 18th April 7:30pm at Shoreditch Church, featuring Suggs of Madness and other guests to be announced …

CLICK HERE TO BOOK YOUR TICKETS. Those who are unable to attend can click here to donate directly.

Norton Folgate is an historic neighbourhood that has evolved into a complex web of streets, alleyways, courtyards and warehouses which tell the story of our capital. Developers British Land, backed by the City of London, want to destroy Norton Folgate with wholesale demolition, constructing tall office blocks up to 14 stories with large floor plates – all within a designated Conservation Area. Founded in 1977 to fight the destruction of Spitalfields, the Spitalfields Trust has taken on both British Land and the City of London to stop this wanton destruction, and is offering instead to repair the old buildings in a Conservation-led Scheme. Taking on the big boys with bottomless pockets has cost a small building preservation charity hard, but we need to raise £30,000 to pursue this fight to its successful conclusion through the courts. If we do not succeed, a terrible precedent is set for the future protection of all Conservation Areas throughout the country.

Follow the Campaign at facebook/savenortonfolgate

Follow Spitalfields Trust on twitter @SpitalfieldsT

You may also like to take a look at

A Letter to the Times

An Offer to Buy Norton Folgate

Standing up to the Mayor of London

An New Scheme For Norton Folgate

Joining Hands to Save Norton Folgate

Dan Cruickshank in Norton Folgate

Taking Liberties in Norton Folgate

Inside the Nicholls & Clarke Buildings

Stories of Norton Folgate

Save Norton Folgate

Passmore Edwards’ East End Libraries

April 4, 2016
by the gentle author

At this time of library cuts and the occupation of the Carnegie Library in Lambeth, Dean Evans author of Funding The Ladder – The Passmore Edwards Legacy takes a look at the forgotten benefactor who shaped the culture of the East End through his enlightened philanthropy.

“It is a distinguished privilege, lightening the lot of our fellow East End citizens.” wrote John Passmore Edwards in 1892, in response to a request from Canon Barnett for a contribution towards a free library he was building in Whitechapel.

Canon Samuel Barnett and his wife Henrietta moved to St Jude’s Parish, Whitechapel, in the eighteen seventies when it was an over-crowded area of appalling poverty and poor housing, mostly endured by Jewish immigrants from Eastern Europe. The Barnetts set about to improve the conditions of their parishioners with missionary zeal, believing that “the social problem is at root an educational one” and that Free Libraries were the best means of education. Barnet had recently showed Edwards the half-finished library for which there was a shortfall in funding and was surprised to receive such a quick and welcoming response – since included with Edwards’ agreement to help was a cheque for £6,454 to cover the total construction cost and an offer of one thousand books to populate the shelves.

When the Whitechapel Library was formally opened in October 1892, there were already more than two and a half thousand people making use of the reading room on a daily basis and one thousand on Sundays. It had taken Barnett fourteen years to see his dream materialise of the first rate-supported library in the East End. For Passmore Edwards it was the beginning of a relationship with the East End that was to last until the end of his days and result in more than a dozen public buildings, libraries, hospitals, technical institutes, art galleries, boys clubs and a home for foreign sailors, all freely given to help those less fortunate.

John Passmore Edwards had been born in Blackwater, a small mining village near Truro, Cornwall, in 1823. Educated at the local dame school at a cost of tuppence a week, he had developed an ambition to be useful, an ambition that was to stay with him for all of his eighty-eight years. Asquith said that Edwards had done “more than any single Englishman to help the people to equip and educate themselves for civic and social duty.” Edwards simply said that if he could fund the ladder, the poor would climb.

As a young boy, he helped his father both in the family brewery attached to the cottage in which they lived and also in the market garden that was cultivated around the cottage, tending and picking fruit to be sold in the local markets. Saving up the few pennies he earned, he walked the seven miles into Truro to buy a single second-hand book, reading anything and everything he could lay his hands upon. After sending for leaflets on the work of the Anti-Corn Law League, he was persuaded to help deliver these throughout West Cornwall – to the chagrin of the Mayor of Penzance, a magistrate, who threatened him with prison for sedition. But Passmore Edwards’ zeal was not to be deflected, not then, nor at any time over the next seventy years.

After working briefly as a solicitor’s clerk in Truro, he travelled, first to Manchester as representative of the radical newspaper, The Sentinel, and then to London, arriving in Holborn in 1845. There he learnt a trade as a publisher’s clerk, but earned his living through freelance writing and lecturing, and found time to continue his education at the Mechanics Institute, while becoming actively involved in many of the social and political reform groups of the time. He was a member of the Society for the Abolition of Capital Punishment, The Political and Financial Reform Association, The Society for the Abolition of Tax on Knowledge, The Society for the Suppression of the Opium Trade, The Peace Society, and many more.

In 1850, then twenty-seven years old and with fifty pounds in savings, he launched a small publication of his own, The Public Good, obtaining paper and printing on credit and living and working in a single room in Paternoster Row, where he became editor, publisher, advertising clerk, as well as packing and sending off orders. But with a low cover price in order to be affordable to the working classes, neither this nor subsequent publications were profitable and, after a serious illness, he was declared bankrupt. Yet, though legally cleared of his remaining debts, he determined to pay back what he owed and did so a decade later. By hard work and frugal living, he clawed his way to success – obtaining first The Building News, then The English Mechanic magazine and in 1876, the London Echo.

Now a wealthy and influential man, Edwards turned his thoughts to Parliament and served for a short but disappointing spell as Liberal Member for Salisbury, before finding he could more better satisfy his ambitions outside Westminster. From 1890 to his death in 1911, he funded the construction of seventy-one public buildings. Twenty-one were in his home county of Cornwall, but the majority were to serve the inhabitants of London. His philanthropy was unique in that while his work was spread over diverse areas of social improvement – libraries, education, the arts, hospitals, convalescent homes, orphans and the disabled – he maintained a long-term relationship with all the organisations and institutions that he helped.

His gift of the Whitechapel Library in 1892 was followed in 1893 by the Haggerston Branch Library, a Cottage Hospital in Willesdon, a Lecture Hall for the new South London Art Gallery, and a hundred acre farm at Chalfont St Peters as the base for what was to become the National Society for Epilepsy. 1894 saw the opening of a Convalescent Home at Pegwell Bay, the following year a new wing at the West Ham Hospital, a Cottage Hospital at Wood Green, and the creation of a Printers’ Library at St Bride’s – while in 1896, the Diamond Jubilee of Queen Victoria, no less than ten opening ceremonies took place.

After laying the foundation stone at the Pitsfield St Library, Shoreditch, he went on to open an extension to the Haggerston Library and after opening the Shepherds Bush Library he walked to Hamersmith Broadway to unveil a drinking fountain, dedicated to the memory of his brother Richard who had been a vestryman there. Remaining a successful newspaper owner and publisher, he was as economical with his time as he was with his money, combining the laying of the foundation stones of the Limehouse Library and the Roman Road Library in a single day, and later similarly opening them on the same day. In 1895, he travelled down to Cornwall to lay foundation stones or open five of his buildings in a single week, only to return to London on the Friday, to open another library.

His wife, Eleanor, was also closely involved with his philanthropic work, helping to raise funds as a member of the Ladies’ Guild of the Charing Cross Hospital and arranging the furnishings for the Falmouth Cottage Hospital and the Perranporth Convalescent Home among others. She organised outings to Epping Forrest for children from the East End. Two hundred at a time would be taken there by train and treated to a tea and organised games, all funded by The Echo.

It was the gift of the Perranporth Convalescent Home that persuaded the Truro City Council to grant Edwards the Honorary Freedom of the Borough, which was followed by the Freedom of the Boroughs of Falmouth and Liskeard. In London he was equally honoured, by the Boroughs of both East and West Ham, yet he refused a Knighthood offered by both Queen Victoria and later, King Edwards VII, preferring, he said, to remain as he was.

Over the years the perceived need for convalescent homes has diminished, hospitals have become larger, orphanages have closed, and many of the Passmore Edwards buildings are no longer used for the original purpose. It was a German bomb that destroyed the St George-in-the-East Library, but the Limehouse Library has been left empty and decaying ever since it shut in 2004. Many others of his buildings have been fortunate to acquire other uses. The Whitechapel Library is now a splendidly restored annexe to the Whitechapel Art Gallery. The Borough Rd Library, the West Ham Museum, and the Camberwell School of Arts are all now used by London universities. The Haggerston Library, Canning Town Boys Club and Sailors Palace at Limehouse, built for the British and Foreign Sailors’ Society, are converted into housing. Of the London hospitals, only the Willesdon and East Ham buildings remain in use and of the London Libraries, only those at Plaistow, Nunhead, Dulwich and Acton remain open. With the current threat to library provision, the future of even these must be uncertain.

In 1850, Edwards campaigned with William Ewart for the Free Libraries Act but the progress with provision of libraries, even in London, was slow mainly due to resistance of the ratepayers – at the time only the more wealthy and better educated – to paying a penny rate to support them. Yet by then Edwards’ belief in the need for libraries was widely evident from his name over so many doors and upon foundation stones across London, and his offer of one thousand books to any new library opening in London.

Bernard Kops, East End poet and playwright, famously wrote of the Whitechapel Library that “the door of the library, was the door into me.” The name over that door was Passmore Edwards.

Plashet Library

Haggerston Library

Bow Library

Limehouse Library

Stratford Museum

Sailors’ Palace, East India Dock Rd

Plaistow Library

Hoxton Library

John Passmore Edwards (1823-1911)

FUNDING THE LADDER – The Passmore Edwards Legacy by Dean Evans can be ordered direct from the publisher Francis Boutle and copies are on sale in bookshops including Brick Lane Bookshop, Broadway Books, Newham Bookshop, Stoke Newington Bookshop and London Review Bookshop.

Malcolm Tremain’s Spitalfields, Then & Now

April 3, 2016
by the gentle author

Yesterday I took a walk with my camera in the footsteps of Malcolm Tremain to visit the locations of his photographs from the early eighties and discover what changes time has wrought …

Passage from Allen Gardens to Brick Lane

Spital Sq, entrance to former Central Foundation School now Galvin Restaurant

In Spital Sq

In Brune St

In Toynbee St

Corner of Grey Eagle St & Quaker St

In Quaker St

Steps of Brick Lane Mosque

In Puma Court

Corner of Wilkes St & Princelet St

In Wilkes St

Jewish Soup Kitchen in Brune St

Outside the former night shelter in Crispin St, now student housing for LSE

In Crispin St

In Bell Lane

In Parliament Court

In Artillery Passage

In Artillery Passage

In Middlesex St

In Bishopsgate

In Wentworth St

In Fort St

In Allen Gardens

At Pedley St Bridge

Black & white photographs copyright © Malcolm Tremain

You may also like to take a look at

Andrew Scott’s East End, Then & Now

Dan Cruickshank’s Spitalfields, Then & Now

Val Perrin’s Brick Lane, Then & Now

Philip Marriage’s Spitalfields, Then & Now

C A Mathew’s Spitalfields, Then & Now

Malcolm Tremain’s City & East End

April 2, 2016
by the gentle author

Complementing Malcolm Tremain’s photography of Spitalfields in the early eighties, here are his pictures of the City of London and other locations around the East End, published  for the first time

George the newspaper seller at Tower Hill

Inside the cafeteria at Old Broad St Station

Facade of Old Broad St during demolition

On Old Broad St Station

In Sun St Alley

In Cloth Fair

In Cloth Fair

Supports from World War II standing in an alley off Cloth Fair

Alley near Copthall Avenue

Nat West Tower seen from Bishopsgate

Castle Snack Bar, City of London, at Christmas

Kossoff Bakery at the rear of Liverpool St Station

Coleman St Ward School

In Bishopsgate

Looking through an alley from Durward St to Whitechapel Market

Looking through from Whitechapel Market to Durward St

In Durward St, Whitechapel

In Durward St, Whitechapel

Fordham St, Whitechapel

Off Mile End Rd

Off Mile End Rd

Off Mile End Rd

Off Mile End Rd

Regent’s Canal, Bow

Regent’s Canal, off Mile End Rd

Regent’s Canal, Ben Jonson Rd

Regent’s Canal, Bow

Photographs copyright © Malcolm Tremain

You may also like to take a look at

Malcolm Tremain’s Spitalfields

A Little Journey With Viscountess Boudica

April 1, 2016
by the gentle author

Upon the annual celebration of misrule, I present this portrait of Viscountess Boudica by Henjo TV

[vimeo 117306193 nolink]

Be sure to follow Viscountess Boudica’s blog There’s More To Life Than Heaven & Earth

Take a look at

Viscountess Boudica’s Domestic Appliances

Viscountess Boudica’s Blog

Viscountess Boudica’s Album

Viscountess Boudica’s Halloween

Viscountess Boudica’s Christmas

Viscountess Boudica’s Valentine’s Day

Read my original profile of Mark Petty, Trendsetter

and take a look at Mark Petty’s Multicoloured Coats

Mark Petty’s New Outfits

Mark Petty returns to Brick Lane