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Angie Lewin & Emily Sutton’s Nature Table

September 12, 2018
by the gentle author

At the end of this glorious long summer, as we reach the season of flower shows and harvest festivals, St Jude’s returns to Townhouse in Fournier St to present NATURE TABLE, an exhibition of lyrical works on rural themes by two favourite artists, Angie Lewin & Emily Sutton. Open daily from Wednesday 19th until Sunday 30th September.

Gardener’s Arms, linocut by Angie Lewin

Preparation for Gardener’s Arms

Portrait of Angie Lewin by Allun Callender

Cottage Garden, watercolour by Emily Sutton

Sea Holly, Walberswick

Dunwich Beach

Summer Sweet Peas

Portrait of Emily Sutton by Allun Callender

Linocut copyright © Angie Lewin

Watercolours copyright © Emily Sutton

Kyriacos Hadjikyriacou, Pleater

September 11, 2018
by the gentle author

Kyri demonstrates a pattern for a circular pleat

In a remote corner of Tottenham, in the midst of an industrial estate, sandwiched between a kosher butcher and a panel beater, Contributing Photographer Sarah Ainslie & I found Rosamanda Pleaters. We dipped our heads and stepped through a low door to enter a crowded factory. As our eyes accustomed to the gloom, we peered into the depths where lines of machines filled the space, appearing to recede into the infinite distance. We expected a horde of ghostly workers shrouded in cobwebs, but on closer examination the machines were all idle.

Yet, in a pool of bright light, one man worked alone, wrestling cloth, cardboard, sticks and string, subjecting them to his will with expert control. This was the legendary pleater Kyriacos Hadjikyriacou, universally known as Kyri. He removed a piece of silk from between a pair of cardboard patterns that were folded into an intricate design which they imparted to the cloth, as delicate as a butterfly wing and as richly coloured as the plumage of an exotic bird. We were entranced.

The magic of pleating is to take diaphanous fabric and give it volume and structure through a geometric series of creases. These pleats move, amplifying the gesture and motion of the wearer in unexpected and sensuous ways. This is the spell that pleating can impart to clothes. Kyri is the grand master of it.

He has contrived hundreds of unique designs for pleats, spending months conjuring his intricate notions. Pleating is his imaginative world. ‘This one is stars on one side and squares on the other,’ he explained unrolling an elaborately folded piece of cardboard that quivered as if it had a life of its own. ‘I call it ‘Crown Pleat,” he confided to me in a proud conspiratorial whisper. ‘I have never used it yet.’ Kyri finds inspiration for new designs in pantiles, scallop shells and hieroglyphics.

All day the phone rings and breathless fashion assistants arrive from London’s top designers – Christopher Kane, Alexander McQueen, Jasper Conran, among others so fancy we are not permitted to mention – bringing lengths of cloth for Kyri to work his transformative wizardry upon.

A tall slim man with pale grey hair and straggling white moustache set off by his mediterranean colouring, Kyri cuts a handsome figure. Of philosophical nature, he is untroubled by the endless to and fro, delighting in the attention and maintaining a confident equanimity throughout. He may serve the capricious world of fashion, but his is the realm of geometry and chemistry. Cardboard, sticks and string are his tools, and steam is the alchemical essence that enables him to work his sorcery upon the cloth, subjecting it to his desire.

“As a pleater, you are always learning. Even after forty-three years of pleating, I am learning. It is not just a question of mastering three or five styles, you have to use your imagination. You have know engineering and about how machines work, you have to know geometry to understand how the patterns function, you have to know chemistry to predict how the material will react.

There’s a lot of things you have to know to be a pleater. It’s a talent. I create new things everyday. I design my own patterns. If I see something I like, I work how it is done and I design my own version. At the beginning, I used to come in every Saturday just to experiment with styles. I tried different ways to use the machines to find new styles. I have two hundred different designs of my own.

Hand pleating is done by placing the cloth between two paper patterns, known as ‘pleating crafts.’ They are made of a special paper that is water resistant and does not get wet. You open the craft, stretch the two papers and lay down the material, sandwiched between the two papers. Then you tie them tight and put them in the steam.

The easiest fabric for pleating is polyester. It holds the pleats well, you can even put it in a washing machine. In hand-pleating, you use only steam but in machine-pleating you use the heat of the machine and steam too, so it is more powerful and will resist washing. I have all these machines. One can do fifteen hundred different styles, another is a fancy one that do a couple of thousand different styles.

I don’t need to advertise, people come and find me, and they keep coming back. I tell them,’If you need me, you find me!’ If I make something, it has to be of the standard that I would like to buy – which means it is good to give to a customer.

My work is perfect pleating. It is rare. There are some patterns, I am the only person in England who can do them. Other pleaters do standard pleats and they think that’s everything but it is not. It can take six months to design a pattern. I might start work on it at Christmas and finish in June. I did not  know how to do it, but slowly I work it out. I enjoy pleating because I am always creating things. When I started, I didn’t know anything about this.

I have an Msc in Agriculture. I finished my studies in Athens in 1975 and, because of the war in which Turkey invaded Cyprus, I came to England as a refugee. I married my wife Eleni and in the beginning I worked in a knitting factory, Sharon Fabrics in Holloway. After they closed down, I worked at a water plant, analysing water in  Crews Hill in Enfield for bacteria. But somebody told me to push a wheelbarrow and I didn’t like it so I left.

After that, I was asked to work for a pleater in Hackney and that was how I started. In 1980, me and two other people, we opened a knitting factory in Clerkenwell near Smithfield Market. My wife worked in Holborn as a bookkeeper then. She asked me, ‘How much does it cost to set up a pleating factory? I told her, ‘Maybe two or three thousand pounds.’ So that’s what we did, we started in business together and we employed two boys. Eighteen months later, we had a fire and all the others left but I carried on.

I have been here in this workshop in Tottenham for twenty-six years. I had a pleater who passed away before my wife eighteen months ago, so I am on my own. There’s just me now but in the past I used to have seven pleaters working for me. All these machines I have are from factories that closed and nobody else wants them There is no business any more for volume. All the High St shops manufacture in the Far East, my business is just with designers now.

I used to work on Sundays, I arrived at eight o’clock every morning and worked until seven. Now I arrive at nine o’clock and work until five, just weekdays. I will carry on as long as I can. I said to my children, ‘I am not going to retire because – for me – if somebody retires they are waiting for death.’ It’s true! If you put your car outside for six months and don’t use it, the tyres and battery go flat. The human being is like that I think.”

Kyri lays a pattern on the table

Kyri has over two hundred patterns for pleating that he has designed

Kyri shows off a favourite pleating pattern

‘I call this ‘Crown Pleat”

‘Craft pleats’ ready for use

Kyri places weights upon the patterns to make sure the fabric is tightly sandwiched

Kyri removes the weights once the pattern is compressed

Kyri rolls the patterns to squeeze the fabric into the form of the patterns

Kyri places the patterns between two splints

Kyri ties the splints together

Kyri concertinas the patterns as tight as possible between the splints

The completed ‘pleating craft’ is ready for the steam oven

Kyri’s steam ovens where the pleats are baked

Kyri shows off his pleating machine

Last minute maintenance to the steamer

A pleated silk shirt ready to be steamed flat

Kyri the pleater

Photographs copyright © Sarah Ainslie

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Frank Foster, Shirtmaker

Public Practice

September 10, 2018
by the gentle author

On Tuesday 18th September at 7:30pm, Finn Williams will be giving a talk at Leila’s Cafe hosted by the EAST END PRESERVATION SOCIETY, discussing the controversial role of council planners in shaping the urban environment in the East End and beyond.

Finn Williams is co-founder and CEO of PUBLIC PRACTICE, an initiative dedicated to inspiring a new generation of planners in local government, making places for the common good and improving the public sector’s capacity to deliver homes by sharing skills and knowledge between authorities.

Click here to book your free ticket

The Boudary Estate was Britain’s first eouncil estate, built in 1900 by London County Council

THE BUREAUCRAT & THE ACTIVIST, Finn Williams introduces Public Practice

“East London’s pioneering social housing, public parks, town halls, hospitals and public baths are memorials to an extraordinary history of municipal vision. The public sector has been behind many of the buildings and places that make the East End worth preserving.

But today, in debates over how London should change in the future, local government has found itself playing the role of the villain. Campaigns and headlines in response to the Grenfell tragedy, Haringey Development Vehicle, or Heygate Estate regeneration have placed the blame on the doorsteps of local boroughs.

At a wider scale, the former Prime Minister labelled “town hall officials who take forever with those planning decisions” as “enemies of enterprise.” Being a bureaucrat has become synonymous with being a boxticker, clockwatcher or jobsworth. ‘Top down’ local democracy is pitched against ‘bottom-up’ community activism.

Why have public servants become public enemies? And how can we rethink the relationship between councils and communities to place a new value on working in the public interest?

Localism promised a bigger society by making a smaller state. But as the effects of nearly a decade of cuts play out through our cities, it has become increasingly obvious that a healthy and inclusive civic society relies on healthy and outward-looking local government.”

Chrisp St Market by Fredrerick Gibberd was built as part of Lansbury Estate in 1951

Cranbrook Estate designed by Francis Skinner, Douglas Bailey & Berthold Lubetkin in 1963

Lister House, Whitechapel, designed by Ralph Smorczewski, 1956

Keeling House by Denys Lansdun in Bethnal Green, 1957

Sulkin House by Denys Lansdun, designed 1952/3 and built 1955/8 in Globetown

You may also like to read about

The Founding of the East End Preservation Society

A Modest Living

September 9, 2018
by Suresh Singh

After many months of preparation, I am proud to announce that Spitalfields Life Books will be publishing A MODEST LIVING, Memoirs of Cockney Sikh by Suresh Singh in October. You will be able to read excerpts here in the pages of Spitalfields Life over coming weeks.

In this first London Sikh biography, Suresh tells the candid and sometimes surprising story of his family who have lived in their house in Princelet St for nearly seventy years, longer I believe than any other family in Spitalfields. In the book, chapters of biography are alternated with a series of Sikh recipes by Jagir Kaur, Suresh’s wife.

You can support publication by pre-ordering a copy now, which will be signed by Suresh Singh and sent to you on publication.

Click here to order a signed copy of A MODEST LIVING for £20

Suresh Singh and his wife Jagir in Princelet St this summer (Photograph by Patricia Niven)

Excerpt from A MODEST LIVING, Memoirs of a Cockney Sikh by Suresh Singh

I was four years old when I went to the Punjab for the first time. In 1966, Mum took me and my younger sister to the remote village of Nangal Kalan which my father Joginder Singh left in 1949 to come to England. It was a hamlet of no more than a thousand people, including children, where everybody knew each other.

I was born in Mile End Hospital and brought up in Princelet Street, Spitalfields. Sometimes when I first arrived in the Punjab, I felt homesick for playing in the street, eating Heinz beans and drinking Tizer. At home, we closed our front door but in the village nobody even had a door, it was one big playground. I spoke only Punjabi all the time I was there and, when I came back to London, I could no longer speak English.

As my hair grew longer, I became excited to go to the Punjab because I wanted to become a Sikh like Dad. Being there made this feeling even stronger. I met my cousin with a hunched back who was a celibate Sikh priest and wore a ceremonial sword and turban. I loved spending time with him and told Mum I wanted to marry him, which she liked because she wanted me to grow my hair too.

We lived in my grandmother’s house in the heart of the village. It was a small house with a roof of wooden beams, comprising one big room and no running water or sanitation. Mum and the other women took me out into the fields to go to the toilet. I played in the open air all the time. Life was very different from the confinement of Spitalfields which was all I had known. I loved the freedom of being in our village at the foothills of the Himalayas. I became a nice little Sikh boy, although I got boils from the bites of mosquitos. There was a saying that the mosquitos could taste the Robertson’s jam in your blood if you came from England.

By the time I returned, I was more like an Indian kid than one born in London. It was horrible when I started at Christ Church Primary School in Brick Lane. I did not know how to sit on a toilet seat. I squatted on it, my head peeking out over the top of the cubicle. The teacher looked under the door to see if my feet were on the ground. I questioned whether I had been born in England because I had forgotten everything while I was away.

I remember the love of my aunties and cousins in the village. They were always kissing me, holding me and carrying me in their arms or on their shoulders. I also remember Dad’s brothers’ families arguing over their cut of the land he bought off the landowners. They never grasped that he could not have purchased land unless he had come to England and worked to send money back. He did not buy it to become a landowner, but to create a co-operative where everybody could live and work together. It was to be his Utopia. He never said, ‘This is Joginder Singh’s house.’ He told them that the land and the properties were for everybody, for the good of the family and the village.

The house Dad was building was of brick by grandmother’s home was of mud and straw. It was a very dusty environment, not a healthy place for a child. My mosquito bites turned into infected boils that covered my body. Six years later, a doctor at the Royal London Hospital in Whitechapel told me, ‘Your tuberculosis has been incubating since you were in India at the age of four.’

As a child, the dirt did not matter to me. I remember the love and the joy of the people around me, especially the visiting holy men, beggars and dancing eunuchs. There was a tiny gurdwara (Sikh temple) which was very basic because the village was so poor before Dad and other villagers began sending money from England. Although most people were farmers, Dad came from a family of shoemakers, with a room at the front of the house devoted to cutting soles and repairing shoes. It was quite a small room with rough wooden doors, just enough room for one person to sit with a cutting stone.

Everyone in our quarter of the village was born an Untouchable because they were so poor. In the caste system, the Untouchables are the lowest of the low. If you are an Untouchable, you cannot become a Brahmin in your lifetime. You had to die and, only if you were submissive to the Brahmins, might you hope to be reincarnated into a higher caste. Sikhism rejects all that. This was the reason Dad became so ardent, because it gave him hope and freedom. In Sikhism, there is no caste system.

The shoemakers were Untouchables because they had to skin dead animals for their hides. Dad was a master at it. If there was a dead animal, he would skin it, butcher the carcass, bring the hide back to hang up and dry, and distribute the flesh. Nobody else wanted to do it, especially in the heat. He loved it, saying, ‘I am a chamar,’ a shoemaker like Guru Ravidas Ji.

Dad told me stories of Guru Ravidas Ji. He showed me pictures of scenes from his life, illustrated on colourful posters hung upon the wall in frames bought from Brick Lane market. Guru Ravidas Ji worked miracles. He was humble and did not judge. People found they were healed in his presence because he listened to them and brought them peace. Guru Nanak, the first guru of the Sikhs, collected the tales of Guru Ravidas Ji the shoemaker, gathering them in the Guru Granth Sahib, the holy book.

As the first one over, Dad carried the yoke on his shoulders of supporting his family. He was always helping them, giving them money whenever they needed it. He started bringing his family over and making passport applications for them, buying our house in Princelet Street so they could live in it.

They lived in servitude in the village. It was impossible to make a living by renting land and growing food, you could only feed yourself day-to-day. Dad helped them escape that life, and loved it. In England they could write home and say, ‘I have come over here now,’ a powerful statement to the landowners that we chamars were no longer at their mercy.

Yet there is a twist to this story because Dad worked for a man called Baba Phalla, a landowner in our village who was a revolutionary. A member of the Ghadar Party, fighting to free India from British rule, he was sent to Canada by the British to work as a labourer. There he was influenced by Communism, especially the Naxalites and the Maoists.

Dad worked day shifts on Baba Phalla’s land. He noticed Dad’s loyalty and honesty. He would say, ‘This chamar boy is like an ox, he deserves to go to England because he will work and become an asset to the village, sending money home.’ He saw that Dad would lift the village out of poverty by working in England. He knew that Dad’s conscientious nature would ensure he embraced his duty, and Dad committed heart and soul. Right up to his death, Dad lived to serve others. He saw it as an honour. Dad brought the gurus with him and rejected material possessions like a holy man. He never went out and bought a car, sending his earnings over to the village instead, to buy land or help another family come over to England. He was devoted to a modest living and the idea of seva, the Sikh principle of selflessness.

People would ask Dad, ‘What is the matter with you?’ and he would reply, ‘I give everything away.’

Suresh with his mother and little sister in the Punjab

Suresh’s grandmother sitting outside her house with her four sons and the cousin who was the Sikh priest standing. Suresh’s father Joginder Singh sits second from right.

A celebration of Guru Ravidas at the gurdwara in Nangal Kalan

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Click here to order a signed copy of A MODEST LIVING for £20

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A Weekend In Fournier St

September 8, 2018
by the gentle author

We are now taking bookings for this autumn’s course in blog writing.  Come to Spitalfields and spend a weekend with me in an eighteenth century weaver’s house in Fournier St, enjoy delicious lunches from Leila’s Cafe, eat cakes baked to historic recipes by Townhouse and learn how to write your own blog.

Over coming weeks, I shall be featuring notable blogs by writers who have taken the course, so if you are one of the alumni please send me a link and I will do my best publish it here.

HOW TO WRITE A BLOG THAT PEOPLE WILL WANT TO READ  – 10th & 11th NOVEMBER

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This course will examine the essential questions which need to be addressed if you wish to write a blog that people will want to read.

“Like those writers in fourteenth century Florence who discovered the sonnet but did not quite know what to do with it, we are presented with the new literary medium of the blog – which has quickly become omnipresent, with many millions writing online. For my own part, I respect this nascent literary form by seeking to explore its own unique qualities and potential.” – The Gentle Author

COURSE STRUCTURE

1. How to find a voice – When you write, who are you writing to and what is your relationship with the reader?
2. How to find a subject – Why is it necessary to write and what do you have to tell?
3. How to find the form – What is the ideal manifestation of your material and how can a good structure give you momentum?
4. The relationship of pictures and words – Which comes first, the pictures or the words? Creating a dynamic relationship between your text and images.
5. How to write a pen portrait – Drawing on The Gentle Author’s experience, different strategies in transforming a conversation into an effective written evocation of a personality.
6. What a blog can do – A consideration of how telling stories on the internet can affect the temporal world.

SALIENT DETAILS

The next courses will be held at 5 Fournier St, Spitalfields on 10th & 11th November. Each course runs from 10am-5pm on Saturday and 11am-5pm on Sunday.

Lunch will be catered by Leila’s Cafe of Arnold Circus and tea, coffee & cakes by the Townhouse are included within the course fee of £300.

Accomodation at 5 Fournier St is available upon enquiry to Fiona Atkins fiona@townhousewindow.com

Email spitalfieldslife@gmail.com to book a place on the course.

If you book and are unable to attend for any reason, we offer you a place on a later course instead – we do not give refunds.


Comments by students from courses tutored by The Gentle Author

“I highly recommend this creative, challenging and most inspiring course. The Gentle Author gave me the confidence to find my voice and just go for it!”

“Do join The Gentle Author on this Blogging Course in Spitalfields. It’s as much about learning/ appreciating Storytelling as Blogging. About developing how to write or talk to your readers in your own unique way. It’s also an opportunity to “test” your ideas in an encouraging and inspirational environment. Go and enjoy – I’d happily do it all again!”

“The Gentle Author’s writing course strikes the right balance between addressing the creative act of blogging and the practical tips needed to turn a concept into reality. During the course the participants are encouraged to share and develop their ideas in a safe yet stimulating environment. A great course for those who need that final (gentle) push!”

“I haven’t enjoyed a weekend so much for a long time. The disparate participants with different experiences and aspirations rapidly became a coherent group under The Gentle Author’s direction in a  gorgeous  house in Spitalfields. There was lots of encouragement, constructive criticism, laughter and very good lunches. With not a computer in sight, I found it really enjoyable to draft pieces of written work using pen and paper. Having gone with a very vague idea about what I might do I came away with a clear plan which I think will be achievable and worthwhile.”

“The Gentle Author is a master blogger and, happily for us, prepared to pass on skills. This “How to write a blog” course goes well beyond offering information about how to start blogging – it helps you to see the world in a different light, and inspires you to blog about it.  You won’t find a better way to spend your time or money if you’re considering starting a blog.”

“I gladly traveled from the States to Spitalfields for the How to Write a Blog Course. The unique setting and quality of the Gentle Author’s own writing persuaded me and I was not disappointed. The weekend provided ample inspiration, like-minded fellowship, and practical steps to immediately launch a blog that one could be proud of. I’m so thankful to have attended.”

“I took part in The Gentle Author’s blogging course for a variety of reasons: I’ve followed Spitalfields Life for a long time now, and find it one of the most engaging blogs that I know; I also wanted to develop my own personal blog in a way that people will actually read, and that genuinely represents my own voice. The course was wonderful. Challenging, certainly, but I came away with new confidence that I can write in an engaging way, and to a self-imposed schedule. The setting in Fournier St was both lovely and sympathetic to the purpose of the course. A further unexpected pleasure was the variety of other bloggers who attended: each one had a very personal take on where they wanted their blogs to go, and brought with them an amazing range and depth of personal experience. “

“I found this bloggers course was a true revelation as it helped me find my own voice and gave me the courage to express my thoughts without restriction. As a result I launched my professional blog and improved my photography blog. I would highly recommend it.”

“An excellent and enjoyable weekend: informative, encouraging and challenging. The Gentle Author was generous throughout in sharing knowledge, ideas and experience and sensitively ensured we each felt equipped to start out.  Thanks again for the weekend. I keep quoting you to myself.”

“My immediate impression was that I wasn’t going to feel intimidated – always a good sign on these occasions. The Gentle Author worked hard to help us to find our true voice, and the contributions from other students were useful too. Importantly, it didn’t feel like a ‘workshop’ and I left looking forward to writing my blog.”

“The Spitafields writing course was a wonderful experience all round. A truly creative teacher as informed and interesting as the blogs would suggest. An added bonus was the eclectic mix of eager students from all walks of life willing to share their passion and life stories. Bloomin’ marvellous grub too boot.”

“An entertaining and creative approach that reduces fears and expands thought”

“The weekend I spent taking your course in Spitalfields was a springboard one for me. I had identified writing a blog as something I could probably do – but actually doing it was something different!  Your teaching methods were fascinating, and I learnt a lot about myself as well as gaining  very constructive advice on how to write a blog.  I lucked into a group of extremely interesting people in our workshop, and to be cocooned in the beautiful old Spitalfields house for a whole weekend, and plied with delicious food at lunchtime made for a weekend as enjoyable as it was satisfying.  Your course made the difference between thinking about writing a blog, and actually writing it.”

“After blogging for three years, I attended The Gentle Author’s Blogging Course. What changed was my focus on specific topics, more pictures, more frequency, more fun. In the summer I wrote more than forty blogs, almost daily from my Tuscan villa on village life and I had brilliant feedback from my readers. And it was a fantastic weekend with a bunch of great people and yummy food.”

“An inspirational weekend, digging deep with lots of laughter and emotion, alongside practical insights and learning from across the group – and of course overall a delightfully gentle weekend.”

“The course was great fun and very informative, digging into the nuts and bolts of writing a blog.   There was an encouraging and nurturing atmosphere that made me think that I too could learn to write a blog that people might want to read.  – There’s a blurb, but of course what I really want to say is that my blog changed my life, without sounding like an idiot.   The people that I met in the course were all interesting people, including yourself.   So thanks for everything.”

“This is a very person-centred course.  By the end of the weekend, everyone had developed their own ideas through a mix of exercises, conversation and one-to-one feedback. The beautiful Hugenot house and high-calibre food contributed to what was an inspiring and memorable weekend.”

“It was very intimate writing course that was based on the skills of writing. The Gentle Author was a superb teacher.”

“It was a surprising course that challenged and provoked the group in a beautiful supportive intimate way and I am so thankful for coming on it.”

“I did not enrol on the course because I had a blog in mind, but because I had bought TGA’s book, “Spitalfields Life”, very much admired the writing style and wanted to find out more and improve my own writing style. By the end of the course, I had a blog in mind, which was an unexpected bonus.”

“This course was what inspired me to dare to blog. Two years on, and blogging has changed the way I look at London.”

The Bell Foundry & The Mulberry Tree

September 7, 2018
by the gentle author

Towards the end of the last century, Tower Hamlets decided to identify the different neighbourhoods in the borough with cherished symbols representing the fundamental identity of each place. For Bethnal Green, they chose a leaf of the Bethnal Green Mulberry and, for Stepney, they chose a bell from the Whitechapel Bell Foundry.

Those with sharp eyes may still spot these symbols upon signs today, yet incredibly the Bethnal Green Mulberry and the Whitechapel Bell Foundry are both in real danger of destruction at this moment.

Detail of signage in Mulberry St at the rear of the Whitechapel Bell Foundry

Just like those big game hunters who line their walls with animal trophies and claim they are protecting wildlife, the would-be developers of the Whitechapel Bell Foundry are claiming they are preserving it when in fact they are killing it dead. Anyone with a shred of intelligence knows that a bell-themed boutique hotel where bells are polished in the lobby is not an actual working bell foundry.

Meanwhile, a sustainable proposal exists to reopen it as a proper working foundry, reconfigured for the twenty-first century and beyond, through the marriage of old and new technology. This is led by the United Kingdom Historic Building Preservation Trust, an independent charity under the founding patronage of His Royal Highness, The Prince of Wales, in partnership with Factum Foundation, a global leader in the use of technology for the preservation of cultural heritage and manufacturer of sculptures for some of the world’s most famous artists.

Raycliff, the developers, are taking an enormous commercial a risk in pursuing their boutique hotel proposal when it is questionable whether permission for change of use will ever be granted for the building as long as a viable future for the Whitechapel Bell Foundry exists as a foundry.

A public consultation on Raycliff’s plans to turn the Whitechapel Bell Foundry into an upmarket Shoreditch-House-type hotel is being held next Thursday 13th September (4-8pm) and Saturday 15th September (10-2pm) at the foundry in Whitechapel Rd.

Read more here

Hope for the Whitechapel Bell Foundry

Detail of signage in Centre St, E2

The fate of the Bethnal Green Mulberry will be decided at Tower Hamlets Council Strategic Development Meeting at the Town Hall, Mulberry Place, E14 at 6:30pm on Thursday September 20th. All are welcome to attend.

The ancient Bethnal Green Mulberry is believed to have been planted by Bishop Bonnar in the sixteenth century in the grounds of the former London Chest Hospital which were previously the grounds of the Bishop’s Palace. It is almost certainly the oldest tree in the East End.

Recently the Bethnal Green Mulberry, which already has a Tree Protection Order on it, been reclassified as a ‘veteran’ tree which gives it extra protection under planning law but whether this will be enough to save it remains to be seen.

Crest Nicholson, developers of the site, want to dig up the Mulberry and move it which according Julian Forbes-Laird, Expert Witness in Arborculture and editor of the British Standard in tree conservation, will almost certainly kill it. Meanwhile, the Crest Nicholson proposal is overblown, with too many storeys, too little social housing and includes grotesque heritage-style additions to the listed London Chest Hospital building, making it resemble the Grand Budapest Hotel.

Over nine thousand people have signed the petition asking Crest Nicholson to move their proposed block of luxury flats and spare the Bethnal Green Mulberry. Click here to sign the petition

Read more here about the Bethnal Green Mulberry

Here We Go Round The Bethnal Green Mulberry

A Plea For The Bethnal Green Mulberry

The Bethnal Green Mulberry

A Letter to Crest Nicholson

A Reply From Crest Nicholson

The Reckoning With Crest Nicholson

The Haggerston Mulberry

The Dalston Mulberry

The Whitechapel Mulberry

The Mile End Mulberry

The Stoke Newington Mulberry

The Spitalfields Mulberry

The Oldest Mulberry in Britain

Three Ancient Mulberry Trees

A Brief History of London Mulberries


John Taylor, The Water Poet

September 6, 2018
by Gillian Tindall

Contributing Writer Gillian Tindall first encountered John Taylor the Waterman-Poet when she was researching her book The House by the Thames a dozen years ago. Here she gives an account of the man behind the legend and the Spitalfields pub that bears his name.

Those who have enjoyed a drink at The Water Poet in Folgate St may have wondered about this unlikely-sounding figure so far from the water. Yet John Taylor (1578 – 1653), the seventeenth century Thames ferry-boat man, was a convivial fellow – unless he was waging a vendetta – who was very much at home in pubs. When not on one of his great walks round Britain, he lived most of his life in Bankside, which had many hostelries alongside the theatres and bear-pits. He also had relations who kept inns in Leicester, Abingdon and Norwich whom he sought out in his travels.

Taylor lived through times far more unnerving than ours. Born in Gloucester in the prosperous later days of Queen Elizabeth’s reign, he came up to London to seek his fortune and was apprenticed to an oar-maker, before a spell in the Navy upon dangerous expeditions against Spain in Flores and Cadiz.

Once back in London, he lived through the increasingly turbulent times of the Stuart era, the Civil War and the social oppression of the Cromwellian period. A royalist yet with a liking for Puritan values, he worked as a waterman in the service of the king and was distressed when Charles I lost his head. Taylor was getting on in years by then, complaining bitterly that the Commonwealth had driven the theatres off the south bank and damaged the watermen’s trade, much of which had traditionally consisted of crossings between the City and Southwark. He died in his seventies before Charles II was restored to the throne.

Part subversive journalist, pamphleteer and satirical ballad-maker, part would-be poet and playwright, Taylor longed to join a literary society into which he had not been born. A ferryman by nature, he lived between two worlds socially. As hands-on oarsmen, watermen were tough, rough fellows of their time, competing vociferously for trade, but they met a remarkable range of customers many of whom valued and cultivated them. This was also an era when the Waterman’s Company was being established (with Taylor’s active involvement), fares were being set, intelligent men like him were becoming fully literate and the era of New Learning would soon dawn.

Taylor was a natural self-publicist, a collector of useful friends, but also a genuinely passionate believer in freedom of expression and the rights of the individual in every class. He became an  advocate for the destitute watermen who had lost their trade during the ferocious winter of 1620-21 when the Thames froze over for six weeks. He soon discovered that, in spite of all his efforts, there was not much money to be made from a literary life – a truth that still holds today – and developed ingenious means of raising cash. When in difficulty, he would take off on long journeys round Britain on foot for which, anticipating the modern way, he would get sponsorship from rich acquaintances. As a stunt, he once rowed down the Thames in a boat made of paper and later made a much publicised trip  – in a rather more solid craft – down the Rhine and the Elbe.

A good talker, Taylor cultivated the society of Bankside actors, advocating their cause against the rising tide of Puritanism. I imagine him as the archetypal cab-driver – “Had Will Shakespeare in the back of my boat the other day…  As my good friend Mr Henslowe said to me…” He fought back with some success against the Uber of his time – namely, the wheeled conveyances for hire that were beginning to appear on London’s cobbled streets and alleys as an alternative to the traditional way of travelling by river.

John Aubrey, diarist and man-about-town who was familiar with some of the cleverest men of his era, described John Taylor as `very facetious and diverting company’ and possessing `a good, quick look’. Thomas Decker, the Jacobean playwright, called him `the ferryman of heaven’, but there may have been a touch of irony in that.

Taylor’s poetry has not survived in the public mind, since perhaps it did not really deserve to, but his cheerful and inventive spirit has lived on to this day. He died in an inn in Covent Garden kept by his second wife, and lies buried somewhere behind St Martins in the Fields, where the graveyard of the old church lay, and where present-day travellers and aspirants to fame gather with their backpacks and their own travellers’ tales.

The Water Poet at the edge of Spitalfields and Norton Folgate is a recent berth for him, although there has been a tavern on the corner where Folgate St meets Blossom St for over two centuries and possibly an ale-house before that. The old name for the muddy pathway that became Folgate St was White Horse Lane, after the brewery situated there since Taylor’s own times. Even longer ago, what became White Horse Lane was formerly the north entrance to the religious house of St Mary Spital.

In the eighteenth century, the street was laid out in stages by a Sir Isaac Tillard, a man of Huguenot descent, who had acquired some of the old Mary Spital land. The earliest evidence of a purpose-built public house appears then and by 1805 it was registered as The Pewter Plate. Those in charge locally have always kept an eye on pubs and publicans, so it is easy to trace the Plate throughout the nineteenth century, the heyday of urban pubs, and into the twentieth. In 1904, when pubs all over the London were being enlarged and made grander, the Plate was rebuilt with the fancy brickwork and the tall, elaborate chimney that you see today.

At some point, probably between the wars, when Spitalfields was becoming ever sootier and more neglected, as its more prosperous citizens took themselves off to greener suburbs, the building was a pub no longer. By the seventies, the erstwhile pub along with two other adjacent properties, became commercial premises owned by`R.Bardigger.’

By and by, the pub was restored to its proper use and the name The Water Poet dates from the current owner’s acquisition in 2003. He undertook the wonderful transformation of the old back yard into a green-leafed garden with fairy lights. It is this area, along with several large rooms created out of a former warehouse, that is threatened by British Land’s scheme to redevelop Norton Folgate behind bogus facades in the teeth of local opposition. For the moment, all is quiet on that front and the planning permission airily bestowed by the previous and unregretted Mayor of London is shortly to expire. John Taylor the water-poet, I believe, would be with us in this struggle. Let us give thanks and continue to hope.

John Taylor the Water Poet

“All sorts of men, work all the means they can,
To make a Thief of every waterman:
And as it were in one consent they join,
To trot by land i’ th’ dirt, and save their coin.
Carroaches, coaches, jades, and Flanders mares,
Do rob us of our shares, our wares, our fares:
Against the ground, we stand and knock our heels,
Whilst all our profit runs away on wheels;
And, whosoever but observes and notes,
The great increase of coaches and of boats,
Shall find their number more than e’er they were,
By half and more, within these thirty years.
Then watermen at sea had service still,
And those that staid at home had work at will:
Then upstart Hell-cart-coaches were to seek,
A man could scarce see twenty in a week;
But now I think a man may daily see,
More than the wherrys on the Thames can be.
When Queen Elizabeth came to the crown,
A coach in England then was scarcely known,
Then ’twas as rare to see one, as to spy
A Tradesman that had never told a lie.”

From An Arrant Thief, 1622

John Taylor’s A Swarm of Sectaries & Schismatiques published 1641

Engraving of John Taylor by Thomas Cockson, 1630

The Water Poet in Folgate St (Photograph by Richard Lansdowne)

You may like to read these other stories by Gillian Tindall

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In Stepney, 1963

Stepney’s Lost Mansions

Where The White Chapel Once Stood

The Old South Bank

Leonard Fenton, Actor

In Old Deptford

Lifesaving in Limehouse

From Bedlam To Liverpool St

Smithfield’s Bloody Past

The Tunnel Through Time