Truman’s Spitalfields Pub Crawl
Fancy a couple of pints on Friday night? You are invited to come along on Truman’s pub crawl in Spitalfields this Friday in the company of Derek Prentice former Master Brewer in Brick Lane and Jack Hibberd of Truman’s Beer to learn the history of the rise and fall and rise again of brewing in the East End, and enjoy the opportunity to sample some of fine ales now being brewed by Truman’s. To join the party, simply meet at at 6:30pm this Friday 15th August at the Pride of Spitalfields in Heneage St and look forward to visiting some of the celebrated hostelries in these pictures.
The Pride of Spitalfields, Heneage St
Sandra Esqulant at The Golden Heart, Commercial St
Ten Bells, Commercial St

You may also like to read my stories about Truman’s Beer
First Brew at the New Truman’s Brewery
Tony Jack, Chauffeur at Truman’s Brewery
Truman’s Returns to Spitalfields
and take a look at
The Gentle Author’s Next Pub Crawl
The Gentle Author’s Spitalfields Pub Crawl
The Gentle Author’s Dead Pubs Crawl
The Gentle Author’s Next Dead Pubs Crawl
The Gentle Author’s Wapping Pub Crawl
WW1 At Gardners’ Market Sundriesmen
Paul Gardner with the portrait of his Great Uncle Claud Gardner
At Spitalfields’ oldest family business, Gardners Market Sundriesmen – in Commercial St since 1870 and now into the fourth generation – the past is never far away. Paul Gardner, the current incumbent, keeps a large old family bible under the counter, with a detailed list of all the comings and goings of the Gardners in Spitalfields over the past hundred and forty years written in the front, so that he may consult it whenever the need arises. “In my grandfather’s generation, there were thirteen in the family but only eight made it to adulthood,” he admitted to me.
The centenary of the outbreak of World War One proposes just such a moment of reflection by Paul, contemplating the lives of his grandfather Bertie (John) Gardner and Great Uncle (William) Claud Gardner whose fates were decided by the conflict in tragically divergent ways.
The story is often told of Bertie Gardner, the Scale Maker, who was enlisted in 1914 but called back off the train to Calais because his profession was deemed essential to the War effort. It was a stroke of good fortune that saved his life and brought him back to pass his years checking the scales in the Spitalfields Market weekly and selling bags from the shop in Commercial St, until he died from a heart attack in 1958 upstairs in the flat above the family business.
Yet his brother Claud never joined the business and was granted no reprieve. He was sent to the front where he died in 1917 and Paul keeps a copy of The Daily Sketch, with the news of Claud’s death, in the shop to this day. It was sent to the family in Commercial St by the newspaper rolled up in a tube and, if you ask, Paul will remove the tattered paper of a century ago from its cardboard tube and point out to you that the picture is not of Claud but a random portrait serving as a generic illustration. If deliberate and not a mistake, this was a strangely callous act by the newspaper – it seemed to me – since, although the readers might be unaware, it must have been a grave disappointment for his family, serving only to compound their loss.
“Bertie was born over the shop in Commercial St in 1893,” Paul told me, picking up the story of his grandfather who died when he was just two years old, “He joined up for the Merchant Navy in 1911 as a Pantry Boy and was discharged on May 20th 1914, so he came out prior to the war. It was my Nan who told me how he was called up again, but was called back off the train because he was one of the last Scale Makers in London and, obviously, being so close to the Spitalfields Market it was a very important job.” And Paul took this opportunity to retrieve the ledgers from the eighteen-nineties, so that we could enjoy poring through the columns of elegant script and recognise familiar addresses of customers all over the East End.
“I was only small when Bertie died and he just had one son, Roy my dad, so I only know him from what people say.” Paul continued, “Joan Rose told me that although she was a child, he always treated her like an adult when she came to buy bags for her grandfather’s greengrocers in Calvert Avenue. My Nan told me Bertie was a stickler for punctuality and, if he went upstairs to the flat for his dinner and if it wasn’t ready, he’d throw a wobbly – that was from his time in the Merchant Navy. He was very tidy and organised, and my Nan used to clean the shop every day.”
“Bertie went into the business with his elder brother Jimmy, they took over from their father and were B & J Gardner, but then Jimmy had a heart attack and it became B. J Gardner. When they started out they were Scale Makers, but then they diversified into sales tickets and paper bags, even pairs of bellows and carpet beaters – I’ve still got one somewhere. They used to paste the paper bags in the shop in those days. The apprentices slept down below in the basement and the family lived up above. They went round in a pony and trap to all the grocers to service the scales regularly, and sometimes, he took my Nan and all the family to Bournemouth in it. They kept the pony and trap in Fleur de Lis St and the pony was called Pat. We had the carriage lamp for years afterwards, I remember it in my time.”
“He had a working life and he was a hard-working sort of person, ” Paul concluded, lapsing into silence.
If Bertie had not been a Scale Maker, he might not have been spared combat in 1914 and history would have been different – and Paul Gardner might not be behind the counter at Gardners’ Market Sundriesmen today. Yet Bertie was fortunate enough to live and accumulate stories and be remembered by his descendants, unlike his elder brother, Claud, whose life was cut short and whose death was recorded in a newspaper, illustrated by a photograph of someone else. Thus is the curious manner in which the modest lives of Scale Makers and Bag Sellers in Spitalfields are intertwined with the great events of history.
Announcement of Claud Gardner’s death in the Daily Sketch – the paper did not have a photo and substituted a random soldier portrait in his place
Claud Gardner’s name is upon the memorial in Christ Church Spitalfields, formerly in St Stephen’s
Bertie Gardner & Evelyn Hayball
Bertie Gardner’s Certificate of discharge from the Merchant Navy
Bertie Gardner in uniform
Bertie with Paul’s father Roy

Outside the shop in Commercial St
The Gardners’ family bible, with more that four generations of Scale Makers and Bag Sellers
Gardners’ Market Sundriesmen, 149 Commercial St, E1 6BJ (6:30am – 2:30pm weekdays)
You may like to read my other stories about Paul Gardner
Paul Gardner, Paper Bag Seller
At Gardners’ Market Sundriesmen
Joan Rose at Gardners’ Market Sundriesmen
James Brown at Gardners’ Market Sundriesmen
So Long, Sir Richard MacCormac
Today we remember the celebrated Architect and long-time Spitalfields resident, Sir Richard Cornelius MacCormac, CBE, PPRIBA, FRSA, RA, whose funeral takes place in Christ Church this morning. Just two months ago, he published Two Houses in Spitalfields as a record of the adjoining properties that he and Jocasta Innes inhabited in Heneage St – each manifesting their owners’ contrasted sensibilities yet by their connection emblematic of the personal relationship which bound them together for thirty years.
Sir Richard MacCormac photographed at Southwark Station in 2013 by Dominic Harris
Born in Marylebone in 1938, Richard MacCormac came from a distinguished medical and naval family of Irish origin that included Queen Victoria’s House Physician. As a boy, he built model boats and then did his National Service in the Royal Navy. Possessing a life-long love for sailing, in recent years he owned a 1908 oyster-fishing smack that he sailed on the Thames Estuary.
Passionate to forge an humane version of Modernist architecture, Richard MacCormac worked on social housing projects in Merton in the nineteen-sixties before establishing his own practise in Spitalfields, MacCormac Jamieson Prichard, in 1972. Reconciling an Arts & Crafts appreciation for fine materials with Frank Lloyd’s delight in sympathetic geometry, he designed a series of notable buildings for Oxford & Cambridge colleges, including an accommodation block for Trinity College, Cambridge, that he considered his finest work. More recent projects included Southwark Station and the new Broadacasting House in Portland Place which succeeded in elegantly counterbalancing George Val Myers’ 1935 building, despite the meddling of BBC executives.
In Spitalfields, Richard MacCormac will be fondly remembered for his shrewd intelligence, wit and generosity of spirit. Within one month last year, he and Jocasta Innes each discovered they were afflicted with terminal cancer and both met these tragic circumstances with singular fortitude and strength of character.

Secret door in Richard MacCormac’s house that led to Jocasta Innes’ house
View back from Richard MacCormac’s house towards the secret door
Stairwell with display of medals belonging to Richard MacCormac’s ancestors
Model boat constructed by Richard MacCormac
Richard MacCormac’s library
Folding desk in Richard MacCormac’s study
Hallway of Jocasta Innes’ house
Jocasta Innes’ kitchen
Jocasta Innes’ library with portrait of her mother
Chest in Jocasta Innes’ bedroom
Secret door on the landing in Jocasta Innes’ house leading to Richard MacCormac’s house
“The two Spitalfields houses, and our lives, were bound together, continually touched by our shared interests. They have many characteristics in common – illusion, allusion, surprise, humour and, of course, colour, but with the distinct identities which reflect us both” – Richard MacCormac
All photographs except exterior shot © Jan Baldwin
Exterior photograph © Hélène Rollin
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In Dutch Tenterground
Norman Jacobs sent me this unpublished memoir written by his father Isaac (known as Ikey) Jacobs, entitled Fleish or no Fleish? Below I publish extracts from his extraordinarily detailed manuscript, comprising a tender personal testimony of a Spitalfields childhood in the years following World War I.
Ikey Jacobs in 1959
My Tenterground consisted of six streets in the form of a ladder, the two uprights being Shepherd St and Tenter St, and going across like four rungs. Starting at the Commercial St end were Butler St, Freeman St, Palmer St and Tilley St – and this complex was encapsulated by White’s Row, Bell Lane, Wentworth St and finally Commercial St.
Our family lived in Palmer St which had about ten houses each side. They were terraced with three floors, ground, first and top. Each floor had two rooms, the front room overlooking the street and the back room overlooking the yard. By today’s standard the rooms were small. The WC and water tap were in the yard, and there was no inside toilet or running water.
The house we lived in contained three families. On the ground floor was a tailor who used his two rooms as a workshop. He was a foreigner, or – to us – a ‘Pullock.’ All foreign Jews were called ‘Pullocks’ by English Jews, no matter which part of Europe they came from. It was a corruption of ‘Pollack.’ Should my mother be having a few words with a Pullock, she would tell her to go back to Russia – Geography not being her strong point. Incidentally, if we had words with an English family they would tell us to go back to Palestine. So it evened itself out. Our family, with roots of settled residence in England traceable back to the seventeen-nineties, spoke no Hebrew or Yiddish worth mentioning, and I’m ashamed to say paid but only lip service to Jewish holidays.
Jack Lipschitz was the tailor’s name. He threatened me with dire consequences for mispronouncing his name – his surname of course. He had a sewing machine in his front room where his wife and daughter, Hetty, worked and a sewing machine and long bench for ironing in the back. He did all the ironing whilst his brother, Lippy – also part of the menage – worked the back room machine. In the summer, Jack did all the pressing in the yard where there was a brick fire for the irons. How these four people lived and slept there too, I don’t know.
Up one flight of stairs to a small landing saw the door to Solly Norton’s rooms, which he shared with his wife, Polly, and son, Ascher, who was about my age. They had the first gramophone I ever saw, the type with the big horn. I would often go down and play with Ascher to hear it. The Nortons kept a fruit stall in the Lane.
Up another flight, along another very small landing, the door to our front room faced you. We moved to Palmer St from Litchfield Rd in Bow where we had lived in my Aunt Betsy’s house. She was one of my mother’s elder sisters, so I assume my parents must have rented a room or two off her.
I came into the world as the second child on December 21st 1915, my sister Julia having joined the human race on on April 30th 1914. The move to Palmer St must have taken place in late 1916 or early 1917. Once there, the family increased at a steady pace – Davy 1917, Woolfy 1919, Abie 1921, Joe 1923 and Manny 1924. We were named alternatively, one on Dad’s side of the family and one on Mum’s, Julia being the name of Dad’s mum and Isaac the name of Mum’s dad.
Rebecca & John Jacobs
My father was by trade a French polisher. When there wasn’t much in that line – which was often enough – he would turn his hand to other things. He was a very good lino-layer and, as he knew quite a few furniture shops along the Whitechapel and Mile End roads, he would get the occasional job doing that. From time to time, he would act as a waiter at the Netherlands Club in Bell Lane (note the connection with the Dutch Tenterground). He did this with a tall elderly man called Phillip, and I would often boast to my friends that my father was Head Waiter at the Bell Lane Club, which is what we called it.
My mother worked as a Cigar Maker, when she was single, in a firm she referred to as Toff Levy. Like many other cigar and cigarette firms of that time, it was situated in Aldgate. It was all handwork and girls were cheap labour. Working in the same firm was a certain Sarah Jacobs, and a friendship sprang up between her and Mum. This friendship sealed my destiny for – although as yet I was unborn – Fate had decreed that I was to be a Jacobs.
My mother was christened Rebecca (but known ever after as Becky), and she was the eighth child of Isaac and Clara Levy, born in the heart of the Lane at 214 Wentworth Dwellings on November 22nd 1888, just a few months after Jack the Ripper was supposed to have written the cryptic message “The Juwes are the men who will not be blamed for nothing” on one of its walls. My Nan, who had produced this heavenly babe, was herself a midwife. But alas for poor Isaac Levy, whose forename I proudly bear, he died at the turn of the century in company with Queen Victoria. My mother had told me that she left Castle St School at thirteen years of age, which seems to coincide with the death of her Dad, who had been a lifelong cripple and had to wear, as my mother put it, a ‘high boot.’
My dad, John, first saw the light of day on March 7th 1892 at 23 Bell Lane as the first child to bless the union of David and Julia Jacobs. His arrival was followed in quick succession by that of a brother Woolf and sister Sarah, the eventual link between John and Becky when she too worked for Toff Levy.
Upon our arrival in Palmer St, a stone’s throw as the crow flies from both Wentworth Dwellings and Bell Lane, we were a family of four, but we steadily increased to nine. Living on the top floor with this ever-expanding family had its problems – getting the pushchair up and down stairs, the occasional tumble down the stairs by one of the little ones, carrying up all the water and then the disposal of the dirty water again. Sharing one WC between three families didn’t help either.
On entering our front room, on the far right wall was a small coal-fired range, grate and oven. To its right, in a sort of recess, was a bed which was occupied by Mum and Dad, and generally the latest arrival. To the left of the fireplace, was a dresser which held the plates, cups and saucers and jam jars. Cups had a high mortality rate amongst us kids, so stone jam jars were pressed into service. Most of the cups were handleless. Some of the plates were of the willow pattern design and Mum would often tell us the story they depicted – “Two little boys going to Dover” etc.
We slept in the back room. We never had pyjamas, I don’t think we’d ever heard of them. So going to bed was quite a simple procedure – jersey, trousers, boots and socks off and into bed in our shirts. I can’t remember Julie’s night attire, she slept with the younger ones. We older boys slept like sardines, heads top and bottom, with all our legs meeting in the middle.

Ikey Jacob’s Map of Dutch Tenterground
On reflection, I suppose we were a very poor family. Dad did not seem to have regular work and the burden of feeding our ever increasing family fell heavily on the shoulders of mother. In the main, we lived on fillers like bread, potatoes and rice, but it wasn’t all doom and gloom. When Dad was working we did have good meals, but memory tells me there may have been more lean times than fat ones.
Bread and marge was the usual diet for breakfast and tea. Rice boiled with shredded cabbage or currants was served for dinner many a day. Potatoes, with a knob of marge, or as chips did service another day. Fried ox heart or sausages sometimes accompanied the potatoes. Fried herrings and sprats were issued when they were plentiful and cheap. There were times we would have a tomato herring and a couple of slices of bread, William Bruce was the name on the tin of these delicacies, still a favourite of mine today.
It was a common practice in our house to buy stale bread. One of us would be sent to Funnel’s with a pillow case and sixpence to make the purchase. Early morning was the best time to go as many other families did the same thing. We were not always lucky but when we were the lady would put four or five loaves in the pillow case, various shapes and sizes, for our tanner. When we got them home mum would sort out the fresher, or shall I say the least stale, for eating, and the remainder would then be soaked down for a bread pudding. Delicious.
We would also buy cakes that way too from Ostwind’s in the Lane. Six penn’orth of stale pastries was our order to the shop assistant and she would fill a paper bag up with them, probably glad to get rid of them. When in funds, large cakes were also bought on the stale system and I would often be sent to Silver’s, high class baker in Middlesex St, to purchase a sixpenny stale ‘bola,’ a large posh-looking cake.
‘Itchy Park’ was the only park in the area. Not very large, it contained the usual gravestones, seats, trees and a few swings. As boys we were not always welcomed by our elders, who would probably be trying to have a kip. I used to like picking the caterpillars, little yellow ones, off the trees and putting them in matchboxes. Someone had told me they would eventually grow into butterflies but, after watching them carefully for a few days and finding nothing had happened, I would discard them – box and all.
The park was contained by a small wall from which sprouted high railings. Along this wall, sat the homeless and down and outs. It was said the park got its name from these people rubbing their backs against the railings because they were lousy. A drinking fountain, was set in between the railings with a big, heavy metal cup secured by a heavier chain. It was operated by pressing a large metal button, and the water emerging from a round hole below it.
In front of this stood a horse trough, much needed then as most of the traffic serving Spitalfields Market was horse drawn. The Fruit & Vegetable Market was very busy, especially in the morning when Commercial St would be choked with its moving and parked traffic. All the produce would be laid out on sacks, in baskets or in boxes, and one of the sights of the market was to see porters carrying numerous round baskets of produce on their heads. For me, this was the best time of day to go looking for ‘specks’ – these were bad oranges or apples thrown into a box. Selecting those with half or more salvageable, I would take them home where the bad parts were cut away and the remainder eaten.
Ikey Jacobs in 1938
There were times when Dad would have to pay the Relieving Officer a visit. I don’t know how the system worked, but if you could prove you were in need he would allocate certain items of foodstuffs, and, I suppose, a few bob. After all, the rent had to be paid. His establishment was popularly called ‘the bun house.’ When Dad returned we all gathered round to inspect the contents of the pillow case as he placed them on the table. The favourite was always the jar of Hartley’s strawberry jam. Being a stone jar, when emptied, and that didn’t take long, it served as another cup. The least popular item was the cheese, suffice to say we called it ‘sweaty feet.’
Our main provider in the winter months was the soup kitchen in Butler St. It opened two or three nights a week and issued bread, marge, saveloys, sardines and of course soup. The size of the applicant’s family decided how many portions they were entitled to – the portions ran from one to four. When you first applied they issued you with a kettle, we called it a can. It had a number stamped on the side depicting how many portions you were to get. Ours had four.
When it opened for business we would all line up outside along Butler St. Once inside, six crash barriers had to be negotiated in a single line till the door leading to the serving area was reached. There would be two men doing the serving, both dressed in white and wearing tall chef’s hats. The first one would give me four loaves, always brick loaves, two packets of Van den Burgh’s Toma margarine and two tins of sardines. If I preferred saveloys to soup, he would give me eight of those. I was always told to get the soup, because we had saveloys once and they were 80% bread.
Having dealt with the grocery department, I moved along to the soup-giver. He was a great favourite of mine, known by our family as ‘the fat cook,’ a stout, domineering man with a fine beard. As I gave him the can, he would look me in the eyes and ask, “Fleish or no Fleish?” If you did not want any meat you’d say “No Fleish.” Although, as a rule, the meat was 50% fat, I was always instructed to get some. So I would look up into his eyes and reply in a loud voice “Fleish.” He would glare at me and go off to a large boiler to get it.
There was a long table with form seating down each side, set out between the boilers and the servers, where anybody, Jew or Gentile, could go in and sit down to a bowl of soup and a thick slice of bread. They did three different varieties of soup – rice, pea and barley alternatively, one variety per night. People who did not want the soup at all, but just the groceries, were given a metal disc with the portion number stamped on it. Funny, not wanting soup in a soup kitchen.
Every Passover, before they closed for the summer, we would be given four portions of groceries for the holiday. Four packets of tea and of coffee, (I loved the smell of that coffee, its aroma came right through the red packet with Hawkins printed on it) Toma marge and many other foodstuffs. But not matzos – these were obtainable from the synagogue. Dad would come back from Duke’s Place Shul with about six packets of these crunchy squares. The ones we disliked most were Latimer’s because they were hard, but generally he would bring Abrahams & Abrahams, a trifle better. But beggars can’t be choosers and I suppose we were beggars, now I come to think of it.
Eventually the time came when we were told we were to leave the Tenterground. It was going to be pulled down. All I felt was despair. I knew no other place or way of life. Those dirty streets and slum houses were part of me. Long after we left, I would dream I was back there only to wake up to the reality that the Tenterground had gone for ever. Well, not quite for ever, there is still a little boy who haunts those long vanished streets – Ikey Jacobs.
A page of Ikey Jacobs’ manuscript
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More Of Charles Hindley’s Cries Of London
In his History of the Cries of London, Ancient & Modern of 1884, Charles Hindley reused many woodblocks from earlier publications and this series below dates from perhaps a century earlier.
Of all the sets I have published in these pages, these prints best illustrate the necessity of the Cries, since in most cases it would not be possible for customers to tell at a distance what sellers had in their baskets so, as well as announcing their presence, the Cries declared the wares on offer. There is a particular animated quality to this set, tracing the footsteps of the hawkers as they trudge the narrow streets, negotiating the puddles and the filth – and it makes you realise how much walking was involved, lugging produce round the city on foot.
Newcastle Salmon! Dainty fine Salmon! Dainty fine Salmon! Newcastle Salmon!
Yorkshire Cakes, who’ll buy Yorkshire Cakes? All piping hot – smoking hot! hot! hot!
Buy my Flowers, sweet Flowers, new-cut Flowers! New Flowers, sweet Flowers, fresh Flowers, O!
Buy green and large Cucumbers, Cucumbers, green and large, Cucumbers, twelve a penny!
Buy Rosemary! Buy Sweetbriar! Rosemary & Sweetbriar, O!
Come and buy my Walking Sticks or Canes! I’ve got them for young and old.
Buy my Cranberries! Fine Cranberries! Buy my Cranberries! Fine Cranberries!
Buy my fine Gooseberries! Fine Gooseberries! Threepence a quart! Ripe Gooseberries!
Pears for pies! Come feast your eyes! Ripe Pears, of every size, who’ll buy?
One a penny, two a penny, Hot Cross Buns! One a penny, two a penny, Hot Cross Buns!
Worcestershire Salt!
Buy Great Eels!
Buy Great Plaice!
Buy Great Smelts!
Buy Great Whiting!
Hats or Caps! Buy, Sell or Exchange!
Bread & Meat! Bread & Meat!
Hot fine Oatcakes! Hot fine Oatcakes!
Fine Oranges & Lemons! Oranges & Lemons!
I sweep your Chimney clean, O! Sweep your Chiney clean, O!
Buy my Diddle Dumplings, hot! hot! Diddle, diddle, diddle, Dumplings hot!
I have Hot Codlings, Hot Codlings!
You may also like to take a look at these other sets of the Cries of London I have collected
More John Player’s Cries of London
More Samuel Pepys’ Cries of London
Geoffrey Fletcher’s Pavement Pounders
William Craig Marshall’s Itinerant Traders
H.W.Petherick’s London Characters
John Thomson’s Street Life in London
Aunt Busy Bee’s New London Cries
Marcellus Laroon’s Cries of London
William Nicholson’s London Types
Francis Wheatley’s Cries of London
John Thomas Smith’s Vagabondiana of 1817
John Thomas Smith’s Vagabondiana II
John Thomas Smith’s Vagabondiana III
Thomas Rowlandson’s Lower Orders
At Lucy Sparrow’s Felt Corner Shop

Lucy Sparrow
In 1993, there was Rachel Whiteread’s ‘House’ sculpture in Grove Rd, then Tracey Emin & Sarah Lucas’ ‘Shop’ in Bethnal Green Rd and now Lucy Sparrow’s ‘Corner Shop’ in Wellington Row. Each of these endeavours has succeeded in capturing the public imagination in different ways, as reflections upon the traditional East End landscape of terraced housing and small independently-run shops – and, in her witty and deceptively-ambitious creation, Lucy Sparrow proves herself a worthy successor to her illustrious predecessors.
For several years, I have been walking past the melancholy empty dry-cleaners in Wellington Row on my way to Columbia Rd, so it was a joy to return this week with Contributing Photographer Patricia Niven and find the place humming with life. As her most ambitious project to date, artist Lucy Sparrow has stitched the entire contents of a corner shop, down the minutest detail, in felt and the collective effect is quite overwhelming and beautiful.
Upon arrival, there is an infectious atmosphere of collective celebration as visitors delight in discovering familiar items of grocery recreated in felt and wonder at how these everyday things have been rendered strange and exotic. It is both a dreamlike vision of the world transformed into textiles and a poignant elegy for a culture that is passing away – as our corner shops, which once provided important social spaces for local communities, are closed or replaced by soulless and exploitative chains.
“I have been making things with felt since I was nine, that’s twenty years, and my first job, at fourteen years old, was in a corner shop,” Lucy admitted. Once she said this, the dramatic literalism of her endeavour became apparent, because this is the result of seven months labour on Lucy’s part, working fourteen hours a day to sew more than four thousand items by hand. It is touching when you recognise favourite purchases, whether chocolate bars, packets of cigarettes or cans of soup stitched so affectionately, and it unlocks a personal nostalgia, recalling your own emotional memories that are bound up with these modest objects.
So convincing is Lucy’s needlework that, a few times each day, customers arrive without realising they are entering an art installation and, even as I stood talking with her, someone came in and asked to buy a bottle of water. “We’ve got as far as me putting the box of cigarettes on the counter before they realised,” Lucy confided to me, “That was a proud moment!”
Locals make their own felt groceries at one of Lucy’s workshops
Lucy Sparrow with Saturday Boy Bradley Garrett and Shop Assistant Rachel-Anne Read
Photographs copyright © Patricia Niven
The Corner Shop is open at 19 Wellington Row E2 7BB, until 31st August from 10am – 7pm
You may also like to take a look at
The Corner Shops of Spitalfields
Viscountess Boudica & The Tricity Contessa
“its been a moving exsperance for me”
As you can see, Viscountess Boudica of Bethnal Green is in heaven. She has found the Tricity Contessa 643 electric cooker that she has been searching for since 1978. For Marcel Proust it was madeleines, for Charles Foster Kane it was Rosebud, but for Viscountess Boudica it was the Tricity Contessa. She has been yearning for it for the last forty years – as the key to unlock her past – and, now that her quest is fulfilled, the temps perdu have been regained in Bethnal Green.
Viscountess Boudica wrote to me to convey the happy news and revealed in her own words how the Tricity 643 first entered her life – “the orridginall tricity 643 was brought from a shop in the village back in 1961 and my mother said she’d only had it a couple of days when on the 6th of November – a Monday I think – it was at one o five in the morning, she went into labour on the kitchen table in the cottage and I was born and slid off the table and hit my head on the tricity cooker then I was rushed to hospital. talk about taking a bunn out of the oven.”
Naturally, I was curious to learn more of the mystical allure of this seemingly mundane domestic appliance, so I paid the Viscountess a visit and she confided to me the childhood psychological drama surrounding the Tricity Contessa 643.
“What happened was that, when I was five years old, me and my mother went to live in one of two properties in Lynam belonging to my Aunt Mabel who lived nearby in Shipton. It was an old dilapidated bungalow. On this particular day, Mabel was supposed to take me to school because my mother had to leave early that morning. And Mabel brought Susie with her, the daughter of her son, who was a spoilt brat of five years old. Mabel doted on Susie.
I can remember that day as if it was yesterday. It was about a quarter to eight and I’d had no breakfast, so my aunt said, ‘You can have a fried egg.’ She put the pan on the cooker with some lard in it but then Susie started playing up and Mabel had to leave. She said to me, ‘When it’s done, turn it over. You’ll know when it’s done when it starts to burn.’ So she left with Susie.
Then the egg started to spit and it caught me in the eye. I felt this pain in my eye. As a child, the kitchen seemed large to me, and I had to stand on a chair to do the washing up or even to put the light on. So I stood on a chair to reach the cooker. I managed to turn off ring number three but my hand slipped and I fell off the chair onto the cardinal red floor.
All I remember is waking up next to the frying pan with the egg all over the place congealed on the floor and I had a terrible headache. When I saw my aunt Mabel a few days later, I told her what had happened. ‘You stupid boy, you should have been more careful,’ she said, ‘but at least you’ve learnt to cook now which will stand you in good stead on the farm.’ And I thought, ‘You old bag!’ She told me it would be stupid to tell my mum and I managed to get the floor cleaned. For a few years, I had a mark in my eye, and it left me with a fear of frying pans and frying.
As the years went by, we moved around to different places and eventually we moved into prison quarters in Chelmsford and the Tricity 643 was put in storage. My new stepfather, David, was a prison warder who used to play cards with the Krays. Eventually, the Tricity Contessa was given away because only gas cookers were permitted on prison property.
So, in 1978, I decided I needed to find the Tricity 643 again. I went round to all the secondhand dealers and put an advert in the Essex Chronicle. I wanted to get back to that day in 1963 to relive the events and change the outcome. It was terrible that my mother went off and left me, and my aunt shouldn’t have left me either. It was a kind of pain that I hadn’t experienced before, and I was afraid that the place would catch fire and I’d be trapped in it.
When I went to all the secondhand dealers, looking for a Tricity 643, they said, ‘We’ll get you one next week, why not take a look at this other one now?’ Although I got distracted, I was determined never to give up even though I met some unscrupulous characters and if I hadn’t met them my life would have been different. As time went on, I broadened my search and people brought old cookers to me from as far as Bradford until I had three sheds full. They were all different models and half of them were no good.
Then, three weeks ago, I was looking online as I always do and I thought, ‘Can I be bothered to scroll through the thousands of cookers?’ – and then I saw it, and it came from Guildford! It was nine days until the sale, so I emailed the seller to make an offer but he said, ‘No,’ and I had to bid in the auction. It was going quickly and other people were bidding on it, but I won with a bid of thirty-six pounds. It cost me fifty pounds to get it delivered. I’ve cleaned it but I haven’t plugged it in yet.
It has been a long and arduous journey, and a lot of deception and lies from those devious secondhand dealers. But I have relived the events of that day and laid my feelings to rest, and I am peaceful now. I shall always keep the Tricity Contessa 643. I’m going to use it and fry eggs. They say, ‘Everything comes to she who waits.’“
Yet this is not quite the end of collecting domestic appliances for Viscountess Boudica because, this week, she also took delivery of a Moffatt electric cooker from 1900 that now sits proudly in her living room. Thus, like all true quests the seeker found not just the object of the quest but also acquired something else of value along the way – since Viscountess Boudica has gathered London’s best private collection of vintage domestic appliances, all of which she has restored herself. It was the necessity of seeking the Tricity Contessa 643 that led Boudica to them, discovering unexpected joys and enriching her life with a passion for these wonderful old contraptions that no-one else loves.

Viscountess Boudica as a child
The fabled Tricity Contessa 643 of 1961

Viscountesss Boudica’s drawing of the Tricity 643 from memory
Viscountess Boudica faces up to her fear of frying
Boudica’s new Tricity Contessa came with its original instruction manual
Vicountess Boudica’s other new acquisition
The Moffatt Electric Cooker of 1900 – “It’s survived two world wars!”
You may also like to read about
Viscountess Boudica’s Domestic Appliances
Viscountess Boudica’s Halloween
Viscountess Boudica’s Christmas
Viscountess Boudica’s Valentine’s Day
Viscountess Boudica’s St Patrick’s Day
Viscountess Boudica Goes Cornish
Read my original profile of Mark Petty, Trendsetter
and take a look at Mark Petty’s Multicoloured Coats









































































































