New Designs From Old Treasures
Renaissance Bronze bridle motif embellished with gold and set upon a silver pin
Jewellery maker Romilly Saumarez Smith has long been fascinated by all the small pieces of metalwork from previous ages that litter our landscape, endlessly lost, buried and rediscovered. The majority are not of significant quality or value to merit inclusion in a museum yet – however modest they may be – each of these items possesses a potent magic of their own. They speak of their makers and owners who inhabited this land centuries ago, evoking other times and other ways.
Over the last three years, Romilly has developed a collection of jewellery that cherishes these artefacts, presenting them in settings and mounts which are sympathetic to their material and form. A cardinal principle is that no object is damaged and the patina acquired over time is preserved.
“Because they come from the landscape, I decided to put them back into a landscape,” explained Romilly, referring to the subtle sculptural form of her work which exploits the possibilities of burnt and oxidised silver and gold to produce muted tones that offer a natural complement to the worn surface of old metal.
“Many of these are things that people have lost, maybe they fell off a bridle on the battlefield, and were once searched for,” Romilly told me, as I wondered over the great variety of her ancient treasures laid out upon her table in Stepney. Each one has been rescued now for perpetuity, ingeniously worked into brooches, mounting on rings or attaching onto pendants, so they will be valued and preserved safely by their new owners.
Upon closer examination, you realise that each piece consists a puzzle – or rather – a solution to a puzzle. Every artefact possesses different qualities of form, challenging the designer to conceive of the ideal means to present it sympathetically – proposing a dialogue between the original maker and the jewellery designer today. It can be a conversation in which each speaks a different language with results both humorous and poetic – such as the pair of gold rings, entitled ‘King & Queen,’ in a setting which is unexpectedly revealing of the quirky personalities manifest in two old buckles.
There is an irresistible romance in these exquisite pieces that declare their elegant contemporary handmade quality while also engaging with the distant past so affectionately and respectfully. No longer discarded junk metal, they become precious talismans – setting the concerns of our moment against the wider perspective of history, offering a welcome consolation and a necessary sense of proportion to the fortunate owner living in our modern age.
Dark silver brooch with a Roman turban nail head, gilded pins and a piece of eighteenth century paste
Medieval button and Renaissance finial mounted upon a silver ring
Nineteenth century buckle with teeth encased in gold
Eighteenth century thimble with silver embellishment
Broken eighteenth century thimble with gold edge attached to serve as a ring
Renaissance metal finial from a leather belt set upon a gold pendant
Medieval enamel button mounted upon a gold ring
Nineteenth century thimble with gold
Nineteenth century cut stone mounted in reverse in gold with pearls
King & Queen, buckles mounted as rings
Bronze Saxon brooch with traces of original gilding and addition of gold ring
Medieval buttons mounted upon gold earrings
Saxon bronze pin head mounted upon a silver ring
Golden hand from an effigy mounted upon a silver ring
Medieval castle brooch adorned with pearls and gold pins
Eighteenth century clasp filled with black pearls and gold pins mounted on a gold ring
Silver and gold pendant with black pearls, nineteenth century paste and earlier studs, finials and nail heads
Saxon ring embellished with pearls threaded on gold wire
Nineteenth century thimble mounted upon a gold ring
Saxon ring embellished with pearls threaded on gold wire
Medieval button mounted upon a gold ring
Nineteenth century thimble embellished with gold and silver wire
Photographs copyright © Lucinda Douglas Menzies
NEWFOUNDLAND – Joint exhibition of Romilly Saumarez Smith‘s jewellery alongside the work of Edmund de Waal runs Friday 10th to Sunday 12th October, 11am – 5pm
If you would like an invitation to attend the exhibition please email romilly@saumarezsmith.wanadoo.co.uk
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These are beautiful. Is there a website to connect to, or does one have to go to the show? (I live in Canada, so that’s not likely to happen…sadly.)
Brilliant idea
Fantastic idea! And Romilly Saumarez Smith found a market gap with it. — Would like to purchase some of these unique masterworks, but you do well to be quiet about the price…
Love & Peace
ACHIM
delightful recycling……….
Really unique pieces – not ‘samey’ like in most shops!
Wonderful artefacts beautifully photographed.
There was something familiar about these pieces. I checked and last year you had done a blog about Romilly. These pieces are simply brilliant! I liked her work last year and this year they are even better.
Beautifully done, well presented, lovely to view.
Thanks
All I can say is “awesome!” Amazingly beautiful.
Spectacular.
What stunning, original work – love it
what an amazing collection…fabulous!
Thanks so much for including the link to your post about the jewellery makers. The jewellery is amazing, and their way of working together is even more so.
Lovely and creative.
Beautiful pieces, very creative. 🙂
These are fantastic, and so beautifully and thoiughtfully made. Had I not been out of the country earlier this month I’d have definitely gone to the exhibition. Will there be another London show? In the meantime please check out my own jewellery etc made from fragments of clay smoking pipes that I collect from the Thames foreshores: http://www.amelia-parker.com/
Thanks, Jane