Marion Elliot’s Tea Towels
We have raised over HALF of our target to RELAUNCH SPITALFIELDS LIFE BOOKS and now we have SIX DAYS LEFT! With your help, I am hoping we can reach the target by next Saturday 14th October.
Consider supporting us as a Patron and receive a signed fine art print by Doreen Fletcher, signed photographic prints by David Hoffman and Sarah Ainslie, plus an inscribed copy of my forthcoming book.
I believe in the primacy of books because – even if the web gets wiped out tomorrow – they will endure. Publishing is not an easy task, yet I am passionate to do it when I find stories that I want to cherish, that I know people will love, and that deserve to be dignified in our time and for posterity.
CLICK HERE TO VISIT OUR CROWDFUND PAGE & CONTRIBUTE

Favourite illustrator Marion Elliot is launching her first tea towel designs at her pop-up shop at 17 Rugby St, WC1N 3QT, (beside Pentreath & Hall) next Tuesday 10th to Saturday 14th October with a late night opening and drinks until 7.30pm on Thursday 12th. Marian’s designs are so bright and cheerful, they could equally be hung on the kitchen wall as prints.
“As an entrée into the world of printed textiles I thought I would begin by designing tea towels and see how I got on, but I am very keen to move on to silk scarves eventually!
Tea towels are a brilliant vehicle for printed designs, and I am especially inspired by the work of the American textile designer Tammis Keefe who produced a vast collection of witty and playful handkerchief and tea towel designs.
I have always loved artist-designed textiles. I am a great fan of Ascher scarves that feature images by Picasso, Matisse, Feliks Topolski and Henry Moore. I also love highly-illustrated commemorative head scarves”
Marion Elliot





Designs copyright © Marion Elliot
Our Three Authors Introduce Themselves
In the final week of our crowdfund to relaunch Spitalfields Life Books, let me introduce the authors of the three books speaking in their own words.
THANKYOU to the 164 people who have contributed so far. With your help, I am hoping we can create a snowball effect in the next seven days to reach our target by next Saturday 14th October.
Please spread the word through your social media, and to friends, family and work colleagues. Consider supporting us as a patron and receive a signed fine art print by Doreen Fletcher, signed photographic prints by David Hoffman and Sarah Ainslie, plus an inscribed copy of my forthcoming book.
I believe in the primacy of books because – even if the web gets wiped out tomorrow – they will endure. Publishing is not an easy task, yet I am passionate to do it when I find stories that I want to cherish, that I know people will love, and that I believe deserve to be dignified in our time and for posterity.
Each of the new books I want to publish is a witness of our times and I am publishing them so you can have copies and we can share them with everyone, and they can be a legacy and record of our era.
CLICK HERE TO VISIT OUR CROWDFUND PAGE & CONTRIBUTE
Photographer David Hoffman outside Fieldgate Mansions in Whitechapel where he squatted in the seventies and eighties, while documenting the life of the people around him.

“The old East End was disappearing as I took these photographs, being able to bring back a glimpse of its spirit in this book means a lot to me.” David Hoffman
Artist Tessa Hunkin at the pavilion on Hackney Downs which she and Hackney Mosaic Project have turned into a landmark with an epic mosaic of wild creatures.

“A beautiful book about Hackney Mosaic Project will be the best reward for all the people who have worked on the mosaics, bringing their achievement to a wider public and giving them the recognition they so well deserve.” Tessa Hunkin
Photographer Sarah Ainslie in her studio in Bethnal Green explaining why she has chosen to take portraits of women at work in the East End over the past thirty years.

“It means so much to me and will be an important recognition of all the women I have photographed over the years for this book to be published by Spitalfields Life Books, a perfect home for it.” Sarah Ainslie
Films by Lucinda Douglas Menzies
The Hounds Of Hackney Downs

We are in the third week of our month’s crowdfund campaign and I am grateful to the 160 people who have contributed so far, and touched by your messages of encouragement. I am hoping that we can reach the target in the next 8 days.
CLICK HERE TO VISIT OUR CROWDFUND PAGE & CONTRIBUTE
Today we preview Tessa Hunkin’s book
TESSA HUNKIN & HACKNEY MOSAIC PROJECT
Tessa Hunkin and Hackney Mosaic Project have created breathtakingly beautiful and witty mosaics in locations all across the East End over the past ten years. In the process, Tessa has won the reputation as the pre-eminent mosaic designer in this country while leading a community endeavour that has elevated the lives of hundreds of participants.
“A beautiful book about Hackney Mosaic Project will be the best reward for all the people who have worked on the mosaics, bringing their achievement to a wider public and giving them the recognition they so well deserve.”
Tessa Hunkin

I was among the first to admire the canine masterpiece created by Hackney Mosaic Project under the presiding genius of Tessa Hunkin when it was installed on Hackney Downs. Tessa’s design takes its inspiration from the canine users of the park and proud owners were lining up at once to identify their pets immortalised upon the wall.












The mosaic artists

I was also there when the second instalment of Hackney Mosaic Project’s series of portraits of the dogs of Hackney Downs was installed. When I asked Tessa how it was possible to find so many different ways of portraying dogs in mosaic, she replied that it was simple – the infinite variety of the dogs provided the inspiration.


















The mosaic artists
THE HACKNEY MOSAIC PROJECT is seeking commissions, so if you would like a mosaic please get in touch hackneymosaic@gmail.com
Parkash Kaur, Shopkeeper

We are in the third week of our month’s crowdfund campaign and I am grateful to the 149 people who have contributed so far, and touched by your messages of encouragement. I am hoping that we can reach the target in the next 9 days.
CLICK HERE TO VISIT OUR CROWDFUND PAGE & CONTRIBUTE
WOMEN AT WORK IN THE EAST END OF LONDON 1992-2023
Sarah Ainslie celebrates the contribution of female labour over the past thirty years in exuberant portraits that capture the passion and struggle of the working life. Drawn from Sarah’s personal archive and her work as Spitalfields Life Contributing Photographer, this is a panoramic survey of social change.
“It means so much to me and will be an important recognition of all the women I have photographed over the years for this book to be published by Spitalfields Life Books, a perfect home for it.”
Sarah Ainslie
‘We Punjabi girls are strong.’
Contributing Photographer Sarah Ainslie & I first met Parkash Kaur in 2015 when we were making portraits of the residents of the Holland Estate next to Petticoat Lane in Spitalfields. It was evident then that Parkash occupied a revered position among the residents as spiritual mother to the entire estate.
Then Suresh Singh, author of A MODEST LIVING, told me that Parkash famously ran a grocers shop at 5 Artillery Passage with her husband Jarnail Singh. So close were these two Sikh families in Spitalfields that Suresh and his wife Jagir know Parkash as Aunty Ji and, in Suresh’s childhood, he knew Jarnail as Uncle Jarnail.
Jarnail came to London in 1951 from Jundalar in the Punjab to seek a better life and his wife Parkash joined him in 1953. They had been married when they were children. By 1958, they had saved enough money to put a deposit on a shop in Artillery Passage and in 1963 they bought it and moved in, opening the first Sikh grocer in East London.
Around 2000, they closed their shop and retired to live fifty yards away in the Holland Estate. Since Jarnail died in 2010, Parkash lives alone but Suresh & Jagir visit her regularly. Sarah Ainslie & I accompanied them recently and we shared a delicious dinner of Jagir’s homemade rotis and yoghurt while Parkash told her story to Suresh, who has translated it from Punjabi for us to read.
“Your father and my husband made a pact of love and they called themselves the ‘rodda’ Sikhs (the ones without turbans). They had this silent love that they kept dear between them and always knew of each other’s joy and pain, sometimes even without talking.
They sat and talked all day long in our shop at 5 Artillery Passage where me and your Uncle worked day and night. I would shut the heavy shutters in the evening and sleep on the top floor while your Uncle went to do a night shift at the rubber factory in Southall. I walked back the other day to Artillery Passage and I could not even find the door or the number. No one there spoke Hindi or Punjabi any more and I felt a deep loss. It made me very sad.
Our days started at 4am each morning when your Uncle Jarnail would bring boxes of fruit and vegetables from the Spitalfields Market across the road. Big rats would jump out of some of the boxes. I was so scared of the rats, but we had a lovely niece working for us who could catch them by their tails. She would never kill them, but lift the heavy grate from the sewer and send them back. She said they were gods.
Suresh, this was when you were very little. I remember your mother Chinee would always wave and call out ‘Sat Shri Akal’ (blessings to all) to me from far away, if she saw me in Petticoat Lane or in Itchy Park next to the big white church. She was a very observant women who always stuck by your father, Joginder.
I was so happy when your parents invited me and your Uncle Jarnail to your wedding with Jagir in 1984. It was a joyful occasion for Joginder. After his stroke, your father struggled to walk yet he would always come every day from Princelet St to our shop in Artillery Passage and ask your Uncle Jarnail, ‘Do you think we have enough roti flour?’ For a long time, we were the only shop in East London that sold roti flour and people would come from as far away as Mile End and Plaistow.
Your Uncle Jarnail and Joginder helped each other with money, they never wanted to let each other down. People would say ‘Jarnail is a jatt (a farm owner) but Joginder is a chamar (an untouchable).’ Your uncle would reply, ‘Get out of my shop! We do not believe in castes here. He is my brother.’
All the money earned by Punjabis in East London passed through our shop and we sent it over to the Punjab and exchanged it for rupees, so people could build big houses over there. Once I sat on thousands of pounds in cash all on my own while your Uncle was out, before it was sent to the Punjab. I learnt to be a very good counter of money. In those days, people were naive enough to believe that one day they would all take their families back to the Punjab and live there for ever. But in Joginder’s eyes, he knew the truth.
He was happy to spend time with your Uncle Jarnail in the shop. They often spoke of the assassin Udam Singh who lodged in 15 Artillery Passage in the thirties. He shot Michael O’ Dwyer who ordered the massacre of Sikhs in Amritsar when he was Lieutenant Governor of the Punjab.
When me and your Uncle Jarnail needed a break from the hard work of shopkeeping, dealing with customers who never wanted to pay the asking price and always wanted to barter, we would sit on the wall outside Artillery Passage and eat ice cream from another shop – just to have a change. That was our holiday.
Where are all those people who came to our shop now? All gone. The ones that we helped out, where are they? Not to be seen. But you and Jagir are here with me and you know you are always welcome in my home. I am happy that you and Jagir and look after me. Your Uncle Jarnail died and left me alone but I am strong. We Punjabi girls are strong.”
Portraits by Sarah Ainslie
Parkash Kaur
Jarnail Singh
Jarnail ouside the grocery shop he ran with Parkash at 5 Artillery Passage
Parkash in her flat the Holland Estate (Photograph by Sarah Ainslie)
Jagir Kaur, Parkash Kaur & Suresh Singh (Photograph by Sarah Ainslie)
David Hoffman At St Hildas

We are in the third week of our month’s crowdfund campaign and I am grateful to the 139 people who have contributed so far, and touched by your messages of encouragement. I am hoping that we can reach the target in the next 10 days.
CLICK HERE TO VISIT OUR CROWDFUND PAGE & CONTRIBUTE

Contributing Photographer David Hoffman sent me these glorious pictures of a party he attended at St Hilda’s Community Centre, Club Row, in 1975.
‘St Hilda’s East was established in 1889 by former pupils of Cheltenham Ladies College as ‘a community of people bound together in the service of the poor’. I came across it by chance in 1975. I was twenty-nine, just starting out as a photographer and this window into an East End from long ago immediately fascinated me.
I just walked in, asked if it would be OK to take some photos and got an immediate easy invitation to help myself. Quickly followed by offers of a cup of tea, a sandwich, a slice of cake… I think this was early December and I saw posters for the Christmas party so I invited myself along.
I found the spirit and the energy of what seemed to me to be such aged pensioners hard to believe. When one of the dancers flashed her knickers and winked at me, I wondered if my tea had been spiked and it was all a delirium. These photos, some unseen since I took them, not only prove that this was no hallucination but, rather disconcertingly, that those seemingly ancient people I photographed were all younger than I am now.’
David Hoffman











Photographs copyright © David Hoffman
The Hoxton Varieties Mosaic

We are in the third week of our month’s crowdfund campaign and I am grateful to the 132 people who have contributed so far, and touched by your messages of encouragement. I am hoping that we can reach the target in the next 2 weeks.
CLICK HERE TO VISIT OUR CROWDFUND PAGE & CONTRIBUTE
Walter Bernadin, master mosaic fixer & Tessa Hunkin, mosaic designer
I had the privilege to see the Hoxton Varieties Mosaic by Hackney Mosaic Project unveiled upon the corner of Pitfield St and Old St. Celebrating the former Varieties Music Hall that opened nearby in 1870, the mural designed by Tessa Hunkin and realised by members of the project, illustrates the glory days of live popular entertainment in Hoxton with colourful images of acrobats and performing dogs.
When I arrived, Walter Bernadin, a sprightly white-haired Italian, was up a ladder sponging off the excess grout to reveal Tessa’s lively design in its full glory for the first time. “I am a master mosaic fixing specialist, I’ve been doing it for fifty years,” he admitted to me when I brought him a cup of hot tea to warm his cold hands, “My father Giovanni was a mosaic fixing specialist before me, so I just took on from him. We come from Sequals in Italy, most of the mosiac fixers in London are from there.”
“My father was in espionage and he had been here as a prisoner of war in Mildenhall. Then, in the sixties, there was a lot of terrazzo going on in London, so he came over in 1964. He ran a mosaic gang of forty men and I helped them out on Saturdays from the age of twelve and that’s how I learnt my trade. They put it on bridges and underpasses to cover the concrete. I could take you all over London and show you work my father done.”
The Hoxton Varieties Mosaic was another aesthetic triumph for the Hackney Mosaic Project who have spent the last ten years installing joyful artworks in unloved corners of the neighbourhood and drawing everyone back to consider the meaning of the place. Even on a cloudy day in midweek, a small crowd gathered in delighted excitement to admire the exuberance of the conception as a blank wall acquired a new life in Hoxton.
Walter Bernadin, Master Mosaic Fixing Specialist – “I could take you all over London and show you work my father done.”
Walter still carries his deed of apprenticeship with him in the van
Walter sponges off the surplus grouting to reveal Tessa’s finished design
Visit the Hoxton Varieties Mosaic at the corner of Pitfield St & Old St, N1.
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Gillian Tindall At St Brides

We are in the third week of our month’s crowdfund campaign and I am grateful to the 108 people who have contributed so far, and touched by your messages of encouragement. I am hoping that we can reach the target in the next 2 weeks.
CLICK HERE TO VISIT OUR CROWDFUND PAGE & CONTRIBUTE

St Brides
Contributing Writer, Gillian Tindall, visits St Brides Church in Fleet St
This year is the three hundredth anniversary of Sir Christopher Wren’s death in 1723 at the age – very advanced for those days – of ninety. This anniversary is being celebrated in many of the City of London churches that he was responsible for redesigning, after eighty-seven of them had been ravaged by the Great Fire of 1666. But he is given special prominence at St Brides which is situated without the old City walls.
Even after suffering another firey destruction in the Blitz of World War II, St Brides still stands today just down the hill from the site of the old Lud Gate, on the west side of the Fleet valley where Fleet St leads towards Charing Cross and Westminster, and to everywhere else that is now Central London.
When the Great Fire took hold on the other side of the City, in Pudding Lane not far from the Tower, on 2nd September 1666, the wind was blowing from the east. So, four days later, when the devastated Londoners returned to survey the blackened wreckage of their homes and businesses, churches and storehouses, they found that much of the Aldgate and Bishopsgate area to the north-east of the walled City had been spared, but – in defiance of all hopes and prayers – the wind-driven blaze had jumped the stream in the Fleet Valley and devoured St Brides.
It just spared St Andrew, Holborn, a little to the north, and was about to consume the buildings of the Temple when fortunately it was quelled. Perhaps the wind dropped or possibly the energies and organisation of King Charles II, who had taken matters over from the desperate City Mayor, had something to do with it.
So Wren’s triumphant rebuilding of St Brides in the 1670s is being celebrated this autumn with a recital and a dramatic performance. But this is not in the actual St Brides, brick for brick, that was built by Wren, but rather, in the careful simulacrum of it that was a post-World-War II rebuilding. The design followed Wren’s faithfully, though leaving out the gallery seating and bits of late-Victorian décor. So what you see today is very much what Wren’s contemporaries, in their periwigs and cumbersome great-coats, would have see in the exciting modernity of the early 1700s. Except that the church is now nicely heated: no thick coats needed.
What the Blitz of 1940 also revealed were not merely extensive graveyards, spreading to the south-east right across where Farringdon Rd now runs, but – beneath everything else – the ruins of Roman mosaics. Evidently this site was a holy place well before an obscure `St Bridget’ lived and died – indeed before the first emissaries of the Christian faith landed on our shores. Relics and fragments of these distant times are now displayed beneath the church in the old crypt. This was sealed up, along with its bodies and coffins, when it came to be understood in the Victorian era that putting rotting remains beneath a church floor is hardly an hygienic method of disposal.
After the War, these and all the other newly-found bones were taken off to the Museum of London, but some of them were later returned to the church for storage in neatly labelled cardboard boxes. A previous Rector once opened a box to show me the tiny fragmented skull bones of Wynken de Worde, the man credited with the invention of print in the late fifteeth century. Though Fleet St is no longer the heart of newspaper production, the association of the church with print flourishes to this day. St Brides is where editors and journalists, including those who lose their lives in foreign wars, are celebrated and commemorated.
Samuel Pepys was baptised here, in the old pre-Great Fire St Brides while the poet John Dryden was a regular attender in the post-Great Fire one. But in recent times more obscure yet equally interesting members of the congregation have featured on wall-plaques on the west porch. Who has heard of Denis Papin? Very few, I guess, although he was a remarkable man, extraordinarily ahead of his time. A Huguenot from the Loire, he came to London in the 1670s and managed to interest several members of the newly-founded Royal Society in his ideas about steam. It could, he argued, be utilised to power devices, and he managed to invent a kind of pressure cooker.
Later, back in France and then on the far side of the Rhine, he created the first model of a piston steam-engine, a whole century before steam-power became the driver of the Industrial Revolution.
But when he returned in 1707 his old acquaintances in London had forgotten him or were dead, and several years later he was destitute. His lonely death in August 1713 went unremarked, and it was not until three hundred years later that a researcher in the Metropolitan Archive came upon the record of his burial in St Brides’ lower ground. Now he is commemorated in stone.
A nearby memorial similarly bestows dignity on a forgotten individual of a different kind. The current Rector of St Brides, Canon Alison Joyce, became interested in one of the victims of the over-publicised Whitechapel murders – one who evidently did not conform to the stereotypical assumption that the women were all sex workers. Mary Ann Nichols, known as Polly, was not only born in St Brides parish, she was also married there in 1864 to a printer. She could read and write, and she had five children. But the marriage broke up and there is evidence that she chose to live instead with the man she would have preferred to marry in her teens but was not allowed to. When this relationship ended too, she seems to have taken to drink and the addresses recorded for her were workhouses and the lowest sort of lodging houses.
A plaque in St Brides reads ‘Remember her life, not its end.’ Given the uncertainties, pains and regrets that accompany too many people’s last days, that might serve as a kindly epitaph for many of us.

In St Brides Churchyard
Gillian Tindall’s The House by the Thames is available from Pimlico
You may like to read these other stories by Gillian Tindall
Memories of Ship Tavern Passage
At Captain Cook’s House in Mile End







































