The Return Of The Gentle Author’s Blog Course
In 2019, I announced that I was ending my popular HOW TO WRITE A BLOG THAT PEOPLE WILL WANT TO READ courses, but now the world has changed so utterly I have decided to continue.
Drop me a line at spitalfieldslife@gmail.com to book.
HOW TO WRITE A BLOG THAT PEOPLE WILL WANT TO READ – 6th & 7th NOVEMBER
Spend a weekend with me in an eighteenth century weaver’s house in Fournier St, enjoy delicious lunches, savour freshly baked cakes from historic recipes, discover the secrets of Spitalfields Life and learn how to write your own blog.
This course will examine the essential questions which need to be addressed if you wish to write a blog that people will want to read.
“Like those writers in fourteenth century Florence who discovered the sonnet but did not quite know what to do with it, we are presented with the new literary medium of the blog – which has quickly become omnipresent, with many millions writing online. For my own part, I respect this nascent literary form by seeking to explore its own unique qualities and potential.” – The Gentle Author
COURSE STRUCTURE
1. How to find a voice – When you write, who are you writing to and what is your relationship with the reader?
2. How to find a subject – Why is it necessary to write and what do you have to tell?
3. How to find the form – What is the ideal manifestation of your material and how can a good structure give you momentum?
4. The relationship of pictures and words – Which comes first, the pictures or the words? Creating a dynamic relationship between your text and images.
5. How to write a pen portrait – Drawing on The Gentle Author’s experience, different strategies in transforming a conversation into an effective written evocation of a personality.
6. What a blog can do – A consideration of how telling stories on the internet can affect the temporal world.
SALIENT DETAILS
The course will be held at 5 Fournier St, Spitalfields on 6th & 7th November. The course runs from 10am-5pm on Saturday and 11am-5pm on Sunday.
Lunch will be catered by Leila’s Cafe of Arnold Circus and tea, coffee & cakes baked from eighteenth century recipes by the Townhouse are included within the course fee of £300.
Email spitalfieldslife@gmail.com to book a place on the course.

Comments by students from courses tutored by The Gentle Author
“I highly recommend this creative, challenging and most inspiring course. The Gentle Author gave me the confidence to find my voice and just go for it!”
“Do join The Gentle Author on this Blogging Course in Spitalfields. It’s as much about learning/ appreciating Storytelling as Blogging. About developing how to write or talk to your readers in your own unique way. It’s also an opportunity to “test” your ideas in an encouraging and inspirational environment. Go and enjoy – I’d happily do it all again!”
“The Gentle Author’s writing course strikes the right balance between addressing the creative act of blogging and the practical tips needed to turn a concept into reality. During the course the participants are encouraged to share and develop their ideas in a safe yet stimulating environment. A great course for those who need that final (gentle) push!”
“I haven’t enjoyed a weekend so much for a long time. The disparate participants with different experiences and aspirations rapidly became a coherent group under The Gentle Author’s direction in a gorgeous house in Spitalfields. There was lots of encouragement, constructive criticism, laughter and very good lunches. With not a computer in sight, I found it really enjoyable to draft pieces of written work using pen and paper. Having gone with a very vague idea about what I might do I came away with a clear plan which I think will be achievable and worthwhile.”
“The Gentle Author is a master blogger and, happily for us, prepared to pass on skills. This “How to write a blog” course goes well beyond offering information about how to start blogging – it helps you to see the world in a different light, and inspires you to blog about it. You won’t find a better way to spend your time or money if you’re considering starting a blog.”
“I gladly traveled from the States to Spitalfields for the How to Write a Blog Course. The unique setting and quality of the Gentle Author’s own writing persuaded me and I was not disappointed. The weekend provided ample inspiration, like-minded fellowship, and practical steps to immediately launch a blog that one could be proud of. I’m so thankful to have attended.”
“I took part in The Gentle Author’s blogging course for a variety of reasons: I’ve followed Spitalfields Life for a long time now, and find it one of the most engaging blogs that I know; I also wanted to develop my own personal blog in a way that people will actually read, and that genuinely represents my own voice. The course was wonderful. Challenging, certainly, but I came away with new confidence that I can write in an engaging way, and to a self-imposed schedule. The setting in Fournier St was both lovely and sympathetic to the purpose of the course. A further unexpected pleasure was the variety of other bloggers who attended: each one had a very personal take on where they wanted their blogs to go, and brought with them an amazing range and depth of personal experience. “
“I found this bloggers course was a true revelation as it helped me find my own voice and gave me the courage to express my thoughts without restriction. As a result I launched my professional blog and improved my photography blog. I would highly recommend it.”
“An excellent and enjoyable weekend: informative, encouraging and challenging. The Gentle Author was generous throughout in sharing knowledge, ideas and experience and sensitively ensured we each felt equipped to start out. Thanks again for the weekend. I keep quoting you to myself.”
“My immediate impression was that I wasn’t going to feel intimidated – always a good sign on these occasions. The Gentle Author worked hard to help us to find our true voice, and the contributions from other students were useful too. Importantly, it didn’t feel like a ‘workshop’ and I left looking forward to writing my blog.”
“The Spitafields writing course was a wonderful experience all round. A truly creative teacher as informed and interesting as the blogs would suggest. An added bonus was the eclectic mix of eager students from all walks of life willing to share their passion and life stories. Bloomin’ marvellous grub too boot.”
“An entertaining and creative approach that reduces fears and expands thought”
“The weekend I spent taking your course in Spitalfields was a springboard one for me. I had identified writing a blog as something I could probably do – but actually doing it was something different! Your teaching methods were fascinating, and I learnt a lot about myself as well as gaining very constructive advice on how to write a blog. I lucked into a group of extremely interesting people in our workshop, and to be cocooned in the beautiful old Spitalfields house for a whole weekend, and plied with delicious food at lunchtime made for a weekend as enjoyable as it was satisfying. Your course made the difference between thinking about writing a blog, and actually writing it.”
“After blogging for three years, I attended The Gentle Author’s Blogging Course. What changed was my focus on specific topics, more pictures, more frequency, more fun. In the summer I wrote more than forty blogs, almost daily from my Tuscan villa on village life and I had brilliant feedback from my readers. And it was a fantastic weekend with a bunch of great people and yummy food.”
“An inspirational weekend, digging deep with lots of laughter and emotion, alongside practical insights and learning from across the group – and of course overall a delightfully gentle weekend.”
“The course was great fun and very informative, digging into the nuts and bolts of writing a blog. There was an encouraging and nurturing atmosphere that made me think that I too could learn to write a blog that people might want to read. – There’s a blurb, but of course what I really want to say is that my blog changed my life, without sounding like an idiot. The people that I met in the course were all interesting people, including yourself. So thanks for everything.”
“This is a very person-centred course. By the end of the weekend, everyone had developed their own ideas through a mix of exercises, conversation and one-to-one feedback. The beautiful Hugenot house and high-calibre food contributed to what was an inspiring and memorable weekend.”
“It was very intimate writing course that was based on the skills of writing. The Gentle Author was a superb teacher.”
“It was a surprising course that challenged and provoked the group in a beautiful supportive intimate way and I am so thankful for coming on it.”
“I did not enrol on the course because I had a blog in mind, but because I had bought TGA’s book, “Spitalfields Life”, very much admired the writing style and wanted to find out more and improve my own writing style. By the end of the course, I had a blog in mind, which was an unexpected bonus.”
“This course was what inspired me to dare to blog. Two years on, and blogging has changed the way I look at London.”
A Brief History Of Change
Contributing Writer, historian Gillian Tindall, has written many books about London, including ‘The Fields Beneath’ which first appeared in 1977 and is regarded as a classic of urban writing.

Clerkenwell before the railway came through
Every generation believes they are perched on the frontier of time, leaving the safety of known things for an uncharted future. ‘The good days’ or even ‘the bad old days’ are reassuring to contemplate because we know how things turned out. There is also a broad assumption that, apart from times of war or plague, life continued much the same for centuries, with no modern conveniences and with everyone knowing their allotted place in society.
Yet this notion of the past is as deceptively simple as a distant view of green hills. Examined more closely, past centuries are a saga of continual evolution – only the speed of it varies.
Older people get used to younger people saying ‘You must have seen a lot of changes round here?’ or guessing what Londoners felt/behaved/thought/assumed/took for granted in the distant and quaint decades of the forties or fifties, before pop-stars or skyscrapers or the internet, when money was measured out as four-and-ninepence or half-a-crown. I observe them politely disbelieving me when I try to tell them that – actually – the changes that those of my age have seen in our lifetimes are minor compared with the constant, rolling transformation experienced by someone living in London one hundred years earlier.
Imagine you were born in 1838, the first year of Queen Victoria’s reign. This was also the year in which the first railway in London, all three-and-three-quarter miles of it, began running on a new viaduct from the future London Bridge Station towards Greenwich. England was still a land of roads, gravelled or muddy, of horseback riders, of coaches, coaching inns and stabling, and the huge numbers of people this trade employed.
In London there was no public transport beyond a few recently invented horse buses. From anywhere in the capital you could walk into the countryside within an hour or less. Whitechapel and Bethnal Green were getting built up, but Stepney and Bow were still rural. Camden Town had rows of terraced houses though Kentish Town, half a mile to the north, was a country high road sprinkled with cottages and pubs, and fields behind on both sides. Hampstead was a distant separate village. Kensington High St was beginning to be well-populated, but Chelsea and Earls Court were market gardens and pastures. So was all the land north of Paddington station. As for South London, beyond Southwark and a bit of ribbon development along main roads, it did not exist.
Yet before you had even reached middle age this green and pleasant land would be transformed, like a dystopian nightmare, into sooty, fog-darkened, heavily-populated inner city. Grazing cows and timbered taverns with tree-shaded yards became a faded memory. Many of these, rebuilt in urban style, retained their country names, but the cows were moved into sheds behind narrow terrace houses. Instead, milk was arriving on overnight trains at one of London’s half-dozen main railway stations. Meanwhile the occupants of the terraces, mile after mile of them expanding London’s population several times over, were less likely to walk to work than to take the Metropolitan Line which opened in 1864 or the District Line that proliferated from it. Horse buses were everywhere now and, after 1860, they were joined by trams, horse-drawn still but on rails. These in turn were replaced around 1900 by electric trams and the deep Underground was constructed. Even then our Londoner born in 1838 would only be in their early sixties.
Enough change for one lifetime, you might think? Far more was to come. By the eighteen-nineties entirely new ‘horseless carriages’ were seen in the streets, as the petrol-driven internal combustion engine arrived. Twenty years later, when our ageing Londoner reached the end of their life, the horse buses were only a memory, stables were disappearing and streets were dominated by cars.
All this is just building and transport! What else had come and gone in the preceding eighty years? The rapid postal service, following the expansion of the railways, had transformed communications, and from the middle of the century telegrams became a reality. By the early nineteen-hundreds grand houses and the larger City offices all had a telephone. It was a far cry from the centuries-old culture of the messenger on horseback. Typewriters, accompanied by lady typists, had appeared in offices by then. They were not only early signs of what became a feminist revolution, they resigned to history a five-hundred-year-old tradition of clerks writing by hand.
By 1909, clerks could collect a tiny Old Age Pension. Massive social progress had taken place since Victoria came to the throne. The poor were no longer left to live or die – soup kitchens, dispensaries, free hospitals and a mass of other charities abounded. So did cheap newspapers and universal literacy. Rather than sending your children out to become sweep chimneys or beg, you were obliged to send them to one of the free schools that had been built in every district of London. There were a great many policeman, and it was generally agreed that the so-called ‘Heart of the Empire’ – by now the world’s largest city – was far more orderly than in the bad old days that few could remember any more. It was populated by huge numbers of Londoner in suits and bowler hats whose immediate forebears had been farm labourers or servants but had climbed the ladder to become middle class. Let no one kid themselves that ‘social mobility’ is a recent invention.
How do we assess change from 1938 to the present day by comparison? I leave readers to write that chapter themselves. What is clear is that less and less, in recent decades, have we believed change, growth, development, expansion are necessarily good things. Now there is wariness, a fear of London’s fragile financial supremacy, a growing unease in recognising this planet’s resources are finite and a sense that in past ways of life may lie the solutions we seek in vain today.
Have I seen big change in London since my post-war childhood, you ask? No, I have not. Elsewhere, yes, countrywide and worldwide, but in the capital – in relation to the rapid change of the past – not that much, all told. But I do ask myself and wonder, for how much longer?

London Bridge

In Westminster

Bridgefoot, Southwark

Butcher’s Row, Strand

Waterloo Bridge Rd

River Fleet at St Pancras
Illustrations from Walter Thornbury’s London Old & New courtesy Bishopsgate Institute
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100 Years In The East End
Photographer Jenny Lewis has taken a hundred portraits of people in the East End aged between zero and one hundred. Below I have published a selection of favourites and you can find them all in her book One Hundred Years.
“It’s clear to me now, from the people I’ve met while making ‘One Hundred Years,’ that every sorrow we endure helps us live a little deeper, love a little stronger, experience the world with a few more hues. Human interaction has an energy. It recharges the batteries in a way nothing else can. Working on this series has changed how I want to engage with the world, and the people in it.”
Jenny Lewis

Herb
0 years old

Rory
2 years old
‘Have it, eat it, apple.’

Blanche
8 years old
‘I have a black eye because I was playing sword fighting with a cardboard tube. It’s my fourth black eye. The only thing that would scare me is if a sabre-toothed tiger came up to me. I do get worried sometimes. I get loads of thoughts, at night-time mostly. When one comes, then another one comes, then another one comes. I write things that worry me down. It doesn’t look as scary then.’

Nia
15 years old
‘I push myself and I push myself, like I do with everything. I don’t like losing. I always want to be first and be at the front. I’m always going to try my hardest to win. That’s my motto, I just want to win. I did one of my raps about racism in front of the whole school. If I was rubbish at rapping it would be different, but I know I’m good.’

Alex
23 years old
‘When you’ve been told at a young age that you mean nothing, you don’t matter, you’re not focused, then you act like it. Now I work with kids. I’m very careful not to use any harsh or negative adjectives towards them, because it sticks, and I would rather help them find who they really are than plant a negative seed in their brain.’

Josh
25 years old
‘I talk very slowly. I go over everything I’m going to say in my head, like a script, checking it’s safe. I’ve always thought that’s just the way I am, but recently I discovered it’s a common trait among survivors of childhood abuse. Everyone is shaped by their experiences, whether it’s trauma or privilege. We all have a choice about how we respond to whatever happened to us.’

Sam
30 years old
‘My generation is probably the last that grew up without social media and I think we were very lucky to just be ourselves. I understand the compulsion, but it’s just not for me. I don’t have social media or seek that trigger. I’d like to think I don’t seek other people’s approval, which is not to say I don’t want to be liked, but I have no interest in taking pictures of myself having a good time.’

Martha
34 years old
‘This stage of life has surprised me. I thought I’d be the perfect mum. I thought I could give and give and give. But then I turned around and realised I was totally depleted. You think you’re throwing love at someone, behaving with the best intentions, but what your children actually need is to see you taking care of yourself; saying no sometimes. I can tell them whatever I tell them, but what they’re going to learn is what they see me doing.’

King
38 years old
‘I was arrested for doing a graffiti mission the day before my wedding – I made it out a few hours before the ceremony – but when my first child was born, that was it. I promised my wife I was done. There are four kids now looking up to me. It’s what I signed up for. They need me and I’m hungry for it. Can you imagine the amount of times I hear “Daddy” each day? This is my life and I love it.’

Anka
42 years old
‘I had anorexia, bulimia and everything in between. To me, it felt like an addiction, like being an alcoholic. It’s a distraction from life. I don’t see my traumas as doom and gloom, but as positive things – they are my chapters, you know? My family is my close group of friends, and my partner. We’re solid: both very independent, free souls, but together. I always call it “together alone” – and that’s where I’m most comfortable.’

Wilfrid
50 years old
‘I feel a little bit sheepishly luxurious in my life, compared to people who have to go to work every day and do what they don’t want to do.’

Len
56 years old
‘At 18, it was key for me to have someone older in my life to guide me. I was so happy and proud to work for Joe. Everyone just loved the man. We could trust each other, he was 100% my mentor. We worked together for 25 years until he got really sick from cancer. He deteriorated so quickly. I bought the workshop and changed everything over to my name. He was more a father to me than my actual father, the connection was very powerful. Knowing how important it is to have a mentor I’ve carried on that tradition. You can see the effect on kids when their father isn’t there that much. You have to listen so they can talk. You hold their hand until they let go and then you see them fly.’

Saskia
57 years old
‘The older I’ve got, the more I enjoy acting. I thought that after I’d had my family I might have softened and let go a bit, but actually I’m more fiercely passionate.’

Rob
59 years old
‘You need an incredible doggedness to be an artist. I was always fairly positive that I’d make my living out of my art, but it took a while to happen – it wasn’t till I was about 40 that it kicked off. Even when I started to have success my dad was still saying, “Why don’t you become a picture framer on the side to make a bit of cash?” There’s a part of me that wants to keep going and create more and more, but there’s also a side that thinks maybe I can relax a bit now, and not be pushing myself so hard all the time. Having said that, there are still stories I want to tell, there are still things I want to do.’

Kimberley
62 years old
‘A friend of mine brought their niece and nephew round. He was like, “I told them we were going to a museum.” I didn’t know if it was a compliment or not. They couldn’t stop talking about it to their parents. “Do we pay you?” They really thought it was a sort of gallery that I only opened to special people, you know. He brought her back a while ago as she’d asked to come back to the museum. It’s quite sweet.’

Geoff
63 years old
‘My parents were really strict, and yet they let me have 14 arcade machines in my tiny bedroom. I was a pinball hustler. First time I played, it was literally love at first sight. It was like a religion to me. The machines seemed alive, with personalities. I’d practise for eight hours a day. My parents were a little worried about me. I’ve got about 190 pinball machines now. I chat to them in my workshop.’

Elaine
69 years old
‘I’ve never lived on my own. I’m finding it fun. The only time I find it really scary is alone in bed at night. That accentuates the fact that there is no partner in my life anymore. And I’m beginning to realise that might be permanent. That’s the biggest sadness, but there’s fuck all I can do about it. I miss sex. Christ yes! And that to me is bizarre, because for me a whole life includes that. And yet somehow I can’t have it, I’m not allowed it. It’s horrible not being fancied. And I know that is such an unfeminist thing to say. But I would really like to be fancied.’

Sherlock
80 years old
‘I always wore my own clothes that I made. When I arrived here in my twenties, I had a jacket like Liberace with black and silver thread in it. I had a checked shirt, black trousers with white stitching down the sides, moccasins that were off-white, and lime green socks. One said “rock”, one said “roll”. When I see my boys in football shirts and tracksuit bottoms made of the nastiest fabric, I think to myself, they should be arrested walking around in those clothes. I wear better things to clean my car… when I had a car.’

John
83 years old
‘Before the war, virtually every garden had pigeons. People didn’t have radios – they didn’t have much at all – so many men, young and old, kept pigeons. They may also have used them for eating purposes. Even today, someone will stop and say to me, “Are you selling them? Can I eat them?” I still race them but, like me, they’re too old really. I’ve raced three times this year, but they came last each time. That’s never worried me. I’ve had some good times with them.’

Alec
99 years old
‘I don’t feel any different to when I was 30 or 40. Or 20, to be honest. When my daughter was round a few years ago, I was using a pickaxe in the garden and she started taking photos. I couldn’t understand why. She said, “Dad, not many people use a pickaxe when they are 95.”’
Photographs copyright © Jenny Lewis
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So Long, Kitty Jennings
Kitty Jennings died at the fine age of ninety-six years old, last Monday 10th May 2021
Kitty, Amelia (Doll Doll), Jimmy, Gracie & Patricia Jennings, Gifford St, Hoxton c.1930
One Sunday afternoon, I walked over to Columbia Rd Market to get a bunch of flowers for Kathleen – widely known as Kitty – Jennings, who had lived in Hoxton since she was born there in 1924. I found Kitty in a neat block of private flats near the canal which for many years she shared with her beloved sister Doll Doll, whose ashes occupied pride of place in a corner of the sitting room.
Once Barbara Jezewska, who grew up in Spitalfields and was Kitty’s neighbour in this building for seventeen years, had made the introductions, we settled down in the afternoon sun to enjoy biegels with salmon and cream cheese while Kitty regaled us with her memories of old Hoxton.
“Thank God we were lucky, we had a father who had a good job, so we always had a good table. There was not a lot of work when I was a kid, but we always got by. We were lucky that we always had good clothes and never got knocked about.
My father, Jim, he was a Fish Porter at Billingsgate Market and he had to work seven days. He was born in the Vinegar Grounds in Hoxton, where they only had one shared tap in the garden for all the cottages, and he was a friendly man who would help anyone. He left for work at four in the morning each day and came back in the early afternoon. We lived on fish. I’m a fish-mullah, I like plaice, jellied eels, Dover sole and middle skate. My poor old mum used to fry fish night and day, she was always at the gas stove.
I was born in Gifford St, Hoxton. There were five of us, four girls and one boy, and we lived in a little three bedroom house. My mother Grace, her life was cooking, washing and housework. She didn’t know anything else.
When my sister Amelia was born, she was so small they laid her in a drawer and we called her ‘Doll Doll.’ They put her in the Queen Elizabeth Children’s Hospital when she had rheumatic fever and she didn’t go to school because of that. She was happy-go-lucky, she was my Doll Doll.
One day, when she was at school, there was an air raid and all the children hid under the tables. They saw a man’s legs walk in and Doll Doll cried out, ‘That’s my dad!’ and her friend asked, ‘How do you recognise him?’ and Doll Doll said, ‘Because he has such shiny shoes.’ He took Doll Doll and said to the teacher, ‘My daughter’s not coming to school any more.’
I was dressmaking from when I left school at fourteen. My first job was at C&A in Shepherdess Walk but I didn’t like it, so I told my mum and left. I left school at Easter and the war came in August. After that, I didn’t go to work at all for five years. Then I went to work in Bishopsgate sewing soldiers’ trousers, I didn’t like that much either so I stayed at home.
Doll Doll and I, we used to love going to Hoxton Hall for concerts every Saturday. It cost threepence a ticket and there was a man called Harry Walker who’d sling you out if you didn’t behave. Afterwards, we’d go to a stall outside run by my uncle and he’d give us sixpence, and we’d go and buy pie and mash and go home afterwards – and that was our Saturday night. We used to go there in the week too and do gym and see plays.
On Friday nights, we’d go to the mission at Coster’s Hall and they’d give you a jug of cocoa and a biscuit, and the next week you’d get a jug of soup. It didn’t cost anything. We used to go there when we were hungry. In the school holidays, we went down to Tower Hill Beach and we’d cut through the market and see my dad, and he’d give us a few bob to buy ice cream.
Me and Doll Doll, we stayed at home with my mum and dad. The other three got married but I didn’t want to. I couldn’t find anybody that I liked, so I stayed at home with mummy and daddy, and I was quite happy with them. When they got old we cared for them at home, without any extra help, until they died. We had understanding guvnors and, Doll Doll and I took alternate weeks off work to care for them.
Doll Doll and I moved into these private flats more than thirty years ago. In those days, it was only women and once, when my neighbour thought her boiler was going to explode, we called the fire brigade. Doll Doll leaned over the balcony and called, ‘Coo-ee, young man! Up here!’
We never went outside Hoxton much when we were young, but – when we grew up – Doll Doll and I went to Florida and Las Vegas. I finally settled down and I didn’t wander no more.”
Doll Doll, Kitty and their mother Grace
Kitty in her flat in Hoxton
Kitty places fresh flowers next to Doll Doll’s ashes each week
Kitty at a holiday chalet in Guernsey, 1960
Kitty Jennings with her friend and neighbour of sixteen years, Barbara Jezewska
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Remembering AS Jasper’s ‘A Hoxton Childhood’
The Death Of The Whitechapel Bell Foundry
A story that began more than five centuries ago in Whitechapel ends today with the announcement of the Secretary of State’s decision to give the go ahead for the bell-themed boutique hotel, destroying the possibility of the Whitechapel Bell Foundry ever having any future as a fully working foundry.










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Hope for The Whitechapel Bell Foundry
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Save the Whitechapel Bell Foundry
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Peta Bridle’s Riverside Sketchbook
Peta Bridle sent me this latest series of her drawings.
“I made these sketches this spring. My drawings were all made on the spot and I was grateful for the bright dry weather which granted me excellent drawing conditions. I use Quink and a Chinese calligraphy brush which has a beautiful quality of line. You can create either the slightest hairline or a full heavy stroke of ink simply by altering the pressure a little. I was only able to make visits to London when my work rota allowed because I am a home carer. It has been drawing which got me through the lockdown.” Peta Bridle

Dr Salter’s Daydream, Bermondsey
This statue of a cat crouches on the river wall in Bermondsey. It is one of a collection of four statues to commemorate Dr Alfred Salter (1873-1945), his wife Ada and their only child Joyce, made by artist Diane Gorvin. Dr. Salter was a doctor, campaigner and Labour politician who lived and worked locally. In the Victorian era, the Salter family dedicated themselves to tackling poverty in Bermondsey and Alfred set up a medical practice to treat its poorest residents. His daughter Joyce died of Scarlet Fever when she was only eight years old. The statue of Dr Salter sits on a bench remembering his family in happier times. As I sketched the family cat, Dr. Salter and Ada looked on in silence whilst little Joyce leant against the wall, smiling to herself.

Boat Nails, Roof Tile, Oyster Shell, Cumberland Wharf, Rotherhithe
Cumberland Wharf has a sandy beach that you can reach by some stone steps. Along with an abundance of rusty nails, I found an oyster shell and a red roof tile. The nails were evidence of a barge building and boat repair workshop that once operated here. Charles Hay & Sons was established in 1789 and the premises backed directly onto the beach.

Houseboat, Cumberland Wharf, Rotherhithe
This sits on the bank at Cumberland Wharf. It is a quiet spot to draw in, the only distraction being the occasional police boat or clipper traversing the river. A walker brought their dog onto the beach whilst a mudlark searched the shore, looking for finds.

Monument, St Mary’s Churchyard, Rotherhithe
A park bench offered a convenient place to sit and draw this leaning monument with its faded inscription to Reverend Edward Blick, put there in affection by his parishioners. The churchyard was bright with spring flowers and I could hear the voices of children playing in the nursery beyond. St. Mary’s stands close to the Thames on a narrow cobbled street, close by the Mayflower Pub where Captain Christopher Jones moored the Mayflower on his way to North America in 1620.

Phoenix Wharf, Wapping
Phoenix Wharf is an Victorian warehouse backing directly on to the Thames. Unlike the other warehouses that line Wapping High St, it appears undeveloped as yet.

The York Watergate, Victoria Embankment Gardens
This was built in 1626 in the grounds of York House for the Duke of Buckingham to access the river. When the Embankment was constructed in the nineteenth century and the land reclaimed, the watergate became stranded and was left in situ. When I made this sketch the gardens were busy with people enjoying the spring sunshine and there was the drone of a lawnmower circling behind me.

Sphinx by George John Vulliamy, Victoria Embankment
This bronze sphinx is one of pair on either side of Cleopatra’s Needle, an Egyptian obelisk from 18th Dynasty, Pharaoh Thutmose III, presented to Britain in 1819. Tourists like to stop and have their photo taken next to the sphinx and many did while I was drawing there.

Herb Garden, Surrey Docks Farm, Rotherhithe
I sat in the corner of the herb garden, looking towards Canary Wharf over the river. From behind me came the gentle tap of metal from the blacksmith’s forge. In front, the high tide pounded the river wall, sending water slapping up onto the path. I used to visit Surrey Docks with my eldest daughter when she was small. Where the farm stands today was once part of a shipyard. Then it became a Victorian timber wharf. From 1883, it was used as a river ambulance receiving station from where smallpox and fever patients were transferred by boat to isolation hospitals further down the Thames Estuary.

Merchant Vessel Royal Iris with Tate & Lyle Plant
The MV Royal Iris once ferried passengers across the River Mersey in Liverpool and was the ship that inspired Gerry & the Pacemakers to write ‘Ferry ‘Cross The Mersey.’ It became a floating dance floor where bands performed, but pigeons have now replaced the partygoers from the past and the boat is a partially sunk wreck moored at Trinity Wharf.

Trinity Buoy Wharf Lighthouse
I sat across from the car park to draw London’s only lighthouse. It was built in 1864 to experiment lighting equipment for Trinity House lighthouses, lightships and buoys. The Chain and Buoy Store sits behind where iron mooring chains were once kept.

The Hope & Anchor, Charlton
I sat in the beer garden of the pub to sketch one of the anchors leaning against the railings. In the distance, the cable car spans the water from Greenwich Peninsula to the Royal Docks. The pub itself is painted black with a little round tower one end and faces directly onto the Thames.

Lola Rose, Broadness Creek, Kent
There are ramshackle buildings on stilts, reached via rickety walkways crossing the water, and the boatyard is very picturesque. I sat hidden among the reeds to sketch this little boat, the Lola Rose.

Double page of Broadness Creek, Swanscombe Marsh, Kent
Broadness Creek is a tidal inlet on the edge of Swanscombe Marshes. It is home to a small boating community and I spent a few indulgent days making sketches here. A line of electric pylons cross the marsh and reach beyond. A Dutch barge is moored in the distance. From where I sat, I could hear birdsong from the marsh – including a cuckoo – gulls wheeling overhead, wind catching the rigging of the boats and, out on the Thames, the throb of a ship’s engine as it slid past. In the distance, a procession of vehicles crossed the Dartford Crossing, linking Kent and Essex. The marshes have been designated a Site of Special Scientific Interest due to its wetland, saltmarsh and varied wildlife habitats. Swanscombe Marsh is a magical place.
Drawings copyright © Peta Bridle
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At Wellington Buildings In Bow

No doubt you have seen them out of the corner of your eye, looming over Bow Rd tube station. Wellington Buildings, Cuthbert Arthur Bereton’s dignified Victorian housing blocks rise up like fairytale castles when you peer up at them from the railway platforms below.
They were constructed around 1900 by Brereton when he was Engineer to the Whitechapel & Bow Railway, for people displaced by the building of the underground railway line and Bow Rd station, which opened in 1902. Wellington Buildings serve as an attractive landmark within the vernacular urban landscape in Bow and are an important example of the social and industrial change which took place here over century ago, especially the impact of the expansion of the railways.
When the Whitechapel & Bow Railway Act was passed in April 1897, it gave the Metropolitan District Railway Company power of compulsory purchase and demolition of a third of the houses in Mornington Rd nearby. Consequently, they were obligated to rehouse those displaced and Wellington Buildings was the result, tucked in at the north end of Wellington Way beside the station.
Comprising two tall blocks of tenements of yellow London stock bricks, the buildings are embellished with glazed Doulton bricks at ground level, and red bricks at corners and in the window surrounds – and a little discreet lattice work in the manner of William Butterfield’s ecclesiastical and collegiate architecture, high upon the wall, just to give them distinction. Brereton also contrived projecting bays for staircases that were originally open to the elements under pointed gables, and a low range on the south side of the courtyard served as a laundry and bathhouse. He came from a family of generations of heroic civil engineers and architects, but is chiefly remembered today for the elegant austerity of his design for Kew Bridge.
Wellington Buildings are a noble location in the history of the Suffrage movement. In 1913, number 37 was the home of Miss F E Adams, Honorary Secretary of the East London Branch of the Women’s Freedom League. According to The Vote newspaper, regular meetings were held there as part of the Women’s Suffrage movement.
“On Monday last a branch meeting was held at 37, Wellington Buildings, Bow. It was decided that till further notice branch meetings should be hold at the same address on alternate Thursdays.”
The Vote, Friday 7th Nov 1913
Standing today in their pristine, unaltered state after more than a century, Wellington Buildings are not listed yet adjoin Bow Rd Underground station which is Grade II listed and built at the same time. We must hope that their position, within the curtilage of the listed structure and being by the same architect as the station, will afford them some degree of protection.
A planning application for crude bulky extensions to Wellington Buildings in grey brick with grey zinc-clad roofs and aluminium windows is currently under consideration by the council. You can study the plans online by clicking here and entering PA/21/00427/A1 in the search box. Comments can be mailed to development.control@towerhamlets.gov.uk until 21st May.

‘projecting bays for staircases that were originally open to the elements under pointed gables’

’embellished with glazed Doulton bricks at ground level, and red bricks at corners and in the window surrounds’

‘a little discreet lattice work in the manner of William Butterfield’s ecclesiastical and collegiate buildings high upon the wall, just to give them distinction’

Bow Rd Station

Minnie Lansbury clock in Bow Rd opposite Wellington Buildings

Suffragette Minnie Lansbury on her way to be arrested at Poplar Town Hall
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