Stuart Goodman At Broadway Market

John Sims
Take a walk through Broadway Market in March 1982 with Photographer Stuart Goodman, when it was quite a different place to the fashionable destination of today.
A former Fleet St Photographer & Picture Editor, Stuart sent me these pictures last week. “They were first shown in 1983 at an exhibition at the Royal Festival Hall, organised by the Greater London Council,” he explained, “which was ironic really because the GLC had a massive 1000-property compulsory purchase scheme to construct a nightmare version of the Westway through East London, that included the market.”
“I first found Broadway Market by mistake in 1976 and fell in love with the place, the cobbles, the people and the Cat & Mutton pub. By 1977, I was a partner in Hot Shots, a short-lived screen printing extravaganza, and I lived in an exceptionally squalid flat above and below the shop at number 52. I met both my wives there too, though – thankfully – not at the same time.
Although I lived in Broadway Market for a few years, I only photographed it once, wandering around for a couple of hours. Now I live in Norwich but I still have connections with the place, my sister-in-law was the ladybird book lady, running a stall opposite where I once lived, and my brother sells vinyl in the upmarket bit up the road.
I miss the place, not the squalor, the outside loo, the cold – but the people, the community and, somehow, the optimism. In those days, there was not a gastro pub in sight and no-one had ever heard of a buffalo burger. ”

































Photographs copyright © Stuart Goodman
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Cockney Beano Time
A beano from Stepney in the twenties (courtesy Irene Sheath)
It is Midsummer, and we have reached that time of year when a certain clamminess prevails in the city and East Enders turn restless, yearning for a trip to the sea or at the very least an excursion to glimpse some green fields. In the last century, pubs, workplaces and clubs organised annual summer beanos, which gave everyone the opportunity to pile into a coach and enjoy a day out, usually with liberal opportunity for refreshment and sing-songs on the way home.
Ladies’ beano from The Globe in Hartley St, Bethnal Green, in the fifties. Chris Dixon, who submitted the picture, recognises his grandmother, Flo Beazley, furthest left in the front row beside her next door neighbour Flo Wheeler, who had a fruit and vegetable stall on Green St. (courtesy Chris Dixon)
Another beano from the fifties – eighth from the left is Jim Tyrrell (1908-1991) who worked at Stepney Power Station in Limehouse and drank at the Rainbow on the Highway in Ratcliff.
Mid-twentieth century beano from the archive of Britton’s Coaches in Cable St. (courtesy Martin Harris)
Beano from the Rhodeswell Stores, Rhodeswell Rd, Limehouse in the mid-twenties.
Taken on the way to Southend, this is a ladies’ beano from The Beehive in the Roman Rd during the fifties or sixties in a coach from Empress Coaches. The only men in the photo are the driver and the accordionist. Joan Lord (née Collins) who submitted the photo is the daughter of the publicans of The Beehive. (Courtesy Joan Lord)
Terrie Conway Driver, who submitted this picture of a beano from The Duke of Gloucester, Seabright St, Bethnal Green, points out that her grandfather is seventh from the left in the back row. (Courtesy Terrie Conway Driver)
Taken on the way to Southend, this is a men’s beano from The Beehive in the Roman Rd in the fifties or sixties in a coach from Empress Coaches. (Courtesy Joan Lord)
Beano in the twenties from the Victory Public House in Ben Jonson Rd, on the corner with Carr St. Note the charabanc – the name derives from the French char à bancs (“carriage with wooden benches”) and they were originally horse-drawn.

A crowd gathers before a beano from The Queens’ Head in Chicksand St in the early fifties. John Charlton who submitted the photograph pointed out his grandfather George standing in the flat cap holding a bottle of beer on the right with John’s father Bill on the left of him, while John stands directly in front of the man in the straw hat. (Courtesy John Charlton)
Beano for Stepney Borough Council workers in the mid-twentieth century. (Courtesy Susan Armstrong)
Martin Harris, who submitted this picture, indicated that the driver, standing second from the left, is Teddy Britton, his second cousin. (Courtesy Martin Harris)
In the Panama hat is Ted Marks who owned the fish place at the side of the Martin Frobisher School, and is seen here taking his staff out on their annual beano.
George, the father of Colin Watson who submitted this photo, is among those who went on this beano from the Taylor Walker brewery in Limehouse. (Courtesy Colin Watson)
Pub beano setting out for Margate or Southend. (Courtesy John McCarthy)
Men’s beano from c. 1960 (courtesy Cathy Cocline)
Late sixties or early seventies ladies’ beano organised by the Locksley Estate Tenants Association in Limehouse, leaving from outside The Prince Alfred in Locksley St.
The father of John McCarthy, who submitted this photo, is on the far right squatting down with a beer in his hand, in this beano photo taken in the early sixties, which may be from his local, The Shakespeare in Bethnal Green Rd. Equally, it could be a works’ outing, as he was a dustman working for Bethnal Green Council. Typically, the men are wearing button holes and an accordionist accompanies them. Accordionists earned a fortune every summer weekend, playing at beanos. (courtesy John McCarthy)
John Sheehan, who submitted this picture, remembers it was taken on a beano to Clacton in the sixties. From left to right, you can seee John Driscoll who lived in Grosvenor Buildings, Dan Daley of Constant House, outsider Johnny Gamm from Hackney, alongside his cousin, John Sheehan from Constant House and Bill Britton from Holmsdale House. (Courtesy John Sheehan)
Photographs courtesy Tower Hamlets Community Homes
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East End Pubs, Then & Now
It is my pleasure to publish this collaboration with Tower Hamlets Local History Library & Archive in which Spitalfields Life Contributing Photographer Alex Pink selected photographs of pubs from the collection, and then set out with his camera to discover which ones were still serving…
The Golden Heart, Spitalfields 1953
The Golden Heart, Spitalfields
The Artful Dodger, Royal Mint St 1989
The Artful Dodger, Royal Mint
The Star & Garter, Whitechapel 1982
The Star & Garter, Whitechapel
The Wentworth Arms, Mile End 1966
The Wentworth Arms, Mile End
The Prince Alfred, Limehouse 1978
The Prince Alfred, Limehouse
The Star of the East, Limehouse 1981
The Star of the East, Limehouse
The British Oak, Poplar 1981
The British Oak, Poplar
Galloway Arms, Limehouse 1981
Galloway Arms, Limehouse
The New Globe, Mile End 1954
The New Globe, Mile End
The Prospect of Whitby, Wapping c.1900
The Prospect of Whitby, Wapping
The Experienced Fowler, Limehouse 1931
The Experienced Fowler, Limehouse
The Jubilee, Limehouse 1978
The White Swan, Limehouse
The Ship, Cable St 1981
The Ship, Cable St
The City Pride, Isle of Dogs 1990
The Vine Tavern, Whitechapel 1903
The Vine Tavern, Whitechapel
The White Hart, Whitechapel 1960
The White Hart, Whitechapel
The Dover Castle, Shadwell 1992
The Dover Castle, Shadwell
The Londoner, Limehouse 1974
The Londoner, Limehouse
The Kings Arms, Cable St 1994
The Kings Arms, Cable St
The Grapes, Limehouse 1975
The Grapes, Limehouse
Duke of Norfolk, Globe Rd 1985
Duke of Norfolk, Globe Rd
The Artichoke, Whitechapel 1990
The Artichoke, Whitechapel
The Old Blue Anchor, Whitechapel 1973
The Old Blue Anchor, Whitechapel
Bromley Arms, Bow 1981
Bromley Arms, Bow
The Morgan Arms, Bow 1961
The Morgan Arms, Bow
The Dickens Inn, St Katharine Docks, 1975
The Dickens Inn, St Katharine Docks
The Alma, Spitalfields 1989
The Alma, Spitalfields
Prospect of Whitby, Wapping nineteen-eighties
Prospect of Whitby, Wapping
The Black Horse,Leman St nineteen-eighties
The Black Horse, Leman St
The Dean Swift, nineteen-eighties
The Dean Swift
Archive images courtesy Tower Hamlets Local History Library & Archives
New photographs copyright © Alex Pink
Visit Tower Hamlets Local History Library & Archives for opening times, collections & events.
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Viscountess Boudica’s Open House

Rally round our beloved Viscountess in her hour of need!
This coming weekend, Saturday 25th & Sunday 26th June, Viscountess Boudica is opening her home to the public from 1-5pm daily for an exhibition and sale of her drawings at £30 each.
In common with thousands of people this year, Viscountess Boudica had her disability benefit suspended pending reassessment. Meanwhile, the powers-that-be have mislaid her papers and the outcome is that Viscountess Boudica faces a court summons in July for non-payment of £788.17 Council Tax.
As if this were not bad enough, burglars recently broke into the Viscountess’ home and trashed the place, leaving her without a bed and since then she has no choice but to sleep in an armchair each night.
Yet, undeterred by these calamities, Viscountess Boudica has decorated her home to conjure a visual spectacle and made a new outfit to greet guests this weekend.
Viscountess Boudica lives just five minutes from Columbia Rd Flower Market and I do hope as many of my readers as possible will take this opportunity to pay her a visit, admire her outfit and decor, and consider buying one of her wonderful drawings for £30 – so the Viscountess can raise enough cash to stop the court case and get a bed to sleep on.
She is awaiting your arrival.












Drawings copyright © Viscountess Boudica
Be sure to follow Viscountess Boudica’s blog There’s More To Life Than Heaven & Earth
Take a look at
Viscountess Boudica’s Domestic Appliances
Viscountess Boudica’s Drawings
Viscountess Boudica’s Halloween
Viscountess Boudica’s Christmas
Viscountess Boudica’s Valentine’s Day
Read my original profile of Mark Petty, Trendsetter
and take a look at Mark Petty’s Multicoloured Coats
Mark Petty returns to Brick Lane
The Old Ladies Of Whitechapel
East End Film Festival is hosting a screening of Phil Maxwell’s films this Sunday 26th June at 4pm at Rich Mix, Bethnal Green Rd, E1 6LA. Click here for tickets
Phil Maxwell’s BRICK LANE photo exhibition opens at the new gallery at The Archers, 42 Osborne St, E1 6TD also this Sunday 26th June and runs until July 10th. You are all invited to the opening all day on Sunday 26th from 1pm onwards. Please RSVP clara@theculpeper.com to attend.

Photographing daily on the streets of Spitalfields and Whitechapel for the last thirty years, Phil Maxwell has taken hundreds of pictures of old ladies, of which I publish a selection of favourites here today.
Some of these photos of old ladies were taken over twenty years ago and a couple were taken this spring, revealing both the continuity of their presence and the extraordinary tenacity for life demonstrated by these proud specimens of the female sex in the East End. Endlessly these old ladies trudge the streets with trolleys and bags, going about their business in all weathers, demonstrating an indomitable spirit as the world changes around them, and becoming beloved sentinels of the territory.
“As a street photographer, you cannot help but take photos of these ladies.” Phil admitted, speaking with heartfelt tenderness for his subjects, “In a strange kind of way, they embody the spirit of the street because they’ve been treading the same paths for decades and seen all the changes. They have an integrity that a youth or a skateboarder can’t have, which comes from their wealth of experience and, living longer than men, they become the guardians of the life of the street.”
“Some are so old that you have an immediate respect for them. These are women who have worked very hard all their lives and you can see it etched on their faces, but what some would dismiss as the marks of old age I would describe as the beauty of old age. The more lines they have, the more beautiful they are to me. You can just see that so many stories and secrets are contained by those well-worn features.”
“I remember my darkroom days with great affection, because there was nothing like the face of an old lady emerging from the negative in the darkroom developer – it was as if they were talking to me as their faces began to appear. There is a magnificence to them.”

Photographs copyright © Phil Maxwell
See more of Phil Maxwell’s work here
With The Druids At Midsummer
In the grove of sacred hawthorn
At Midsummer, Contributing Photographer Colin O’Brien & I joined the celebrants of the Loose Association of Druids on Primrose Hill for the solstice festival hosted by Jay the Tailor, Druid of Wormwood Scrubs. As the most prominent geological feature in the Lower Thames Valley, it seems likely that this elevated site has been a location for rituals since before history began.
Yet this particular event owes its origin to Edward Williams, a monumental mason and poet better known by his bardic name Iolo Morganwg, who founded the Gorsedd community of Welsh bards here on Primrose Hill in June 1792. He claimed he was reviving an ancient rite, citing John Tollund who in 1716 summoned the surviving druids by trumpet to come together and form a Universal Bond.
Consequently, the Druids begin their observance by gathering to honour their predecessor at Morganwg’s memorial plaque on the viewing platform at the top of the hill, where they corral bewildered tourists and passing dog walkers into a circle to recite his Gorsedd prayer in an English translation. From here, Colin & I joined the Druids as they processed to the deep shade of the nearby sacred grove of hawthorn where biscuits and soft drinks were laid upon a tablecloth with a bunch of wild flowers and some curious wooden utensils.
Following at Jay the Tailor’s shoulder as we strode across the long grass, I could not resist asking about the origin of his staff of hawthorn intertwined with ivy. “It was before I became a Druid, when I was losing my Christian faith,” he confessed to me, “I was attending a County Fair and a stick maker who had Second Sight offered to make it for me for fifteen pounds.” Before I could ask more, we arrived in the grove and it was time to get the ritual organised. Everyone was as polite and good humoured as at a Sunday school picnic.
A photocopied order of service was distributed, we formed a circle, and it was necessary to select a Modron to stand in the west, a Mabon to stand in the north, a Thurifer to stand in the east and a Celebrant to stand in the South. Once we all had practised chanting our Greek vowels while processing clockwise, Jay the Tailor rapped his staff firmly on the ground and we were off. A narrow wooden branch – known as the knife that cannot cut – was passed around and we each introduced ourselves.
In spite of the apparent exoticism of the event and the groups of passersby stopping in their tracks to gaze in disbelief, there was a certain innocent familiarity about the proceedings – which celebrated nature, the changing season and the spirit of the place. In the era of the French and the American Revolutions, Iolo Morganwr declared Freedom of Thought, Freedom of Speech and Freedom of Association. Notions that retain strong resonance to this day.
Once the ritual wound up, we had exchanged kisses of peace Druid-style and everyone ate a biscuit with a gulp of apple juice, I was able to ask Jay the Tailor more questions.“I lost my Christian faith because I studied Theology and I found it difficult to believe Jesus was anything other than a human being, even though I do feel he was a very important guide and I had a personal experience of Jesus when I met Him on the steps of Oxford Town Hall,” he admitted, leaving me searching for a response.
“When I was fourteen, I went up Cader Idris at Midsummer and spent all night and the next day there, and the next night I had a vision of Our Lady of Mists & Sheep,” he continued helpfully,“but that just added to my confusion.” I nodded sagely in response.“I came to Druids through geometry, through studying the heavens and recognising there is an order of things,” he explained to me, “mainly because I am a tailor and a pattern cutter, so I understand sacred geometry.” By now, the other Druids were packing up, disposing of the litter from the picnic in the park bins and heading eagerly towards the pub. It had been a intriguing day upon Primrose Hill.
“Do not tell the priest of our plight for he would call it a sin, but we have been out in the woods all night, a-conjuring the Summer in!” – Rudyard Kipling
Sun worshippers on Primrose Hill
Memorial to Iolo Morganwg who initiated the ritual on Primrose Hill in 1792
Peter Barker, Thurifer – “I felt I was a pagan for many years. I always liked gods and goddesses, and the annual festivals are part of my life and you meet a lot of good people.”
Maureen – “I’m a Druid, a member of O.B.O.D. (the Order of Bards, Ovates & Druids), and I’ve done all three grades”
Sarah Louise Smith – “I’m training to be a druid with O.B.O.D. at present”
Simeon Posner, Astrologer – “It helps my soul to mature, seeing the life cycle and participating in it”
John Leopold – “I have pagan inclinations”
Jay the Tailor, Druid of Wormwood Scrubs
Iolo Morgamwg (Edward Williams) Poet & Monumental Mason, 1747-1826
Photographs copyright © Colin O’Brien
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Evening At Brick Lane Mosque
Today, as part of the Immigrants of Spitalfields Festival, we publish the second of the pair of stories by Contributing Photographer Bob Mazzer & Contributing Writer Delwar Hussain recording twenty-four hours at Brick Lane Mosque

Imam Yasin is the newest imam at the Brick Lane Jamme Masjid. He is just twenty-six years old and has a contagious laugh that is free and easy. I ask him how he ended up becoming an imam. He laughs and says he does not know the answer. He grew up in Poplar and attended school in Bethnal Green. He tells me he always wanted to be a teacher and worked in a primary school before being asked to join the mosque, where he was already involved in teaching children the Quran.
We are on the top floor outside the teachers’ staff room. The streets are getting dark and soon it will be time to break the fast. I asked Imam Yasin to take my collaborator Photographer Bob Mazzer & me to his favourite part of the building and this is where he brought us. In the early hours of the morning when the pair of us ventured up here previously, it was dark and very quiet. I spooked myself then by thinking about djinns but now, with Imam Yasin and his smile by our side, it could not feel more different.
“This entire building has such a wonderful history,” he tells us. “It is the only place outside of Jerusalem that has hosted the three Abrahamic faiths. That really is something. But up here, this floor is my favourite bit of it all, it means so much to me, it is where it all began when I was eighteen and started teaching.”
Imam Yasin explains that, alongside learning the classical Arabic script in which the Quran is written, children who come here are taught about Islamic identity, dress code and food. “But, by that age,” Bob enquires, “don’t children already know these things?” Imam Yasin laughs again.
“You would be surprised how many of them are confused when they arrive. Some of the children think Christmas and, in particular Jesus, is bad or against Islamic beliefs. In fact, we teach them that Jesus is one of the most beloved of Allah’s prophets, mentioned more times in the Quran than Mohammed himself.”
We are standing below the plaque dedicated to the memory of Deborah Kay, written in English and Hebrew. I had been told that the Hebrew is a direct translation of the English but Imam Yasin disagrees. Hebrew speakers who came to the building as part of a Jewish tour of the East End had translated it for him. According to them, he says, part of it is also a prayer. Unfortunately, Bob cannot break our deadlock, having forgotten the Hebrew he learnt as a boy. “If it looks like an ‘L’ than it is an ‘L’,” he says unhelpfully, peering at the writing though his glasses.
Then, as we are standing in this building on the corner of Brick Lane and Fournier St – a mosque which was once a synagogue which was once a church – the sediment of history momentarily settles. Bob recalls that when he attended ‘chaider’ (pronounced khaider) at the Bernard Baron Settlement on Henriques St as a boy, he was taught Hebrew and history – essentially Jewish identity. A realisation dawned for me. Before learning the Quran, I was taught the ‘Qai’dah’ (pronounced khaider) which lays out the alphabet and rules of pronunciation. Do ‘Chaider’ and ‘Qai’dah’ share the same linguistic root – I wonder – reminding ourselves of our shared humanity?
At 9:23pm the sun sets and it is time to break fast. We have been at the mosque for nearly nineteen hours. Ravenous men with little energy and, by now, even less humour go down into the cellar. It looks as if it may have once been a bomb shelter, painted with white, lime and red stripes throughout. Lit by harsh fluorescent lighting, lines of blue plastic tarpaulin and white paper run the length of the floor, laden with white plates of kichuri (rice and dhal), chickpeas, sweets, dates and pineapple. Some of this is donated by local restaurants but, during Ramadan, families in the neighbourhood – my mother included – also send food every day.
A few of these hungry men have ‘Deliveroo’ marked on their t-shirts, others work as cabbies, some are widowers or foreign students. Once the azaan is called, everyone takes a swig of water – their very first since sunrise. The man in a plaid shirt sitting in front of me holds a pile of medication. He takes little white and pink pills methodically before biting his dates and tucking into the rest of the meal. The men eat quickly, in silence and without fuss.
My mother refuses to accept that, when the caretakers receive the Tupperware boxes she prepares lovingly, they simply put the food into one big communal pile. She thinks hers are eaten separately – maybe – by the head imam himself.
In this place, time does not operate as it does on the outside. This is a space that forces you to sit still, reflect and be at rest. Yet, paradoxically, the opposite is also true. Nothing stands motionless here for long either, there is constant activity and movement. After we eat, there is little chance to digest because we go back upstairs for Terrabi. It is the main Ramadan prayer, when the entire Quran is recited by heart over the course of a month. This is an endurance test and can be gruelling, because of the amount of time you must be prostrate or kneel while each prayer is completed. Even the plushness of the carpet does not help much at this point yet, like many religious experiences, this prayer series is designed to encourage meditation and can propel you into a higher state of being.
I sit on the mezzanine floor hoping to see friends I had gone to school with. As a teenager, I spent long, memorable evenings with them here. But I am disappointed, I do not see any of them. I look around and only see a guy who was at school with me in the year above. He looks much older from how I remember him, and he has a pony tail and a little rice belly. Other younger people, groups of teenage friends are creating new memories in this building, but what has happened to those I used to come here with? Why are none of them here?
This is when it all comes full circle – the denouement, the reveal. It is not difficult to guess and if you have not worked it out, then you have not been following the clues. Most of my friends and their families from school, including many neighbours, have followed the routes our Huguenot and Jewish forebears have already taken – further east into the suburbs. Seven Kings, Ilford, Chelmsford, Barking, Dagenham – names that I did not ever hear mentioned as a child are now in common parlance. The residents of these places have their own mosques and – needless to say – have little reason to come back to Brick Lane. My sister and her family moved to Essex last year. Long lines on the human map of Spitalfields, extending from this building on the corner, now include those spaces too, becoming ever more densely woven.
Young people are enticed by mosques that have better resources paid for through international funding and not merely supported by local donations. Mosques that are not characterised by the use of the Sylheti language or that practice a localised sufi Islam, where they have air conditioning, up-to-date facilities for women, and the roofs and windows do not leak. I notice a window on the mezzanine has been barred up since strong winds in April knocked out its fragile glass. Other windows facing Fournier St are filled with cardboard cut from boxes. I wonder whether Imam Nazrul Islam’s plea to the congregation earlier, at Jummah, will deliver the desired outcome.
Terrabi finishes just shy of 1:00am. In an hour or so, the day will start and, with it, the cycle of prayer and fasting. I look for Bob but cannot find him and I assume he has gone home. By now, we had been at the mosque for nearly twenty-four hours. We had seen so many faces, heard so many voices and been told so many memories by the people who love this building and have an intimate attachment to it. Except, the following morning, I discovered that Bob had stayed at the mosque after I left, lying on the carpet and talking with someone about the first man on the moon.
I follow a line of old men out. They put one foot in front of the other, walking in a line, leg, stick, pause, leg, stick. It has rained and the air is cool and crisp. I pass a group of Scandinavians with luggage trolleys who have just arrived at Liverpool St Station from a RyanAir flight and are looking for an address on google maps. The grandchildren and the great-grandchildren of those first Sylheti seamen who had settled in Spitalfields and who, forty years ago this year, established the mosque, were too on the move. At that moment, the motto Umbra Sumus (We are shadows), the Latin inscription on the sundial upon the building on the corner, could not have been more fitting.

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Photographs copyright © Bob Mazzer
You may like to take a look at the first part of this story










































































































































































