At The Great Yiddish Parade
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Did you spot a ragtag procession of musicians, people in costume, children and dogs marching from Aldgate through Whitechapel to Mile End Waste? Behind this light-hearted frolic was a serious intent, for this was the Great Yiddish Parade, commemorating the procession of Jewish unemployed and garment workers which took place here in 1889. Contributing Photographer Sarah Ainslie & I joined the parade to lend our support and bring you this feature.
Whitechapel was once the centre of London’s Jewish community but, during the last century, they left to seek better housing in the suburbs. Yet it remains a significant location for many whose ancestors arrived here a hundred years ago or more, escaping persecution in Eastern Europe and building new lives in this country. Indeed, many of those inspired to participate in Sunday’s parade had past family connections to Whitechapel.
The original parade processed from Berners St in Stepney to the Great Synagogue in Aldgate, demanding that the Chief Rabbi condemn exploitative working practices in East End tailoring trades. After he refused to do so, they continued their march up Whitechapel Rd to Mile End Waste, where last Sunday’s parade culminated in a series of speeches from the eighteen-eighties. A klezmer band led the procession enlivened by rousing Yiddish songs of protest.
Above all, it was a heartfelt celebration to honour the moral courage of those who, in their disadvantage, discovered the power of collective action, advancing social progress for all through their fight for better working conditions. Growing public awareness of modern-day slavery and recent challenges to the dubious practices of the so-called ‘gig economy’ suggest uneasy parallels with our own time, revealing that this struggle is far from over.
(Courtesy of Modern Records Centre, University of Warwick)
Orlando & Lucian Valman
The parade gathers in Aldgate
Vivi Lachs, Historian & Yiddisher, who established The Great Yiddish Parade
Vivi rallies her comrades
Nadia Valman, organiser of the parade, dressed as seamstress of 1889
Michael Ellman in his grandfather’s tailcoat
Walking through Aldgate
Esther Neslen, Singer
Poet Stephen Watts reads a banner carried by Artist Dan Jones
Rabbi Janet Burden of Ealing Liberal Synagogue and her dog Raz
Julie Begum as Olive Christian Malvery, an Anglo-Indian freelance journalist who reported on the conditions of female and child workers in the East End in the eighteen-eighties.
“So I would like to ask you, brothers and sisters, have any of you here been to a bar lately? I am sure that many of you are familiar with the establishments of the Whitechapel Rd. Well, I want to talk to you about the lives of the barmaids who work there. Many of the young girls who earn their living in this arduous calling are subjected to numerous temptations. And yet they remain good, upright, and respectable women. Often they are obliged to stand behind a counter serving semi-drunken, coarse, and foul-mouthed persons of both sexes. They are obliged to listen to the vile talk of that class of man who makes it a pastime to insult young women engaged in this business. As a girl once said to me,’The life is hard enough without having to be insulted by cads.'”
Walking through Whitechapel
Jo Green, Clarinetist
Walking through Mile End
Phil Whaite, Saxophonist
Speeches at Mile End Waste beside the statue of General Booth
“I have come to you in the East End of London from the United States of America. My friends, I am an Anarchist, and I will tell you why. Anarchism is the great liberator of man from the phantoms that have held him captive. What are these phantoms? Religion, the dominion of the human mind, Property, the dominion of human needs, and Government, the dominion of human conduct, represent the stronghold of man’s enslavement and all the horrors it entails. Break your mental fetters, says Anarchism to man, for not until you think and judge for yourself will you get rid of the dominion of darkness, the greatest obstacle to all progress.”- Emma Goldman, Anarchist & Writer, spoke in Whitechapel in the eighteen-eighties
“‘A good man will be contented fast enough if he be fed and clothed sufficiently, but if a man be not well fed and clad, he is a base wretch to be contented.’ So says William Cobbett, and certainly the strikers might have one more banner with this inscription written on it. We have learned a good deal since William Cobbett’s time, and some of us have become very ‘refined’ indeed, but still on this foundation of victuals and shelter without anxiety must you build ‘refinement’ and all.'” – William Morris, who spoke at Mile End Waste in 1889
“I’d like to know if there are sadder sights anywhere than those we now see around us? I mean the homes of honest working men who have nothing to do, skilled workmen whose trades are itching at their fingers’ ends, who spend their days tramping about looking for work, and come home at night with empty pockets to hungry wives and children? I need draw no picture of these things. You not only see them, but feel them. You know what it is to have wives fainting for want of food, and children crying for crusts you cannot give them. ” – Words of a young man speaking on Mile End Waste from Margaret Harkness’ novel of 1888, Out of Work.
Photographs copyright © Sarah Ainslie
You may also like to read about these other parades
Yours is a wonderful land! As I looked at all the faces, I could HEAR the clarinet, I could imagine the feeling of community and continuity, and envied the connectedness.
To all the Yiddishers: Long may you wave.
Greetings from the Hudson River Valley in New York.
So much all together with lots of spirit that’s the Jewish way. Shalom – Poet John Bristol
What a wonderful post!
Love & Peace
ACHIM