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An Astonishing Photographic Discovery

February 3, 2023
by the gentle author

Back in 2014, Spitalfields Life Books published Horace Warner’s SPITALFIELDS NIPPERS. Now there are only a few copies left and I am giving my final lecture on this subject at 6pm next Tuesday 7th February at the beautiful Hanbury Hall in Spitalfields, explaining how we discovered the photographs, who Horace Warner was and why he took his pictures, and revealing what we discovered about the lives of the Nippers.

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CLICK HERE TO BOOK A TICKET FOR THE LECTURE FOR £6

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These breathtaking photographs were taken by Horace Warner in Spitalfields at the turn of the nineteenth and twentieth centuries. Before I published them on Spitalfields Life, they had hardly been seen by anyone outside his immediate family. We were granted permission personally by Horace Warner’s grandson, Ian McGilvray.

Previously, only a handful of Warner’s sympathetic portraits of the children who lived in the courtyards off Quaker St – known as the Spitalfields Nippers – were believed to exist, but through some assiduous detective work by researcher Vicky Stewart and a stroke of good luck upon my part, we were able to make contact with his grandson who keeps two albums comprising more than one hundred of his grandfather’s pictures of Spitalfields, from which the photographs published here are selected.

Many of the pictures in these albums are photographic masterpieces and, after I published the book, David Bailey contacted me to say he believed they are the most significant set of portraits ever taken in the East End.

There is a rare clarity of vision in the tender photography of Horace Warner that brings us startling close to the Londoners of 1900 and permits us to look them in the eye for the first time. You can imagine my excitement when I met Ian McGilvray and opened Horace Warner’s albums to discover so many astonishing pictures. I experienced a sensation almost of vertigo, like looking down the dark well of time and being surprised by these faces in sharp focus, looking back at me.

It was no straightforward journey to get there. I first published a series of Horace Warner’s Spitalfields Nippers in these pages in 2011, reproduced from a booklet accompanying a 1975 exhibition of the handful of pictures once published in fund-raising leaflets by the Bedford Institute in 1912. When I sought to reproduce these pictures in The Gentle Author’s London Album, Vicky Stewart established that the photographic prints were held in the Quaker archive at Friends House in the Euston Rd.

This discovery which permitted me to include those pictures in my Album was reward enough for our labours. The story might easily have ended there, if we had not been shown a 1988 letter from Horace Warner’s daughter Gwen McGilvray that accompanied the prints. In this letter, Gwen mentions the ‘albums’ – this was the first tantalising evidence of the existence of more of Horace Warner’s Spitalfields photographs.

Even as our hopes of finding these other pictures were raised, we were disappointed to realise that Gwen was unlikely to be still alive. Yet through online research and thanks to his unusual surname, Vicky was able to find an address for one of Gwen’s four children, her son Ian, in Norfolk. It was a few years out of date but there was a chance he was still there, so we sent off a copy of The Gentle Author’s London Album to Ian McGilvray.

Within weeks, Ian wrote back to ask if I would like to visit him and see the ‘albums.’ It was my good fortune that the one of Horace Warner’s grandchildren we had been able to reach was also the guardian of the photographic legacy. And so it was that on a bright winter’s day I made a journey to Norfolk to meet Ian and see the complete set of Horace Warner’s Spitalfields Nippers for the first time. My fear was that I had seen the most important images among those already known, but my shock was to recognise that the best pictures have not yet been seen.

These wonderful photographs revolutionise how we think about East Enders at the end of the nineteenth century since, in spite of their poverty, these are undeniably proud people who claim a right to existence which transcends their economic status. Unlike the degraded photographic images created by charitable campaigners or the familiar middle-class studio portraits, Horace Warner’s relaxed intimate pictures draw us into a personal relationship with his subjects whom we meet as our equals. The Spitalfields Nippers are a unique set of photographs, that witness a particular time, a specific place, a discrete society, and an entire lost world.

As a designer managing the family wallpaper-printing business, Horace Warner had the income and resources to explore photography in his spare time and produce images of the highest standard technically. As superintendent of the charitable Bedford Institute, he was brought into close contact over many years with the families who lived nearby in the yards and courts south of Quaker St. As a Quaker, he believed in the equality of all and he was disturbed by the poverty he witnessed in the East End. In the Spitalfields Nippers these things came together for Horace Warner, creating compassionate images that gave dignity to his subjects and producing great photography that is without parallel in his time.

Excerpt of 1988 letter from Horace Warner’s daughter Gwen McGilvray referring to the ‘albums’ and giving the name of his grandson, Ian McGilvray. (Reproduced courtesy of Friends House)

Sisters Wakefield

Walter Seabrook

Celia Compton

Photo referred to by Gwen McGilvray with headlines at the end of the Boer War, dating it to 1902

At the Whitechapel Gallery to see the Burne Jones exhibition 1901

In Pearl St (now Calvin St)

See the man looking over the wall in Union Place

Click here to order SPITALFIELDS NIPPERS by Horace Warner

Towering Folly At Liverpool St Station

February 2, 2023
by the gentle author


‘Where is the top part?’ I asked, when shown the lower portion of a model at the public consultation for the proposed redevelopment of Liverpool Street Station by Network Rail, Sellar & MTR . ‘We don’t have it,’ replied the developers’ representative. ‘So how can I judge the impact?’ I queried, growing suspicious and feeling I was being taken for a fool.

Then I was helpfully directed to a larger, much-smaller-scale, model of the surrounding urban landscape that included a great part of the City of London and in which I had to search to find the Liverpool Street proposal amid the forest of towers. The outcome was that while I could see this would be one more tower among many, the immediate impact upon the station and the former Great Eastern Hotel (designed by Charles Barry Junior and his son and partner Charles Edward Barry, 1883–84) was less discernible.

Yet I was swiftly disenchanted of my innocence when I saw the rendering of the view down Liverpool Street with an overwhelming tower of 11 storeys squatting on top of the fine Victorian hotel like a monstrous succubus in a nightmare. My feelings of nausea were compounded on learning that this would be supported by pilings through the grade II* listed hotel which would be converted to offices and replaced by a new five-star hotel in the block on top, boasting the advantage of City views.

London’s great railway stations – 19th-century cathedrals of glass and steel refracting the ever-changing changing patterns of light from our northern skies – are one of the architectural marvels of Europe. St Pancras, Paddington, Waterloo, King’s Cross and Liverpool Street are universally loved for their inspirational vaulted glass roofs. Euston, Charing Cross and Cannon Street exist as salient reminders of what has been lost through misguided redevelopment in the last century, removing the natural light by plonking ugly buildings on top.

When Liverpool Street Station (built between 1873 and 1875 for the Great Eastern Railway by chief engineer Edward Wilson) was last redeveloped between 1985 and 1992, the former labyrinthine palimpsest was clarified by the sympathetic extension of the 1870s glass roof over the platforms across the passenger concourse to meet the Great Eastern Hotel. Unfortunately, the new development proposes building over the concourse and replacing this part of the roof with a solid ceiling beneath the new office tower which itself will cast a long shadow, obscuring much of the daylight from the remaining Victorian glass vaults above the platforms.

The case put forward at the consultation was that passenger access to Liverpool Street Station needs upgrading and this ‘improvement to the public realm’ can be delivered at no cost to the taxpayer by sticking a massive office block on top of the station. Yet it is a false logic, because Network Rail – as a responsible operator — has a public duty to provide adequate access. It does not follow that such overdevelopment is either necessary or obligatory in order to achieve decent public access to the station.

My heart sank when I saw the artist’s renderings of the wild-flower meadow that the developers plan to plant on top of their block and the rooftop infinity pool which is to be open to all. These are cynical sops to the public. Architects Herzog & de Meuron presumably got this job because of their conversion of Giles Gilbert Scott’s Bankside Power Station into Tate Modern. The hope was that they would bring a similar magic to Liverpool Street Station, but the brief here is entirely misconceived.

Why is the City of London contemplating the construction of new offices at all when so many sit empty, post-Covid and post-Brexit? Flexible working patterns mean the financial industries will require far less office space in future. I see no evidence of the City advancing any cogent or enlightened vision that accommodates to this prospect.

Thankfully, Historic England are objecting to the new development and have revised and updated their listing of the station, adding the sensitively conceived 1985/92 vaulted-glass roof over the passenger concourse which was the result of a seminal conservation battle for the station in the 1980s. The hotel has also been upgraded from grade II to grade II* (the second highest level of protection).

I understand that, for the development to go ahead in its current form, this would have to be successfully challenged and overturned, so we must now brace ourselves for a mighty and possibly protracted fight over Liverpool Street Station. The planning application is expected to be submitted at the end of April.

This article was commissioned by Apollo magazine

Developers’ rendering of proposed redevelopment of Liverpool Street Station. This is the view along Liverpool Street looking east towards the Andaz (formerly the Great Eastern Hotel). Courtesy Sellar/Herzog & de Meuron

The proposed rooftop wild flower meadow Courtesy Sellar/Herzog & de Meuron

The proposed new entrance to Liverpool St Station Courtesy Sellar/Herzog & de Meuron

John Olney Of Donovan Brothers

February 1, 2023
by the gentle author

Philip Marriage’s photograph of Donovan’s Bags, Crispin St, in 1985

John Olney told me it all began with two brothers, Jeremiah & Dennis O’Donovan, who came to Liverpool from Dublin in the eighteen thirties at the time of the potato famine in Ireland. Dennis took a passage from Liverpool across the Atlantic to seek his fortune with the Hudson Bay Trading Company, while Jeremiah came to the East End and settled in Fireball Court, Aldgate.

It sounds like an adventure story of long ago, yet John imbues it with a vivid present tense quality because Jeremiah was his great-great-grandfather and, to a degree, the nature of John’s own life has been the outcome of these events. The brothers’ tale explains both how he came to be here and why Donovan Brothers continues today in the way it does as a family business.

I was touched by John’s story because it was the first I have heard of the Irish in Spitalfields recounted to me by a descendant. Of the different waves of immigration that have passed through, the Irish are the least acknowledged and the people who have left the least evidence visible today. Yet anyone who walks through Spitalfields knows the building in Crispin St with the fine old signwriting that says “Donovan Brothers – The noted house for paper bags,” this was where the business began that still runs today at the New Spitalfields Market in Leyton.

John and I sat talking in the office of the Market Tenants’ Association in the grey light of early morning, watching as the wholesale fruit & vegetable market wound up for the night and the car park emptied out. There is an innate modesty to this gracious man with a strong physical presence and a discreet, withheld quality that colours the plain telling of his stories. You can tell from his glinting eyes that John’s family possesses an intensity of meaning for him, yet he adopts a quiet unemotional tone while speaking of it which serves to communicate a greater depth of feeling than any overt emotion.

“So you’ve come to hear about the fields…” he said, thinking out loud. By “the fields” John meant Spitalfields, using a term of reference I had not heard before. In its archaic colloquial tone, it spoke eloquently of his relationship to the place where his family dwelled continuously from the eighteen thirties and where he began his lifelong involvement with markets.

“My mother was a Donovan” declared John, outlining his precise connection to the line of descent, “She was one of eight, five boys and three daughters. We were a very close knit family, and it was so exciting for a boy of seven or eight, when I first entered the Spitalfields shop and sat on the counter. My uncle would sit outside with the chicken seller at the corner of Leyden St and reminisce about old times. It was history that was being spoken, you didn’t have to read it in books. My uncle used to end up at the bottom of Whites Row where there used to be a barbers and I would sit outside on the curb with my sweets – and that’s how it was in the old days.

My grandfather Patrick Donovan was one of nine children, he started the business and then the brothers came in and that’s how Donovan Brothers came about. I always knew I had a job to go to in the family business. You did everything. If there was a job there, from sweeping up to serving, you did it. It was second nature. Our motto was politeness cost nothing, I would always say, ‘Good Morning, Mr So & So,’ and my uncle would say to the customer, ‘The boy will take it out for you.’

We ran it as a family business and if there was a problem we dealt with it at once between us. The eldest was my grandfather, the governor, and when he died my uncles took over. The governor tells you what to do but everyone else asks. To everyone that works for me today, I am the governor, but in the family my elderly uncles are still the governors. Like in all family businesses, you could count upon one another. There’s no one person shouldering all the problems at any one time.

Every one of my uncles ran a different market. We were involved in Covent Garden, Borough and Stratford Market as well as Spitalfields. I would go out and make the deliveries. Whichever market I was in, it was always the same, whenever I walked through, traders would come up to me with orders and say ‘Tell your father.’ No-one knew who I was. I was ‘the boy’ and I still am to my uncles, and this makes a family. Because although we do retire as such, there’s no retirement from the family business. You are born on the job. You die on the job.”

John’s two sons and daughter work for Donovan Brothers now, ensuring the family business goes on for another generation. I think we may permit him to enjoy a certain swagger, coming in to work before dawn in all weathers and continuing his pattern of napping twice a day, at the end of the afternoon and in the late evening, thereby sustaining himself with superlative resilience through the extended antisocial hours that market life entails. The market is a world to itself and it is John Olney’s world.

Portrait of John Olney by Mark Jackson

The building in Crispin St retains its signwriting today

In Commercial St, nineteen sixties

John’s shop in the Spitalfields Market, nineteen eighties

John Olney outside his shop in the New Spitalfields Market, Leyton

Portraits of John Olney  © Mark Jackson

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Jimmy Huddart, Spitalfields Market Porter

Peter Thomas, Fruit & Vegetable Supplier

Ivor Robins, Fruit & Vegetable Purveyor

John Olney, Donovan Brothers Ltd

Jim Heppel, New Spitalfields Market

Blackie, the Last Spitalfields Market Cat

A Farewell to Spitalfields

On The Beat With PC Lew Tassell

January 31, 2023
by the gentle author

Lew Tassell at the Mansion House

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Lew Tassell, formerly of the City of London Police, took me on a walk tracing the path of his old beat last week and regaled me with stories of his adventures in the City in the last century.

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“I joined the City of London Police in June 1969. After thirteen weeks training at Eynsham Police Training Centre, I commenced divisional duties at Bishopsgate in September for about a month with an experienced officer and then on my own, patrolling for a two year probationary period.

The COLP had three divisions then – Bishopsgate, Wood St & Snow Hill. Each was split into areas, subdivided into beats. There were always plenty of officers patrolling and, although you were supposed to patrol alone, you very often teamed up with a colleague, as long as you were not caught by the Duty Inspector who patrolled for about an hour on each shift. If you saw the Inspector, you had to approach him, stand to attention, salute and state your beats. If you were “off your ground” or not on the area designated you could be in trouble.

In the days when there were few automated crossings, an officer would be posted to operate the lights manually and ensure smooth running of traffic during the rush hour. You could open the traffic light box with a key on your whistle chain to sequence the lights. At 8.00am and again at 18.00pm, there would always be two officers directing traffic at the junction of Aldgate, Minories and Houndsditch which was the busiest point. The entrances to Liverpool St Station would be manned during the rush hour to assist commuters. There were also two school crossing duties to cover in the morning and evenings, Dukes Place and Bishopsgate North by Pindar St, for the students at the Central Foundation School for Girls.

Between 7.00am and 20.00pm, three officers policed Tower Bridge. The rule was an officer for the North Tower, one for the South Tower and a third for the bascules, where it opens up. There were police boxes on both sides of the bridge for “inclement weather” but a four hour shift was quite boring, especially if it was quiet – so often we would often congregate in one box, keeping an eye out for an Inspector on patrol.

I also enjoyed being allocated bicycle duty on nights and at the weekends. You collected a standard sit-up-and-beg black bicycle and cycled anywhere on division for the whole shift that started and finished an hour earlier than usual to cover the change-over period. You wore standard uniform including your helmet and perhaps bicycle clips. I was knocked off my bike once as I was approaching Tower Bridge when a coach cut in, turning left into East Smithfield. Nothing was hurt apart from my pride as my helmet bounced down the street in front of onlookers.”

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“I often took the short cut from Houndsditch through the Port of London Authority’s bonded warehouse in Cutler St to the back entrance of Bishopsgate Police Station in New St. The PLA policemen on the gates waved me through the complex which was built for the East India Company as their warehouse in the City and appeared to have changed little in 1969. It was dark and imposing, and I always felt the atmosphere of history. In one dark corner was the only facility permitted for the storage of opium. You could smell it from outside – or I assumed that was what it was. When the complex became derelict in the seventies, the City Police used it for firearms training.”

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“I have enjoyed visiting the Lamb Tavern in Leadenhall Market frequently over fifty years. It is my favourite pub in London and thankfully has hardly changed. My introduction came on Christmas Eve 1969. Unlike today, most people in the City worked on Christmas Eve but everyone finished at midday and went to the pub. They got carried away and there were a lot of drunk people trying to make their way home in the afternoon when licensing hours meant the pubs had to stop serving at 3.30pm. Two officers were allocated to each pub to assist the landlord in clearing the bars. In 1969, I was allocated the Lamb. The atmosphere was generally good natured and there was little aggravation but there were a lot of drunk people, especially those that were once-a-year drinkers.

One Christmas Eve, I encountered a City gent in striped trousers and a bowler hat, with an umbrella, staggering towards me in Bishopsgate. He could not stand straight and hardly talk, but I managed to find out he had to catch a train from Broad St Station to somewhere in West London, so I literally carried him to the station and put him on a train home.”

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“When I joined the Force I was taken out under instruction by an experienced officer. Most had places where they could stop for a cup of tea and a chat, it was a good way to meet the community. They were known as ‘tea holes.’ One of the ones I was taken to was a coffin factory, situated on the first floor of Artillery Lane at the junction with Sandys Row. It surprised me to find such an establishment in the City. All the carpenters made the coffins by hand with one floor entirely for storage. I was told that – by law -they had to keep at least two hundred coffins in case they should be required in an emergency, if there was a disaster.”

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“Gun St is in Spitalfields and not strictly the City of London, but I would often cut through there from Brushfield St. There were a number of Victorian workshops, all run by the Asians, manufacturing clothing in sweatshops. In Gun St, they made leather coats and jackets and I purchased garments for myself, excellent quality and well made. The production process was astonishing to see, with dozens of people in a small space producing leather goods, measuring, cutting, stitching and sewing.”

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“A favourite beat of mine was around and beneath Fenchurch St Railway Station, especially through French Ordinary Court. It was an alley that led into the underground cavernous area beneath the railway station arches. Cool in summer and warm in winter, there was an overwhelming smell of spices as you entered the tunnel. Sadly, they have managed to erase the spices but the cobbles are still there as you emerge into Crutched Friars, very close to another favourite spot – the churchyard of St Ghastly Grim.”

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“The City of London Police Headquarters was situated at 26 Old Jewry since the Force was formed in 1839, it housed the offices of the Commissioner and Assistant Commissioner. The building was rebuilt in 1929 but, unusually for that time, retained the original staircase from 1725. Later, Old Jewry became the first offices of the Fraud Squad and the C.I.D. HQ. It was here I was interviewed to become a Cadet in 1967 and join the Force in 1969.”

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“The City of London Magistrates Court opened in 1990 at 1 Queen Victoria St after the Mansion House and Guildhall Justice Rooms were closed.”

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“Painted bright blue with an amber lamp on top, police boxes they were the main source of communication with officers on the beat before the advent of police radios. The general public could also summon help from a telephone in the upper part of the box. If an officer needed to be contacted, the amber light would flash on the boxes situated on his beat. If the light on the top was constantly illuminated, it signalled that royalty was in the City. By 1969, there were only a few occasions when you were not issued with a radio but, even so, the boxes were totally reliable unlike some of the radios.”

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“I love rock music and going to gigs and, as a teenager, my favourite band were The Nice. They split in 1970 and keyboard player Keith Emerson formed Emerson Lake & Palmer with Greg Lake and Carl Palmer. In the spring of 1972, I noticed heavy boxes  being unloaded from a large van in the lay-by outside the Fire Station in Bishopsgate with the word NICE painted on the sides. It could only be Keith Emerson’s equipment. The boxes were being taken into a lunchtime drinking club that was shut in the evenings called The Poor Millionaire, whose premises are now Dirty Martini. I had a chat to the roadies who invited me down and I spent the evening watching Emerson Lake & Palmer rehearsing their next album Trilogy. The band were very friendly and welcoming, and I got to play Keith’s Hammond organ while he was leaping around wearing my police helmet.”

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“Officers in the City of London Police are given a silver statue of a policeman upon retirement if they complete thirty years’ service. The origin of this goes back to the thirties when Mrs Firminger Paton a director of Baston-Firminger Ltd, Commodity Brokers in Cullum St, used to drive to her offices in her Daimler from her home in Wimbledon every day. Police officers assisted her passage through the City and she was so impressed she invited them to her house and garden each year for beer and a buffet in a marquee. In return, the grateful officers made a collection and had a silver policeman made that could be screwed onto the bonnet of her Daimler. When Mrs Firminger Paton died in the seventies, the mascot was returned to the City Police and kept permanently in the Commissioner’s office at her request. So it was then decided that retiring officers should each receive a Silver Policeman of their own.”

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Lew Tassell’s helmet

Lew Tassell’s oak truncheon which had been used by generations of policemen before him, dating back to the nineteenth century

Lew Tassell’s badge, keys and whistle

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At Ben Truman’s House

January 30, 2023
by the gentle author

Behold, the winter dusk is glimmering in this old house in Princelet St built in the seventeen-twenties for Benjamin Truman. A hundred years later, a huge factory was added on the back which more than doubled the size. In the twentieth century, this became the home of the extended Gernstein family from whom the current owners bought the house in the eighties. Notable as Lionel Bart’s childhood home, who once returned to have his portrait taken by Lord Snowden on the doorstep, in recent years it has served as the location for innumerable film and photo shoots. Then, as if to complete the circle, the house was sold to the proprietors of the Old Truman Brewery.

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Joyce Ellis At Minto Place

January 29, 2023
by the gentle author

Joyce Ellis

Billy Reading sent me this memoir by his great aunt Joyce Ellis, recalling her childhood visits to Minto Place, Bethnal Greet, home of her beloved grandfather James Ward (born 1861) and aunt Mary Ward (born 1888)

During the thirties, Mum and I used to visit my grandfather James Ward nearly every week in Bethnal Green, travelling by tram and bus from our home in Leyton. He lived at 5 Minto Place which was part of a terrace of houses whose front door opened straight onto the pavement. It was a rented house and the front upstairs bedroom was sub-let to Mr & Mrs Shave whom we never met.

Steep linoleum-clad stairs led directly up to grandfather’s tiny workroom at the back of the house. His trade was making hand-sewn ballet shoes, made from lovely soft leather, black, red and white, which when finished would dangle streamer-like on hooks from their long laces around the wall. He also made light-soled shoes and I can see him now, using hob and last, cutting, fixing the sole and hammering the tacks into place.

My grandfather sewed ballet shoes with waxed thread using two needles simultaneously which were curved at the ends, one held in each hand. He always wore a well-worn coarse apron, deeply marked with grease and dirt, and his hands bore the evidence of years of hard work. A fire burned in the grate in his work room in winter and it was stifling hot in summer, even when the sash window overlooking the yard and the adjoining grimy rooftops was thrown open wide. Frequently, he stopped for a rolled fag of good British Oak tobacco, which was lit by a homemade bullet-shaped lighter with a huge uncontrollable flame that had to be carefully manoeuvred to avoid singeing his moustache. And he supped large mugs of tea, in which he left the spoon whilst he drank.

Meanwhile, downstairs in the tiny scullery, Aunt Mary managed all the household duties in a quiet detached fashion. There was a coal-burning copper for clothes washing in one corner, with a deep sink and scrubbed wooden drainer attached, beside a small table and a cooker. Everything was spotlessly clean but very basic. When needed, odd slip mats were placed on the linoleum covered floor. Obviously, times were hard yet my Aunt was a wonderful manager, making the best of what was available.

Refreshments with my Aunt were taken in the dark front room. Bread, butter and jam, and quite often soda bread was provided, plus a good solid dripping cake with a handful of dried fruit. The fireplace had an over-mantle with ornaments and framed sepia photographs and, in winter, a coal fire flickered (excellent for making toast) and shone on the china cupboard with its coloured glass and decorated plates. The gas mantle over the fireplace was lit when dusk descended but not before in an effort to keep costs to a minimum. A fire would only be lit in a bedroom if the inhabitant was seriously ill – this was the only exception!

The scullery door led out into a small, walled backyard. It contained the lavatory with its scrubbed wooden seat and newspaper, carefully cut and hung on a string. The communal tap of the house was also in the yard alongside the tin bath hung from a nail on the wall. Jim, the terrier dog, had his kennel in the corner beside the mangle with large wooden rollers.

My grandfather had a disfiguring lump in his back. Apparently, he broke a bone years earlier while climbing a ladder at home but he scorned doctors and paid no attention to it at the time. In later years however, it gave forth an unpleasant discharge, although he never made any fuss about it. A very tough man, as those of his time and circumstances were, he had to survive and any show of weakness was scorned and belittled. His personal remedy for his ailment was ‘a good dose of liquorice powder,’ a tonic which he also administered to his dog.

Aunt Mary dutifully moved into Minto Place to care for my grandfather during his middle to later years. Missionary work in the East End of London was her life’s work and calling. Quite often accommodation went with the job and finally she became a caretaker and companion to a couple at a Jewish Mission close by Bethnal Green station. She always thought of the welfare of others with complete disregard for herself.

My grandfather was an Air Raid Warden during the Blitz and ruled Minto Place and its inhabitants with authority. His ‘local’ was the Lord Canrobert, just around the the corner in Canrobert St, to which made his way with clockwork regularity for a pint of beer. Cribbage was played and I seem to remember money being paid in weekly for various Thrift Clubs, a means of ensuring money was available, however little, when needed. Sometimes an unattended pram would be seen outside with a couple of young children in it, whilst the parents were imbibing, but mostly pubs were male-dominated while the women stayed at home.

Wolverly St playground and the dark satanic school with its high walls faced Minto Place. Neighbours often gathered at their hearthstone doorways, some sitting on chairs in sociable groups, for this was the place to exchange views or just watch life pass by. A cool breeze could be created by leaving the front and back doors wide open the filter air through the house. If you were lucky enough to scrounge an orange box from the market, add a set of old pram wheels, you were much sought after by companions. Home made scooters, were also popular, as well as hoops, tops and whips.

One method of washing was the Bag Wash. Clothes were boiled in vast coppers and taken home, after they had been mangled, to drape over what was available to dry, and irons were permanently kept by the fire to be heated when necessary.

This was the hey-day of the Pawn Broker with three brass balls hanging outside the shop. People in need of money urgently to pay off a debt, usually the rent, pledged whatever they thought might bring forward some ready cash – a suit of clothes, a watch perhaps – in the vain hope that they could pay back the Broker to redeem the items at a later date.

Most streets had a corner shop where such essentials as firewood at a penny a bundle could be bought. Paraffin and Carbolic Acid for drains were dispensed to your own tin or bottle, and Vinegar was stored in wooden casks – everything was sold loose. There were biscuits displayed in tins from which you made your own choice – pick ‘n’ mix – and broken biscuits were much sought after because they were cheaper. Household soap was sold as a long bar, cut to size as required, and stored for a while to harden in order to last longer.

Groups of musicians begged in the streets, frequently ex-service First World War veterans who were quite often limbless or blind and ever hopeful of a penny thrown their way. Unfortunately, most passersby were just as hard up themselves and could not afford to contribute.

East End Sunday mornings were never complete without a visit to crowded Petticoat Lane in Aldgate for shopping and meeting friends. The choice of goods and produce was vast, ranging from home made toffee and cough candies to fruit, flowers and vegetables. Herrings were sold straight out of deep barrels and live eels wriggled in trays until they came under the thud of the cleaver to be chopped into small pieces for the waiting customer. They did not come fresher than that! I shall leave the smell that pervaded the air to your imagination.

Hawkers sold bottles of medicine which they said would cure all your ailments. I well remember one who had the answer to the elimination of worms, which were quite prevalent in those days – I suppose through lack of general hygiene. He would have the offending worms on display, preserved in glass bottles, to support his claims. One had to be careful of bag-snatchers and pick-pockets in such crowds.

Nearby, Club Row was for the sale of livestock – puppies, barely old enough to leave their mothers, chicks to be reared in back yards for much-needed eggs, goldfish to be carried away triumphant in a jam jar. More or less anything could be bought or sold there.

Horse-drawn carts and wagons, both commercial and domestic – including the baker and the milkman – were still the main form of transport. While the carters were in pubs and cafes at lunchtime, horses were given their nosebags containing chaff, usually leaving great drifts of the stuff in the road where they had thrown up their heads to eat the reminder of the bag and spilt the contents. Great long stone drinking troughs were located at busy street corners for their consumption. Someone was always on the look out, ready to rush out armed with a bucket and shovel to sweep up the resultant manure for sale to the few who may have had a postage stamp-sized garden. I think the going rate was a penny a bucket.

My grandfather’s pride and joy was a very heavy bicycle on which he travelled everywhere, lit by a huge acetylene lamp. He had a black cape and sou’wester for wet days. When we lived in Leyton, Chingford and later Ilford, he regularly visited us on Sundays ‘on the bike’ up until his late seventies. His first encounter with a roundabout on the Woodford Avenue completely flummoxed him and he said he went round it the wrong way. Rene & I always received sixpence pocket money on these welcome visits. When we lived at 20 Flempton Rd, Leyton E10, my dad and grandad rented an allotment nearby. They shared the cost of seed, the work and the produce. Grandad cycled his share back to Bethnal Green in a hessian sack tied around his body. Dad built a nice shed with seats on three sides and hooks to keep the tools. A well was sunk and protected with a creosoted wooden lid.

Grandfather died in his mid-eighties after a short illness. Aunt Mary brought us the news – few people had telephones – and I can still remember the shock and emptiness that his death brought me. No more to hear the eagerly-awaited bell ring out on his bike to herald his arrival. No more to hear the latest news of Minto Place and its environs. He was a much-loved hardworking Victorian man, full of character and strength.

Minto Place was patched up many times after bomb attacks and was eventually pulled down for redevelopment. Aunt Mary was temporarily rehoused in a flat in the Guinness Buildings, Victoria Park, Bethnal Green, which was a dreadful depressing old building, long overdue for demolition. It was so dark that the light had permanently to be kept switched on. Lines of washing, secured from the balconies, stretched across courtyards until it was dry. Conversations seemed to echo from every level and the smell and feel of poverty was all around.

Thankfully, she was transferred to a block of flats know as Peabody Buildings in the Cambridge Heath Rd district of Bethnal Green, where she lived for a while, before finally moving as part of a London County Council scheme to relocate people out of London into the countryside at the edge of the Green Belt  at Chigwell Row in Essex. It was retired person’s flat but it was not long before she found part-time work, helping the family with housekeeping. I hope they appreciated her fully and thought themselves fortunate to have her services, as there never was a more conscientious or hardworking person. She lived entirely for other people – Church, family and work were her priorities.

Aunt Mary visited us at Babbacombe Gardens, Ilford, once a month, travelling by bus to Gants Hill and changing. When my brother Martin was born in 1953, she took over from my mother at the time of his birth and stayed a couple of weeks to undertake all the household duties to the last detail.

Although she never had much money to spend, Aunt Mary had the magic touch with cookery and was always able to turn basic ingredients into an appetising meal. Her needlework was also born out of making something out of nothing. Invariably, second hand material was used and her stitches were so tiny they could hardly be seen.

BBC Radio Four was her constant companion, enabling her to keep abreast of  current affairs, and reading widely was a great joy. The bible was the source of her knowledge, direction and peace of mind yet she was never sanctimonious or forced her faith upon us. Poetry was of particular interest to her and she would sometimes borrow my books to share and read aloud with her friends. I remember the Welsh poet W.H. Davies being one of her many favourites. Perhaps his early days as a tramp appealed to her?

Aunt Mary died aged seventy-six and is buried in Chigwell Row churchyard. Only upon reflection as an adult do I fully realise and appreciate her sterling, selfless qualities and sensitivity which endured unwaiveringly. I feel privileged to have such a dear aunt as my mentor.

James Ward enjoys a trip to the beach dressed in a three piece suit

A family group during the Second World War with James Ward second from right

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Henry Croft, Road Sweeper

January 28, 2023
by the gentle author

Henry Croft

Trafalgar Sq is famous for the man perched high above it on the column, but I recently discovered another man hidden underneath the square who hardly anybody knows about and he is just as interesting to me. I have no doubt that if you were to climb up Nelson’s Column, the great Naval Commander standing on the top would have impressive stories to tell of Great Sea Battles and how he conquered the French, though – equally – if you descend into the crypt of St Martin in the Fields, the celebrated Road Sweeper who resides down there has his stories too.

Yet as one who was born in a workhouse and died in a workhouse, Henry Croft’s tales would be of another timbre to those of Horatio Nelson and some might say that the altitude history has placed between the man on the pedestal and the man in the cellar reflects this difference. Unfortunately, it is not possible to climb up Nelson’s Column to explore his side of this notion but it is a simple matter for anyone to step down into the crypt and visit Henry, so I hope you will take the opportunity when you next pass through Trafalgar Sq.

Henry Croft stands in the furthest, most obscure, corner far away from the busy cafeteria, the giftshop, the bookshop, the brass rubbing centre and the art gallery, and I expect he is grateful for the peace and quiet. Of diminutive stature at just five feet, he stands patiently with an implacable expression waiting for eternity, the way that you or I might wait for a bus. Yet in the grand scheme of things, he has not been waiting here long. Only since since 2002, when his life-size marble statue was removed to St Martin in the Fields from St Pancras Cemetery after being vandalised several times and whitewashed to conceal the damage.

Born in Somers Town Workhouse in 1861 and raised there after the death of his father who was a musician, it seems Henry inherited his parent’s showmanship, decorating his suit with pearl buttons while working as a Road Sweeper from the age of fifteen. Father of twelve children and painfully aware of the insecurities of life, Henry launched his own personal system of social welfare by drawing attention with his ostentatious outfit and collecting money for charities including Public Hospitals and Temperance Societies.

As self-appointed ‘Pearlie King of Somers Town,’ Henry sewed seven different pearly outfits for himself and many suits for others too, so that by 1911 there were twenty-eight Pearly King & Queens spread across all the Metropolitan Boroughs of London. It is claimed Henry was awarded in excess of two thousand medals for his charitable work and his funeral cortege in 1930 was over half a mile long with more than four hundred pearlies in attendance.

Henry Croft has passed into myth now, residing at the very heart of London in Trafalgar Sq beneath the streets that he once swept, all toshed up in his pearly best and awaiting your visit.

Henry Croft, celebrated Road Sweeper

At Henry Croft’s funeral in St Pancras Cemetery in 1930

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