Lew Tassell At The Queen’s Silver Jubilee
Another time-travelling adventure escorted by our old friend Detective Constable Lew Tassell of the Fraud Squad, thanks to his personal photographs published here for the first time
“As I recall, the day was dull and overcast but this did not stop crowds coming out to line the route from Buckingham Palace to St Paul’s Cathedral. As you can see from my pictures, I was situated on the south side of Fleet St at the western end. The dull weather did not help me at all, taking pictures with a manual camera and lens, especially as I used an Agfa transparency film which was very “slow.” Consequently some of my photographs are not as sharp as they might be, particularly Earl Mountbatten with Princess Margaret. The date was 7th June 1977. I was a Detective Constable during the summer of the celebrations, attending a course at the Detective Training School at Peel House in Hendon. Before going to Hendon, I spent a lot of time doing preparatory security work along the route of the procession and returned to the City for the big day.” – Lew Tassell
Spot the boys in flares sitting on the canopy
Earl Mountbatten & Princess Margaret
The Queen & Prince Philip
Detective Constable Lew Tassell of the Fraud Squad, 1977
Photographs copyright © Lew Tassell
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David Power, Showman
David Power lives in a comfortable Peabody flat round the back of the London Coliseum and, with his raffish charm, flowing snowy locks and stylish lambswool sweater, he is completely at home among the performers of theatre land. Yet, although David may have travelled only a short distance to the West End from his upbringing in the East End, it has been an eventful and circuitous journey to reach this point of arrival.
Blessed with a superlative talent, both as a pianist and as a composer, David interrupted our conversation with swathes of melody at the keyboard – original compositions of assurance and complexity – and these musical interludes offered a sublime counterpoint to the sardonic catalogue of his life’s vicissitudes. Settled happily now with his third wife, David organises charity concerts which permit him to exercise his musical skills and offer a lively social life too. At last, winning the appreciation he always sought, David has discovered the fulfilment of his talent.
“I’ve done a lot of things in my time. All my family were boxers. In those days you had thirty or forty fights a week before you could make a living. It was a different world. Them days we had some good fights but they were hungry then. They punched the fuck out of each other but they were all friends too.
Me, I love boxing but I was a prodigy at the piano at the age of five. My mother, Lily Power, she couldn’t afford no piano lessons for me because we were poor. People have no idea how hard it was in the thirties and forties. I was born in Hounslow and my mother moved us back to Spitalfields where she was from.
My mum paid five shillings a week rent at 98 Commercial St but she wouldn’t let me answer the door when the rent collector came round. Today you couldn’t buy it for two million. Wilkes St was called the knocking shop because the brass went round there for the top class girls. They said, “Can we help you out, any way you like?” Itchy Park, next to the church, we called that Fuck Park – you could get it in there for sixpence. It was a wonderful, wonderful world.
Then I was evacuated to Worcester but I ran away about nine times. Each time, the police picked me up when I got to Paddington Station and put me on the train back again, I was nine years old. It was very funny.
They gave my mother an old pub in Worcester and she took in twenty armaments workers. There was no water, it was outside in the scullery. She charged one pound fifty a week for bed and breakfast and I used to get up at five-thirty to do the fires each morning in 1940. The most wonderful thing was when they brought gas into the house and we had a gas stove, and I didn’t have to worry about making up the fire each morning and heating the water for everyone for bath night on Friday. I got in a lot of trouble at school because I was Jewish and they used to say, “Show us your horns!” and that’s how I got into fighting.
I started work in Spitalfields Market when I was fourteen, I worked with a Mr Berenski selling nuts – peanuts and walnuts. The place was piled high with nuts! I had to stack them up with a ladder. I remember once the sack split and the nuts went everywhere and he chased me around the market. But Harry Pace, my cousin, he was a middleweight, he protected me.
I got a job in The Golden Heart playing the piano at weekends, earning one pound for two sessions. An old guy asked me to play, “When I leave the world behind,” and I thought, “He ain’t got long to go.” I earned three pounds, seventeen shillings and tuppence but, when my father discovered, he hit me round the ear and said, “You’ve been thieving!” Then my mother explained what I had been doing, and he took the money and gave me two bob.
After the war, my mother moved to Westcliff on Sea and that’s when she could afford two and sixpence for piano lessons for me, but by then I was much more interested in sport. As a child, I could play any music that I heard on the radio but, when I had my first lesson at ten years old, I thought crochets and quavers were sweets. There was a big Jewish community in Westcliff and I went to Southend Youth Club and started boxing there until I was called up for the army. I played football for Southend, we won the cup and I scored two goals. In the army, I sent my mum one pound a week home, but I was supposed to have been a concert pianist at eighteen. Fortunately, my Colonel liked music and I was in the NAAFI playing the piano and he asked me to play for the officers. They shipped me out to Hong Kong and Singapore and I played twice a month in the Raffles Hotel on Sundays and for the Prime Minister of Hong Kong.
When I came out the army, I was supported by Harriet Cohen, a concert pianist. I told her I was a ragged man but she wrote to the principal of the Guildhall School of Music. The professor told me to play flat, so I lay on the floor. I said, “You asked me to play flat, you fucking nitwit.” Then I went for an audition at the Windmill Theatre but they only offered me eight pounds a week for playing fourteen shows, so I jacked it in and did the Knowledge and became a cab driver, and got married in 1960. Then I decided to go into the markets and I worked in Covent Garden for twelve months as a porter, until my wife’s dad and I went into hotels – The Balmoral in Torquay and Hotel 21 in Brighton, but in the recession of the nineties I went bankrupt. We couldn’t compete with the deals offered by the big chains where businessmen used to bring their dolly birds at weekends.
Then I went on the road selling and I was earning three or four hundred pounds a week, especially in Wales. They didn’t know what a carpet was there. I once bought ten thousand dog basket covers for five pounds and sold them all at four for a pound as cushion covers in Pitsea Market. And that’s when I went into Crimplene, and then china, and then ties. Those were great days. Eventually, I went back in the taxi, worked like a slave, had a heart attack and died. Half of my heart is dead. I’ve been in and out of hospital with the old ticker ever since, so I decided to give something back by holding concerts for University College London Hospital. I do it all. I know talent when I see it and we have shows every month.
I never played the piano for twenty years, until ten years ago I went back to it – I wrote a piece of music when my wife died. I always wanted to be a pianist because music is something I get wrapped up in. A lot of people never believed I played the piano because I was so ragged, I had a ragged upbringing. If you come from the background that I came from, you’ve got keep putting money on the table. To be dedicated to music, you to have to be rich or a fool. I’m a born showman, that’s what they tell me, “David, you’re a showman.””
David (on the left) enjoys a picnic with his mother Lily and brothers and sisters in Itchy Park, Spitalfields in the nineteen thirties
David as a young boxer in the nineteen fifties
Concert Pianist Harriet Cohen encouraged David to become a professional pianist.
David Power, Showman
East End At Night
Reader David Rees sent me these soulful photographs of the East End and the City of London at night
The Still & Star, Aldgate
“I have always loved the great practitioners of night photography, Bill Brandt, Brassaï, Alfred Stieglitz, Harold Burdekin and the Virginia railway photographs of O. Winston Link. Parts of the East End and the City are still astonishingly quiet and empty after dark. The emptiness makes it less likely that anyone is going to ask what you are doing taking photographs. Additionally, my eyesight has been failing in the last few years to the degree that I find it quite uncomfortable in daylight, so my flaring corneas have turned me into a vampire snapper. The London half of my family line has been East End for many generations.” – David Rees
Bell Lane, Spitalfields
Wentworth St
Tower Hill
St Margaret Pattens, City of London
Little Somerset St
Aldgate
St Olave’s, Seething Lane
The Tower
Tower Bridge
Photographs copyright ©
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Tony Norman’s Geezers
Reader Tony Norman from Brighton sent me these wonderful photographs of sculptures he has made, inspired by the faces in photographs by Phil Maxwell, John Claridge & Markéta Luskačová published in the pages of Spitalfields Life. “I rely on driftwood and metal-detecting pieces,” he explained to me, “I try and make them without changing the bits. As my stock of wood reduces it gets harder to make anything, but it is fun.”
Geezer Shopping
Cafe Geezer
Walkies
Geezer & Dog
This town comin’ like a ghost town
Geezer with a map
Skipping Girl
Ron & Rene
Brighton Geezer
Picnic
Licked
Happy
Talking Heads
Geezer with camera
Gangster Crims
Bowser
Images copyright © Tony Norman
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A Blue Plaque For A.S. Jasper
Next week on Wednesday November 21st at 11am a blue plaque is being unveiled for A.S. Jasper, author of A HOXTON CHILDHOOD & THE YEARS AFTER at his last home in Walthamstow, 37 First Avenue, E17 9QG. As A.S. Jasper’s publisher, I shall be there with the author’s son Terry Jasper and we shall both say a few words. I hope as many readers as can make it will join us.

Albert Stanley Jasper
“The initials stand for Albert Stanley, but he was always know as Stan, never Albert,” admitted Terry Jasper, speaking of his father when we met at F. Cooke’s Pie & Mash Shop in Hoxton Market. A.S. Jasper’s A Hoxton Childhood was immediately acclaimed as a classic in 1969 when The Observer described it as “Zola without the trimmings,.” Nearly half a century later, Spitalfields Life Books published the definitive edition accompanied by the sequel, The Years After.
“In the late sixties, my mum and dad lived in a small ground floor flat. Looking out of the window onto the garden one morning, he saw a tramp laying on the grass who had been there all night. My dad took him out a sandwich and a cup of tea, and told him that he wouldn’t be able to stay there” Terry recalled, “I think most people in that situation would have just phoned the police and left it at that.” It is an anecdote that speaks eloquently of Stan Jasper’s compassionate nature, informing his writing and making him a kind father, revered by his son all these years later.
Yet it is in direct contrast to the brutal treatment that Stan received at the hands of his own alcoholic father William, causing the family to descend in a spiral of poverty as they moved from one rented home to another, while his mother Johanna struggled heroically against the odds to maintain domestic equilibrium for her children. “My grandmother, I only met her a couple of times, but once I was alone with her in the room and she said, ‘Your dad, he was my best boy, he took care of me.'” Terry remembered.
“There are a million things I’d like to have asked him when he was alive but I didn’t,” Terry confided to me, contemplating his treasured copy of his father’s book that sat on the table between us, “My dad died in 1970, he was sixty-five – It was just a year after publication but he saw it was a success.”
“When he was a teenager, he was a wood machinist and the sawdust got on on his lungs and he got very bad bronchitis. When I was eight years old, the doctor told him he must give up his job, otherwise the dust would kill him. My mum said to him that this was something he had to do and he just broke down. It was very strange feeling, because I didn’t think then that grown-ups cried.”
Stan started his own business manufacturing wooden cases for radios in the forties, employing more than seventy people at one point until it ran into difficulties during the credit squeeze of the fifties. Offered a lucrative buy-out, Stan turned it down out of a concern that his employees might lose their jobs but, shortly after, the business went into liquidation.”He should have thought of his family rather his workers,” commented Terry regretfully, “He lost his factory and his home and had to live in a council flat for the rest of his life.”
“My dad used to talk about his childhood quite a lot, he never forgot it – so my uncle Bob said, ‘Why don’t you write it all down?’ And he did, but he tried to get it published without success. Then a friend where I worked in the City Rd took it to someone he knew in publishing, and they really liked it and that’s how it got published. When the book came out in 1969, he wanted to go back to Hoxton to see what was still left, but his health wasn’t good enough.”
Terry ‘s memories of his father’s struggles are counterbalanced by warm recollections of family celebrations.”He always enjoyed throwing a party, especially if he was in the company of my mother’s family. It wasn’t easy obtaining beer and spirits during the warm but somehow he managed to find a supply. He was always generous where money was concerned, sometimes to a fault, and he had a nice voice and didn’t need much persuading to get up and sing a song or two.”
Stan Jasper only became an author in the final years of his life when he could no longer work, and the success of A Hoxton Childhood encouraged him to write The Years After, which was found among his papers after his death and is published now more than forty years later. The two works exist as companion pieces, tracing the dramatic journey of the author from the insecurity of his early years in Hoxton to the comfortable suburban existence he created for his family as an adult. The moral lessons he learnt in childhood became the guidelines by which he lived his life.
Together, A.S. Jasper’s A Hoxton Childhood & The Years After comprise an authentic testimony of the survival and eventual triumph of a protagonist who retains his sense of decency against all the odds. “He said he would always settle for the way life turned out,” Terry concluded fondly.

Click here to order a copy of A HOXTON CHILDHOOD for £20
Stan (on the right) with his brother Fred
Stan and his wife Lydia
Terry as a boy
Terry with his dad Stan
Stan and his sister Flo
Stan Jasper
Terry with his mum and dad at Christmas
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Stan Jasper with his dog Nipper
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Cockney Cats
Cockney Cats will be converging upon the Idea Store in Whitechapel this Saturday night, 17th November at 7pm, to hear The Gentle Author reading from THE LIFE & TIMES OF MR PUSSY, A MEMOIR OF A FAVOURITE CAT as part of the Write Idea Festival. Click here for free tickets

These are Cockney Cats by Warren Tute, with photographs by Felix Fonteyn from 1953, in the archive at Bishopsgate Institute

Micky is the centre of the Day family of Copley St in the parish of Stepney. The whole family pamper him and have a wonderful time

Bill on weekdays, William on Sundays, the cat at the Bricklayers Arms in Commercial Rd has a wonderful life since the Guv’nor Jim Meade was once a Dumb Animals’ Food Purveyor. At seventy-seven Jim looks back on a long and distinguished life in Stepney during his thirty-two years as Guv’nor.

Yeoman Warder Clark & Pickles on Tower Green

On duty at the Tower of London

The tail-less cat of the guardroom who came out to watch Pickles being photographed

Min, Port of London Authority cat has many friends among the dockers and very good ratting at night

Min of the magnificent whiskers has made her home in the office of K Warehouse in the Milwall Docks

Customs & Excise cat guards the Queen’s Warehouse and is paid a Treasury Allowance of sixpence a day

Mitzi has the run of her ship from the lifeboats to the Officers’ Mess

Old Bill the railway cat, his favourite position is the entrance to Blackfriars Station

Old Bill takes cover when necessary in the rush hour

Tibs the Great (1950-64), the official Post Office cat at Headquarters, does not normally live in this 1856 pillarbox

This cat’s curiosity unearthed a box of ancient stamps and seals, some dating back to Queen Anne

Minnie the Stock Exchange cat was a self-willed and determined kitten who adopted the dealing floor as her own preserve

Minnie enjoys the banter in the tea room

Tiger of The Times is the best office cat in Fleet St

Tiger of The Times is equally at ease whether in the Board Room …

… or doing his rounds in the Print Room

Sneaking back into Lloyds of London is difficult even for the resident cat

Cecil is the Front of House cat at the Theatre Royal Drury Lane

Cecil is very elusive in his many hiding places from which he has to be coaxed by the Royal Waiter before the performance can begin

When thirteen people sit down to dine at the Savoy and the thirteenth guest is Jimmy Edwards, almost anything can happen. The famous black cat is invited to occupy the fourteenth place so that everyone can enjoy the sparkling conversation.

Bill at the Tower of London (1935-47)
Images courtesy Bishopsgate Institute
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A Tea Party For Doreen Fletcher

Portrait of Doreen Fletcher in her studio by Stuart Freedman
Please join me for for a tea party with complimentary sponge cakes at 3pm on Sunday 25th November at the Nunnery Gallery to celebrate the publication of DOREEN FLETCHER, PAINTINGS by Spitalfields Life Books prior to Doreen Fletcher’s retrospective which opens at Bow Arts on January 24th 2019.
We have commissioned celebrated cake maker Jackie Stern to bake a selection of delicious varieties of sponge cake for you to choose from.
Doreen will be signing copies of her handsome monograph and will be in conversation with The Gentle Author. They will be discussing her paintings of the East End which have justly won Doreen such acclaim in recent years and tracing the long journey to this auspicious moment.
DOREEN FLETCHER, PAINTINGS reveals the full breadth of Doreen Fletcher’s achievement for the first time, including the largest selection of her work yet assembled including many unseen paintings from private collections.
Doreen’s monograph has been published with the generous support of the following readers of Spitalfields Life:
Alison Anderson, Vivian Archer, Clifford & Fiona Atkins, Graham Barker, Roxy Beaujolais, Jill Browne, Dana Burstow, Tamara Cartwright Loebl, Charlie De Wet, Keith Evans, John Gillman & Mary Winch, Mark Hamsher & Elna Jacobs, Carolyn Hirst, Terry Jasper, Stella Herbert, Michael Keating, Hilda Kean, Bernard Lamb, Pat Lowe, Tim Mainstone, Julia Meadows, Robert Medcalfe, Angus Murray, Caroline Murray, Ros Niblett, Jan O’Brien, Delamain Ogilby Ltd, Sian Phillips, Tim Sayer, Aubrey Silkoff, Larry & Linda Spivack, Penelope Thompson, Gillian Tindall, Robert Welham, Jane Williamson, Jill Wilson, Derek Wood and Julian Woodford. A contribution was made in memory of Beryl Boulton.
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CLICK HERE TO ORDER A SIGNED COPY OF DOREEN FLETCHER’S BOOK FOR £20
















































































