Skip to content

The Broderers Of St Paul’s

April 19, 2023
by the gentle author




Anita Ferrero

Like princesses from a fairy tale, the Broderers of St Paul’s sit high up in a tower at the great cathedral stitching magnificent creations in their secret garret. Contributing Photographer Sarah Ainslie & I climbed up one hundred and forty-one steps to pay a visit upon these nimble-fingered needleworkers.

‘There are fourteen of us, we chat, we tell stories and we eat chocolate,’ explained Anita Ferrero by way of modest introduction, as I stood dazzled by the glittering robes and fine embroidery. ‘It’s very intense work because the threads are very bright,’ she added tentatively, lest I should think the chocolate comment revealed undue levity.

I was simply astonished by the windowless chamber filled with gleaming things. ‘There are thirteen tons of bells suspended above us,’ Anita continued with a smile, causing me to cast my eyes to the ceiling in wonder, ‘but it’s a lovely sound that doesn’t trouble us at all.’

Observing my gaze upon the magnificent textiles, Anita drew out a richly-embellished cope from Queen Victoria’s Jubilee. ‘This is cloth of gold’ she indicated, changing her voice to whisper, ‘it ceased production years ago.’

‘There are still wonderful haberdashers in Kuala Lumpur and Aleppo,’ she informed me as if it were a closely-guarded secret, ‘I found this place there that still sold gold thread. If someone’s going to Marrakesh, we give them a shopping list in case they stumble upon a traditional haberdashery.’ Next, Anita produced a sombre cope from Winston Churchill’s funeral, fashioned from an inky black brocade embroidered with silver trim, permitting my eye to accommodate to the subtler tones that can be outshone by tinsel.

In this lofty chamber high above the chaos of the city, an atmosphere of repose prevails in which these needlewomen pursue their exemplary work in a manner unchanged over millennia. I was in awe at their skill and their devotion to their art but Anita said, ‘As embroiderers, we are thankful to have a purpose for our embroidery because there’s only so many cushions you can do.’

I walked over to a quiet corner where Rachel Rice was stitching an intricate border in gold thread. ‘I learnt my skills from my mother and grandmother, and I always enjoyed sewing and dressmaking but that’s not fine embroidery like this,’ she admitted, revealing the satisfaction of one who has spent a life devoted to needlework. Yet she qualified her pride in her craft by admitting her humanity with a weary shrug, ‘Some of the work is extremely tedious and it’s never seen.’

‘We are all very expert but our eyesight is fading and a few of us are quite elderly,’ confided Anita, thinking out loud for the two of them as she picked up the story and exchanged a philosophical grin with Rachel. Nowhere in London have I visited a sanctum quite like the Broderers chamber or encountered such self-effacing creative talents.

‘We not so isolated up here,’ emphasised Anita, lifting the mood with renewed enthusiasm, ‘Most people who work in the Cathedral know we’re here. We often do favours for members of staff, taking up trouser hems etc – consequently, if we have a problem, we can call maintenance and don’t have to wait long.’

I was curious to learn of the Broderers’ current project, the restoration of a banner of St Barnabas. ‘He’s the one saint I’d like to meet because he’s called ‘The Son of Encouragement’ – he looks like a nice guy,’ confessed Anita fondly, laying an affectionate hand upon the satin, ‘We’re restoring the beard of St Barnabas at present and we’re getting Simon the good-looking Verger up here to photograph his beard.’

Rachel Rice – ‘I learnt my skills from my mother and grandmother’

Sophia Sladden

Margaret Gibberd

‘As embroiderers, we are thankful to have a purpose for our embroidery because there’s only so many cushions you can do.’

Judy Hardy

‘We chat, we tell stories and we eat chocolate..’

Virger Simon Brears is the model for the beard of St Barnabas

View from the Triforium

Photographs copyright © Sarah Ainslie

You may also like to take a look at

Relics of Old St Paul’s

10 Responses leave one →
  1. Geoffrey Bolland permalink
    April 19, 2023

    Anita Ferrero of the Italian chocolate family?

  2. April 19, 2023

    Incredible skill. I empathise with the frustration of aging eyesight and the desire to consume chocolate when doing repetitive work. Thanks GA and Sarah.

  3. Donna L Harris permalink
    April 19, 2023

    Wow! Thank you for this glimpse into a splendid world!

  4. April 19, 2023

    Climbing 141 steps to work each day must help to keep them fit. What wonderful, intricate work and really so under-appreciated.

  5. Victoria Strauss permalink
    April 19, 2023

    Next time I am in St Paul’s, I will think of them up above. I do hope it’s warm in their workroom.

  6. L Woolston permalink
    April 19, 2023

    How magnificent! Are they paid for their great work?

  7. Debra. E. Sewell permalink
    April 19, 2023

    Such beauty pours from their fingers. Heavenly . I cannot imagine creating such a holy thingbof beauty.


  8. April 19, 2023

    This is such extremely fine and skilled work! I do a lot of embroidery but this is several levels above my grade. What a lovely job, to get to go up St. Paul’s bell tower every day and work on these treasures.

  9. Eva Radford permalink
    April 19, 2023

    Thank you for this peak into a timeless world. Here I had thought fairies did the beautiful embroidery, but it is done by these incredible craftswomen.

  10. Ann Cornish permalink
    April 19, 2023

    What a fascinating insight into the work of these talented ladies. Thank you

Leave a Reply

Note: Comments may be edited. Your email address will never be published.

Subscribe to this comment feed via RSS