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Three Sneaky Developers

September 25, 2020
by the gentle author

Why should I be surprised by developers being sneaky? Yet three recent local examples have caused me to gasp in wonder at the staggering audacity on display. Apparently the words ‘retain’ and ‘preserve’ now mean the opposite of what we thought they meant.

George Orwell would not be surprised by this doublespeak. In his book ‘Beyond Hypocrisy,’ Edward S. Herman outlines the principal characteristics thus, ‘What is really important in the world of doublespeak is the ability to lie, whether knowingly or unconsciously, and to get away with it, and the ability to use lies and choose and shape facts selectively, blocking out those that don’t fit an agenda or program.’

Three Regency canal-side cottages dated 1828-31 in Bethnal Green

Cottages demolished

Developers’ visualisation of the future scheme

These three bow-fronted Regency cottages, built between 1826 and 1831 and facing the canal in Corbridge Crescent, Bethnal Green, were an attractive local landmark and beloved of many.

In the planning application of November 2019 for their housing scheme the developer, Aitch Group, requested permission for ‘retention, restoration, external alteration and residential conversion of the existing Regency and Victorian Cottages.’

Yet now they have demolished the cottages  – presumably to be replaced by replicas – and no-one can get to the bottom of whether this was lawful or not.

Rex Cinema opened in Bethnal Green Rd in 1938

Facade demolished

Developer’s visualisation of the future scheme

Originally Smart’s Picture House in 1913, this was remodelled in a magnificent Art Deco style by architect George Coles for Odeon impresario Oscar Deutsch as the Rex Cinema in 1938, becoming the Essoldo in 1949 and latterly Fankle Trimmings. Now it is to become a ninety-three room budget hotel developed by Accor in partnership with Keys Asset Management.

The developers’ ‘façade retention’ proposal of 2017 includes the sentence: ‘The façade restoration works will include a measured survey of the existing Bethnal Green Rd façade elevation to ensure the features of this element are maintained in the design.’

Even the councillors who approved the application did not understand that ‘façade restoration works’ meant demolition and construction of a new one.

Raycliff, the developers who plan to turn the Whitechapel Bell Foundry into a bell-themed boutique hotel, have flooded Whitechapel and Spitalfields with these leaflets encouraging local people to support their development as a means to ‘Preserve the Bell Foundry ®.’

In Raycliff’s original proposal, the old foundry buildings were to become an upmarket restaurant and private members’ club, but when UK Historic Building Preservation Trust challenged this by offering to buy the buildings at market value and re-open them as a fully working foundry, then Raycliff announced they would continue the tradition by casting bells in their hotel coffee bar.

We hope the Inspector at the Public Inquiry into the future of the Whitechapel Bell Foundry will recognise that bell founding and cappuccinos are not compatible.

The Public Inquiry into the future of the WHITECHAPEL BELL FOUNDRY is to be an online event, streamed live commencing Tuesday 6th Oct for 10 days. For a link to watch or to request to speak, send an email in advance to ELIZABETH.HUMPHREY@planninginspectorate.gov.uk

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William Whiffin, Photographer

September 24, 2020
by the gentle author

William Whiffin (1878-1957) is one of the great unsung London photographers, which makes it a rare pleasure to present this gallery of his pictures from the collection of his granddaughter Hellen Martin. Born into a family of photographers in the East End, Whiffin made his living with studio portraits and commercial commissions, yet he strove to be recognised for his more artistic photography.

Lion Brewery and the Shot Tower, South Bank

The photographer’s son Sid Whiffin at Cooper’s Stairs, Old Queen St

Off Fetter Lane

The Pantheon, Oxford St

In Princes Sq, Stepney

Figureheads of fighting ships in Grosvenor Rd

At Covent Garden Market

Jewry Street, off Aldgate High St

Milwall & the Island Horse Omnibus, c.1910

St Catherine Coleman next to Fenchurch St Station

In Fleet St

In Buckfast St, Bethnal Green

At Borough Market

In Lombard St

Rotherhithe Watch House

Wapping Old Stairs

Junction of Cambridge Heath Rd & Hackney Rd

Ratcliff Stairs, Limehouse

Ratcliff Causeway, Limehouse

St Jude’s, Commercial St

Farthing Bundles at the Fern St Settlement, Bow

Houndsditch Rag Fair

At the Royal Exchange, City of London

Weavers’ House, Bethnal Green Rd

Off Pennington St, Wapping

Borough of Poplar Electricity Dept

Pruning in the hop gardens of Faversham

Photographs copyright © Estate of William Whiffin

Hellen Martin & I should be very grateful if readers can identify any of the uncaptioned photographs

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Horace Warner’s Photography

C A Mathew’s Photography

At Abbey Wood

September 23, 2020
by the gentle author

Serving Hatch

Only recently did I learn that there is an abbey and a wood at Abbey Wood. Stunned by my own obtuseness, I set out to discover what I have been missing all these years. Visiting ruins was a memorable feature of childhood holidays, leaving a residual affection for architectural dereliction that has persisted throughout my life.

There is a familiar style of presentation in which the broken fragments of wall are neatly cemented in place while the former internal spaces are replaced by manicured lawns. This is the case at Lesnes Abbey in Abbey Wood, augmented with simple metal signs indicating ‘kitchen’ or ‘garderobe’ which set the imagination racing.

On leaving Abbey Wood station, my enthusiasm was such that I headed straight up the hill into the woods where I was overjoyed to discover myself entirely alone in an ancient forest of chestnut trees, filled with squirrels busily harvesting the chestnuts and burying them in anticipation of winter. Descending by a woodland path was perhaps the best way to discover the old abbey, situated upon a sheltered plateau beneath the hills yet raised up from the Thames and commanding a splendid view towards London.

Lesnes Abbey of St Mary & St Thomas the Martyr was founded in 1178 by Richard de Lucy, Chief Justice of England, as penance for the murder of Thomas A Becket. Richard retired here once the abbey was complete but died within three months. For centuries, the abbey struggled with the cost of maintaining the river banks and maintaining the marshlands productively. As a measure of how far it declined, it was closed by Cardinal Wolsey in 1525 as part of programme of shutting monasteries of less than seven residents, before the abbey was eventually destroyed in 1542 as one of the first to be subjected to the Dissolution of the Monasteries.

After demolition, the building materials were salvaged and the abbey was forgotten until Woolwich & District Antiquarian Society  rediscovered it, excavated the ruins in 1909 and the site became a park in 1930.

One of the last sunny afternoons at the end of a long summer was the ideal occasion for my lone pilgrimage. I stood to gaze upon the ancient ruins and lifted my eyes in contemplation of the distant towers of contemporary London, wondering where the events of our time will lead. Then I walked back up into the forest and it crossed my mind that I if I followed the woodland paths long enough and far enough, maybe I could come back down the hill and enter the time when the abbey flourished and witness it as it was once, full of life.

Stairs to dormitory

The burial place of the heart of Roesia of Dover, great great granddaughter of the founder of this abbey, Richard de Lucy

West door of the church

Four hundred year old Mulberry tree, dating from the reign of James I

Chestnuts at Abbey Wood

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Peta Bridle’s City Of London Sketchbook

September 22, 2020
by the gentle author

Peta Bridle sent me this latest series of drawings from her City of London sketchbook.

‘Inspired by ‘Offbeat in the City of London’ by Geoffrey Fletcher, I visited some of the places he drew in the sixties and made my own sketches,’ Peta explained to me, ‘It was interesting to stand where he stood fifty years ago and often see many buildings unchanged, while others places were unrecognisable.’

‘I like drawing outside and, even when the lockdown was lifted, the City was empty and quiet so I rarely saw another person. Drawing was the thing that kept me going and brightened my week.’

Mermaid Court

‘I sat on the pavement to make this sketch which gives it a low viewpoint. I like the composition of the three bollards, leaning drunkenly against the paving stones. The shadows were constantly shifting due to the strong sunlight. A man from a cafe under the archway kindly bought me a cup of tea.’

Old Shop in Eastcheap

‘I sat on the steps of St Margaret Pattens to draw this. The doors are decorated with seashell motifs and framed by columns on either side. Seagulls kept squawking in the background which was common to all my drawings in the City, competing with the racket of construction works.’

Hodge & Dr Johnson’s House, Gough Sq

‘I sat behind the statue of the cat with oysters at his paws, looking towards Dr Johnson’s House. Hodge, ‘A very fine cat indeed,’ belonged to Samuel Johnson who sometimes bought his pet oysters to eat as a treat.’

Playhouse Yard, Blackfriars

‘I chose a Sunday morning to visit Playhouse Yard. The Blackfriars Theatre once stood here but all that remains of the Elizabethan playhouse is a piece of brick wall.’

Postmans Park

‘In the churchyard of St. Botolph’s, there are tablets describing act of bravery. The memorial was built by Victorian painter and philanthropist, GF Watts. On the front of the structure it reads ‘In commemoration of Heroic Self Sacrifice.’ It became rather cold in the park whilst I was drawing so please forgive the shaky lines!’

Shakespeare Memorial, Garden of St Mary Aldermanbury

‘I drew this sketch on a mild day in January. In the distance a marching band was making its way to the Guildhall and there were skateboarders practising in the garden. The bust of Shakespeare commemorates Henry Condell and John Heminges who published the First Folio. They lived in the parish and are buried in the churchyard. The church was damaged in the Blitz and rebuilt in Fulton, Missouri in 1966.’

Simpsons Chop House, Ball Court

‘Ball Court was empty during the lockdown. Behind me the occasional bus sailed up Cornhill and there was the gentle background hush of air conditioning units. Simpsons Tavern was founded in 1757 by Thomas Simpson. A jumble of books sit in the bow window and the alley to the side leads on to Castle Court.’

St Johns Garden, Clerkenwell 

‘This is a lovely garden with a fountain and silvery olive tree set in the centre, referencing the Holy Land, since the Knights of St John are buried here.’

Doorway at St Magnus the Martyr

‘I have attended services with my children at St Magnus for the blessing of the river, held jointly with Southwark Cathedral in January. I made a study of one of its doorways, crowned with a cherub’s head. Outside is a piece of Roman piling from the Roman river wall. The church is on the original alignment of London Bridge where people crossing would enter the City.’

St Peter Upon Cornhill

It was very quiet in St Peter’s Alley next to the churchyard while I was drawing this. A couple said ‘hello’ as they walked past and a man hurried by clutching his sandwich bag.’

St Dunstan in the East

‘St Dunstan’s attracts many visitors to sit and enjoy the garden. I found a shady spot to draw as it was a very hot day. Palm trees flourish here and the walls are draped with greenery. The church was destroyed in the blitz and the yard turned into a public garden.’

Double page of St Dunstan in the East

Drawings copyright © Peta Bridle

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Chris Kelly & Dan Jones In The Playground

September 21, 2020
by the gentle author

Hopscotch at Columbia School, Bethnal Green, 1997

When photographer Chris Kelly sent me these exuberant pictures taken in East End primary schools, I realised it was the ideal opportunity to invite Dan Jones to select children’s rhymes to complement her playful images, drawing from the thousands he has collected in playgrounds here and elsewhere since 1948.

Asked to produce photographs for an education brochure, Chris Kelly turned up at six schools between 2000 and 2002 with camera, lights and optimism. There was never any shortage of ideas or young art directors, and the pictures you see here are the result of a collaboration between photographer, teachers and pupils, with the children aways having the biggest say.

Meanwhile, the heartening news from the playground that Dan Jones has to report is that the culture of rhymes is alive and kicking, in spite of the multimedia distractions of the modern age. The endless process of repetition and reinvention goes on with ceaseless vigour.

Susan Lawrence Junior School

School dinners, school dinners,

Squashed baked beans, squashed baked beans,

Squiggly semolina, squiggly semolina.

I feel sick! Get a bowl quick!

It’s too late, I done it on the plate!

(Manya Eversley, Bow)

Susan Lawrence Junior School

Everywhere we go

Everywhere we go

People always ask us

People always ask us

Who we are

Who we are

And where we come from

Where we come from

So we tell them

So we tell them

We’re from Stepney

WE’RE FROM STEPNEY

Mighty, mighty Stepney!

MIGHTY, MIGHTY STEPNEY!

And if they can’t hear us,

IF THEY CAN’T HEAR US

We sing a little louder

WE SING A LITTLE LOUDER!

(Call and response chat from Rushmore Junior School)

Bonner Primary School

Inky Pinky Ponky,

Daddy had a donkey.

Donkey died,

Daddy cried,

Inky pinky ponky!

(Dip from St Paul’s Church of England School, Wellclose Sq)

Susan Lawrence Junior School

Zum gali gali gali,

Clap clap clap

Zum gali gali

Clap clap clap

Zum gali gali

Clap clap clap

Zum

clap clap clap

We can work with joy as we sing

Clap clap clap

We can sing with joy as we work

Clap clap clap

(Israeli round from the children of Kobi Nazrul School)

Olga Primary School

 

Pepsi Pepsi came to town,

Coca Cola shot him down,

Dr Pepper picked him up,

Now they order Seven Up!

(Clapping game  from Honor, Sadia, April and Jahira of Bangabundu  Junior School)

Bangabandhu Primary School

Im Pim Safety pin

Im pim

Out!

Change your nappies inside out

Not because they’re dirty

Not because they’re clean

Not because your mother says

You’re the Fairy Queen!

(Counting out rhyme from the children of Bangabandhu Primary School)

Holy Family Roman Catholic Primary School

London Bridge is falling down, falling down, falling down.

London Bridge is falling down, My Fair Lady.

Build it up with sticks and stones, sticks and stones, sticks and stones.

Build it up with sticks and stones, My Fair Lady.

Sticks and stones will wear away…

Build it up with iron and steel…Iron and Steel will rust away…

Build it up with bricks and clay…Bricks and Clay will wash away…

(Arch game from children of Bluegate Fields School, Stepney)

Susan Lawrence Junior School

Down in the valley where nobody goes,

There’s an ooky spooky woman who washes her clothes.

With a rub-a-dub here and a rub-a-dub there,

That’s the way she washes her clothes.

(Clapping game from children of St Paul’s Church of England School, Wellclose Sq)

Susan Lawrence Junior School

Please Mr Porter, may we cross your water

To see your lovely daughter, swimming in the water?

(Chasing game for running across the playground at St Paul’s Church of England School, Wellclose Sq)

Marion Richardson School

Once I had a snail

And I 1 it

I 2 it

I 3 it

I 4 it

I 5 it

I 6 it

I 7 it

I ATE (8) it

(Riddle from Colin and his mother at Museum of Childhood, Bethnal Green)

Holy Family Roman Catholic Primary School

Racing car number 9

Losing petrol all the time

How many gallons did you lose?

(6!)

1, 2, 3, 4, 5, 6

You’re OUT!

(Counting out rhyme from Shamima, Natalie Abida and Shazna of Hermitage School, Wapping)

Susan Lawrence Junior School

Twinkle, twinkle, chocolate bar, 
Daddy (or Mummy) drives a rusty car

Push the button, pull the choke,

Off we go in a puff of smoke,

Twinkle, twinkle, chocolate bar, 
Daddy drives a rusty car.

(Miming game from infants at Christchurch School, Brick Lane)

Olga Primary School

I like coffee

I like tea

I like climbing up the tree

1, 2, 3, 4, 5

(Dip from the children of Year 4 Christchurch Primary School, Brick Lane)

Holy Family Roman Catholic Primary School

Ta-ra-ra Boom-de-ay!

My knickers flew away

They came back yesterday

From a little holiday

I said “Where have you been?”

They said ‘To see the Queen

At  Windsor Castle!”

You little rascal

(Comic song from Katie, Lizzy Alison (Ashford) at Museum of Childhood, Bethnal Green)

Susan Lawrence Junior School

Olicker Bolicker

Suzie Solicker

Ollicker boliker

Knob!

(Dip from Sonny and Marina of Wapping)

Holy Family Roman Catholic Primary School

Ecker decker,

Johnny Cracker,

Ecker decker do,

Ease, cheese,

Butter, bread,

Out goes you

(Counting out rhyme from Columbia School, Bethnal Green)

Bonner Primary School

Jee Jai Jao (Brother-in-law)

Kabhi upor Kabhi nicheh   (You’re going up, you’re going down)

Kabhi ageh Kabhi pitcheh   (You’re going in front, you’re going behind)

Kabhi eke Kabhi ekh dui teen  (Going 1. Going 2. Going 1, 2, 3)

Pushu!   (Punch!)

(Hindi dip from Christchurch Primary School, Brick Lane)

Susan Lawrence Junior School

Boom Boom

Shakalaka

Out goes you

Out goes another one

And that is YOU

(Dip from children of Bangabundhu School)

 

Holy Family Roman Catholic Primary School

In a golden treasure, with an East and a West,

I took my boyfriend to the Chinese shop.

He bought me ice-cream, he bought me a cake,

He sent me home with a bellyache.

I said: “Mama, Mama, I feel sick.

Call me a doctor quick, quick, quick!

Doctor, Doctor, am I gonna die?”

“Count to five if you’re alive

With a 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

You’re dead again!”

(Skipping song from children of year 5 at Arnhem Wharf School)

Holy Family Roman Catholic Primary School

Miss Polly had a dolly that was sick sick sick

(Rock baby in arms)

She called for the Doctor to come quick quick quick

(Hold telephone to ear)

The doctor came with his bag and his hat

(Touch imaginary bag and hat)

And he knocked on the door with a Rat Tat Tat Tat!

(Knock on door)

He looked at the dolly and he shook his head

(Shake head)

He said “Miss Polly, put her straight to bed”

(Wag finger to indicate telling her off)

He wrote out a paper for a pill pill pill

(Write on imaginary paper)

“I’ll be back in the morning with my bill bill bill”

(Clapping and miming game from Rukhaya and Siobhan at Christchurch Primary School, Brick Lane)

Holy Family Roman Catholic Primary School

Sally go round the sun,

Sally go round the moon,

Sally go round the chimney pots

on a Sunday afternoon.

WHOOPS !

(Dancing game from Redriff Primary School, Rotherhithe)

Photographs copyright © Chris Kelly

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Chris Kelly’s Cable St Gardeners

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Dan Jones, Rhyme Collector

Dan Jones’ Paintings

Here are some earlier collections of photography of children in the East End

Colin O’Brien’s Travellers’ Children in London Fields

Horace Warner’s Spitalfields Nippers

John Boulderson, A Limehouse Mariner

September 20, 2020
by Sally Jeffery

Sally Jeffery introduces the life of mariner John Boulderson, one of those featured in her book, Mailrunning: Three Eighteenth-Century Atlantic Lives.

In Limehouse

John was born in Ratcliff. Beneath its accretions of wharves and tenements lay a low red cliff which had once been a landmark for early seafarers coming upstream and seeking the gravelly landing among the marshlands. Never a parish, the hamlet of Ratcliff is a reminder that the main road into the city was always the broad looping highway of the Thames. On a coloured print of Rocque’s 1766 map, the river looks like a fat blue shiny snake. The hamlets clinging to the banks – Wapping, Shadwell, Ratcliff, Limehouse on the north bank, Bermondsey, Rotherhithe, Deptford to the south – grew up on land reclaimed from the water and John, like most of the inhabitants, made their living from the river one way or another.

He was baptised John Philips Boulderson in 1717 at St Dunstan’s, Stepney, son of a fly-by-night painter-stainer named Joseph who probably worked in one of the small shipyards in Shadwell. The wider family included several shipwrights on both sides of the Atlantic who were not so much migrants as itinerant craftsmen. John had a few years’ schooling at the parochial school in Shadwell or one of the Ratcliff charity schools. Most likely he studied at the Ratcliff Hamlet school in White Horse Street. Founded in 1710, its subscribers included numerous sea captains. The school clothed its pupils and paid for their apprenticeships.

In 1674, a group composed mainly of ships’ masters set up the Stepney Society with the purpose of paying for orphans and the children of the poor to be apprenticed in the marine trades. The society’s status rose in the next century under the patronage of Sir Charles Wager, a Rochester-born rear-admiral who brought more admirals and other magnificos on board. It may have been under this scheme that in 1733 John Boulderson was apprenticed aged sixteen to a lighterman named Thomas Barnes at St Katharine’s just below the Tower, who loaded and unloaded cargoes by the Custom House quay.

By the end of his seven years’ apprenticeship John went to sea on the ships the lightermen served. In 1740 he was living on Risby’s Ropewalk in Limehouse shared with a mariner named John Smith, whose sister he would later marry. Four years later, aged not quite twenty-seven, John sailed as boatswain on the Baltimore, a merchant ship commanded by Jerningham Bigg of Limehouse. War with France had been declared and the vessel was armed. After trying their luck at privateering in the Channel for a while, they headed for the colonial province of Maryland with a consignment of swords, guns, powder and ball destined for the provincial government.

The Baltimore’s owner Samuel Hyde had offices in Rood Lane, a few minutes’ walk from the Custom House and legal quays between London Bridge and the Tower. Cargoes were inspected there by the Customs men, with variable results. One London merchant wrote in 1771 to his partner in Maryland: ‘I find that the duty on hams is taken off so that, if any of my friends would be so polite as to present me with one now and then, you may assure them there is no danger from the Customs House officers. I likewise have discovered a method to get safe a few bottles of such good old spirit as we used to have. Should anyone incline that, I should drink their healths with it. I now and then keep company with Z. Hood Esq, who is very friendly indeed, but, Jonny, you know we have studied the art of smuggling.’ (Zachariah Hood had been a colonial tax official)

The year after the Baltimore left Maryland for London, there came press reports of a fight off Ostend between British men-of-war and French privateers. The privateers had taken four Atlantic merchantmen and three smaller vessels, the Baltimore among them. The navy ships recaptured the French prizes, but only by running them aground, and themselves also, both sides still firing.

A correspondent in Ostend wrote: ‘I have just been down to the Sands (where they all lye) on board the Royal Privateer who had 40 Men kill’d and 30 wounded, the Dutchess de Penthievre had 30 kill’d and as many wounded, and their Sails so shatter’d that they are Sieves: The Royal’s Main-sail is stain’d all over with Blood, and the Blood in great Quantity ran out of her Scupper-Holes. Our Loss is so trifling that it is hardly to be credited.’

The Baltimore remained stranded, only the cargo of tobacco was salvaged. Unsurprisingly perhaps, after the fight off Ostend John seems to have washed his hands of the merchant trade. He returned home to Limehouse and joined the Post Office packet service.

John married Katherine Smith in June 1746 at St Katharine by the Tower. The Bouldersons remained at Risby’s Ropewalk for ten years, where Katherine gave birth to four children before 1755, when no more children were born for another eight years. A reasonable deduction would be that John had found work on the Dover–Ostend packet service, then transferred to the Falmouth–New York route when it was launched in 1755, while Katherine and the children remained in Limehouse until he could establish himself in the west. They knew the perils of his occupation, especially in wartime when the packets sailed under government orders to defend the mail to the last.

After John got his own command on the Falmouth packet service in 1759, his family joined him in Cornwall and there were more children, with the Bouldersons becoming a substantial Falmouth clan.

Only one of John’s children returned to the Thames. After a career with the East India merchant fleet, his son, Falmouth-born Joseph Boulderson, was appointed Superintendent of the new London Dock at Wapping which opened in 1805. An engraving of the opening ceremony features a top-hatted gentleman standing on the deck of a ship about to enter the dock, who is evidently the Superintendent. The man beside him decorated with a garter star is Earl Camden, Secretary of State for War, who appears to be pointing to a flag-bedecked vessel.

On closer examination, the Superintendent seems to have his hand cupped to receive a backhander from the Earl, who may in fact be pointing to the young women conspicuously arranged on the dock wall, rather than to the ship. The artist was Edward Francis Burney, who worked mainly as an illustrator but also produced satirical watercolours.

Stepney from the 1755 edition of Stow’s Survey of London

Map of Ratcliff & Limehouse from John Rocque’s 1746 Plan of London

Limehouse by Robert Dodd, 1793

The Custom House by Louis-Philippe Boitard, 1757

At Custom House Quay

A view of the opening of the London Docks Wapping on the 31st January 1805, Edward Francis Burney, 1805

In this detail, Joseph Boulderson, Superintendent of the London Dock, can be seen cupping his hand to receive a backhander from Earl Camden, Secretary of State for War, who is pointing out the young women on the dock.

Click here to order a copy of Sally Jeffrey’s ‘Mailrunning: Three Eighteenth-Century Atlantic Lives’

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John Bringhurst, Seditious Printer 

  

Just Another Day With John Claridge

September 19, 2020
by the gentle author

Cobb St, Spitalfields 1966

One morning in 1966, photographer John Claridge met these four men working in Cobb St, Spitalfields. “They were bloody silly,recalled John fondly half a century later, “and there’s not enough of that in this world.” It was John’s way of introducing this set of pictures to me, published here for the first time, which he entitles“Just Another Day.”

“They were good people – full of fun – and this picture was nice to take, it has a warmth to it.” he added, upon contemplation of the image. And, if there is a common quality among these pictures, it is an open-hearted delight in the quotidian, or as John puts it –“The daily things that people do, going to work, stopping at the corner, visiting the shops.”

Where others might find only the mundane, John sees the poetry of the human condition. There may be endless sleet in Spitalfields, freezing fog in Victoria Park, and the passengers are eternally falling asleep on the early train out of Upton Park, yet John always reveals the joy and the humanity of his subjects. A generous spirit informs his photographs.

“Some of these pictures are of life drifting by,” John informed me, “because there are gentler ways of seeing the world than the obvious.”

Cup of tea, Spitalfields 1966.

Kosher butchers, Bethnal Green 1962 – “It wasn’t very big and it did have a certain smell to it.”

The cap, Spitalfields 1982 – “I love the things you don’t know as well as the things that are explained.”

Four men, Spitalfields 1982 – “You could create your own story with that.”

The baker at Rinkoffs, Vallance Rd, Bethnal Green 1967 – “Having a cup of tea and enjoying a breath of fresh air as the light’s coming up.”

 

Rinkoffs, Bethnal Green 1967

Breaker’s yard, E16 1975 – “I was talking to her dad and she just wandered off and got in the car.”

Feeding the birds in Victoria Park, E3 1962 – “there was ice on the lake.”

Passing the graveyard,  1970s

Bridge repair, E3 1960s

The crane, E16 1975 – “I printed this photo for the first time last week.”

SOS motors, Spitalfields 1982

Sewer Bank, Plaistow 1960s – “Where the kids used to go on their bikes and I’d take my scrambler. The craters were fantastic, it was a different kind of playground.”

In Plaistow, 1961 – “Just down the road from where I lived. It certainly has a lot of charm to it, look at how little traffic there is. That could be my dad on the bike, coming back from the docks.”

Station stairs, Upton Park 1963 – “Sometimes I met my mum here after school, when she was coming back from Bow where she worked as machinist making shirts.”

Station entrance, Upton Park 1963 – “I like stations, it’s that feeling you get of arriving on a film set.”

Leaving Plaistow early morning in winter, E13 1963 – “I had a motorbike but I liked going on the tube if the traffic was bad.”

The shed, Plaistow 1969 – “This was at the top of the street where I lived. He used to go round with that barrow and pick things up, and sell bits and pieces in that shed. A very nice man and a gentleman.”

End of the day, Spitalfields 1963.

Photographs copyright © John Claridge

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John Claridge’s East End

Along the Thames with John Claridge

At the Salvation Army with John Claridge

In a Lonely Place

A Few Diversions by John Claridge

This was my Landscape

John Claridge’s Spent Moments

Signs, Posters, Typography & Graphics

Working People & a Dog

Invasion of the Monoliths

Time Out with John Claridge

Views from a Dinghy by John Claridge

People on the Street & a Cat

In Another World with John Claridge

A Few Pints with John Claridge

A Nation Of Shopkeepers

Some East End Portraits by John Claridge

Sunday Morning Stroll with John Claridge

John Claridge’s Cafe Society

Graphics & Graffiti

.

CLICK HERE TO ORDER A COPY OF EAST END FOR £25