Small Trades Scraps

Walter typing edited script pages in St Petersburg on the set of ‘Orlando’

Click here for details of Walter Donohue’s screenwriting course to be held in Spitalfields on 8th  & 9th November

 

When these die-cut Victorian scraps of small trades are enlarged to several times their actual size, the detail and characterisation of these figures is revealed splendidly. Printed by rich-hued colour lithography, glossy and embossed, these appealing images celebrate the essential tradesmen and shopkeepers that were once commonplace but now are scarce.

In the course of my interviews, I have spoken with hundreds of shopkeepers and stallholders – and it is apparent that most only make just enough money to live, yet are primarily motivated by the satisfaction they get from their chosen trade and the appreciation of regular customers.

Here in the East End, these are the family businesses and independent traders who have created the identity of the place and carry the life of our streets. Consequently, I delight in these portraits of their predecessors, the tradesmen of the nineteenth century – rendered as giants by these monumental enlargements.

You may also like to take a look at these other sets of the Cries of London

London Characters

Geoffrey Fletcher’s Pavement Pounders

Faulkner’s Street Cries

William Craig Marshall’s Itinerant Traders

London Melodies

Henry Mayhew’s Street Traders

H.W.Petherick’s London Characters

John Thomson’s Street Life in London

Aunt Busy Bee’s New London Cries

Marcellus Laroon’s Cries of London

John Player’s Cries of London

More John Player’s Cries of London

William Nicholson’s London Types

John Leighton’s London Cries

Francis Wheatley’s Cries of London

John Thomas Smith’s Vagabondiana of 1817

John Thomas Smith’s Vagabondiana II

John Thomas Smith’s Vagabondiana III

Thomas Rowlandson’s Lower Orders

More of Thomas Rowlandson’s Lower Orders

Adam Dant’s  New Cries of Spittlefields