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In The Orchards Of Kent

September 10, 2025
by the gentle author

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Years ago when I first visited the National Collection of Fruit Trees at Brogdale outside Faversham in Kent to enjoy the spring blossom, I vowed to go back in the autumn to admire the crop. This year, I fulfilled my ambition in the company of Contributing Photographer Rachel Ferriman and we were blessed with a golden afternoon in the North Kent Fruit Belt.

Nothing prepared me for the seemingly infinite variety of fruit that exists in nature. Walking into an orchard of two-thousand-two-hundred varieties of apple, all in fruit, is a vertiginous prospect that is only compounded by your guide who informs you this is merely a fraction of the over ten thousand varieties in existence.

What can you do? Your heart leaps and your mind boggles at the different colours and sizes of fruit. You recognise russets, laxtons and allingtons. Even if you had all day, you could not taste them all. Despite the cold spring, it has been a good year for apples. You stand wonderstruck at the bounty and resilience of nature. Then you start to get huffy at the pitiful few varieties of mostly-bitter green apples available to buy in shops, always sold unripe for longer shelf life. How is this progress?

Yet this thought evaporates as you are led through a windbreak into another orchard where five hundred varieties of pear are in fruit. By now your vocabulary of superlatives has failed you and you can only wander wide-eyed through this latter day Eden.

That afternoon there was no-one there but me, Rachel and the guide. We were delighted to have the orchards to ourselves. But this is when you realise the world has gone mad if no-one else is interested to witness this annual spectacle that verges on the miraculous. Walking on, as if in a medieval dream poem, you discover an orchard of medlars and another of quinces.

By now, your feet are barely touching the ground and you hatch a plan – as you munch an apple – to return at this same time of year, decide upon your favourite varieties and then plant your own orchard of soft fruit. When you stumble upon such an ambition, you realise that life is short yet we are all still permitted to dream.

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Medlars

Quince

Plum

Mike Austen, our guide

Photographs copyright © Rachel Ferriman

The National Collection of Fruit Trees at Brogdale

You may like to read about my first visit

In the Cherry Orchards of Kent

Sarah Ainslie’s Power Of Food Portraits

September 9, 2025
by the gentle author

Help publication by preordering now and we will post you a copy signed by Tessa Hunkin at the end of September in advance of publication on October 2nd. Additionally, we are including a complimentary copy of A Hoxton Childhood (cover price £20) with all pre-orders in the United Kingdom. CLICK HERE TO ORDER YOUR COPY

 

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Sajia Nessa harvesting tomatoes at Stepney City Farm

 

Historically, the East End was the centre of food production for London, abounding in market gardens and small holdings. Today, a new wave of food producers has arisen to challenge the dominance of fast-food and supermarkets. Contributing Photographer Sarah Ainslie has documented this movement in a series of portraits to be exhibited as part of the forthcoming Power of Food Festival. Running from 18th until 28th September, it celebrates the borough’s community and food culture, showcasing local projects building fairer, more sustainable food systems.

Sarah’s portraits will be shown at St Paul’s Way Community Centre, 12th September – 14th October, at Rich Mix in Bethnal Green Rd, 18th – 28th September and at Tower Hamlets Town Hall, 18th – 30th September.

Alani Shafiq, mushroom grower for MadLeap, cultivating oyster mushrooms in a converted car garage turned controlled environment studio at R-Urban eco-civic hub in Poplar. ‘I hope to leave a legacy of the fungi, diverse, resilient, adaptable, detoxifying, mutualistic, dramatic, beautiful, complex.’

Rokiah Yaman, co-founder of MadLeap, likes working with power tools on site when she is not fundraising, project managing or developing partnerships. ‘We want to share our enthusiasm for microbes and fungi. We hope to give people a better understanding of how they play a key role in supporting our digestion, health, and breaking down our biopresources – there is no such thing as waste in nature!’

Jim Ford & Genia Leontowitsch, custodians of a Swedenborg Square Orchard, a community orchard that is part of E1 Community Gardeners. Genia: ‘I’m really proud of it, this is the difference I’ve made.’

Liam Williams & Laura Buckley, co-ordinators at Cranbrook Community Food Garden, working to engage people on the Cranbrook Estate in Bethnal Green with food growing. Laura: ‘It’s attracted a lot more people to the garden, people feel more likely to come in, it’s really added to our estate.’

Fawzi Rahman, Aska Welford & Anna Corf Isehayek, stewards of House of Annetta, a spatial justice project in Princelet St, learning about localised and diverse approaches to surplus food. Anna: ‘Here it always starts with food, so it also makes it more accessible, and more relaxed, more welcoming.’

Rebecca Evans-Merritt , operations manager at Limborough Hub in Poplar, a garden and cooking space that offers the resources to cook, grow, learn about all things food and climate related, as well as social gatherings and celebrations. ‘We’re able to have that flow – growing food, cooking food, eating food.’

Shazna Hussain & Sajna Miah are the Food Lives team, a research group running a podcast looking into communities’ eating choices. Shazna: ‘It’s giving a voice to those women that have never been asked, or never really thought of, being able to share their knowledge and expertise around food.’

Melly, Shamima, Sabina, Marisa of Teviot Food Co-op,  providing subsided organic produce with support from Alexandra Rose Charity and the Bridging the Gap initiative, making shopping for healthy and affordable food easier.

Katrina Wright, a local food grower who is part of the Right to Grow campaign in Tower Hamlets has lots of horticultural knowledge at her disposal, a gardening and growing expert. ‘It has a kind of ripple effect, so you are impacting people’s lives and creating a legacy’

Aleya Taher, cook and community organiser, heads Teviot People’s Kitchen, bringing together local residents for regular meals, run from the R-Urban community garden in Poplar.

Cameron Bray, Angharad Davies & Andy Belfield are part of the R-Urban/Public Works team, operating an eco-civic hub that explores sustainable ways of working with food waste from tower blocks, turning it into nutrient rich soil – as well as running workshops, gardening sessions, foraging walks and more. Cameron: ‘It’s a space for learning, sometimes in a traditional sense, but also learning from each other, listening to each other, learning the stuff people already know.’

Rita Attille, local grower interested in the connection between mental wellbeing and nature, works with health services to get local people gardening.

Photographs copyright © Sarah Ainslie

You may also like to take a look at

Chris Kelly’s Cable St Gardeners

Two New Courses For Winter

September 8, 2025
by the gentle author

As we begin to look ahead to the winter months I am delighted to announce two new dates for courses, offering the opportunity to come to Spitalfields and spend a convivial weekend in an eighteenth century weaver’s house in Fournier St, eat cakes freshly baked to historic recipes by Townhouse and enjoy delicious lunches catered by Richard Fuest.

Walter Donohue’s Screenwriting Course that sold out in the spring returns in November and the ever-popular How to Write a Blog That People Will Want to Read course, tutored by The Gentle Author returns in February 2026.

 

Walter Donohue by Sarah Ainslie

 

WALTER DONOHUE’S SCREENWRITING COURSE: 8th-9th November 2025

 

Script editor, producer and luminary of the British cinema, Walter Donohue has agreed to teach a two-day screenwriting course at Townhouse in Spitalfields on the weekend of 8th and 9th November.

In the eighties, Walter began working as a script editor, starting with Wim Wenders’ Paris, Texas and Sally Potter’s Orlando. Since then he has worked with some major filmmakers including Joel & Ethan Coen, Wim Wenders, Sally Potter, David Byrne, John Boorman, Viggo Mortensen, Alex Garland, Kevin Macdonald, and László Nemes.

For the past thirty years he has been editor of the Faber & Faber film list, publishing Pulp Fiction and Barbie, and screenplays by Quentin Tarantino, Wes Anderson, David Lynch, Sally Potter, and Greta Gerwig & Noah Baumbach, Joel & Ethan Coen, and Christopher Nolan among many others.

Walter also published Scorsese on Scorsese, and edited the series of interview books with David Lynch, Robert Altman, Tim Burton, John Cassavetes, Pedro Almodovar and Christopher Nolan.

THE COURSE

Walter’s course is suitable for all levels of experience from those who are complete beginners to those who have already written screenplays and seek to refresh their practise. The course is limited to sixteen students.

APPROACHES TO SCREENWRITING

Walter says –

“My course is about approaches to writing a screenplay rather than a literal step-by-step technique on how to write.

The objective of my course is to immerse participants in the world of film, acquainting them with a cinematic language which will enable them to create films that are unique and personal to themselves.

There are four approaches – each centred around a particular film which will be the focus of each of the four sessions.

The approaches are –
Structure: Paris, Texas
Viewpoint: Silence of the Lambs
Genre: Anora
Endings: Chinatown

Participants will be required to have seen all four films in advance of the course.”

SALIENT DETAILS

Courses will be held at 5 Fournier St, Spitalfields on 8th-9th November, running from 10am-5pm on Saturday and 11am-5pm on Sunday

Refreshments, freshly baked cakes and lunches are included in the course fee of £350.

Please email spitalfieldslife@gmail.com to book your place.

Please note we do not give refunds if you are unable to attend or if the course is postponed for reasons beyond our control.

 

 

HOW TO WRITE A BLOG THAT PEOPLE WILL WANT TO READ: 7-8th February 2026

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This course is suitable for writers of all levels of experience – from complete beginners to those who already have a blog and want to advance or refresh their approach.

We will examine the essential questions which need to be addressed if you wish to write a blog that people will want to read.

“Like those writers in fourteenth century Florence who discovered the sonnet but did not quite know what to do with it, we are presented with the new literary medium of the blog – which has quickly become omnipresent, with many millions writing online. For my own part, I respect this nascent literary form by seeking to explore its own unique qualities and potential.” – The Gentle Author

 

COURSE STRUCTURE

1. How to find a voice – When you write, who are you writing to and what is your relationship with the reader?
2. How to find a subject – Why is it necessary to write and what do you have to tell?
3. How to find the form – What is the ideal manifestation of your material and how can a good structure give you momentum?
4. The relationship of pictures and words – Which comes first, the pictures or the words? Creating a dynamic relationship between your text and images.
5. How to write a pen portrait – Drawing on The Gentle Author’s experience, different strategies in transforming a conversation into an effective written evocation of a personality.
6. What a blog can do – A consideration of how telling stories on the internet can affect the temporal world and the opportunities it can deliver – writing newspaper and magazine articles, publishing books, talks, walks ann community campaigns.

SALIENT DETAILS

Courses will be held at 5 Fournier St, Spitalfields on 7th-8th February, running from 10am-5pm on Saturday and 11am-5pm on Sunday.

Lunch, tea, coffee & cakes are included within the course fee of £350.

Email spitalfieldslife@gmail.com to book a place on a course.

Please note we do not give refunds if you are unable to attend or if the course is postponed for reasons beyond our control.

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Comments by students from courses tutored by The Gentle Author

“I highly recommend this creative, challenging and most inspiring course. The Gentle Author gave me the confidence to find my voice and just go for it!”

“Do join The Gentle Author on this Blogging Course in Spitalfields. It’s as much about learning/ appreciating Storytelling as Blogging. About developing how to write or talk to your readers in your own unique way. It’s also an opportunity to “test” your ideas in an encouraging and inspirational environment. Go and enjoy – I’d happily do it all again!”

“The Gentle Author’s writing course strikes the right balance between addressing the creative act of blogging and the practical tips needed to turn a concept into reality. During the course the participants are encouraged to share and develop their ideas in a safe yet stimulating environment. A great course for those who need that final (gentle) push!”

“I haven’t enjoyed a weekend so much for a long time. The disparate participants with different experiences and aspirations rapidly became a coherent group under The Gentle Author’s direction in a  gorgeous  house in Spitalfields. There was lots of encouragement, constructive criticism, laughter and very good lunches. With not a computer in sight, I found it really enjoyable to draft pieces of written work using pen and paper.Having gone with a very vague idea about what I might do I came away with a clear plan which I think will be achievable and worthwhile.”

“The Gentle Author is a master blogger and, happily for us, prepared to pass on skills. This “How to write a blog” course goes well beyond offering information about how to start blogging – it helps you to see the world in a different light, and inspires you to blog about it.  You won’t find a better way to spend your time or money if you’re considering starting a blog.”

“I gladly traveled from the States to Spitalfields for the How to Write a Blog Course. The unique setting and quality of the Gentle Author’s own writing persuaded me and I was not disappointed. The weekend provided ample inspiration, like-minded fellowship, and practical steps to immediately launch a blog that one could be proud of. I’m so thankful to have attended.”

“I took part in The Gentle Author’s blogging course for a variety of reasons: I’ve followed Spitalfields Life for a long time now, and find it one of the most engaging blogs that I know; I also wanted to develop my own personal blog in a way that people will actually read, and that genuinely represents my own voice. The course was wonderful. Challenging, certainly, but I came away with new confidence that I can write in an engaging way, and to a self-imposed schedule. The setting in Fournier St was both lovely and sympathetic to the purpose of the course. A further unexpected pleasure was the variety of other bloggers who attended: each one had a very personal take on where they wanted their blogs to go, and brought with them an amazing range and depth of personal experience. “

“I found this bloggers course was a true revelation as it helped me find my own voice and gave me the courage to express my thoughts without restriction. As a result I launched my professional blog and improved my photography blog. I would highly recommend it.”

“An excellent and enjoyable weekend: informative, encouraging and challenging. The Gentle Author was generous throughout in sharing knowledge, ideas and experience and sensitively ensured we each felt equipped to start out.  Thanks again for the weekend. I keep quoting you to myself.”

“My immediate impression was that I wasn’t going to feel intimidated – always a good sign on these occasions. The Gentle Author worked hard to help us to find our true voice, and the contributions from other students were useful too. Importantly, it didn’t feel like a ‘workshop’ and I left looking forward to writing my blog.”

“The Spitafields writing course was a wonderful experience all round. A truly creative teacher as informed and interesting as the blogs would suggest. An added bonus was the eclectic mix of eager students from all walks of life willing to share their passion and life stories. Bloomin’ marvellous grub too boot.”

“An entertaining and creative approach that reduces fears and expands thought”

“The weekend I spent taking your course in Spitalfields was a springboard one for me. I had identified writing a blog as something I could probably do – but actually doing it was something different!  Your teaching methods were fascinating, and I learnt a lot about myself as well as gaining  very constructive advice on how to write a blog.  I lucked into a group of extremely interesting people in our workshop, and to be cocooned in the beautiful old Spitalfields house for a whole weekend, and plied with delicious food at lunchtime made for a weekend as enjoyable as it was satisfying.  Your course made the difference between thinking about writing a blog, and actually writing it.”

“After blogging for three years, I attended The Gentle Author’s Blogging Course. What changed was my focus on specific topics, more pictures, more frequency, more fun. In the summer I wrote more than forty blogs, almost daily from my Tuscan villa on village life and I had brilliant feedback from my readers. And it was a fantastic weekend with a bunch of great people and yummy food.”

“An inspirational weekend, digging deep with lots of laughter and emotion, alongside practical insights and learning from across the group – and of course overall a delightfully gentle weekend.”

“The course was great fun and very informative, digging into the nuts and bolts of writing a blog.   There was an encouraging and nurturing atmosphere that made me think that I too could learn to write a blog that people might want to read.  – There’s a blurb, but of course what I really want to say is that my blog changed my life, without sounding like an idiot.   The people that I met in the course were all interesting people, including yourself.   So thanks for everything.”

“This is a very person-centred course.  By the end of the weekend, everyone had developed their own ideas through a mix of exercises, conversation and one-to-one feedback. The beautiful Hugenot house and high-calibre food contributed to what was an inspiring and memorable weekend.”

“It was very intimate writing course that was based on the skills of writing. The Gentle Author was a superb teacher.”

“It was a surprising course that challenged and provoked the group in a beautiful supportive intimate way and I am so thankful for coming on it.”

“I did not enrol on the course because I had a blog in mind, but because I had bought TGA’s book, “Spitalfields Life”, very much admired the writing style and wanted to find out more and improve my own writing style. By the end of the course, I had a blog in mind, which was an unexpected bonus.”

“This course was what inspired me to dare to blog. Two years on, and blogging has changed the way I look at London.”

Suresh Singh’s Spitalfields

September 7, 2025
by the gentle author

Help publication by preordering now and we will post you a copy signed by Tessa Hunkin at the end of September in advance of publication on October 2nd. Additionally, we are including a complimentary copy of A Hoxton Childhood (cover price £20) with all pre-orders in the United Kingdom. CLICK HERE TO ORDER YOUR COPY

 

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When Suresh was a student at City & East London College in 1979, he was given a project for General Studies O Level to record his neighbourhood. So he set out with his camera from his home at 38 Princelet St and took these photographs of the streets of Spitalfields, which are now in the collection at Bishopsgate Insitute.

Christ Church from Wilkes St

Spitalfields Market seen from Christ Church

Looking towards the City from the rooftop of a Hanbury St factory

Children playing cricket in Puma Court

Mr Sova, proprietor of Sova Fabrics on Brick Lane

Brick Lane

Shed on Brick Lane

Shoe shop on Cheshire St

Cheshire St

Stamp and coin dealer in Cheshire St

Boy carrying home the shopping on Brick Lane

Shops on Hanbury St

Truman Brewery seen from Grimbsy St

Woman on Brick Lane

Her shoes

Down and out on the steps of the Rectory, Christ Church

Homeless men sitting outside Christ Church – this area has recently been fenced off

In Fashion St

Naz Cinema, Brick Lane

Family walking from Shoreditch Station into Brick Lane

Clifton Sweetmart, Brick Lane

Former Central Foundation School for Girls, Spital Sq, now Galvin restaurant

Inside the former Central Foundation School for Girls, Spital Sq

Abandoned books at Central Foundation School for Girls

There was a constant police presence on Brick Lane due to the race riots

Crowds leaving the mosque on Brick Lane

Sign in Fournier St

Sign in Fournier St

Christ Church prior to restoration, without balconies

Christ Church from the roofs of Hanbury St

Photographs copyright © Suresh Singh

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Click here to buy copy of A MODEST LIVING

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At Canvey Island

September 6, 2025
by the gentle author

Help publication by preordering now and we will post you a copy signed by Tessa Hunkin at the end of September in advance of publication on October 2nd. Additionally, we are including a complimentary copy of A Hoxton Childhood (cover price £20) with all pre-orders in the United Kingdom. CLICK HERE TO ORDER YOUR COPY

 

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Inspired by a brochure given to me by Gary Arber, I decided to go for a day trip to Canvey Island. Printed by W.F.Arber & Co Ltd in the Roman Rd in the nineteen twenties – when Gary’s grandfather Walter ran the shop, his father (also Walter) was the compositor and uncles Len and Albert ran the presses – this brochure seduced me with its lyrical prose.

“Canvey Island, owing to its unique position at the meeting place of fresh and salt waters, which continually wash its shores, enjoys a nascent air which is extraordinarily health-giving and invigorating, and is, indeed in this respect, possibly above all other places in the kingdom. Prominent physicians in our leading hospitals pay tribute to the properties of the air, by sending patients to the Island in preference to any other locality.”

Yet in spite of this irresistible account of the Island’s charms, when I told people I was going to Canvey, they pulled long faces and declared, “You’re joking?” Undeterred by prejudice, I packed sandwiches in my satchel and set out from Fenchurch St Station with an open mind to discover Canvey Island for myself. Alighting at Benfleet, I crossed the River Ray to the Island arriving at the famous wall that reclaimed the land from the sea – constructed in the seventeenth century by three hundred dutch dyke diggers under the supervision of Cornelius Vermuyden.

“One of the first places the visitor will make for is the sea-wall, which he has undoubtedly heard a good deal about before coming to Canvey, and with which he will be anxious to make a closer acquaintance. The wall completely encircles the Island, and, following all its windings in and out, covers a distance of about eighteen miles.”

Since I had no map and had not been to Canvey before, Gary Arber’s brochure was my only guide. And so I set out along the wall where stonecrop and asters grew wild, buffered and blown by salt winds from the estuary. With a golf course to the landward side and salt marshes to the seaward side, that widened out into a vast open expanse stretching away towards Southend Pier on the horizon, it was an exhilarating prospect and I enjoyed the opportunity to fill my lungs with fresh sea air.

“The grand secret of the wonderful health-giving properties of the air is the evaporation from the “saltings,” during the time when the tides are out, which charges the air with ozone, which is thus constantly renewed and refreshed, making it extremely healthy, clean and bracing.”

Reaching Canvey Heights and looking back, the contrast between the hinterland crowded with bungalows and whimsical cottages, and the bare salt flats beyond the wall became vividly apparent. Many thousands before me, coming to escape from East London, had also been captivated by the Island romance that Canvey weaves – and I could understand their affection for this charmed Isle that proposes such a persuasive pastoral idyll, when resplendent beneath a sky of luminous blue.

“There is a charming freedom about life on Canvey which will appeal to most people whose work-a-day life has to be spent in towns or their suburbs. The change of scene is complete in every respect; streets, bricks and mortar, are replaced by bungalows of very varied designs and appearances”

Surrounding Canvey Heights, I found a neglected orchard of different varieties of plum trees all heavy with fruit, and filled my satchel with a selection of red, yellow and purple plums, before making my way to Rapkins Wharf with its magnificent old hulks nestled together in a forgotten creek. The Island breezes played upon the rigging like a wind harp, filling the boat yard with other-worldly music, where old sea salts sheltering amongst the array of rotting vessels. Next, turning the corner of the Island, I reached the shore facing the estuary and walking along the esplanade soon came to Concord Beach Paddling Pool where I joined the happy throng at the tea stall, spying the big ships that pass close by.

“All the vessels, bound to and from the large ports on the Thames, must pass Canvey, and thus a constant procession of all sizes can be watched with interest and pleasure, ploughing their lonely furrows through the waters.  Monster ocean-going liners bound for the other side of the world, sailing vessels with their full rig of canvas spread, and, as the sun catches the sails, delighting the eye with one of the most haunting sights to be imagined  – the estuary teems with interest at all times. Here one can realise that, despite the progress of motor and steam in water travel, there still remain a few ocean-going vessels under sail only.”

At the next table, a group of residents were debating the relative merits of Benidorm and Costa del Sol as holiday destinations, only to arrive at the startling yet prudent consensus that staying here in Canvey Island was best. Eavesdropping on their conversation, and observing the idiosyncratic villas adorned with pigeon lofts and flags, I recognised that an atmosphere of gleeful Island anarchy reigns in Canvey, situated at one remove from mainland Britain.

“The strict conventions of dress and deportment so tiresomely observed in towns can be ignored here in Canvey, and the visitor casts off all artificial restraints, simply observing the ordinary rules of decency and respect towards others which his own courtesy will dictate.”

Crossing through the streets, marvelling at the varieties of bungalows, I came to the Canvey Island Rugby Club playing field at Tewkes Creek, where I sat upon a bench to rest and admire the egrets feeding in the creek, while men walked their bull terriers on the green. Tracing my path back along the wall towards Benfleet station, I discovered circles of field mushrooms and picked myself a bunch of the wild fennel that grows in abundance, imparting its fragrance to the breeze. Then I returned home on the train to Fenchurch St at six, pleasantly weary, sunburnt and windswept, with my mushrooms, plums and fennel in hand as trophies, enraptured by all the delights of Canvey.

“For the family there is no better spot than Canvey for holidays – the glorious, exhilarating air sends them home again pictures of health and happiness.”

I never saw Canvey Island’s petrochemical refineries, or what happens at night. I am prepared to countenance that Canvey has its dark side, but I was innocent of it. I am an unashamed day-tripper.

This boat is for sale, contact the owner at Rapkins Wharf, Canvey Island.

Mushrooms picked at Canvey

Plums and fennel from Canvey

The wall around Canvey Island

At Anna Maria Garthwaite’s House

September 5, 2025
by the gentle author

CLICK HERE TO BOOK

 

Anna Maria Garthwaite, the most celebrated texile designer of the eighteenth century, bought this house in Spitalfields when she was forty years old  in 1728, just five years after it was built. Its purchase reflected the success she had already achieved but, living here at the very heart of the silk industry, she produced over one thousand patterns for damasks and brocades during the next thirty-five years.

The first owner of the house was a glover who used the ground floor as a shop with customers entering through the door upon the right, while the door on the left gave access to the rooms above where the family lived. For Anna Maria Garthwaite, the ground floor may also have been used to receive clients who would be led up to the first floor where commissions could be discussed and deals done. The corner room on the second floor receives the best light, uninterrupted by the surrounding buildings, and this is likely to have been the workroom, most suited to the creation of her superlative designs painted in watercolours – of which nearly nine hundred are preserved today at the Victoria & Albert Museum.

Anna Maria Garthwaite contrived an enormous variety of sprigged patterns each with different permutations of naturalistically rendered flowers, both cultivated and wild species. Yet equally, her work demonstrates a full understanding of the technical process of silk weaving, conjuring designs that make elegant employment of the possibilities of the medium and the talents of skilled weavers. Many of her designs are labelled with the names of the weavers to whom they were sold and annotated with precise instructions, revealing the depth of her insight into the method as well as offering assistance to those whose job it was to realise her work. She was credited by Malachi Postlethwayt in The Universal Dictionary of Trade and Commerce of 1751 as the one who “introduced the Principles of Painting into the loom.”

Born in Grantham, Lincolnshire, Garthwaite moved to York with her twice-widowed sister Mary in 1726, coming to down to London two years later  – and it is tempting to imagine that the pair became a familiar sight, taking long walks eastwards from the newly built-up streets into the fields beyond, where they collected wild flowers to serve as inspiration for botanically-accurate designs.

In spite of its commanding corner position at the junction of Wilkes St and Princelet St (known as Princes St in Anna Maria Garthwaite’s time), this is a modest dwelling – just one room deep – and, nearly three centuries later, it retains the atmosphere of a domestic working environment. In common with many of the surrounding properties, the house bears witness to the waves of migration that have defined Spitalfields through the centuries, subdivided for Jewish residents in the nineteenth century – the Goldsteins, the Venicoffs, the Marks, the Hellers, who were superseded by Bengalis in the sixties and seventies, until restoration in 1985 revealed the interiors and unified the spaces again.

Apart from wear and tear of centuries, and the stucco rendering on the exterior from 1860, Anna Maria Garthwaite would recognise her old house as almost unchanged if she were to return today.

Christ Church seen through an old glass pane from Anna Maria’s Garthwaite’s workroom.

You may also like to read more about Spitalfields silk

Anna Maria Garthwaite

A Dress of Spitalfields Silk

Stanley Rondeau at the V&A

Two Lost Breweries Of Whitechapel

September 4, 2025
by the gentle author

Help publication by preordering now and we will post you a copy signed by Tessa Hunkin at the end of September in advance of publication on October 2nd. Additionally, we are including a complimentary copy of A Hoxton Childhood (cover price £20) with all pre-orders in the United Kingdom. CLICK HERE TO ORDER YOUR COPY

 

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CLICK HERE TO BOOK

Within living memory, Whitechapel was home to the Albion and the Blue Anchor Brewery, two of the largest breweries in the country, premises for Watney Mann and Charringtons respectively. Photographer Philip Cunningham‘s grandfather worked at The Albion brewery and it became his melancholy duty to record both breweries in the eighties at the point of their demise. (Accompanying text also by Philip.)

The Albion Brewery in the nineteenth century

My grandfather was a train driver until the day he was discovered to be colour blind, when he was sacked on the spot. He then became a drayman and – apart from two world wars – spent the rest of his working life at the Albion Brewery in Whitechapel. He was one of the first draymen to drive a motorised vehicle, a skill which saved his life in WWI.

The brewery started trading in 1808 and although by 1819 it was under the control of Blake & Mann, by 1826 it was in the exclusive ownership of James Mann. In 1846, Crossman and Paulin became partners to form Mann, Crossman & Paulin Ltd. The brewery was re-built in 1863, becoming the most advanced brewery of that time, producing 250,000 barrels a year.

Stables were built on the east side of Cambridge Heath Rd with a nosebag room containing in excess of one hundred and fifty nosebags, each filled by a metal tube from the store above. The former Whitechapel workhouse in Whitechapel Rd was used for the bottling plant, but when this proved to be too small it was moved to a site on Raven Row, two hundred yards south.

In 1958, the company merged with Watney Combe & Reid to become Watney Mann Ltd. In 1978, a spokesperson for Grand Metropolitan the corporate owner who acquired Watney declared, ‘The bottling plant has a very strong future as a distribution and bottling centre for the GLC area and parts of Southern England.’ Yet the plant was closed in 1980 with a loss of two hundred jobs after the building was declared unsafe and too costly to repair. Keg filling transferred to Mortlake, the bottling plant became a distribution centre and the brewery was shut down in 1979. The buildings on the Whitechapel Rd were converted to flats and the rest of the site is now occupied by Sainsbury’s.

Gates of the Blue Anchor Brewery

In 1757, John Charrington moved his brewing business from Bethnal Green to the Mile End Rd. This was the Blue Anchor Brewery, and John Charrington’s brother Harry lived next to the brewery in Malplaquet House from about 1790 until his death in 1833.

The brewery was built on Charrington Park, extending for sixteen acres behind the malt stores. Some land was sold off for building and a section was given to St. Peter’s Church, while the remainder was used for cooperages and for stables housing one hundred horses and a blacksmith’s forge. There were also coppersmiths, tinsmiths, gasfitters, millwrights, hoopers, engineers, and carpenters with a timber store and saw pit. The hop store was a spacious darkened chamber one hundred feet long, filled from floor to ceiling with hops, and the odour was overpowering.

The Blue Anchor brewery became the second largest in London producing 20,252 barrels of beer a year. In the nineteenth century, steam engines were installed which ran until 1927, when they were replaced by electric power. During the Second World War, half the lorry fleet was commandeered for the army.

Yet in 1967, the company merged with Bass to become Charrington Bass and later Bass Ltd – the largest brewing company in the country. The last brew at Charringtons was in 1975 and distribution was then moved to Canning Town. A new administration block was built at a cost of three and a half million, only to be demolished for a retail park.

Photographs copyright © Philip Cunningham

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