In Mile End Old Town
Much of the streetscape of the East End was broken in the last century, with fine squares lost in Stepney, Spitalfields and Haggerston, yet in Mile End an entire quarter of early-nineetenth century construction still exists surrounding Tredegar Sq (1823-9) and is cherished to this day. Taking advantage of the dramatic lighting afforded by the June weather, I spent an afternoon in these streets with my camera. Within a stone’s throw of what was once St Clement’s Hospital, formerly the City of London Union Workhouse, I discovered a stuccoed terrace worthy of Belgravia – while the intervening streets were filled by houses which manifested all the degrees of social and economic distinctions that lay between the two. Mile End Old Town reveals a microcosm of nineteenth century society.
Terrace in Mile End Rd erected by Ratcliffe builder, William Marshall ,in 1822-4
Formerly the City of London Union Workhouse, 1849
Tredegar Sq, 1828-9
Stucco was applied upon the north side of Tredegar Sq in the eighteen-thirties
Tredegar Square was re-landscaped in 1951
40 Tredegar Sq was formerly home to brush-maker Henry Wainwright who murdered his mistress and buried her dismembered body under the floor of his Whitechapel warehouse in 1875
Litchfield Rd – Sir Charles Morgan, Lord Tredegar sold this land for development
In Coborn Rd
Coborn Rd
Coborn Rd
Central Foundation School for Girls, Morgan St
School Entrance, College Terrace
Holy Trinity Church, Morgan St
Eighteen-thirties villa, Rhondda Grove
Cottage Grove of 1823, now Rhondda Grove
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Bobby Prentice, Waterman & Lighterman
Bobby Prentice, Waterman & Lighterman, is a well respected personality along the river. Today he is the skipper of a pleasure boat ferrying tourists between Hungerford Bridge and Greenwich, but his relationship with the Thames is lifelong and profound. Bobby holds the record for the Doggett’s Coat & Badge Race, is one of the Vintner’s Company Swan Upping Team, and his legendary prowess as a rower even includes successive attempts to row the Atlantic Ocean. Amiable and possessing a striking natural gravity, there is no doubt that Bobby is a hardy soul.
Originally, Watermen were those who took passengers across the river, and today it is necessary to win your Doggett’s Coat and Badge – in the annual race held each June – to be able to call yourself a true Waterman. In a critical distinction, Lightermen were those who transported goods, lightening the load of cargo vessels with their barges which were called “Lighters.” Both professions are of ancient origin upon the Thames and, in his career, Bobby has been both a Waterman & a Lighterman.
On a sparkling afternoon, I joined Bobby and his son Robert in the cabin of the Sarpenden and – as we slid down river from Hungerford Bridge along King’s Reach and through the Pool of London, passing under Tower Bridge – he outlined his relationship with this powerful watercourse that defines our city.
“I was born and bred in Wapping, all my family come from Wapping. In 1969, at the age of sixteen, I was apprenticed to my father Robert. His father Robert was a Lighterman before him and his father Robert before that, which makes me the fourth as far as we know – there may well have been other Robert Prentices before – and my son Robert is also a Lighterman. We worked for the Mercantile Lighterage Co and in those days Fords at Dagenham did a lot of manufacturing, and we used to deliver knocked down kit ( that’s all the parts to assemble a car) to West India Dock, London Docks, Royal Albert Docks, Victoria Docks, Tilbury Docks and to Sheerness on the Medway for export.
I chose to do it, but my father didn’t want me to because the docks were already closing. When I wanted to leave school at fifteen, he encouraged me to stay on a year to get my exams. But I loved every minute of being on the river. I joined Poplar & Blackwall Rowing Club at ten and I spent all my youth on the river. I had the river in me. I used to go and work with my father as a little boy, just as children do today – I often have my grandchildren on the boat with me.
I did a five year apprenticeship, and a lot of Watermen & Lightermen still apprentice their children for five years, even though you can get a boat driver’s licence in two. My grandfather bought me my first sculling boat for £100 in 1968 and I won the Junior International Championship in 1970 and 1971, and represented Britain in the Youth World Championships. I won the Doggett’s Coat & Badge in 1973, then the double sculls at Henley with Martin Spencer, and subsequently Martin & I won three Home Internationals for England and two National Championships.
When I finished my apprenticeship, I spent my first two years in West India Dock. Once I got my licence, it enabled me to tow barges behind tugs and much more. I was one of the “jazz hands,” which is like being a journeyman. At twenty-two I got moved down to Grays in Essex and became a Tug Skipper, but in 1982 the Mercantile Lighterage Co folded as a consequence of the decline of the docks. The only lighterage left now is “rough goods’ – London’s waste, and my youngest son does that – towing the barges down to Mucky Flats and Pitsea Creek. This current business, Crown River Cruises, started in 1986, we began with one boat and we’ve got five now, and we do scheduled services. I still row.”
Yet no-one who works on the Thames can ultimately resist the tidal pull of that great expanse of water beyond and in Bobby Prentice’s case this attraction led him to try to cross the Atlantic in a rowing boat.
“Like most nutty things I’ve done it started in a pub. We’d been to a Doggett’s function and one of the lads suggesting rowing the Atlantic and I said , “No, I’ve finished serious rowing.” But then I went for a walk along Hadrian’s Wall and came back, and I decided to do it. We entered the Atlantic Race in 2005 from Gomera in the Canary Islands to Antigua and we set off a fortnight before Christmas in bad weather. It was hard mentally, but I made an agreement with my wife that I’d call her every Sunday at six on the satellite phone and I looked forward to it.
After seven weeks rowing, it became a lottery who was going to capsize next – “bombing” we call it. The boat was so small, you’re literally living in a coffin. Then, early one morning, we bombed out and spent forty-nine hours in a life raft. My wife handled it very well when they called to say I was “lost” – “He’s done that before,” she said, “He’ll be back.” When I was in the life raft I’d just had my weekly call and the satellite phone was at the bottom of the ocean. They didn’t know where we were and the beacon we had was faulty, we didn’t know if it worked. I was lying in the raft and my elbow blistered from trying to hold the beacon up the satellite. I was trying not to sleep because of the hypothermia and hoping someone had picked up my signal, which only gave a seven mile vicinity of my position. We were picked up by 160,000 ton tanker called “The Towman.” The ship was searching an area of 1500 square miles. It was an oil tanker with an Indian crew, they were lovely people. After ten days on the ship, we ended up in Gabon and were repatriated to Heathrow.
We decided to have another go in 2008, this time with four in the crew, but we had several breakdowns and aborted after ten days, ending up in the Verde Islands. So I thought, “That’s the end of it, I’m never going to do it again.” Then Simon Chalke approached me and said, “We’re building a twelve man boat. and we want to go for the Atlantic record.” I had turned fifty-six at the time and I said, “It’s not fair on those in the crew who are twenty,” because the rota was six hours rowing and six hours rest. But Ian Couch, the skipper, had already rowed the Atlantic and the Indian Ocean, and he wanted me on board, so I went for it. It was hard to tell my wife, but when I broke the news, she said, “Tell me something I didn’t know.”
I’d gone out in late November for training and come back again for Christmas. We were on standby waiting for the weather to clear, and then I got the call on Boxing Day and we set out a few days later in very early January. We didn’t break any records but we landed in Barbados after thirty-eight days, further South than we intended because of the weather conditions. I still haven’t been to Antigua.”
And then, even as I was still reeling from this account, Bobby shook hands and hopped off the boat at Tower Bridge leaving me in the company of his son Robert, the skipper of the ship, for the rest of the trip to the Thames Barrier. “So are you planning to row the Atlantic too?” I asked, wondering if this challenge might now become a rite of passage for successive Robert Prentices. “I wouldn’t discount the possibility,” he declared with relish as he stood with hands upon the wheel, his beady eyes twinkling excitedly at this enticing possibility.
I sat beside Robert on the bridge and he spoke animatedly as we travelled on through Limehouse Reach, Greenwich Reach, Blackwall Reach, Bugsby’s Reach and Woolwich Reach. He told me about the porpoises, dolphins and hundreds of seals he sees on the river, and how the whale in Westminster was not the first on the Thames because he saw one at Purfleet.
One Robert Prentice had disembarked, another Robert Prentice took his place at the wheel – the fourth and fifth Robert Prentices respectively – Watermen & Lightermen steering vessels through time as the mighty Thames flowed on.
Robert Prentice, fifth generation Waterman & Lighterman
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Gardening On The Roundabout
I went back to lend Caroline Bousfield a hand on the roundabout in Victoria Park Village where she has been gardening for the past fifteen years with spectacular results.
Wearing the regulation high-visibility vests that are an essential safety requirement for gardening on a roundabout, we crossed the road carrying secateurs and baskets. The roundabout presented an impressive display of flowers, including valerian, marigolds, evening primrose, cosmos, achillea and euphorbia – all set against the dramatically contrasted foliage of Caroline’s planting which creates such a luxuriant vision for those passing on the bus or shopping on the other side of the street.
“It was before the days of guerrilla gardening,” Caroline informed me, revealing that when she first began gardening on the roundabout, it was borne out of a gardener’s frustration in witnessing the neglect of such an attractive location for planting. “There was just a mass of green vegetation with straggly weeds around the edge. Every time I walked past it my fingers would itch to pull some of it out and plant something better in its place. And I think I did, once or twice, before I realised I should ask permission.” she admitted, as if she had no choice in her actions. Over the intervening years, Caroline has entered into an agreement with the council to lease the roundabout so that she can continue tending it on their behalf. “I think things have changed and Hackney Council is more open to this kind of thing nowadays,” she confirmed sagely, as we started work, cutting lavender in handfuls while the buses and trucks sped past just feet away.
Yet the pungent scent and the absorption of the work induced a state of concentration in which the presence of the traffic did not register. We were consumed by our task, gathering lavender but leaving enough for the bees that swarmed upon the plants, equally preoccupied in their work. Then it was time for tidying up. I undertook the unravelling of bindweed which was choking the smaller shrubs, while Caroline pruned the buddleias. As the branches were cut away, she called me over to see the scattered paper and foil food packets revealed beneath – the debris of foxes’ takeway dinners scavenged from the bins and enjoyed here in peace, as a moonlight picnic within the depths of the shrubbery at the heart of the roundabout.
Carrying the armfuls of pruned branches off the roundabout proved to be an activity which required a certain knack to find the gap in the traffic and haul it across to the pavement in time. In this task, Caroline demonstrated expertise borne of experience and an innate sense of timing, while I undertook the less challenging work of carrying the lavender. Then we stashed the sweet-smelling basket in Caroline’s pottery workshop nearby where she has been making and selling her own pots since 1975. Here she stores the lavender in the loft of this former carriage house, and when Caroline fires the kiln it fills the entire workshop with a powerful and intoxicating scent. By making her lavender up into bags and selling it through the local shops, Caroline makes enough money to pay for any new plants that are added to the roundabout each year. Although she also confided to me that she was off on holiday to Cornwall, where she hoped to get some seeds of a deeper-coloured valerian which grows wild on the cliffs there.
People driving past and travelling on buses may wonder about the mystery of the familiar “lady on the roundabout,” but there is no secret. Over fifteen years, Caroline has created a widely-admired garden and a known landmark, distinguished by a more lyrical style of planting than the standardised design of the corporate-sponsored roundabouts which exist elsewhere. During this time, Caroline’s roundabout has become a centrepiece for the life that surrounds it and a symbol of the thriving community in Victoria Park Village. Today, Caroline’s roundabout pays for itself and sustains itself without watering. Caroline’s roundabout owes its existence to her knowledge, insight and imagination, and her passionate and committed gardening.
“People do notice,” she confided to me in modest satisfaction, as she sat in the cool of the workshop to take a break, drink a glass of water and catch her breath.
“a certain knack to find the gap in the traffic and haul it across to the pavement in time”
Enough lavender left to satisfy the bees
Caroline Bousfield – “People do notice.”
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Caroline Bousfield, Craftsman
Caroline Bousfield has been making pots in this former coach house in Victoria Park Village for nearly forty-five years. When local food shops began to close due to competition from supermarkets, she formed a traders’ association and they brought back a butcher, a fishmonger, a baker and a greengrocer. Then Caroline planted the roundabout outside her studio and created a garden that is now the appealing centrepiece of this lively corner of the East End. Today, her pottery workshop is the oldest-established business in Victoria Park Village and she has worked there longer than anyone else.
Caroline Bousfield’s story is an inspiring example of how the creative influence of a one community-spirited individual can have a huge impact upon a place, improving it for the better. Yet she presents herself modestly, wiping the clay off her hands with a cloth and welcoming everyone into her tiny workshop personally. To the left as you enter, you discover Caroline working at her wheel, surrounded by hundreds of white biscuit-fired dishes and pots awaiting glaze, while to the right is her showroom, lined wall-to-wall in shelves laden with examples of the elegant traditional studio pottery that is her forte. Drying her hands on her faded blue apron, Caroline pushes her thick brown hair away from her face to give you her full attention and you cannot but feel privileged to be there in her charismatic den.
“People always ask, how long does it takes to make a pot?” she confided to me with a complicit smile, “And there are two answers to that, two minutes or twenty years – depending on which way you look at it.”
Caroline trained originally as a potter and as a furniture maker, and has taught both continuously over the years. With characteristic lack of pretence, she calls herself a “Craftsman,” adding “My gardening is self-taught.”
“I came to London in 1972 when I got married, after doing a Teachers’ Certificate at Goldalming. My husband took a job with the Ford Motor Company in Dagenham and, as he couldn’t face commuting through the Blackwall Tunnel, we came to live here. It was thought to be a strange thing to do, to move to the East End, in those days.
I taught pottery at Kingsway College until my two daughters came along. But I found that if you had children or a dog, people spoke to you in the street and a fellow dogwalker in Victoria Park told me that this place was for sale. It was built as a coach house and stable in 1885, and over the stone lintel you can still read the words “North Metropolitan Volunteer Fire Escape Brigade.” Mr Koopman had run it as an electrical repair shop from 1929 until he retired in 1975, and I bought it for £2,500, which was a bargain even then. My plan was to be able to make and sell my own pots in one place, and I like being here very much – if you run a shop you become a centre for local information. I remember Mr Davis, the hardware and grocer next door, every can was dusted and wiped as he took it from the shelf. And if you asked for rubber rings for jam jars, he’d opened up a trapdoor in the floor with a counterweight and return with some. ‘It says,’One shilling and sixpence’ on the label, that sounds like a lot!’ he’d say. This was already in the days of decimal currency.
When my daughters were babies, I just brought them here and got on with my work. Then I used to swap with a friend who had children, so we each got childcare for one day and my husband took care of them on Saturdays. When my children grew up, I decided I wanted to go back to making furniture and I imagined I would do that at home in the cellar, on the days I wasn’t here, but instead I started a traders’ association for local businesses. There were four butchers when I came and they all went, then the greengrocer and baker closed, so those of us who were left we discussed how to bring them back. We approached a butcher and a fishmonger and invited them to come here, and the existing shops even shuffled around to offer them the best locations.
And I started to lobby the roads’ department to let me grow plants on the roundabout, but the first answer was ‘no,’ so then I simply went over and started pulling up the weeds. In the end, I had to write a method statement and agree to wear a high-visibility vest, and pay £5 for the privilege too. They said this was because, if I got it free, I could claim squatters’ rights and build structures. Then I thought I should create an association to do it, so it was not just me – but it is just me. I’ve raised the money myself. People donate me books that I sell in the shop, and I pick the lavender and make lavender bags, and that pays for anything new I want to plant. I’ve come second and third in Hackney in Bloom but there is not really an appropriate category for roundabouts. Now people see me gardening from buses and cars, and they call me ‘The Lady On The Roundabout” locally.
There are secrets on my roundabout for anyone that works there – a patch of violets which nobody sees but me and which give a wonderful scent when in flower, a blackbird who is a regular visitor, the remains of foxes’ suppers stolen from bins and sometimes the debris of a party. If I ignore the traffic, the sound of bees on the lavender can be heard.
People who have spent a few hours working on the roundabout say that they feel differently about the place, they feel that they belong more. The climate for guerrilla gardening is quite different now from when I started on the roundabout ten years ago and I highly recommend it to anyone who lives near any unkempt public space.”
Biscuit fired pots awaiting glaze.
The money drawer from Mr Koopman’s Radio Shop with a sixpence that he nailed inside for luck and a dog made by a local pensioner who asked for clay to model his pet.
Caroline and her husband Gordon Gregory when they bought the coachhouse in 1975.
Gordon Gregory and his mother in 1975, after rebuilding the facade using the original bricks.
Caroline’s pottery studio today.
John Claridge’s photograph of the carriage house as electrical shop in 1964
Caroline on the Victoria Park Village roundabout that she planted and where she continues to garden, becoming famous in East London as “The Lady On The Roundabout.”
1964 Archive photograph © John Claridge
Caroline Bousfield’s Pottery Workshop & Shop, 77a Lauriston Rd, Hackn
So Long, Pyke’s Cinematograph Theatre
I undertook a melancholy pilgrimage along the Central Line to pay my last respects to the Pyke’s Cinematograph Theatre in Shepherds Bush this week, after a tip-off from one of the readers. As you can see, all that is left standing is a fragment of the facade of this early temple of moving pictures.
Impresario Montague Pyke opened the Shepherd’s Bush Cinematograph Theatre on 3rd March 1910 and it showed films until 1981, when it closed with The Fog. In 1923, after Pyke went bankrupt, it was reconfigured by John Stanley Beard as the New Palladium, becoming subsequently the Palladium, the Essoldo, the Classic, and finally Odeon 2. Despite surviving a flying bomb, a period of dereliction and a decade as the Walkabout Australasian bar, it has not escaped the voracious developers of our day.
Sitting next to the Shepherds Bush Pavilion and the Shepherds Bush Empire, in the Shepherds Bush Conservation Area, you might think this line of fine palaces of culture and entertainment overlooking the green were integral to the identity of the place. Yet last year Hammersmith & Fulham Council granted permission for full demolition except part of the front wall, which will be stuck onto the hotel tower in spread sheet architecture that will occupy this site in future.
Bearing a formal resemblance to a triumphal arch from ancient times, this fragment stands now as a poignant relic of another world, a vanished universe of the romance of early cinema – black and white films, live musical accompaniment and the advent of talkies. Innumerable dreams that were conjured here have vanished, leaving just this wrack of an arch – the portal to an era of cinematic glamour and fantasy forever lost to us.
You will recall I have lamented the growing resemblance of London to the backlot of an abandoned movie studio, full of frontages, so the irony of a cinema now joining the parade of facades has not escaped me.
As the Shepherds Bush Palladium
Original interior
External plaster signage
External plaster signage
The Walkabout Australian Pub, the Cinematograph’s last incarnation
This is the future of the facade of Pyke’s Cinematograph Theatre
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Visit The Secret Gardens Of Spitalfields
Nine gardens in Spitalfields are open for visitors on Saturday 8th June from 11am – 4pm. Tickets cost £15 to visit them all and you can find details at the website of the National Gardens Scheme.











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The Return Of Norah Pam
Norah Pam first came to Spitalfields in the summer of 1931 and made a return visit recently, just to see how things were ticking over in her old neighbourhood more than eighty years later. Here you can see her standing outside 11 Victoria Cottages, where her great-grandparents Lewis Carr, a silk dyer, and his wife Louisa came to live with their three children, shortly after the terrace was built in the 1860s. Norah was delighted to see that the gardens are well kept – just as she remembers them in her childhood in the 1930s.
By 1881, the family had moved to the flats at the rear of the cottages, known as Albert Family Dwellings and it was there that Norah grew up. She still has vivid memories of these formative years in Spitalfields, even though she only came to live in the Dwellings at the age of six and left in 1940 at the age of fifteen when the bombing of London made it too risky to stay.
It was my pleasure to introduce Norah to Spitalfields resident Mavis Bullwinkle who also grew up in Albert Family Dwellings in the 1930s, which was the cause of considerable mutual excitement since – although Mavis does not remember Norah – Norah, being seven years older, remembers eighty-six year old Mavis being born. “You were such a little baby,” she recalled sweetly, causing Mavis to blush, “I remember when your sister was born, she had golden curls and blue eyes and everyone doted on her, and my mother said to me, ‘Pay some attention to the little girl standing at the side of the pram,’ and that was you.”
This was a cause of great amusement to Mavis, who shrieked with girlish delight to confirm this unexpected recollection. “Yes, that’s right” she exclaimed in surprise, “My hair was was straight as die!” Yet all these years later, this conversation was evidence that Norah had taken notice of her mother’s instruction. “I can see you now coming down the stairs beside the pram,” she added, thinking back across time, on the occasion of meeting someone she had not seen in more than seventy years.
We all sat in a garden at Victoria Cottages and enjoyed a sunny morning chatting together, while Norah brought out her family photographs, which span dizzying amounts of time, and beguiled us with her account of her Spitalfields childhood.
“We moved into a flat in Albert Family Dwellings to be close to my grandmother – the family had been in Spitalfields since the 1840s.
I went to All Saints School in Buxton St. Some of the children were quite poor. I had a friend whose father was a ganger – a roadworker – and if it rained he got no work and he had no money. Several children had parents who were builders, they couldn’t work in bad weather either. Some were railway people, and if they had big families they couldn’t manage. My friend’s family worked in the parcels office, they were comfortable, they even had a holiday because they got free travel. There was a lot of poverty because in 1931 all public service workers had a pound cut from their pay – a wage of three pounds and five shillings a week went down to two pounds and five shillings a week. It was a significant amount of money and people had to cut back.
I wasn’t allowed to play outside. I was an only child and very protected, but I caught Scarlet Fever. I was taken to Homerton in the fever ambulance which was grey. My parents weren’t allowed to visit. They would bring a parcel each week and stand outside. The flat was sealed and the bedding taken away for fumigation, and my father had to have three days off work because it was so contagious. Then after six weeks, they said I had Nasal Diptheria and I had to stay another six weeks, so it was very harrowing for all of us. My mother cried when people asked how I was.
When the war came, everyone was evacuated but, because I had been seriously ill, I pleaded with my parents to let me stay at home, and there was no school, so I had a heyday. I remember the bombing of the docks. On that day, I went on my own to Dalston on the bus to buy a skirt at Marks & Spencer. The air raid siren went at two o’clock and we were told to get off the bus and go to a shelter. Then, at four, I bought my skirt and walked back to Spitalfields.
I wanted a pair of silk stockings to go with my skirt and in Hanbury St there was a little shop that sold everything. The owner was Noah Cohen, so I went to his shop and there was this little old lady and her daughter who was in her thirties. Noah let them go into the back to change and he told me their story. The girl had been in the bath when the air raid siren went and her mother called her to go to the Anderson shelter. The house was in Jamaica St and it got a direct hit, but they were saved by the shelter and all she had left was the dress she put on when she got out of the bath. Her mother had come to buy her a set of underwear to go to a night shelter in a school, and he let her change into her new clothes. I often wondered what happened to that woman because a lot of the schools were hit.
I went home and, by the time I got to the Cottages, I was running because I could smell the fires burning at the docks. And, as my mother opened the door, the people upstairs were coming down for safety. We sat in the doorway and my mother made tea while the bombs fell. The German planes made a particular noise. They got nearer and nearer and nearer, and you heard the bombs dropping, and you thought, “This is us,” and then they went over.
The people in the building across the road all left, and they set their cats and dogs loose. We found a dog in the street and my mother called it “Victory “because she said, “We’re going to have victory! They can continue bombing but we won’t give in. They can do what they like.” We kept him for seven years and he died on 31st May 1946, on my twenty-first birthday, in his sleep.
Then, in 1940, a landmine fell on the Crown & Leek in Deal St and they evacuated a mile around, and that’s when we all decided to leave. But even after we moved out, I was always coming back to see my friends. I missed by friends. And my father said, “But I thought you wanted a house with a garden?!”
Today, the Albert Family Dwellings have long gone, demolished in 1975. Mavis Bullwinkle who lived in the Dwellings until the end and now lives a quarter a mile away, told me she had not been over to this area of Spitalfields for thirty years, “Because I miss them so much.” The pair of terraces named Victoria and Albert Cottages, and St Anne’s Church, are all that remain now of the world that Norah and Mavis knew in their childhood. Yet for a couple of hours it came alive again, as they sat in the garden and shared recollections of the two old ladies who ran the sweetshop across the road – gone more than half a century ago – the mission hall that moved to Bethnal Green in 1935, and of the teachers at Sir John Cass School where they were both pupils before the war.
In contrast to the general assumption of poverty in the East End, Norah and Mavis’ history reveals a more complex social picture of people of different incomes living in close proximity. Norah and Mavis were also keen to emphasise the self-respecting ethic they grew up with. “They think we were all prostitutes and drunks, and we were dirty, but our working class morality was strong,” declared Mavis, turning passionate, “We didn’t think we were poor, we had enough to eat and we never wasted anything.” A statement which prompted the exchange of a glance of unity between the two women.
Then it was time to say goodbye – once Norah Pam and Mavis Bullwinkle had swapped numbers, because a new friendship had been kindled that morning. Norah took one last glance at the gardens of Victoria Cottages, where her great-grandparents lived one hundred and fifty years ago, and looked up to the space in the sky where Albert Family Dwellings once stood. “I had a happy childhood here,” she said.
Norah’s great grandparents, Lewis and Louisa Carr, and their children, Lewis, Louisa Ann and George – the residents of 11 Victoria Cottages, Spitalfields. On the reverse of this photograph Norah has written, “When my great-grandfather became a widower, he went to lunch each Sunday with my gran, always arriving wearing wearing a tall silk hat.”
Norah’s great uncle, Lewis Carr. He became a vaccination officer for Smallpox and lived on Cheshire St.
Norah’s grandmother, Louisa Ann Carr as a young woman. She worked at home sewing waistcoat buttons for Savile Row.
Norah’s grandmother, Louisa Ann, as an older woman at Albert Family Dwellings.
Norah’s parents’ on their wedding day.
Norah’s father Edward Samuel Simmonds in 1939.
Norah’s mother, Violet Louisa Simmonds, with their dog Victory.
Norah’s class at All Saints’ School, Buxton St in 1934. Nine year old Norah is in the check dress with spectacles, third from the right in the first row seated on chairs. Norah’s glasses were from Mr Stutter, the optician in Bishopsgate.
Norah in 1940, aged fifteen.
Norah and Mavis both grew up in the Albert Family Dwellings in Deal St that were demolished in 1975.
The last May Queen at Sir John Cass School in 1939, Mavis is third from the right in the front row of girls standing.
Mavis’ Aunt Ada and her mother Gwen in Deal St outside the Albert Family Dwellings in the 1920s.
Norah Pam & Mavis Bullwinkle at Victoria Cottages.
You may like to read my profile of Mavis Bullwinkle, Secretary





































































































