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How To Write A Blog That People Will Want To Read

January 4, 2015
by the gentle author

If readers are inspired to seek a new venture in 2015, they are very welcome to join my course HOW TO WRITE A BLOG THAT PEOPLE WILL WANT TO READ on Saturday 7th & Sunday 8th of February in Spitalfields. Here are a few examples written by participants from previous courses.

RESERVATION & HILLYBILLY NIPPERS

http://www.flytippings.com

This picture was taken in 1905 and is of students at Tunassassa Indian School. This was a Quaker-run boarding school for Indians. My grandmother is the girl above the left shoulder of the matron in white. My grandmother married another student from the school and had three children with him. After he died, she married my grandfather. He had gone to Thomas Indian School. They had two children, my uncle and my mom. One of the many things my grandmother learned in school was how to quilt, and she is the reason that I became a professional quilter.

This is my mom – in the braids – when she attended the local school, before she went away to college where she met my father.  They were married for forty-three years until his death. She had seven children, me and my brothers. She died after a long illness two years ago. She attended a one room school house, then went to high school with white students. She hated to have to wear braids, and when she went to high school she cut her hair and never wore it long again.

Here’s a picture from about 1934 – seated is my dad and standing next to him is his half-brother.

There was this was big family secret I only found out years after he died, that they were half-brothers. My great uncle revealed the story after I said my grandmother had told me that my grandfather was “the handsomest man” that she ever laid eyes on. This was a puzzler as no-one would describe my grandfather like that.

So my great uncle told me the story of the mystery man who worked with my great uncle, he met my grandmother, they got married (?) and he left her before my dad was born. Later my grandfather had moved to the city and lived next door to my grandmother. When they married he made her a deal, she would never speak of my dad’s father and would have no contact with his family. She kept the deal, except for that stray comment.

My dad lived with his grandparents when he was little and was a native Russian speaker. He was a boxer, an artist and a bum. He died in 1992.

BUG WOMAN’S WEDNESDAY WEED

Every Wednesday, I find a new ‘weed’ to investigate. My only criterion will be that I will not have deliberately planted the subject of my inquiry.

http://bugwomanlondon.com/

The Totteridge Yew (Taxus baccata)

I always feel a little melancholy at New Year. Maybe it is because I am an introvert and I no longer drink alcohol, which makes me uneasy in situations of forced jollity and large crowds? Or maybe it is because January feels more like a time for staying in bed – preferably with an excellent novel and a bowl of syrup pudding – than a time for taking up jogging and eating kale?

So, to give myself some perspective, I went to see the oldest living thing in London with my long-suffering husband, John. This magnificent Yew tree lives in St Andrew’s churchyard in Totteridge, a twenty-minute bus ride from East Finchley. It has seen at least two thousand New Year’s days come and go, and is still full of fresh growth and vigor. To ensure its health, a team from Kew Gardens visited thirty years ago and did a little judicious pruning and shoring up of the centre of the plant, which invariably becomes hollow as the plant ages.

Yew is often found in churchyards. In this, as in many other examples, the tree long predates the church even though there has been some kind of ecclesiastical building here since around 1250. It is likely that the church was built on a site that was already sacred and the tree, then a stripling of just over a thousand years old, was already a place for rituals and meetings. In 1722, a baby was found under the tree, named ‘Henry Totteridge’ and made a ward of the parish.

Part of the reason for the longevity of Yew is that it is very slow-growing and some scientists believe it can reach ages of four to five thousand years – the Totteridge Yew is one of only ten trees in the country that date from before the tenth century.  The oldest wooden artifact in Europe, a 450,000 year-old spearhead found in Clacton-on-Sea, is made of Yew. All parts of the plant are poisonous, except the red flesh on the berry,  and chief of the Celtic tribe the Eburones (the ancient word for Yew was Eburos) killed himself by ingesting a toxin from it rather than submitting to the Romans.

Yew is known to be poisonous to horses and, in hot weather, the foliage produces a gas which is said to cause hallucinations. But it can also be used to produce a drug for use in breast cancer and so, for a while, pharmaceutical companies were looking for Yew forests to destroy. However, what is new to science is often already known by native peoples and Yew has long been used by Himalayans as a treatment for breast and ovarian cancer.

Yet this is not the first time Yew has been subjected to over-harvesting. It is perfect for the making of longbows and in the fifteenth century compulsory longbow practice for all adult males was introduced, depleting these slow-growing trees so profoundly that Richard III introduced a ‘tax’, insisting that every ship bringing goods to England had to include ten bowstaves for every ton of goods. During the sixteenth century, the supply of Yew dwindled until there was none left in Bavaria or Austria and the custom of planting Yews in churchyards to ensure future demand may have begun at this time.

Spending time outdoors  soothes my soul, especially when I am in the company of a tree of such remarkable character as the Totteridge Yew. It was already a thousand years old when the Normans came with their stone masonry and castle-building. How many babies have been borne past it in their mother’s arms for Christening? How many young couples have passed under its branches on their wedding day? How many sombre coffins have been carried under the lych-gate to the freshly-dug graves that surround it? Once people came up to the church on foot or in horse-drawn carts, where now they swoosh past in cars. If only it could tell me what it has seen.

As I go, I rest my hand for a moment on that smooth, rose-pink bark, as I suspect so many others have done before me. I feel a sense of calm descend, as if I have been holding my breath for a week and finally let it out.

PEOPLE I MEET – DAVID CANTOR

http://davidcantor.weebly.com/blog

David was a promising young boxer with aspirations to turn professional until, leaving a disco one night in Peckham, someone pointed a loaded shotgun at his head. David lost an eye and suffered a head full of pellets.  It took a full year and a great deal of personal courage just to learn to walk and talk again .Today, David is an active campaigner against the carrying and use of guns by urban gangs, often finding himself at odds with the civic authorities. David argues, with a great deal of authority, that he is uniquely qualified to talk about the dangers of gun crime.  Despite this, he tells me that he has been barred from entering City Hall and discussing the issues by Boris Johnson’s office. Different people, same objective, unable to agree on a common approach. What needs to happen, David asserts, is that ‘young stars’ take greater heed from someone who talks their language and fully understands the peer and other pressures that lead to the carrying of guns. Whatever the difficulties, David continues his campaign in his own personal and distinctive style.  That he is a survivor not a victim is undeniable – his resilience and determination to ensure that what happened to him does not happen to others is a tribute to this remarkable man.

PAPER BLOGGING

http://www.paperblogging.com/

Roxbury Puddingstone

We have a type of rock in my neighbourhood that is all our own, geologically found only in a corner of Boston. A messy mix of ‘non-glacial subaqueous mass flow’ or ‘leftovers’ it is not elegant but I love it because it is ours – and I look for it and notice it constantly.

Everywhere I go here, I ask if people know about our Roxbury Puddingstone. Very often they do not. One mom exclaimed, “Oh! That’s why a Massachusetts monument I saw in Washington looks like that! I thought they were being cheap!” Yes, our State Rock looks like poured concrete full of builder’s detritus.

Back in the day, Boston proper was a small peninsula jutting into the harbor. The large lump inland was Roxbury and, this huge region south of the peninsula, is where this conglomerate stone is found. It is also known as the Church Stone, since at least thirty-five nineteenth century Boston churches were built from Roxbury Puddingstone.

The Museum of Science in Boston boasts a marvellous Rock Walk, a Geological Hall of Fame. There you will find samples from such superstars as The Rock of Gibraltar and the Giant’s Causeway – such highs and lows as the peak of Denali and the depths of Death Valley, even a petrified tree from Arizona. As the local favorite, dear old Puddingstone gets a look in too, humble and shy amid such greats.

Perhaps because it is so ugly, the Museum prepared the specimen by cutting off a slice and polishing the cut surface to a beautiful, unnatural shine. It really brings out the unique qualities of the individual rocks in the mix. Actually it is lovely. “But look, kids!” I say to my children, “Look at the ugly side. That’s what it really looks like. Our Puddingstone.”

One Geologist states, “The Roxbury is to geologists what the dropped ‘R’ is to linguists, a sign that you are in Boston, for the Puddingstone only occurs in and around the Hub. And like this linguistic trait, no one knows exactly where these rocks originated.”

Oliver Wendell Holmes in his eighteen-thirties poem, The Dorchester Giant, imagined a fanciful origin for the stone and used to wax lyrical about the joys of it. “It is interesting to see how the same subject presented itself to the poet in different moods,” ponders an editor at Eldritch Press. “There is a passage in ‘The Professer at the Breakfast-Table’ which begins, ‘I wonder whether the boys who live in Roxbury and Dorchester are ever moved to tears or filled with silent awe as they look upon the rocks and fragments of ‘Puddingstone’ abounding in those localities.’ Then follows a half page of eloquent speculation on the Puddingstone.”

Creative Edwardian house builders perched mansions on precipices of the stuff rather than battle reality. Since driving kids past these mansions occupies far more of my time than writing this blog, I look and notice the Puddingstone and enjoy the journey far more. I scan sideways for the great, thrusting outcrops of the gray, bulbous mess, and smile lovingly at the knowledge that Oliver Wendell Holmes was just as filled with wonder.


HERNE HILL PIANO – RANDOM ENCOUNTERS IN A RAILWAY WALKWAY

http://hernehillpiano.co.uk/

Maureen Ni Fiann wrote a blog about the Herne Hill People’s Piano and now she has made this film


CHIRPS FROM AROUND THE WORLD – EITHNE NIGHTINGALE

https://eithnenightingale.wordpress.com/

The Muslim Museum Of Australia

I take the number 86 tram to the end of the line and then walk through a creek for about forty minutes. I sigh with relief when I see a mosque, enter and ask the warder, “Can you direct me to the Islamic Museum of Australia?” The warder looks blank. He knows nothing about any museum so I hail a taxi. I fall lucky. The cab driver is a Lebanese Muslim who has taken his children to this new museum that recently opened in February 2014. “It’s a Turkish mosque,” he says as if that explains the ignorance of the warder.

I enter into a hall way filled with light filtered through a frieze of stars.  I pass quickly through the sections on Islamic way of life although stop to read an illuminating interpretation of ‘jihad’ and to listen to young enlightened Muslim women. In the next gallery, I stop to read about the Islamic take on the Dark Ages. It is the Golden Age of Islamic science, engineering, literature, art, architecture and navigation communicated through an up-beat, child-friendly film. The text too is engaging. I learn about a Muslim who opened vapour baths on Brighton seafront in 1759 and was appointed Shampooing Surgeon to King George IV and William IV.

Passing through the contemporary art gallery, I am stopped in my tracks by an upright surfing board decorated with Islamic design – even more startling than the Aboriginal kippah. It is the history of Muslims in Australia that captures me.

As early as the seventeenth century, Muslim fisherman came from Indonesia to Australia’s shores. They sailed across the ocean, fifty boats at a time, to fish for sea slugs, considered a delicacy by the Chinese. That is until their visits were banned in 1907. Then came the camel-handlers from Afghanistan, Pakistan and India. Two thousand came between 1870 and 1920 to drive twenty thousand camels. The animals were ideal for exploring into the interior, and transporting material for constructing roads. Unable to bring over their wives and children the handlers left in the 1940s when camels were no longer needed. That is except for those who had married Indigenous or European women.

On the way back to the city, I pick up a newspaper and read about the siege in Sydney – a radical Muslim or a deranged individual? It was a timely reminder of the importance of such a museum.

HOW TO WRITE A BLOG THAT PEOPLE WILL WANT TO READ, 5 Fournier St, Spitalfields, 7th & 8th February

Spend a weekend in an eighteenth century weaver’s house in Spitalfields and learn how to write a blog with The Gentle Author.

This course will examine the essential questions which need to be addressed if you wish to write a blog that people will want to read.

“Like those writers in fourteenth century Florence who discovered the sonnet but did not quite know what to do with it, we are presented with the new literary medium of the blog – which has quickly become omnipresent, with many millions writing online. For my own part, I respect this nascent literary form by seeking to explore its own unique qualities and potential.” – The Gentle Author

COURSE STRUCTURE

1. How to find a voice – When you write, who are you writing to and what is your relationship with the reader?
2. How to find a subject – Why is it necessary to write and what do you have to tell?
3. How to find the form – What is the ideal manifestation of your material and how can a good structure give you momentum?
4. The relationship of pictures and words – Which comes first, the pictures or the words? Creating a dynamic relationship between your text and images.
5. How to write a pen portrait – Drawing on The Gentle Author’s experience, different strategies in transforming a conversation into an effective written evocation of a personality.
6. What a blog can do – A consideration of how telling stories on the internet can affect the temporal world.

SALIENT DETAILS

The course will be held at 5 Fournier St, Spitalfields on 7th & 8th February from 10am -5pm on Saturday and 11am-5pm on Sunday. Lunch catered by Leila’s Cafe and tea, coffee and cakes by the Townhouse.

Email spitalfieldslife@gmail.com to book a place on the course.

Doors Of Spitalfields

January 3, 2015
by the gentle author

As we enter the threshold and commence the New Year, I present you with the doors of Spitalfields. How many do you recognise and how many will you walk through in 2015?

Underwood Rd

Pedley St

Brick Lane

Fournier St

Commercial St

Deal St

Brick Lane

Fournier St

Princelet St

Fournier St

Brick Lane

Fournier St

Toynbee St

Elder St

Hanbury St

Fournier St

Blossom St

Elder St

Brick Lane

Fournier St

Woodseer St

Fournier St

Hanbury St

Fournier St

Brushfield St

Toynbee St

Princelet St

Wentworth St

Leyden St

Sandys Row

Artillery Lane

Crispin St

Elder St

Spital St

Elder St

Quaker St

Hanbury St

Folgate St

You may also wish to look at

The Doors of Old London

The Manhole Covers of Spitalfields

The Dead Signs of Spitalfields

In Search Of Val Perrin’s Brick Lane

January 2, 2015
by the gentle author

In recent days, the weather in London has been bright but yesterday offered a suitably occluded sky to set out with my camera in search of Val Perrin’s Brick Lane and below you can see my photographs beneath Val’s shots from 1972, revealing forty years of change in Spitalfields.

Brick Lane 1972

Brick Lane 2015

Cheshire St 1972

Cheshire St 2015

Cheshire St 1972

Cheshire St 2015

Brick Lane 1972

Brick Lane 2015

Cheshire St 1972

Cheshire St 2015

Brick Lane 1972

Brick Lane 2015

St Matthew’s Row & The Carpenters’ Arms 1972

St Matthew’s Row & The Carpenters’ Arms 2015

St Matthew’s Row 1972

St Matthew’s Row 2015

Sclater St 1972

Sclater St 2015

Corbett Place from Hanbury St 1972

Corbett Place from Hanbury St 2015

Bacon St 1972

Bacon St 2015

Code St & Shoreditch Station 1972

Code St & Shoreditch Station 2015

Pedley St Bridge 1972

Pedley St Bridge 2015

1972 Photographs copyright © Val Perrin

You may also like to take a look at

Val Perrin’s Brick Lane

More of Val Perrin’s Brick Lane

Val Perrin’s Empty Brick Lane

Part 3. The Life Of Peter Stanley Brown

January 1, 2015
by the gentle author

Following Part 1. A Discovery At Christmas and Part 2. Christmas On The Moor, this is the concluding piece in a series of three short memoirs, revealing the contents of a locked box that my father carried his whole life and telling the story it contained, which I discovered after his death.

Peter & Gwladys

This is the only photograph of my grandmother, Gwladys Brown, and my father, Peter, yet even in this image – taken in Exeter in 1924 – she appears to be fading like a ghost, just as she vanished from his life and from the world after he had been adopted. I only learnt of her existence in 2001 when I opened a locked box after my father died and discovered a dozen of her letters which revealed she was a single mother who had been forced to give him up as a baby.

These letters comprise Gwladys’ account of the unravelling of her life – my father’s adoption and her confinement in a tuberculosis sanatorium on Dartmoor for ten months. Only one subsequent letter exists, written on the day she was discharged to a nursing home, suggesting that the treatment at the sanatorium was ineffective and, in the absence of any further correspondence or information, I can only conclude that she died there.

Looking back over the correspondence, I am puzzled at how Gwladys found herself alone and without any family or relatives in the small cathedral city of Exeter. Just as the father of her child was unidentified, she seemed to have sprung from nowhere. How fortunate she was to have the support of my adoptive grandmother, Edith, an entrepreneurial middle-aged woman who ran a fish and chip shop and rented out her yard for bicycle storage to the crowds visiting the local football ground. With her husband, a newspaper seller and rent collector, they adopted my father and – perhaps as an attempt to put the tragedy behind them – moved from a terrace in the city centre to a new house in a small estate along the river, where my father grew up.

Accompanying the letters in the box was Peter’s birth certificate with the official truth spelled out, confirming Gwladys Brown as his mother and without any name listed for his father. Peter was too young to understand what happened to him when he was given up and it seems unlikely he had any memory of his mother. He used to tell me about the poor children with no shoes that he saw in the street when he was a child. It was a memory that haunted him and I think he was relieved that he had been spared.

The couple who adopted my father had a daughter of their own and my father used to take me to visit her on Sunday mornings when I was small child but, once I started preparatory school, these visits ceased and I never saw her again. I wonder if this was a deliberate separation between his old life and his new on his part. From the moment I was born, my name was put down for a private school and throughout my childhood my parents struggled to find the fees even at the reduced rate we paid, thanks to a means test that my father tolerated in silent humiliation. I realise now that my father worked his whole life to become middle-class and, though as an adolescent I found it embarrassing, I have come to appreciate the virtue in possessing the facility to take control of your life rather than existing at the mercy of circumstances, as my grandmother had done.

It was a matter of great shame to my father that, at eleven years old, he went to work in a foundry, yet he redressed this degradation through his prowess on the football pitch and whenever I walked through the city with him he was always greeted by fellow players who had become his lifelong friends. It was at the peak of his sporting success that he met my mother, an educated woman from a classy background. Her liberal mind and his social aspiration bound them together, yet also rendered them baffling to each other.

The achievement of my university education fulfilled both their ambitions, even if my father was disturbed to witness the mental exertion of academic study close up. “You can only do your best,” he reassured me once, on discovering me in a delirious state of exhaustion, “I only want you to be able to do what you please in life.” I realise that much of who I am today came from the direction I was given by my father in reaction to that crisis of 1923. But, in his final years, he told me several times he was satisfied with his own life and its outcome, and I believe Gwladys would have been gratified to learn what became of her child.

I often wonder when my father first read his mother’s letters and I think he made the box to contain them himself when he was a young man, as part of the process of fashioning his own world. I believe he chose to preserve the letters and keep them safe his whole life as a tender remembrance of her. I have also kept all the letters and cards that my parents ever wrote to me and, now that both are dead, I cannot part with any of their missives.

I understand why my father needed to keep his story secret and I deliberated whether to tell my mother, until I realised that if my father had wished to tell her then he had already done so. In the years prior to his death, she had suffered bouts of mental illness and his loss accelerated her confusion, so the question of whether to reveal the contents of the locked box quickly grew irrelevant.

It was a lonely responsibility Peter carried but I believe the all-consuming drama of life took him away from sadness and grief. In a sense, he could ‘forget’ about the contents of his box, even if he could never destroy it. I like to think he kept it for me to find after he had gone.

My dearest Mrs -, You will be surprise to hear that I am at Ivy Banks. I came down today. I am here for a couple of months. The Dr at Hawkmoor thinks I have been there too long, ten months this week, & another change will do me good. How are you getting on? Sorry to have kept you so long for a letter but have been so poorly again, have been in bed three weeks & still in bed. I came all the way by car with a nurse. How dear I would love to see you come and see me. Come down, I expect you know the visiting hours, 2 till 5 o’clock in the afternoon, I would love to see you. Being so far away at Hawkmoor I had no chance of seeing anybody. Of course dear, you know I have never forgotten you & I never should. In fact I thought of you such a lot while I was at Hawkmoor. Excuse short letter but in haste for post. Would love to see any of you. Pop in, it do cheer one up. Hope all are well. All my dearest love to you all, Gwladys xxxx Peter love  xxx

Peter Brown

The couple who adopted Peter

Peter’s first bicycle

Peter as a boy

Peter in 1990

Gwladys Brown

You may also like to read

Part 1. A Discovery At Christmas

Part 2. Christmas On The Moor

Charles Goss’ Vanishing London

December 31, 2014
by the gentle author

33 Lime St

A man gazed from the second floor window of 33 Lime St in the City of London on February 10th 1911 at an unknown photographer on the pavement below. He did not know the skinny man with the camera and wispy moustache was Charles Goss, archivist at the Bishopsgate Institute, who made it part of his work to record the transient city which surrounded him.

Around fifty albumen silver prints exist in the archive – from which these pictures are selected and published for the first time today – each annotated in Goss’ meticulous handwriting upon the reverse and most including the phrase “now demolished.” Two words that resonate through time like the tolling of a knell.

It was Charles Goss who laid the foundation of the London collection at the Institute, spending his days searching street markets, bookshops and sale rooms to acquire documentation of all kinds – from Cries of London prints to chapbooks, from street maps to tavern tokens – each manifesting different aspects of the history of the great city.

Such was his passion that more than once he was reprimanded by the governors for exceeding his acquisition budget and, such was his generosity, he gathered a private collection in parallel to the one at the library and bequeathed it to the Institute on his death. Collecting the city became Goss’ life and his modest script is to be discovered everywhere in the archive he created, just as his guiding intelligence is apparent in the selection of material that he chose to collect.

It is a logical progression from collecting documents to taking photographs as a means to record aspects of the changing world and maybe Goss was inspired by the Society for Photographing the Relics of Old London in the eighteen-eighties, who set out to photograph historic buildings that were soon to be destroyed. Yet Goss’ choice of subject is intriguing, including as many shabby alleys and old yards as major thoroughfares with overtly significant edifices – and almost everything he photographed is gone now.

It is a curious side-effect of becoming immersed in the study of the past that the present day itself grows more transient and ephemeral once set against the perspective of history. In Goss’ mind, he was never merely taking photographs, he was capturing images as fleeting as ghosts, of subjects that were about to vanish from the world. The people in his pictures are not party to his internal drama yet their presence is even more fleeting than the buildings he was recording – like that unknown man gazing from that second floor window in Lime St on 10th February 1911.

To judge what of the present day might be of interest or importance to our successors is a subject of perennial fascination, and these subtle and melancholic photographs illustrate Charles Goss’ answer to that question.

14 Cullum St, 10th February 1910

3, 4 & 5 Fenchurch Buildings, Aldgate, 28th October 1911

71-75 Gracechurch St, 1910

Botolph’s Alley showing 7 Love Lane, 16th December 1911

6 Catherine Court looking east, 8th October 1911

Bury St looking east, 3rd July 1911

Corporation Chambers, Church Passage, Cripplegate, 31st January 1911 – now demolished

Fresh Wharf. Lower Thames St, 28th January 1912

Gravel Lane, looking south-west, 11th October 1910

1 Muscovy Court, 5th June 1911

3 New London St, 28th January 1912

4 Devonshire Sq

52 Gresham St, 17th September 1911

9-11 Honey Lane Market, Cheapside, 16th October 1910

Crutched Friars looking east from 37, 11th February 1911

Crutched Friars looking east, 28th October 1911

35 & 36 Crutched Friars, 28th January 1912

Yard of 36 Crutched Friars looking north, 11th February 1912

Yard of 36 Crutched Friars looking south, February 11th 1912

Old Broad St looking south, 24th July 1911

Charles Goss (1864-1946)

Photographs courtesy Bishopsgate Institute

You may also like to take a look at

The Ghosts of Old London

A Room to Let in Old Aldgate

and see more of Goss’ photography

Charles Goss’ Photographs

Charles Goss’ Bishopsgate Photographs

Elegy For The White Hart

December 30, 2014
by the gentle author

The White Hart c. 1800 by John Thomas Smith

Charles Goss, one of the first archivists at the Bishopsgate Institute, was in thrall to the romance of old Bishopsgate and in 1930 he wrote a lyrical history of The White Hart, which he believed to be its most ancient tavern – originating as early as 1246.

At the end of the year which saw last orders called at The White Hart forever, I have been reading Goss’ account to compose this elegy for one of London’s oldest inns.

“Its history as an inn can be of little less antiquity than that of the Tabard, the lodging house of the feast-loving Chaucer and the Canterbury pilgrims, or the Boar’s Head in Eastcheap, the rendezvous of Prince Henry and his lewd companions.” – CWF Goss

In Goss’ time, Bishopsgate still contained medieval shambles that were spared by the Fire of London and he recalled the era before the coming of the railway, when the street was lined with old coaching inns, serving as points of departure and arrival for travellers to and from the metropolis. “During the seventeenth and eighteenth centuries, The White Hart tavern was at the height of its prosperity.” he wrote fondly, “It was a general meeting place of literary men of the neighbourhood and the rendezvous of politicians and traders, and even noblemen visited it.”

The White Hart’s history is interwoven with the founding of the Hospital of St Mary Bethlehem in 1246 by Simon Fitz Mary, whose house once stood upon the site of the tavern. He endowed his land in Bishopsgate, extending beneath the current Liverpool St Station, to the monastery and Goss believed the brothers stayed in Fitz Mary’s mansion once they first arrived from Palestine, until the hospital was constructed in 1257 with the gatehouse situated where Liverpool St meets Bishopsgate today. This dwelling may have subsequently became a boarding house for pilgrims outside the City gate and when the first licences to sell sweet wines were issued to three taverns in Bishopsgate in August 1365, this is likely to have been the origin of the White Hart’s status as a tavern.

Yet, ten years later in 1375, Edward III took possession of the monastery as an “alien priory’ and turned it over to become a hospital for the insane. The gateway was replaced in the reign of Richard II and the date ‘1480’ that adorned the front of the inn until the nineteenth century suggests it was rebuilt with a galleried yard at the same time and renamed The White Hart, acquiring Richard’s badge as its own symbol. The galleried yard offered the opportunity for theatrical performances, while increased traffic in Bishopsgate and the reputation of Shoreditch as a place of entertainments drew the audience.

“Vast numbers of stage coaches, wagons, chaises and carriages passed through Bishopsgate St at this time,” wrote Goss excitedly, “Travellers and carriers arriving near the City after the gates had been closed or those who for other reasons desired to remain outside the City wall until the morning, would naturally put up at one of the galleried inns, or taverns near the City gate and The White Hart was esteemed to be one of the most important taverns at that time. Here they would find small private rooms, where the visitors not only took their meals but transacted all manner of business and, if the food dispensed was good enough, the wine strong, the feather beds deep and heavily curtained, the bedrooms were certainly cold and draughty, for the doors opened onto unprotected galleries – but apparently they were comfortable enough for travellers in former days.”

The occasion of Charles Goss’ history of The White Hart was the centenary of its rebuilding upon its original foundations in 1829, yet although the medieval structure above ground was replaced, Goss was keen to emphasise that, “When the tavern was taken down it was found to be built upon cellars constructed in earlier centuries. Those were not destroyed, but were again used in the construction of the present house.” This rebuilding coincided with Bedlam Gate being removed and the road widened and renamed Liverpool St, after the Hospital of St Mary Bethlehem had transferred to Lambeth in 1815. At this time, the date ‘1246 ‘- referring to the founding of the monastery – was placed upon the pediment on The White Hart where it may be seen to this day.

“This tavern which claims to be endowed with the oldest licence in London, is still popular, for its various compartments appear always to be well patronised during the legal hours they are open for refreshment and there can be none of London’s present-day inns which can trace its history as far back as The White Hart, Bishopsgate,” concluded Goss in satisfaction in 1930.

In 2011, permission was granted by the City of London to demolish all but the facade of The White Hart and this year the pub shut for the last time to permit the construction of a nine storey cylindrical office block of questionable design, developed by Sir Alan Sugar’s company Amsprop. Thus passes The White Hart after more than seven centuries in Bishopsgate, and I am glad Charles Goss is not here to see it.

The White Hart from a drawing by George Shepherd, 1810

White Hart Court, where the coaches once drove through to the galleried yard of the White Hart

Design by Inigo Jones for buildings constructed in White Hart Court in 1610

Seventeenth century tavern token, “At The White Hart”

Reverse of the Tavern Token ” At Bedlam Gate 1637″

The White Hart as it appeared in 1787

The White Hart, prior to the rebuilding of 1829

The White Hart in recent years

The White Hart as it stands today

Amsprop’s impression of the future of The White Hart as a facade to a cylindrical office building.

Archive images courtesy Bishopsgate Institute

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Part 2. Christmas On The Moor

December 29, 2014
by the gentle author

Following Part 1. A Discovery At Christmas, this is the second in a series of three short memoirs, revealing the contents of a locked box that my father carried his whole life and telling the story it contained, which I discovered after his death.

Gwladys Brown, 3rd September 1917, aged 22

After Peter, my father, died in October 2001, I collected all the old photographs in the house and attempted to identify them, but there were many people from the time before I was born whom I did not recognise. I arranged those who were familiar to me in a series of photo albums, while those who were unknown were reluctantly consigned to a box.

At Christmas that year, when I opened my father’s padlocked document chest and discovered a series of letters from Gwladys Brown, revealing that she had been compelled to give him up as a baby – a secret so painful that he carried it his whole life – I returned to the box of photographs seeking pictures of her. Labelled in Gwladys’ own handwriting that I recognised from her letters, I found this photograph of her looking so bright and full of life, and it was a curious sensation to recognise my own features in her face. This image of Gwladys had always been in our house but I never looked at it before because I did not know who she was.

Now that Gwladys is present in my life as my grandmother, the intimate quality of this photograph fascinates me and I find myself scrutinising it to ascertain the precise emotional timbre of the picture. Even though it was taken six years before she gave birth to my father, I cannot separate the portrait from this event and I equivocate between seeing composure and uncertainty in her beautiful features. Most of all I am consoled to recognise the sense of dignity and self-possession apparent, reflecting the courage and strength of mind revealed in her writing.

Among the dozen of Gwladys’ letters to my father’s adoptive mother that I discovered in his box were a series written from Hawkmoor Sanatorium, Bovey Tracey. I found that once Gwladys had returned to her work as a housemaid in the employ of Mrs Dimond, after she had given birth to my father in 1923 and a friend had agreed to adopt him, a further crisis overcame her. At first, when Gwladys wrote repeatedly  of “feeling bad” I understood this as a reference to her grief but, once I learnt that Hawkmoor was a hospital built at the edge of Dartmoor for patients suffering from pulmonary tuberculosis, her language took on its true meaning.

Gwladys’ account of her bizarre treatment at Hawkmoor, which included sleeping in unheated chalets in winter with the doors open to admit rain and snow, makes you wonder how she survived such harsh therapy in her vulnerable condition.

Dear Mrs -, At last I am writing to you as I promised to. Well dear, it is lovely place up here & such nice views you can see right down on the moors. You will be pleased to hear that I am much better & my cough has gone thank goodness. I don’t take medicine, they just keep you out in the air all day. We all have to go for a long walk every day. You need some strong shoes up here as the walks we go on are so muddy and stones, it cuts your shoes awful. I am getting quite sunburnt. Must tell you I had nice company when I got out at Bovey Station, she was going to Hawkmoor as well so it was nice to have company. There was a car at the station waiting for us, so we had a lovely ride. It is a good three miles from the station. I have breakfast in bed for a bit, must tell you we have to rest before dinner at 11:50 to 12:50 & again before tea at 4:50 t0 5:50. We have breakfast at 8 o’clock, dinner at 1 o’clock & tea at 6, bed at half past 8. We see the Dr every morning & get examined every month. There are such a lot of women & they are so jolly, & such a lot of men. It is pitiful to see some of the men up here, poor things, & a lot of them are married. We had 3 more came in today, so they are getting full up again now. I expect I shall only be here for 3 months. How I would love to see you all, but I must wait until I come back & then I will come up & see you. How are you getting dear? How I do think of you, as you have been a good friend to me, like a mother. It do seem hard to get down bad like this through hard work. Well dear there is only one post out a day here & that is 4 o’clock. So we have to write pretty early to catch post as the time goes so quickl. By the time we have been for our walks & then rest hours, it don’t give you much time. I do hope you will write to me as I don’t get many letters. I do wonder how little Mary is getting on. Well dear, I must stop now as I shall miss the post. Hoping you are keeping well & dear little Peter. My love to you all, Evelyn, John, Mr – , also dear little Peter from Gwladys xxxxx Hoping to hear from you soon dear. I will write again when I hear from you xxx future

My Dearest Mrs -, You will think I am unkind not to answer your last letter but really dear I have not been very well. I caught a nasty chill & had to stay in bed a fortnight, but glad to say I am much better & about again. What would I give to see you again. Am longing to come home & see you. I don’t think I shall be home for Xmas. Must tell you it is a bitter cold place here in winter. We sleep out in the open & when it rains it comes right in & you are not allowed to shut any doors & the wind nearly blows you out of bed. We have had dreadful weather, rain every day. We had a lot of snow yesterday. It is so pretty to see the children playing with the snow, it makes me think of dear little Peter. I do think of him such a lot in this cold weather wondering how he is keeping, bless him. It is awful here, no fires at all, have not seen a fire since I left home. I guess you have got a lovely fire now. I can just picture John sitting around it. I don’t know what sort of Xmas they spend here. Have you made your Xmas pudding yet? I hope you will send me a little bit to taste. It will seem more like a Xmas to me if I taste a bit of pudding. Glad to say I am putting on weight so I must be getting better…

My photograph of the view from Haytor towards Bovey Tracey at Christmas 2002

You may also like to read the beginning of this story

Part 1. A Discovery at Christmas