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At Quality Castings

June 27, 2014
by the gentle author

Andrew Hudson, Master Caster

Quality Castings has occupied a string of old buildings alongside the Regent’s Canal in Haggerston for the last thirty years but, now the property has become more valuable for residential use, the company is transferring their business to Hackney Wick this summer. So Contributing Photographer Sarah Ainslie & I decided to pay a visit this week and record this celebrated endeavour in familiar surroundings before they move out to a new factory further east.

Our guide was Alan Factor, a soft-spoken Welshman with twinkly eyes that cast an air of alchemical mystery upon preceedings, even as he revealed to us the plain reality of the lost wax process. “We do precision casting in aluminium, brass, bronze, silver, gold, platinum and palladium,” he explained, clasping his hands proudly when we met him in the tiny white cubicle of a reception room without windows. “Jewellery’s gone to the Far East,” he revealed, “So we do more for engineering and industry now. We are a service industry, we replicate other people’s products.”

In wonder, Alan told us about a conceptual artist who melted down celluloid film stock to remove the silver and cast a chewed pencil with the metal extracted. He told us about the husband who brought a dried rose that had sentimental meaning for his wife and asked to have it cast in a precious metal. He told us they made the handles for the Queen’s Gold Cup at Ascot, that she presented to herself when her horse came first. “She won her own cup that year,” Alan confided with a chuckle, showing us a picture of the famous cup.

“We make a lot of different things,” he assured me, widening his eyes with promise as he led us through into the workshop, which reminded me a little of a school science laboratory. In the far corner Paul Prowse, Master Mould Cutter, was packing rubber around a small piece of jewellery in a frame the size of a tobacco tin. Then he placed it in a heated press that would melt the rubber and compact it into a mould. Taking out a mould that had already cooled, he set to work with a sharp knife like an expert fishmonger, inserting the blade and cutting through to fillet out the object at the centre and leave a clean mould for casting.

Next to Paul, Precision Waxer Geoff Luke was holding the completed rubber mould up to a hot wax injection machine, to create a replica of the original. Once the rubber mould was filled, he placed it upon a refrigerated surface to harden the wax before opening it up to remove delicate wax facsimiles of intricate jewellery and, using a paintbrush, dust them with talcum to prevent any sticking in the plaster mould. Across the room, Chris Walsh, another Precision Waxer was working with a heat gun, attaching the fragile wax forms onto a central core, arranged dextrously in a spiral to create a curious tree-like filigree effect.

Along the corridor, Alan led us through another door where we met Andrew Hudson, Master Caster, lurking in his own lair – a dignified industrial environment. Andrew places the frail wax ‘trees’ into cylinders which he fills up with plaster to create the mould that receives the molten metal. These cylinders are baked overnight in ovens to melt away the wax and leave a void into which the metal is poured. Thus, when these moulds are finally broken open, replicas of the original items are revealed – having travelled a strange journey through mutability, becoming negative, positive, negative and finally positive objects again.

Hundreds of orders stream through, mostly turned round in a week with repeats occasionally turned around in a day. It is an ancient process that has not lost its magic even when it is done with such apparent effortless efficiency and accomplishment, as at Quality Castings.

In the mould-making workshop

Placing the rubber in the heated press where it will form a mould as it melts

Paul Prowse, Master Mould Cutter of sixteen years experience

Removing the original from the mould

A selection of rubber moulds

Geoff Luke, Precision Waxer of seventeen years experience, fills the mould with wax

Geoff dusts the wax replica of a gold ring with talcum to prevent it sticking in the mould

Chris Walsh, Precision Waxer

Treeing up

Trees of wax replicas – on the left you can see parts of a watch

One hundred and fifty thousand moulds in the store room

Andrew Hudson, Master Caster

The trees are surrounded with plaster to create a mould for the casting

The moulds sit overnight in the ovens to remove the wax

Crucibles for hot metal

The crucible sits in the upper canister and the molten metal runs down into the mould

Finished castings ready for despatch

Alan Factor joined the company as General Manager twenty years ago

Photographs copyright © Sarah Ainslie

Quality Castings is currently at 2-4 Orsman Rd, N1 5QJ but will be moving this summer to Victoria Park Industrial Centre, Rothbury Rd, E9 5HD

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11 Responses leave one →
  1. June 27, 2014

    Very interesting to see all the steps of the process they use to replicate things. I’m glad to see that this traditional hand-work has survived. Valerie

  2. Ros permalink
    June 27, 2014

    Great piece and photos – really enjoyed reading and learning.

  3. June 27, 2014

    Another wonderful and interesting posting, I can certainly say I’ve learned something new here today – and not for the first time!

  4. June 27, 2014

    My respect for this fine Craftsmanship!

    Love & Peace

  5. Ben Aron permalink
    June 27, 2014

    A Fantastic article about a Fantastic company!
    I have personally visited this factory on a number of occasions and I am always amazed at the quality workmanship and dedicated customer service. Keep up the great work ‘Quality Casting’ and Thank You ‘Spitafields Life’ for an interesting article.

  6. Sarah C permalink
    June 27, 2014

    Fascinating. Have known of the lost wax method for years but had not before seen photographs of the steps involved.

  7. Rupert Neil Bumfrey (@rupertbu) permalink
    June 27, 2014

    Good to see human skill is still appreciated and this has not been outsourced to robots.

    Long may they prosper in London 🙂

  8. Barbara permalink
    June 28, 2014

    Interesting article certainly but sadly another example of what is happening to businesses (and homes) in and around Hoxton. Developers are moving in and buying up properties at ridiculous prices forcing local people out ! I dare say canalside apartments are on the agenda, pity .

  9. Lisa Hamilton permalink
    July 3, 2014

    I have used this company for over 15 years, they always deliver. Great to see Alan’s twinkly eyes.

  10. Lesley permalink
    March 11, 2020

    What a great place to work.

  11. October 21, 2022

    Hi I have been trying to get hold of Alan and QC recently.

    I used to be a jeweller and QC did all my castings but I can’t find any contact details for them. Do you have a number of email I could use?

    Many thanks


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