Skip to content

Eva Frankfurther’s Drawings

August 3, 2019
by the gentle author

There is an unmistakeable melancholic beauty which characterises Eva Frankfurther‘s East End drawings made during her brief working career in the nineteen-fifties. Born into a cultured Jewish family in Berlin in 1930, she escaped to London with her parents in 1939 and studied at St Martin’s School of Art between 1946 and 1952, where she was a contemporary of Leon Kossoff and Frank Auerbach.

Yet Eva turned her back on the art school scene and moved to Whitechapel, taking menial jobs at Lyons Corner House and then at a sugar refinery, immersing herself in the community she found there. Taking inspiration from Rembrandt, Käthe Kollwitz and Picasso, Eva set out to portray the lives of working people with compassion and dignity.

In 1958, afflicted with depression, Eva took her own life aged just twenty-eight, but despite the brevity of her career she revealed a significant talent and a perceptive eye for the soulful quality of her fellow East Enders.

“West Indian, Irish, Cypriot and Pakistani immigrants, English whom the Welfare State had passed by, these were the people amongst whom I lived and made some of my best friends. My colleagues and teachers were painters concerned with form and colour, while to me these were only means to an end – the understanding of and commenting on people.” – Eva Frankfurther

Images courtesy Bishopsgate Institute

You may also wish to take a look at

Alfred Daniels, Artist

Barnett Freedman, Artist

Morris Goldstein, Artist

Leon Kossoff at Arnold Circus

The Consolation of Schrodinger

August 2, 2019
by the gentle author

.

I believe most will agree that life is far from easy and that dark moments are an inescapable part of human existence. When I feel sad, when I feel confused, when I feel conflicted, when it all gets too much and my head is crowded with thoughts yet I do not even know what to do next, I lie down on my bed to calm myself.

On such an occasion recently, I was lying in a reverie and my consciousness was merging with the patterns of the changing light on the ceiling, when I heard small footsteps enter the room followed by a soft clump as Schrodinger landed upon the coverlet in a leap.

I lifted my head for a moment and cast my eyes towards him and he looked at me askance, our eyes meeting briefly in the half-light of the shaded room before I lay my head back and he settled himself down at a distance to rest.

I resumed my contemplation, trying to navigating the shifting currents of troubling thoughts as they coursed through my head but drifting inescapably into emotional confusion. Suddenly my mind was stilled and halted by the interruption of the smallest sensation, as insignificant yet as arresting as a single star in a night sky.

Turning my head towards Schrodinger, I saw that he had stretched out a front leg to its greatest extent and the very tip of his white paw was touching my calf, just enough to register. Our eyes met in a moment of mutual recognition that granted me the consolation I had been seeking. I was amazed. It truly was as if he knew, yet I cannot unravel precisely what he knew. I only know that I was released from the troubles and sorrow that were oppressing me.

When he was the church cat, Schrodinger lived a public life and developed a robust personality that enabled him to survive and flourish in his role as mascot in Shoreditch. After over a year living a private domestic life in Spitalfields, he has adapted to a quieter more intimate sequestered existence, becoming more playful and openly affectionate.

At bedtime now, he leaps onto the coverlet, rolling around like a kitten before retreating – once he has wished me goodnight in his own way – to the sofa outside the bedroom door where he spends the night. Thus each day with Schrodinger ends in an expression of mutual delight.

.

.

You may also like to read about

Schrodinger’s First Year in Spitalfields

Schrodinger Pleases Himself

Schrodinger’s First Winter in Spitalfields

Schrodinger Takes Charge

The Loneliness of Schrodinger

A New Home for Schrodinger

Schrodinger, Shoreditch Church Cat

.

.

CLICK HERE  TO ORDER TO A SIGNED COPY FOR £15

At Dr Johnson’s House

August 1, 2019
by the gentle author

I walked over to Fleet St to pay a visit upon Dr Samuel Johnson who could not resist demonstrating his superlative erudition by recounting examples of lexicography that came to mind as he showed me around the rambling old house in Gough Sq where he wrote his famous Dictionary

House. n.s. [hus, Saxon, huys, Dutch, huse, Scottish.] 1. A place wherein a man lives, a place of human abode. 2. Any place of abode. 3. Place in which religious or studious persons live in common, monastery, college. 4. The manner of living, the table. 5. Family of ancestors, descendants, and kindred, race. 6. A body of parliament, the lords or commons collectively considered.

Acce’ss. n.s. [In some of its senses, it seems derived from accessus, in others, from accessio, Lat. acces, Fr.] 1. The way by which any thing may be approached. 2. The means, or liberty, of approaching either to things or men. 3. Encrease, enlargement, addition. 4. It is sometimes used, after the French, to signify the returns of fits of a distemper, but this sense seems yet scarcely received into our language.

To Rent. v.a. [renter, Fr.] 1. To hold by paying rent. 2. To set to a tenant.

Ba’ckdoor. n.s. [from back and door.] The door behind the house, privy passage.

Door. n.s. [dor, dure, Saxon, dorris, Erse.] The gate of a house, that which opens to yield entrance. Door is used of houses and gates of cities, or publick buildings, except in the licence of poetry.

Hábitable. adj. [habitable, Fr. habitabilis, Lat.] Capable of being dwelt in, capable of sustaining human creatures.

Time. n.s. [ꞇıma, Saxon, tym, Erse.] 1. The measure of duration. 2. Space of time. 3. Interval. 4. Season, proper time.

Stair. n.s. [ꞅꞇæᵹꞃ, Saxon, steghe, Dutch.] Steps by which we rise an ascent from the lower part of a building to the upper. Stair was anciently used for the whole order of steps, but stair now, if it be used at all, signifies, as in Milton, only one flight of steps.

Chair. n.s. [chair, Fr.] 1. A moveable seat. 2. A seat of Justice or authority. 3. A vehicle borne by men, a sedan.

Díctionary. n.s. [dictionarium, Latin.] A book containing the words of any language in alphabetical order, with explanations of their meaning, a lexicon, a vocabulary, a word-book.

A’ftergame. n.s. [from after and game.] The scheme which may be laid, or the expedients which are practised after the original design has miscarried, methods taken after the first turn of affairs.

Mystago’gue. n.s. [μυσταγωγὸς, mystagogus, Latin.] One who interprets divine mysteries, also one who keeps church relicks, and shews them to strangers.

Box. n.s. [box, Sax. buste, Germ.] 1. A case made of wood, or other matter, to hold any thing. It is distinguished from chest, as the less from the greater. It is supposed to have its name from the box wood. 2. The case of the mariners compass. 3. The chest into which money given is put. 4.  The seats in the playhouse, where the ladies are placed. (David Garrick’s box illustrated)

Fascina’tion. n.s. [from fascinate.] The power or act of bewitching, enchantment, unseen inexplicable influence.

A’fternoon. n.s. [from after and noon.] The time from the meridian to the evening.

Intelléctual. n.s. Intellect, understanding, mental powers or faculties. This is little in use.

Prívacy. n.s. [from private.] 1. State of being secret, secrecy. 2. Retirement, retreat. 3. [Privauté, Fr.] Privity; joint knowledge; great familiarity. Privacy in this sense is improper. 4. Taciturnity.

Lexicógrapher. n.s. [λεξικὸν and γράφω, lexicographe, French.] A writer of dictionaries, a harmless drudge, that busies himself in tracing the original, and detailing the signification of words.

Ca’binet. n.s. [cabinet, Fr.] 1. A set of boxes or drawers for curiosities, a private box. 2. Any place in which things of value are hidden. 3. A private room in which consultations are held.

A’bsence. n.s. [See Absent.] 1. The state of being absent, opposed to presence. 2. Want of appearance, in the legal sense. 3. Inattention, heedlessness, neglect of the present object.

Work. n.s. [weorc, Saxon, werk, Dutch.] 1. Toil, labour, employment. 2. A state of labour. 3. Bungling attempt. 4. Flowers or embroidery of the needle. 5. Any fabrick or compages of art. 6. Action, feat, deed. 7. Any thing made. 8. Management, treatment. 9. To set on Work To employ, to engage.

Way. n.s. [wœʒ, Saxon, weigh, Dutch.] The road in which one travels.

Court. n.s. [cour, Fr. koert, Dut. curtis, low Latin.] 1. The place where the prince resides, the palace. 2. The hall or chamber where justice is administered. 3. Open space before a house. 4. A small opening inclosed with houses and paved with broad stones.

Cat. n.s. [katz, Teuton. chat, Fr.] A domestick animal that catches mice, commonly reckoned by naturalists the lowest order of the leonine species.

To Mew. v.a. [From the noun miauler Fr.] To cry as a cat.

Visit Dr Johnson’s House, 17 Gough Square, EC4A 3DE

You may also like to read about

Jonathon Green, Lexicographer of Slang

At Billingsgate Roman Bathhouse

July 31, 2019
by the gentle author

Tepidarium at Billingsgate Roman bathhouse

In Lower Thames St, where the traffic roars past old Billingsgate Market and around the Tower of London, there is an anonymous door that leads to the past. It is a piece of spine-tingling magic. You walk through a modern door into an unremarkable corporate building and descend a staircase to discover the best preserved piece of Roman archaeology in London.

Here is a second century riverside villa with an bathhouse of cruciform shape complete with an elaborate underfloor heating system. You can see the square frigidarium with its tessellated floor and then the smaller rooms with curved walls, the tepidarium and the caldarium, with tiled floors supported upon pilae permitting the hot air to travel underneath. In these rooms, water could be thrown upon the heated floor to create clouds of steam. For those who originated in warmer climes, the bathhouse provided a welcome antidote to the misery of cold winters in London.

The bathhouse was first uncovered in 1848 during the construction of the London Coal Exchange and drew a response of such wonder that – unlike many other ancient remains discovered in the City in that era – it was preserved. When the Coal Exchange was demolished in the last century for the widening of Lower Thames St, more of the Roman ruins were uncovered before being concealed in the basement of the block where they are housed today.

A century after the bathhouse was constructed, a six metre defensive wall was built along the water front, concealing the river view and blocking out the light. It was then that the bathhouse was expanded within the garden of the villa and perhaps the dwelling changed from a desirable private house to some form of temporary lodging, with the added attraction of a steam bath.

In use until the Romans departed London in the fifth century, the bathhouse then fell into disrepair and collapsed before being covered with a layer of silt, preserving the remains and preventing anyone carrying off the building materials for reuse. Tantalisingly, a Saxon brooch was found on top of the pile of collapsed roof tiles dating from a time when this part of the City of London was uninhabited. Did someone from the nearby Saxon settlements come to explore the Roman ruins one day and slip upon the rubble, dropping a brooch?

When you walk upon the metal gantries over the Roman walls, you feel you are a ghost from the future eavesdropping on another time. The scale of the rooms is apparent, the stone bench in the steam room is discernible and you can see the fragments of worn floor, smoothed with centuries of use by the long-dead. Square pipes, tiles and other details of the construction reveal the work of skilled craftsmen in ceramic and brick, and a single tile bears the imprint of a dog’s paw that wandered through the brick maker’s yard in London seventeen hundred years ago.

Explore Billingsgate Roman Bathhouse for yourself any Saturday until 30th November. Tours run at 11am, 12noon and 1pm. Click here to book a tour.

The hot air from the furnace entered the building and circulated under the floor

The curved walls of the caldarium

Tiles supported on pilae as part of the underfloor heating system in the tepidarium

Tessellated floor in the frigidarium

Fragment of tessellated floor

The stone bench in the tepidarium

The paw print of a dog in London seventeen hundred years ago

You may also like to read about

In Search Of Roman London

The Spitalfields Roman Woman

Ebbe Sadolin’s London

July 30, 2019
by the gentle author

Danish Illustrator Ebbe Sadolin (1900-82) visited London in the years following the War to capture the character of the capital, just recovering from the Blitz, in a series of lyrical drawings executed in elegant spidery lines. Remarkably, he included as many images of the East End as the West End and I publish a selection of favourites here from the forties.

George & Dragon, Shoreditch

St Katherine’s Way, Wapping

The Prospect of Whitby, Wapping

Stocks, Shoreditch

Petticoat Lane

Tower Green, Tower of London

The Olde Cheshire Cheese, Fleet St

Rough Sleeper, Shoreditch

Islington Green

Nightingale Lane, Wapping

Fleet St

Wapping churchyard

Tower of London

Commercial Rd, Stepney

St Pancras Station

High St, Plaistow

Bride of Denmark, Queen Anne’s Gate

Liverpool St Station

You may also like to look at

Roland Collins’ London

James Boswell’s London

Lucinda Rogers’ London

Philip Cunningham’s East End Portraits

July 29, 2019
by the gentle author

In the seventies, while living in Mile End Place and employed as a Youth Worker at Oxford House in Bethnal Green and then as a Probationary Teacher at Brooke House School in Clapton, Photographer Philip Cunningham took these tender portraits of his friends and colleagues. “I love the East End and often dream of it,” Philip admitted to me recently.

Publican at The Albion, Bethnal Green Rd. “We would often go there from Oxford House where I was a youth worker. Billy Quinn, ‘The Hungry Fighter’ used to drink in there. He would shuffle in, in his slippers and, if I offered him a drink, the answer was always the same. ‘No! No! I don’t want a drink off you, I saved my money!’ He had fought a lot of bouts in America and was a great character.”

Proprietor of Barratts’ hardware – “An unbelievable shop in Stepney Way. It sold EVERYTHING, including paraffin – a shop you would not see nowadays.”

Terry & Brenda Green, publicans at The Three Crowns, Mile End

“My drinking pal, Grahame the window cleaner, knew all that was happening on the Mile End Rd.”

Oxford House bar

“Bob Drinkwater ran the youth club at Oxford House where I was a youth worker” c. 1974

Pat Leeder worked as a volunteer at Oxford House

Caretaker at Oxford House

My friend Michael Chalkley worked for the Bangladeshi Youth League and Bangladeshi Welfare Association

Frank Sewell worked at Kingsley Hall, Bow, and ran a second hand shop of which the proceeds went to the Hall, which was ruinous at that time

Historian Bill Fishman in Whitechapel Market

Mr Green

Kids from the youth club at Oxford House, Weavers’ Fields Adventure Playground, c. 1974

Kids from the youth club at Oxford House, Weavers’ Fields Adventure Playground, c. 1974

Salim, Noorjahan, Jabid and Sobir with Michael Chalkley, c. 1977

Coal Men, A G Martin & Sons, delivering to Mile End Place

Mr & Mrs Jacobs, neighbours at Mile End Place

Mr & Mrs Mills, neighbours at Mile End Place

Commie Roofers, Mile End Place

Friend and fighter against racism, Sunwah Ali at the Bangladeshi Youth League office, c. 1978

Norr Miah was a friend, colleague and trustee of the Bangladeshi Youth League

Chess players at Brooke House School, c. 1979

Teacher at Brooke House  – “The best school I ever taught in with a really congenial staff” c. 1979

“Boys from Brooke House School where I was a probationary teacher, c.1979”

“My friend and colleague Salim Ullah with his baby” c.1977

John Smeeth (AKA John the Beard), my daughter Andrea, and Michael Wiston (AKA Whizzy)  c. 1977

Eddie Marsan (dressed as Superman) and friends, Mile End Place

“Rembert Langham in our studio in New Crane Wharf, Wapping. He made monsters for Dr Who and went pot-holing”1975

Mother & son, Whitechapel. “She asked me why I was taking photos of derelict buildings, so I said I would like to take a picture of her and she agreed.”

“John the Fruit used to drink in the Three Crowns and we were good friends. We were in the pub one night when some tough characters came in. It turned out they owned this property I had been photographing. I asked if I could do some photos inside, they said, ‘Yes, come on Thursday.’ I duly arrived, but the place was locked and no one was about. Then John the Fruit turned up so I took his picture, as you see above. Later that week in the Three Crowns, the rough guys walked in and, when they saw me, accused me of not turning up. I was grabbed by the shoulder to be taken outside (very nasty). However John, who was an ex-boxer and pretty fit for an old boy, pulled the bloke holding me aside and said ‘He was there, because I was there with him!’ They put me down and were most apologetic to John. He saved me from something bad, God Bless Him!!”

Abdul Bari & friend, Whitechapel. “Abdul Bari (Botly Boy) lived in the Bancroft Estate and was a parent at John Scurr School where I was a governor and where my daughter attended. The photo was taken on Christmas day.”

Printer at the Surma newspaper, Brick Lane. The paper supported Sheikh Mujibur Rahman & the Awami League.

Porters at Spitalfields Market c.1978

Porters at Spitalfields Market c.1978

Boys on wasteland, Whitechapel c.1977

My friends Sadie & Murat Ozturk ran the kebab shop on Mile End Rd. Their daughter Aysher was best friends with my daughter and both went to John Scurr School. We spent alternate Christmases at each others’ home until they returned to Turkey. They were very hard-working and I hope they have prospered. c.1978

Engineers in the Mile End Automatic Laundry. It was a fantastic facility for people like us, with just an outside toilet and a butler’s sink in the kitchen. It had machines to iron your sheets which was a palaver, but everyone used to help each another. c.1975

Jan Alam & Union Steward, Raj Jalal on an Anti-Fascist march in Whitechapel

Chris Carpenter & Jim Wolveridge on Mile End Waste. My long-time friend Chris was a teacher at John Scurr School who went to Zimbabwe to teach for a number of years. When he arrived there were very few books in the School, but oddly there was one called ‘Ain’t It Grand’ by Jim Wolveridge. How it got there nobody could explain. Jim Wolveridge used to have a second hand book stall on the Waste every Saturday. In this photo, Chris is telling him about finding his book in his school in Zimbabwe. c.1985

My photography student Rodney at Deptford Green Youth Centre would often say ‘Hush up & listen to the Teach!’

Michael Rosen and Nik Chakraborty both taught my daughter at John Scurr School. c.1979

Photography students at Deptford Green Youth Centre. They were eager to learn and I hope they’ve all done well. c.1979

My friend and colleague, Caroline Merion at Tower Hamlets Local History Library where she spent most of her time. I went to her house once or twice and I noticed she had a habit of hoarding bags. c.1979

Harry Watton worked in the Local History Library in Bancroft Rd for many years. He was always helpful and had an immense knowledge about Tower Hamlets. c.1979

The Rev David Moore from the Bow Mission and Santiago Bell, an exile from Pinochet’s Chile who was a ceramicist and wood carver. He taught David to carve and, on retirement, David built himself a studio and has been carving ever since. This picture was taken at the opening of Bow Single Homeless & Alcoholic Rehabilitation Project and the carving, which was the work of both David and Santiago, depicts the journey of rehabilitation. c.1986

Builders at Oxford House. c.1978

Gasmen at Mile End Place, 1977

Harry Diamond at a beer festival at Stepping Stones Farm Stepney. After I left art school in 1978,  I met Harry at Camerawork in Alie St. He was always generous with his knowledge of photography and, after talking to him, I changed the type of film I was using. Harry was famously painted by Lucien Freud standing next to a pot plant, but when I asked Harry what he thought of Lucien, he did not have a high opinion of the great artist. c.1978

Teacher Martin Cale and Bob the School-keeper (an ex-docker) at John Scurr School. c.1978

At Hungerford Bridge, I came across this man in a doorway. He was not yet asleep so I asked if I could take his photo. ‘If you give me a cigarette,’ he said. ‘I only smoke rollups,’ I replied. ‘That’ll do.’ I rolled him a cigarette then took his portrait. c.1978

Paul Rutishauser ran the print workshop in the basement of St George’s Town Hall in Cable St

‘We don’t want to live in Southend’ – Housing demonstration on the steps of the old Town Hall

Kids from Stepping Stones Farm in Stepney c.1980

“Kingsley Hall was a Charles Voysey designed building off Devons Rd, Bow, that had fallen into disrepair and which we were trying to turn into a community centre.”

Kids from Kingsley Hall

In the pub with Geoff Cade and Helen Jefferies (centre and right) who worked at Kingsley Hall

“Geoffrey Cade worked at Kingsley Hall from about 1982. He fought injustice all his life and was a founding member of Campaign for Police Accountability, a good friend and colleague.”

East London Advertiser reporters strike in Bethnal Green, long before the paper moved to Romford c.1979

National Association of Local Government Officers on strike at the Ocean Estate

Teachers on strike c. 1984

Policing the Teacher’s Strike c. 1984

Teachers of George Green’s School, Isle of Dogs, in support of Ambulance Crews c. 1983

Kevin Courtney was my National Union of Teachers Representative when I began my teaching career

Lollipop Lady in Devons Rd, Bow

“Our first play scheme was in the summer of 1979. One of the workers was a musician called Lesley and her boyfriend was forming a band, so they asked me to photograph them and, as they lived on the Ocean Estate, we went into Mile End Park to do the shoot.”

Does anyone remember the name of this band?

Busker in Cheshire St c. 1979

“We bought our fruit and vegetables every Saturday from John the greengrocer in Globe Rd who did all his business in old money.” c.1980

Photographs copyright © Philip Cunningham

You may also like to take a look at

A Lost Corner of Whitechapel

Philip Cunningham at Mile End Place

Joseph Merceron v Ross Poldark

July 28, 2019
by the gentle author

In advance of tonight’s episode of POLDARK, featuring the real life character of Joseph Merceron, Julian Woodford author of THE BOSS OF BETHNAL GREEN, explains how he uncovered the breathtakingly appalling life of this notorious Huguenot, gangster and corrupt East End magistrate.

Joseph Merceron by Joe McLaren

The Cinnamon restaurant is at 134 Brick Lane today but, in 1764, this was a Huguenot pawnbroker’s shop and, on 29th January of that year, a baby boy was born there. His name was Joseph Merceron and he would grow up to be The Boss of Bethnal Green – the Godfather of Regency London.

My biography was a decade in its gestation. I first came across Joseph Merceron’s name in 2005, when I happened upon a reference to him in Roy Porter’s London: A Social History. Porter described Merceron as an early corrupt political ‘Boss’ who had dominated the East End some one hundred and fifty years before it became the home of the Kray twins. By coincidence, I had seen Merceron’s name the day before, listed as a defendant in a series of legal cases at the National Archives. I was intrigued: Merceron is not a common name in England. Was this the same man? The internet confirmed that it was, and revealed that he had been a larger-than-life character. His story seemed to anticipate the plot of the Marlon Brando movie On the Waterfront, where a corrupt gangster is taken on – and eventually toppled – by a brave and determined local priest.

Over the next few days, I found that Merceron was name-checked by virtually every book about the history of London’s darker side, from academic classics like Dorothy George’s London Life in the Eighteenth Century to true-crime exposés like Fergus Linnane’s London’s Underworld. The facts given were always similar, and I soon learned that all these accounts had their origins in The Rule of the Boss, a chapter in Sidney & Beatrice Webb’s seminal 1906 work on English local government, The Parish and the County. The Webbs, a husband-and-wife team of early socialists, were embarking on a nine-volume treatise regarded as a classic by historians. They intended that the centuries of inefficiency and corruption they described would be swept away by the statistical analysis and central planning espoused by the early Labour movement.

The Webbs’ research had unearthed parts of Merceron’s story, seeing him as the perfect illustration of corruption within English parochial self-government. The Marxist academic Harold Laski wrote that ‘they have added new figures to our history, the school books of the next generation will make Merceron [and his like] illuminating examples of what a democracy must avoid.’ As it turned out, Professor Laski was wrong: the Second World War intervened and the prominence given to 20th century history in school curricula meant that Merceron’s story has been largely forgotten.

The Rule of the Boss is an intriguing read, but the Webbs were not biographers, and had no interest in dissecting the personal life behind Merceron’s rule. Their account leaves fundamental questions unanswered. Who exactly was Joseph Merceron? Where did he come from? What drove him? How did he become so wealthy? How did he gain power while so young and retain it for so long? Frustratingly, all subsequent accounts I could find regurgitated parts of the Webbs’ story but failed to provide the answers. Even a brief reference to Merceron in the Dictionary of National Biography could shed no further light. In his excellent book of tales about Brick Lane, An Acre of Barren Ground (2005), Jeremy Gavron had drawn some interesting conclusions about Merceron’s links to the brewer Sampson Hanbury, but when we met Jeremy explained that, apart from this, he too had struggled to make headway with Merceron’s wider story.

Convinced that Merceron’s story was worth telling, I delved deeper. Searching through the births, marriages and deaths columns of The Times, with the help of the electoral register I traced Merceron’s family tree forwards and learned there were just a handful of people with that family name living in the United Kingdom. I wrote to the most promising candidates and a couple of days later was rewarded with a call from an elderly lady who introduced herself as Susan Kendall, Merceron’s great-great-granddaughter. Mrs Kendall added that she would be delighted to invite me to her home in Wiltshire but, she added, ‘You had better come quick, because I’m ninety-three!’

I rushed off to the pretty village of Ramsbury to meet Mrs Kendall and over a cup of coffee explained my plans. But when I mentioned Beatrice Webb, Mrs Kendall almost exploded. ‘That beastly woman,’ she exclaimed, had published Merceron’s story just before her own birth. The Mercerons were a wealthy and respected county family in Edwardian times, and Susan and her sisters were presented at Court to Queen Mary as teenagers. The Webbs’ story had not been helpful, to say the least, and Mrs Kendall expressed satisfaction that finally I was going to disprove it. This was not promising.

When I nervously explained that, based on my research to date, if anything Merceron had been even more of a tyrant than the Webbs had described, I wondered if I was about to be asked to leave. But Mrs Kendall reflected. ‘If that is the true story,’ she said, ‘then of course you must tell it.’ From that moment on, she gave me every support and we corresponded regularly until her death a few years later. She generously lent me the few family papers she had, but said I would need to meet with her nephew Daniel to see the rest.

Daniel Merceron was serving overseas with the army. It was a frustrating several months before he returned and I was able to visit him, but it was worth the wait. Daniel left me with a cup of tea while he disappeared into his attic, returning with Merceron’s two-hundred-year-old tin chest: full of deeds, letters and other papers which shed new light on Merceron’s misdeeds, added colour to his personal life and provided crucial clues to the existence and location of other original records of the Court of Chancery at the National Archives – heavy parchment rolls, encrusted with dust and unopened for two centuries. They told a fascinating story – the depths of an obsession with money which led Merceron to lock away his half-sister in a lunatic asylum and steal the inheritances of his nephews, as well as that of a mentally ill orphaned girl, all before he was twenty-three years old.

But even this was outshone by the other surprise Daniel had in store for me. He disappeared again, returning brandishing an old flintlock pistol that he announced was the weapon with which the madman James Hadfield tried to assassinate King George III at the Drury Lane theatre in 1800. Daniel was unclear how the gun had fallen into Merceron’s hands, but within an hour on the internet we had found the  transcript of Hadfield’s trial and discovered that the key prosecution witness, who had picked up the pistol after Hadfield fired it at the King, was none other than Merceron’s clerk.

Pulling this thread further, I uncovered Merceron’s links to a network of government spies, set up to monitor the activities of underground revolutionary societies during the Napoleonic wars. This was the story the Webbs had missed. By keeping Merceron and his associates in power in the East End, successive British governments, desperate to stamp out radical republicanism after the French Revolution, repeatedly turned a blind eye to his criminal operations.  In doing so, they abetted a social catastrophe. Joseph Merceron’s story turns out to be more than a tale about a man and his money. It is also about the origins of London’s East End, a world of riots, lynching, public executions and extreme poverty where whole families could easily starve or freeze to death.

As Merceron became extraordinarily wealthy, Bethnal Green became the epitome of the East End Victorian slum. By 1838, when young Charles Dickens chose it as the home of the murderer Bill Sikes in Oliver Twist, Bethnal Green was beset by wretched poverty, the bankrupt home of cholera and typhus, its rotting workhouse crammed with more than a thousand starving paupers.

Joseph Merceron’s name is commemorated today in Merceron St, Bethnal Green, and in Merceron Houses which were erected as ‘model dwellings’ for the poor on the site of Merceron’s garden off Victoria Park Sq, in 1901 just before the Webbs reminded the world of his darker deeds.

Birthplace of Joseph Merceron “On Sunday 29th January 1764, Joseph Merceron was born on Brick Lane, which formed the boundary between the parishes of Spitalfields and its eastward neighbour Bethnal Green. His parents were James Merceron, a Huguenot pawnbroker and former silk weaver, and his second wife Ann. The Mercerons had three other children: Annie, Joseph’s two-year-old sister, John, almost thirteen, and Catherine, eight, the latter two being the surviving offspring from James’s first marriage.”

“Joseph was christened at the local Huguenot church known as La Patente, in Brown’s Lane (the building and lane are now known as Hanbury Hall and Hanbury Street) just a short walk from his parents’ house. The Mercerons, like other Huguenot families in the area, clung tightly to their nationality. Joseph’s details in the register of baptisms – the first recorded at La Patente for 1764 – were entered in French, which many families still insisted on speaking out of respect for their ancestors.”

“On the corner of Fournier Street stands the Jamme Masjid, since 1976 one of London’s largest mosques. For much of the twentieth century it was a synagogue, and before that it spent a decade as a Methodist chapel. Originally, before a brief occupation by the London Society for Promoting Christianity amongst the Jews, it was a Huguenot church. High on a wall is the date of its completion, 1743, and a sundial with its motto: Umbra Sumus (‘we are shadows’).”

“The Merceron pawnshop at 77 Brick Lane was at the epicentre of this district, among a row of ramshackle buildings directly opposite Sir Benjamin Truman’s imposing and famous Black Eagle brewery. The Black Eagle was one of the largest breweries in the world. To those living opposite, the mingled odours of yeast, malt and spilt beer – not to mention the steaming output of the many dray horses – must have been overpowering, even by the pungent standards of the times. The noise, too, was tremendous, as the shouts of draymen punctuated the rumble of horse-drawn carriages and carts up and down the lane.”

“David, or ‘Davy’, Wilmot, was an ambitious builder who started out as a bricklayer but soon set up in business with his brother John, an architect and surveyor, as successful developers of cheap tenement housing. The Wilmots were quick to realize the area’s potential for development. From 1761 they began to lease large plots of land along the Bethnal Green Road and over the next few years erected dozens of houses. In a relentless but unimaginative drive for self-publicity, the brothers soon created Wilmot Grove and Wilmot Square (both owned by John) and Wilmot Street (owned by David).”

“The judge had ordered the execution to take place several miles away at Tyburn, the usual site of such events in London, but the master weavers – keen to dispose of Valline and Doyle in front of their own community to discourage further loom cutting – lobbied successfully to change the location to ‘the most convenient place near Bethnal Green church’. Several thousand people assembled outside The Salmon & Ball to see Valline and Doyle hang. Bricks and stones were thrown during the assembly of the gallows. They protested their innocence to the end, but to no effect. Doyle’s last words were enough to ignite an already explosive situation. As soon as the hanging was over, the crowd tore down the gallows and surged back to Spitalfields…”

“On 26th October 1795, Joseph Merceron donned his magistrate’s wig and robes and climbed the steps of the imposing Sessions House on Clerkenwell Green for his first Middlesex Sessions meeting. This was a world away from Brick Lane. The Sessions House, built in the aftermath of the Gordon Riots, was awe-inspiring and was said to rival any courthouse in England.”

“St John on Bethnal Green was built by the eminent architect Sir John Soane but budgetary constraints led to his grand design for a steeple being aborted, replaced with a stunted tower of particularly phallic design that rapidly became a source of bawdy amusement throughout the neighbourhood. Merceron was outraged. Announcing that the design had ‘mortified and disappointed the expectations of almost every individual’, he ordered Brutton to write to complain. The task put Brutton in an acutely awkward position: how to explain the exact nature of the problem? The vestry clerk’s literary skills were tested to the limit as he described the tower’s ‘abrupt termination in point of altitude’ that made it ‘an object of low wit and vulgar abuse’.”

“All the great and good of London’s East End were there. Twenty thousand people, packed six deep in places along the Bethnal Green Road, had turned out to see the cortège on its way to St Matthew’s church. Just before one o’clock the procession arrived, at a sedate walking pace. The jet-black horses, with their sable plumes, were blinkered to prevent anything from distracting the stately progress of the hearse. Merceron was the original ‘Boss’ of Bethnal Green, the Godfather of Regency London, controlling its East End underworld long before celebrity mobsters such as the infamous Kray twins made it their territory. His funeral at the church of St Matthew, Bethnal Green – the very same church where the Krays’ funerals would be held more than 150 years later – reflected his importance: it was by far the biggest event to take place at the church since it was established in the 1740s.”

Tomb of Peter Renvoize “His closest ally and childhood friend, Peter Renvoize, was repeatedly elected as churchwarden for much of this period, from which position he helped Merceron pull off his most audacious financial coup yet. Bethnal Green’s share of the government relief grant was £12,200, equivalent to almost three times the annual poor’s rates raised by the parish. Having obtained the money, Merceron appointed himself chairman of a committee, with four of his closest associates, including Renvoize, to manage its distribution. What happened next is difficult to determine. But it is clear that, five months after the government had advanced the funds, there were several thousand pounds sitting in Merceron’s own account.”

“As for Joseph Merceron, lying buried in the shadow of the vestry room he dominated for half a century, there is one last strange episode to recount. In the afternoon sunshine of Saturday 7th September, 1940, as millions of Londoners sat down to their tea, the ‘Blitz’ began. Bethnal Green suffered terribly, and in the carnage St Matthew’s church took a direct hit from an incendiary bomb. Next morning it was a roofless, burnt out shell, but two gravestones survived the bombing intact. The first, outside the main entrance to the church, is that of Merceron’s old friend Peter Renvoize. About twenty paces away, a large pink granite slab, surrounded by a low iron rail in the shelter of the south wall of the church, is the grave of Joseph Merceron and his family. He spent a lifetime cheating the law, somehow it is fitting that he should have cheated the Luftwaffe too.”

“Merceron Houses, erected in 1901 by the East End Dwellings Company on land formerly part of Joseph Merceron’s garden in Bethnal Green.”

Joseph Merceron’s signature

The pistol used in the assassination attempt upon George III at Drury Lane in 1800

[youtube iznWirIaqB0 nolink]

CLICK HERE TO ORDER A COPY OF THE BOSS OF BETHNAL GREEN FOR £20