A Walk Along The Ridgeway
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They say it is the oldest road in Britain, maybe the oldest in Europe. Starting from the highest navigable point of the Thames in prehistoric times, the Ridgeway follows the hilltops to arrive at Salisbury Plain where once wild cattle and horses roamed. When the valleys were forested and impenetrable, the Ridgeway offered a natural route over the downland and into the heart of this island. Centuries of cattle driving wore a trackway that curved across the hillside, traversing the contours of the landscape and unravelling like a ribbon towards the horizon.
Over thousands of years, the Ridgeway became a trading route extending from coast to coast, as far as Lyme Regis in the west and the Wash in the east, with fortresses and monuments along the way. Yet once the valleys became accessible it was defunct, replaced by the Icknield Way – a lower level path that skirted the foot of the hills – and there are burial mounds which traverse the Ridgeway dated to 2000BC, indicating that the highway was no longer in use by then.
In fact, this obsolescence preserved the Ridgeway because it was never incorporated into the modern road network and remains a green path to this day where anyone can set out and walk in the footsteps of our earliest predecessors in this land. Leaving Spitalfields early and taking the hour’s rail journey to Goring & Streatley from Paddington, I was ascending the hill from the river by eleven and onto the upland by midday. In this section, the flinty path of the Ridgeway is bordered with deep hedges of hawthorn, blackthorn and hazel, giving way to the open downland rich with the pink and blue flowers of late summer, knapweed, scabious and harebells.
A quarter of a century has passed since I first passed this way and yet nothing has changed up there. It is the same huge sky and expansive grassy plain undulating into the distance with barely a building in sight. This landscape dwarfs the human figure, inducing a sense of exhilaration at the dramatic effects of light and cloud, sending patterns travelling fast across the vast grassy wind-blown hills. When I first began to write and London grew claustrophobic, I often undertook this walk through the different seasons of the year. I discovered that the sheer exertion of walking all day, buffeted upon the hilltops and sometimes marching doggedly through driving rain, never failed to clear my mind.
As a consequence, the shape of the journey is graven into memory even though, returning eighteen years since my last visit, the landscape was greater than I had fashioned it in recollection. And this is the quality that fascinates me about such epic terrain, which the mind cannot satisfactorily contain and thus each return offers a renewed acquaintance of wonder at the scale and majesty of the natural world.
In those days, I was in thrall to endurance walking and I would continue until I could go no further, either because of exhaustion or nightfall. This vast elevated downland landscape encouraged such excessive behaviour, leading me on and on along the empty path to discover what lay over the brow and engendering a giddy sense of falling forward, walking through the sky – as if you might take flight. I walked until I thought I could walk no more and then I carried on walking until walking became automatic, like breathing. In this state my body was propelled forward of its own volition and my mind was free.
One day’s walk brings you to Uffington and the famous White Horse, carved into the chalk of the downland. Placed perfectly upon the crest of a ridge within a vast fold of the hills, this sparsely drawn Neolithic figure looks out across the arable farmland of Oxfordshire beyond and can be seen for great distances. A mystery now, a representation that may once have been a symbol for a people lost in time, it retains a primeval charisma, and there is such an intensity of delight to reach this figure at the end of a day’s walking. Breathless and weary of limbs, I stumbled over the hill to sit there alone upon the back of the hundred foot White Horse at dusk, before descending to the village of Bishopstone for the night. There, at Prebendal Farm, Jo Selbourne offers a generous welcome and, as well as the usual bed and breakfast, will show you the exquisitely smoothed ceremonial Neolithic axe head found upon the farm.
The second day’s walk leads through the earthen ramparts of Liddington Hill and Barbary Castle, and on either side of the path the fields are punctuated by clumps of trees indicating the myriad ancient burial mounds scattered upon this bare Wiltshire scenery. It is a more expansive land than the fields of Berkshire where I began my journey, here the interventions made in ancient times still hold their own and the evidence of the modernity is sparser. As I made the final descent from the hill towards Avebury, a village within a massive earthwork and stone circle which was the culmination of my journey, I could not resist the feeling that it was all there for me and I had earned it by walking along the old path which for thousands of years had brought people to arrive at this enigmatic location of pilgrimage.
In two days upon the hilltops I had only passed a dozen lone walkers, and now the crowds, the coach parties, the shops and the traffic were a startling sight to behold. And so I knew my journey had fulfilled its purpose – to reacquaint me freshly with the familiar world and restore a sense of proportion. My feet were sore and my face was flushed by the sun. In Berkshire, the ripe fields of corn were standing, in Oxfordshire, they were being harvested and, in Wiltshire, I saw the stubble being ploughed in. It had been a walk to arrive at the end of the summer. It had been a walk through time along the oldest road.
Goring Mill
“Join it at Streatley, the point where it crosses the Thames, at once it strikes you out and away from the habitable world in a splendid purposeful manner, running along the highest ridge of the downs.” Kenneth Grahame, 1898
A ninety-two year old man told me this year is the worst harvest he could remember. “It doesn’t want to come in the barn,” he lamented.
At East Illsley
“A broad green track runs for many a long mile across the downs, now following the ridges, now winding past at the foot of a grassy slope, then stretching away through cornfield and fallow.” Richard Jefferies, 1879
“A rough way, now wide, now narrow, among the hazel, brier and nettle. Sometimes there was an ash in the hedge and once a line of spindly elms followed it round in a curve.” Edward Thomas, 1910
On White Horse Hill
“The White Horse is, I believe, the earliest hill drawing we have in England. It is a piece of design, in another category from the other chalk figures, for it has the lineaments of a work of art. The horse, which is more of a dragon than a horse, is cut on the top of the down’s crest, so that it can only be seen completely from the air, or at a long view, from the surrounding country – but it was precisely this aspect of the Horse design that I found so significant.” Paul Nash, 1938
The Neolithic axe head found at Prebendal Farm, photo by Rob Selbourne.
At Bishopstone
At Barbary Castle
“The origin of the track goes back into the dimmest antiquity: there is evidence that it was a military road when the fierce Dane carried fire and slaughter inland, leaving his nailed bark in the creeks of the rivers, and before that when the Saxons pushed up from the sea. The eagles of old Rome were, perhaps, borne along it and yet earlier the chariots of the Britons may have used it – traces of all have been found: so that for fifteen centuries this track of primitive peoples has maintained its existence through the strange changes of the times, til now in the season the cumbrous steam ploughing engines jolt and strain and pant over the uneven turf.” Richard Jefferies, 1879
Since the man suspected of making crop circles died, his protege has adopted a different style of design.
At Avebury
At Avebury
A Walk From Shoeburyness To Chalkwell
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At Westcliff
At the end of August, I always feel the need to leave the city and go to the sea, taking advantage of the last days of sunshine before the season changes. Admitting that I have spent too much of these last months at my desk in neglect of summer, I found myself on the train out of Fenchurch St Station with the East End receding like a dream.
At Shoeburyness, the ocean lay before me gleaming like a tin roof beneath a flawless azure sky. Surely no-one fails to be surprised by the sea, always more expansive than the image you carry in your mind. I sat upon the warm buttery-yellow sand of East Beach to assimilate this vast landscape before me, humbled by the open space after too long in narrow streets.
Military fences obstructed my intention of walking east across open land towards the River Roach, so instead I turned west, following the coast path through a wildlife reserve embellished with abandoned structures of warfare now being appropriated by nature. Local myth speaks of an ancient settlement lost beneath the sands and archaeology has revealed an Iron Age camp, confirming the strategic importance of this site overlooking the estuary where Shoebury Garrison was established in 1854. Wild fennel, sea holly, coltstfoot and stonecrop grow freely upon the sea wall, where the works of man are sublimated by greater forces. It came as no surprise to encounter a religious service enacted upon the shingle here, with priests in white robes and red sashes presiding, like their Celtic predecessors, upon unyielding waves lapping at the beach.
Then, in a sudden change of atmosphere, leaving the reserve and crossing a road brought me to Thorpe Bay with its regimented lines of cabins that serve to domesticate the shoreline. Yet even on this baking Saturday in August, just a few lone sun worshippers were setting out their deck chairs and upholding their secular rituals beneath the glassy sky. Meanwhile, an equal languor prevailed below the tideline where yachts sat marooned and inert upon the glistening mud.
The long pier and white towers upon the horizon led me on, absorbed now in walking, even if the featureless esplanade offered no sense of progress until, turning a shallow corner, I found myself in the midst of the throng of Southend with its endless diversions and hullabaloo. Extended family groups clung together, laden with bags and babies, and huddling as if they were refugees caught in the middle of a battle, while my own attention danced and darted, drawn by amusement arcades, crazy golf, souvenir and novelty shops, and pleasure parks. In the event, I took a nap in the shade of a pine tree upon the cliff overlooking Adventure Island, where fellow day-trippers were screaming in terror while being flung around on white-knuckle rides that looped and twisted for their enjoyment.
Walking on, the frenzied action relented as the sedate charms of Westcliff made themselves apparent in the form of elaborate nineteenth-century balconied villas. The tide had retreated still further and the declining sun reflected golden off the pools where lonely beach-comers strayed. A stone obelisk upon the strand indicated the boundary of the Thames and its estuary, and beyond lay a causeway across the mud banks where a long procession of curious ramblers were walking out to the horizon.
In overt contrast to the demonstrative thrill-seekers of Southend, I spied bowls played upon lawns discreetly screened by well-kept privet hedges in Chalkwell. Here my walk ended and I took the opportunity of reflection upon the day’s journey, stringing together the disparate locations that comprise this stretch of coast. Dozing on the train, I awoke in Fenchurch St Station and as I wandered back through the familiar deserted City, it could have been as if my adventure had been but a fantasy – if it were not for the residual sensation of sunshine and wind upon my skin that was evidence I had been somewhere else.
At Sandwich
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“There’s always something going on in Sandwich,” I was reliably informed by the guide who welcomed me to an old stone church, and the evidence was all around us in this ancient borough which has acquired so many layers of history over the last thousand years.
If you prefer your architecture irregular in form and mellow with age, this is your place – for Sandwich is one of England’s least-altered medieval towns. Yet the appeal lies not in how it has been preserved but in how it has changed, since every building has been melded over time to suit the evolving needs of its occupants, and the charismatic blend of timber with stonework and stonework with brickwork is sublime.
As I wandered through the quiet streets, I thought about the paradoxical nature of the guide’s comment since Sandwich unquestionably defines the notion of ‘sleepy town,’ even if that afternoon there was a concert in the grounds of the Lutyens house by the river and a fete at the quay. Yet in a more profound sense this has been a location of ceaseless activity since Roman times.
Contrary to popular opinion, ‘Sandwich’ means ‘a settlement built on the sand.’ First recorded in the seventh century, a thriving port and fishing industry grew up here on a sandbank in the days when the river was wider than it is today and the sea came right up to the town. A defensive wall with gates was built around this wealthy trading post and storm tides sometimes surrounded Sandwich, isolating it from the land. One of the pre-eminent ‘Cinque Ports,’ the fleet here offered nautical military service to the Crown in return for trading without taxation. Thus merchants from Venice brought their goods direct to Sandwich and even the King came to buy exotic luxury imports.
“You can easily get lost in Sandwich,” I was cautioned unexpectedly by the attendant at the Museum as I bought my copy of the Civic guide to study the history. It was an unlikely observation that the attendant uttered, since Sandwich is a tiny place, but let me confirm that you can quickly lose your sense of direction, strolling in the maze of small streets and lanes with names like Holy Ghost Alley, Three Kings Yard and Love Lane. An afternoon can fly away once you begin to study the glorious detail and rich idiosyncrasy of eight hundred years of vernacular architecture that is manifest to behold in Sandwich.
If your imagination is set on fire by winding streets of crooked old houses and ancient worn churches paved with medieval tiles and roofed with spectacular wooden vaults, then Sandwich is the destination for you. You really can lose yourself in it and there is always something going on.
St Peter’s Church
The King’s Lodging
Demon of 1592 on the corner of the Kings Arms
St Mary’s Church
St Mary’s Church
Tower of St Mary’s Church
Mermaid at the corner of Delf St
January 1601
The Delf stream was channelled to bring freshwater to Sandwich in the thirteenth century
Horse Pond Sluice
St Clement’s Church has an eleventh century Norman tower
In St Clement’s Church
Fisher Gate with the old Customs House on the right
Fourteenth century Fisher Gate
A Walk From Dover To Folkestone
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Dover Castle
In Dover’s Market Sq, a plaque informs the visitor that ‘while searching for his aunt Betsey Trotwood, David Copperfield rested on this doorstep and ate a loaf of bread he had just bought.’ He set out to walk east from here, as I did previously when I walked over the white cliffs to Deal, but this time I turned right on Dover Beach and walked west to Folkestone.
It was no simple matter to find the way and I found myself negotiating works for the rebuilding of the west harbour before I could ascend a thundering motorway to commence the coastal path. The urge to escape the hubbub is a powerful motivation to walk, striding upwards along the cliff until the drama of the sea and the sky fills your consciousness. I am always delighted how – even in our small country – it is remarkably easy to discover solitude in the landscape. The intense physical experience of walking along the cliff top combined with the spectacle of a vast sparkling expanse of ocean quickly induces a vertiginous euphoric reverie.
Before long, you encounter sobering reminders that this was formerly a site of conflict. The turf undulates where earthworks were once constructed to defend against any potential invasion and the cliff edge is punctuated by concrete defence posts. Most surreal was to come upon a tall concave disc of concrete pointed towards the sea at Abbott’s Cliff, as ethereal and mysterious as a sculpture by Ben Nicholson or Barbara Hepworth. This was a sound mirror from the First World War which permitted an operator to sit with an ear trumpet and hear the sound of enemy aircraft before they became visible. Within twenty-five years it became obsolete once aircraft speeds increased and radar was invented.
Yet on a warm afternoon in late summer the history of conflict feels mercifully remote as you walk determinedly onward along the narrow path bordered by wild thyme and scabious. Lone birds of prey hover overhead, escorting you on your way. Only a few miles after Dover Harbour has retreated into the distance, Folkestone comes into view – a town spilling out from the coast into a golden sea in the late afternoon sun. Your feet have grown weary by then and you discover your destination is further away than it looks and a brief refreshment at the Lighthouse Inn at Capel-Le-Ferne is necessary before you commence your descent into Folkestone.
Much of this last section of the path is overarched by sea-blown hedges where shafts of bright sunlight descend into the cool shadow, until finally you emerge into the open with Folkestone spread out beneath you. A vista of cliffs to the east testifies to your eight mile walk, as you tread the soft municipal grass of the golf course and then follow a line of suburban villas to arrive at the harbour where a well-earned supper of fish and chips awaits you.
A serenade at Dover
Dover Harbour Board 1606
The ascent from Dover
Looking back towards Dover
A sound mirror from World War One at Abbott’s Cliff
Statue of an airman commemorating the Battle of Britain
Spitfire at the Battle of Britain memorial
Birdwatchers at the Clifftop Cafe
Looking down towards Folkestone
Travellers’ joy
Folkestone seen from the cliff path
Bowls at Folkestone in the shadow of the Martello Tower
Bell installed on the beach by Norwegian artist A.K Dolven
Children fishing for crabs at Folkestone Harbour
A Walk Along The White Cliffs
Homeless men sleep in a church at the first Crisis at Christmas, 1972
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The White Cliffs are a popular source of inspiration for artists
In common with thousands of other travellers, the point of departure for my journey was Dover yet, unlike everyone else, I turned left at the ferry terminal to follow the coastal path eastward towards Deal.
Before I even began the climb uphill to the cliffs, I was confronted with a poignant reminder of the strategic importance of this small town situated at the narrowest point of the English Channel. A statue was being unveiled commemorating the seamen of the Merchant Navy who lost their lives in the Second World War, a third of whom never returned. Just a few frail veterans with medals gathered in sadness, as sailors lined up with flags and local dignitaries made speeches, while a vintage airplane puttered overheard in gathering clouds.
As the ceremony concluded and umbrellas unfurled, I walked on past narrow terraces tucked in at the foot of the tall cliffs towering aloft. The epic spectacle of the ferry port only becomes apparent as you ascend the narrow path crossing beneath the motorway suspended above, feeding the terminal with a ceaseless flow of traffic.
At this point, it seemed that my excursion might be over when a thunderstorm broke over my head, sending arrows of forked lightening into the sea. Impatient with standing under the concrete bridge waiting for the rain to stop, I set out again and was forced to take shelter again in a thicket, contemplating an abandoned shopping trolley and an old lawnmower. Once the storm relented, I struggled uphill to the cafeteria for visitors to the White Cliffs Experience, joining the melancholy throng eating all-day breakfasts and gazing jealously across the channel at the sunlit French coast.
How grateful I was when the rain stopped and I set out in earnest through the puddles and muddy paths. After a mile or so, I left the visitors behind and the grassy footpath became less worn, bordered with wild thyme and fennel. The undulating nature of the cliff exposed impressive deep chasms faced with sheer walls of chalk descending hundred of feet to the water below, inducing a sense of giddy exhilaration tinged with vertigo. The dark clouds were behind me and a warm wind was in my face, and the French coast gleamed in the sunlight twenty-three miles across the sparkling sea. When I descended to the bay at St Margaret’s At Cliffe, barely a soul disturbed the peace underscored by the gentle rise and fall of the waves.
Autumn declared itself in the red hips, hawthorn and sloe berries along the path and in the sight of a tractor ploughing up the stubble, trailed by a flock of seagulls. Yet, after the opening the squall, the weather was benign, the walking was good and within a few hours the cliffs declined, delivering me to the long shingle beach at Kingsdown. On the last stretch, a hawk hovered overhead, drifting and swooping on the currents of warm air before folding his wings and dropping like a dart towards his prey.
For places so close to London, both Kingsdown and Walmer were unexpectedly quiet and unspoilt seaside towns. A magnificent long line of Edwardian villas borders the beach, which has a sparse forest of dwarf evergreen oaks shielding the land from the sea. This was where Julius Caesar landed two thousand years ago and it is not difficult to imagine the Roman galleys pulled onto the beach here. Castles at Walmer and Deal, and eighteenth century barracks in Deal, serve as a reminder of the threat of invasion that persisted into the last century. At Walmer, a handsome stone gothic boathouse on the seafront reveals the importance of the lifeboat to these small communities that relied upon the sea for their livelihood. Today just a handful of fishing boats remain, surrounded by their paraphernalia of plastic fish trays, lobster pots and nets.
A portion of cod and chips provided necessary sustenance to make it along this seemingly-endless seafront to Deal, where a cup of tea outside the ramshackle shed known as the Sea Cafe offered welcome refreshment upon arrival. The last of the afternoon sun was fading and the shops had all shut, which meant that an exploration of the manifold delights of Deal would have to wait for another day.
At Herne Bay
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Reculver Towers
Several years ago, I grew fascinated with a ruin upon the seashore in the background of a photograph of members of the Cambridge & Bethnal Green Boys’ Club taken by Harry Tichener in 1938 . When Maxie Lea, who is featured in the picture, told me that it was taken at Herne Bay, I knew that one day I must go and seek this location for myself.
Yet, when I arrived and walked from the railway station to the deserted seafront, I discovered there were many other attractions that make this secluded corner of the Kent coast worthy of a visit. Set back fifty yards from the shingle beach, sits a magnificent line of grand hotels and seafront villas. Some are whimsical Victorian fripperies and others are elegant bow-fronted Georgian, and it makes an appealing backdrop to the well-kept and newly-renovated municipal gardens, basking in the September sunlight beneath an azure sky flecked with feathery trails.
A proud white stucco gatehouse guards a poignant remnant of what was Britain’s second longest pier in 1896, now just a stub attached to the shore with the far end marooned out at sea, unreachable and distant since the storm of 1978. You can take a stroll past the huts, adorned with saucy paintings in the style of Donald McGill, to reach the end of what remains and join a sparse line of fishermen and senior local residents, casting their eyes wistfully towards the horizon and awaiting a miraculous reconstruction.
Turning my gaze to the east, I could already recognise the towers at Reculver shining white in the far distance and encouraging me to take my leave of the town and seek the coastal path. The outskirts of Herne Bay present a curious mixture of dereliction and some cherished Regency villas, culminating in Marckari’s ice cream parlour where I had my first taste of an authentic Turkish delight ice cream. Thus fortified, I strolled onward upon the broad featureless concrete promenade with the towers reassuringly present, constantly in my vision.
Climbing a winding stairway takes you to the cliff path, lined with sloes and hawthorn, and giving way to meadows that descend towards Reculver. Soon, the towers are no longer an image on the horizon but looming above you. You ascend the path beneath them as a colony of swifts swoop and dive over your head, filling the air with their cries before returning to roosting places high in the turrets. You have arrived upon a raised platform of green, overlooking the sea, where the sweet fragrance of nectar hangs in the air. This was where the Romans built a fort in 42AD, when this was the end of the land and the marshes to the east were open water, known as the Wantsum, a channel that isolated the Isle Of Thanet from the mainland.
St Augustine brought Christianity to Kent at the end of the sixth century and, by AD 669, King Ecgbert gave this land for the foundation of a monastery. A tall church was built upon the Roman ruins, creating a landmark that signalled the spiritual significance of this favoured spot, visible from such a great distance. In 1810, the ruins of this church were reconstructed by Trinity House to create a stable structure that could function as a navigational aid. Once there was a thriving village of Reculver, yet the encroachment of the sea and regular flooding led to its decline until only a couple of houses are left today. Yet it retains a distinctive atmosphere and, after all this time, the imposing sea-battered towers are like natural excrescences of rock.
Setting out across the marshes as the afternoon sun declined, I was entranced by the naturally occurring gardens upon the shingle, where grey-green sea kale grew in star shapes complementing the pink leaves of sorrel spreading close to the ground and interspersed with curious bushes of yellow poppies that seeded themselves all along the beach. Glancing over my shoulder, the towers of Reculver seemed to get no further away, watching over me now as they had beckoned me earlier.
Nine miles to the east of Herne Bay, I arrived at Birchington – a suburban resort with art deco villas, some dignified austere brick farmhouses and an unexpected half-timbered medieval cottage. My feet were sore and my face was burned from wind and sunshine, and I fell asleep upon the train – only waking again as we drew into London to wonder if the whole excursion had been a dream.
Herne Bay pier was once the second longest in Britain
Bow-fronted Georgian terrace on the seafront
Regency villas in a side street
The path to Reculver
At Reculver
Harry Tichner’s photograph of Maxie Lea (standing right) at Herne Bay in 1938
1685 Map of the lost village of Reculver
At Minnis Bay
Cottage at Birchington-on-Sea
Fifteenth Annual Report
Fifteen years ago, I began to publish a daily story here in these pages. It has been such a eventful journey that I can barely recall any of it as sit here writing to you now, except to say that I am without regrets because it has enriched my own life immeasurably. I have met so many inspiring people and learnt so much that I should never have done without Spitalfields Life.
As I write this fifteenth annual report, I have two things in mind.
Firstly, this past year has been especially busy as we prepare to relaunch Spitalfields Life Books in October with David Hoffman’s two-hundred-and-forty page hardback photographic monograph, ENDURANCE & JOY IN THE EAST END 1971-1987.
When David was a young photographer, he came to live in a squat in Whitechapel and it changed his life. Over the next decade, he documented homelessness, racism and the rise of protest in startlingly intimate and compassionate pictures to compose a vitally important photographic testimony of resilience.
It is the forefront of my mind that we only have three weeks to raise the remaining £6000 we still need to stage the accompanying exhibition. If we can frame David’s photographs in museum quality frames, the Museum of the Home will host the exhibition from October until March and then take the pictures into their permanent collection as a legacy of our project.
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Secondly, there is a new planning battle looming that is set to dominate the next year in Spitalfields.
I am sure you will recall the fight four years ago when the Truman Brewery applied for permission to build a hideous shopping mall with a block of corporate offices on top. Our fight to stop this reached the Supreme Court this summer and we hope for a verdict in our favour this autumn.
Regrettably, the shopping mall has proved to be merely the tip of the iceberg as the Truman Brewery has now submitted a new planning application to build corporate office blocks across the entire site.
I believe the needs of the local community for genuinely affordable homes and workspaces must be prioritised in the redevelopment of the brewery. This appalling proposal for soulless corporate style development would push up rents on Brick Lane, driving out the small independents and undermining the long-established Bangladeshi community, destroying Spitalfields as we know it today.
Yet, on contemplation,I realise that these two things I have in mind are not unrelated.
David’s Hoffman’s photography is a salient reminder of the enduring nature of East End communities, how they have united repeatedly through the years to resist different threats, and how they have always shown resourcefulness and thrived despite inopportune circumstances.
Thus, with all these thoughts in mind, I come to the end of the fifteenth year in the pages of Spitalfields Life.
I am your loyal servant
The Gentle Author
Spitalfields
23rd August 2024
PS You can still book here for THE GENTLE AUTHOR’S TOUR OF SPITALFIELDS through September and October
Schrodinger sleeping peacefully
David Hoffman’s monograph published October 14th
Office blocks planned across the Truman Brewery
The Truman Brewery’s proposed towers overshadowing Allen Gardens
You may like to read my earlier Annual Reports
