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Matt Walters, The Human Statue

February 8, 2016
by the gentle author

An unexpected tap on the head in the Spitalfields Market yesterday was enough to convey the joyous news that my pal, Matt Walters the Human Statue, had returned after an absence of several years

Did you ever walk through the Spitalfields Market and feel the lightest touch upon you, as if the ghost of some long-departed market porter were reaching out across time? Very likely that was Matt Walters the Human Statue, who has been standing on a box in the market for the last five years and become the catalyst for the long-running drama that takes place each weekend in the narrow passage between the Creperie and the Rapha Cycle Club.

As visitors arrive in the Spitalfields Market, walking from the new development into the old building and enjoying the historic ambience, including the bronze figure of a man in flat cap, they are sometimes shaken from their reverie by a tap on the head from the living statue. The innocent hilarity thus engendered has become an attraction in its own right and you will regularly find a small crowd assembled here with cameras at the ready to record the never-ending amusement as a stream of unwitting newcomers are bamboozled in similar fashion.

The mysterious and slightly sinister charisma of the human statue is one of enduring fascination to adults and children alike. Most people are more than willing to enter into the light-hearted complicity required, with the rare of exceptions of little ones that become gripped with abject terror and big ones whose dignity is affronted by such unwarranted mischief. Yet, succumbing to the pull myself – like some latter-day Don Giovanni – I arranged a private assignation with the statue and he favoured me by breaking his customary silence.

“My father a was an Orthopaedic Surgeon and General Practitioner, but I left school after I flunked all my O levels. Then I lasted a couple of months studying catering until the craze of robotic dancing came in, and I found I was good at it and I could make a living out of being a robot.

After about ten years of doing that, I saw my first human statue in Paris and by then I’d had enough of being a robot. It was at Fontainbleu and I couldn’t understand why all the French were staring at this statue in a flowerbed, so I went up to touch it and she grabbed me – scared the living daylights out of me! I literally came back and –  although I didn’t know how – I decided I was going to do it. I had a booking as a robot at a night club but I turned up and said, ‘I’m going to be a human statue.’ So I got my make-up on and painted myself up and stood in the foyer for two and a half hours and that was that. It didn’t go too well, as the club owner didn’t notice me and thought I’d gone home. But after two and a half hours my calves were killing me, so I dropped the character and stepped off my plinth, and the whole club freaked out – ‘Bloody hell, it’s alive!’

That was fifteen years ago, so I have been doing this for twenty-eight years now. It’s really hard to stand still, it takes a lot of core strength and you have to breathe quite shallowly. I’m looking around for who to pick and you can always tell who’s comfortable by the way they walk towards you. I lower my heartbeat while I’m standing, my pulse goes down to twenty-eight and I feel very relaxed. It nearly killed me in November though, because I had blood clots in my lungs and the doctor said it might be from standing still such a long time. But I am fully recovered and you know, ‘Worse things happen at sea!’ I hope I’ll be doing it for a few years yet, because no-one can see my age under the make-up. The oldest human statue is in the Ramblas in Barcelona – he is seventy-four and he looks like the perfect statue of a wizened old man.

I love what I do and there is the freedom of choosing your hours. Each day, I start at 11:30am and finish about 7:00pm with a few breaks in between. A policeman said to me, ‘Every time you touch someone, technically you are assaulting them.’ but people understand that it’s harmless. I’m very lucky with the comments I get, people say, ‘I’ve never seen anything as good as that.’ I’m at the top of my tree. I’m not begging, I’m a performer and people choose to put money in the tin or not. You always give your best performance and let people take as many photos as they like, whether they give you something or not.

Before the recession, business was really good. I had thirteen people working for me at one time – training them up, breaking them in and teaching them how to apply their make-up. I’d have four or five corporate events each week and at least one wedding each weekend. In the early days, I did the opening of every new Specsavers, that’s three hundred and sixty shops. And I did all the openings for Hotel du Vin too, for a while we were synonymous. It was a successful business until it all came crashing down around me and now I am a solo street entertainer – doing Spitalfields each Sunday, South Bank on Monday, Kingston on Thursday or Friday, and Wimbledon on a Saturday. It all depends where I’m racing – I used to do ultra-marathons but now I do cycle racing. My other passion is bird watching, I’ve seen the Peregrine Falcons at St Paul’s and at the Barbican. Half my ear is listening to birdsong and the other half is listening to people around me – you get so much more attuned when you are silent.

I dress up as a Chimney Sweep generally, but if it gets hot I paint myself white all over like a Sandstone Figure. I only do that if there’s a shower because otherwise it takes six boxes of baby-wipes to remove the make-up. I have great skin because I’m always exfoliating. I do other colours as well, so if there’s a corporate logo I can spray it on my body with a stencil and match up the colour. I also do a Roman Centurion, Stars & Stripes for 4th July, and Verdigris, and I do a Torch Bearer with a real flaming torch for night-time. I don’t wear gold or silver, I make myself up to look like a real bronze statue. I was Planet Hollywood’s human statue at the Trocadero for eight years. I was there for the Olympics and I’m going back for four or five days a week this summer. They regard it as a kind of subliminal advertising because people get involved with my act and then they go into the restaurant.

Nowadays, there’s all these people down in Covent Garden with masks which I regard as cheating. In my time, there used to be the Doggy Man who sat in a cat basket, Duncan the Silver Gladiator and the Leaning Man, who had his shoes nailed to a board and could lean forty-five degrees. There were four of us lined up, so you had to work hard to earn your money but I enjoyed the competition.

I’ve been in Spitalfields for five years. I came here just after it had been redeveloped and I dropped one of my cards off at the market office, and they rang me up and I have been here ever since. When I started, the owner of the cafe came out and said ‘I love what you do, you can have a free coffee in my cafe anytime.’ The security guards are very protective and the stall holders are very friendly too. You’d think people would suss out what I’m doing by now, but there’s always a mass of new people coming through and I’ve had  tourists returning each year to find me. The glass roof keeps the rain off and it’s sheltered here, unlike Covent Garden where I was exposed to the cold and snow. I love Spitalfields, it’s a great place to be a statue.”

Matt Walters, Human Statue

Don Giovanni and the Statue by Alexandre-Évariste Fragonard, c. 1830-35.

You can book Matt Walters, the Human Statue, through Mechanical Fracture

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7 Responses leave one →
  1. February 8, 2016

    haha for the Fragonard :))

  2. HelenEssex permalink
    February 8, 2016

    I first saw human statues in Las Ramblas, Barcelona 9 years ago. Like many, I didn’t know if this one was real, but of course, when it moved if frightened the life out of me!

    However, I’ve been fascinated by them ever since.

    I think the most convincing ones are those who are stand alone and only them, not a street full of statues.

    I shall probably forget about the human statue, the next time I’m in Spitalfields market and be totally freaked out by Matt Walters!

  3. February 8, 2016

    This is a fascinating insight in to little known acting way of life. It is well penned and I hope this account will be passed on with our blogs to Matt the statue-man. He is highly skilled with a stage presence, he must have lots of self discipline. With his many standups he does at Spitalfields Market and elsewhere he has controlled areas of his physique to cope with long period’s of standing to attention, the market staff ‘look out’ for him that’s nice. Matt I hope you give many more performances and all your audience’s put plenty of cash in your collection bucket placed at your feet your worth it. Just keep going please. John

  4. Robert Green permalink
    February 8, 2016

    I have seen Matt Walters many times as I pass through Spitalfields market and even though I must have seen him probably hundreds of times each time I pass I aways have to stop for a few minutes to amuse at his presence, I greatly admire his dedication to his craft, it must take incredible discipline, having seen him “in action” many times I can testify that he really is a single handed atraction to the market in his own right, unlike the police officer who was quoated as saying “technically him touching people is assault” = and they really wonder why ? ?

  5. Linda Granfield permalink
    February 8, 2016

    Fascinating! I’ve always wondered how these performers cover themselves so well with the paint, etc. When they DO move no skin peeks out, the folds of the fabric aren’t different colour, etc.
    I know you can’t reveal the ‘magic’ but wow, am I curious! Must be difficult to paint oneself that well! And not be able to wash the clothing? And how do they sit down if the clothing is hard? And, and, and…..

  6. pauline taylor permalink
    February 8, 2016

    I think that the expression on the face of the child in photo 3 is great, you can see the cogs going round and how mystified he is. Lovely!

  7. February 8, 2016

    Matt is really fantastic as a living statue. Valerie

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