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Street Life In London

February 6, 2016
by the gentle author

In Brick Lane these days, almost everyone carries a camera to capture the street life, whether traders, buskers, street art or hipsters parading fancy outfits. At every corner in Spitalfields, people are snapping. Casual shutterbugs and professional photoshoots abound in a phantasmagoric frenzy of photographic activity.

It all began with photographer John Thomson in 1876 with his monthly magazine Street Life in London, publishing his pictures accompanied by pen portraits by Adolphe Smith as an early attempt to use photojournalism to record the lives of common people. I like to contemplate the set of Thomson’s lucid pictures preserved in the Bishopsgate Institute – both as an antidote to the surfeit of contemporary imagery, and to grant me a perspective on how the street life of London and its photographic manifestation has changed in the intervening years.

For centuries, this subject had been the preserve of popular prints of the Cries of London and, in his photography, Thomson adopted compositions and content that had become familiar archetypes in this tradition – like the chairmender, the sweep and the strawberry seller. Yet although Thomson composed his photographs to create picturesque images, in many cases the subjects themselves take possession of the pictures through the quality of their human presence, aided by Adolphe Smith’s astute texts underlining the harsh social reality of their existence.

When I look at these pictures, I am always startled by the power of the gaze of those who look straight at the lens and connect with us directly, while there is a plangent sadness to those with eyes cast down in subservience, holding an internal focus and lost in time. The instant can be one of frozen enactment, like the billboard men above, demonstrating what they do for the camera, but more interesting to me are the equivocal moments, like the dealer in fancy ware, the porters at Covent Garden and the strawberry seller, where there is human exposure. There is an unresolved tension in these pictures and, even as the camera records a moment of hiatus, we know it is an interruption before a drama resumes – the lost life of more than one hundred and thirty years ago.

The paradoxical achievement of these early street photographs is they convey a sense that the city eludes the camera, because either we are witnessing a tableau that has been composed or there is simply too much activity to be crammed into the frame. As a consequence it is sometimes the “wild” elements beyond the control of the photographer which render these pictures so fascinating – the restless children and disinterested bystanders, among others.

I long to go beyond the bounds of these photographs, both in time and space. And reading Adolphe Smith’s pen portraits, I want to know all these people, because in their photographs they appear monumental in their dignified stillness – as if their phlegmatic attitudes manifest a strength of character and stoicism in the face of a life of hard work.

Street Doctor – “vendors of pills, potions and quack nostrums are not quite so numerous as they were in former days. The increasing number of free hospitals where the poor may consult qualified physicians have tended to sweep this class of street-folks from the thoroughfares of London.”

An Old Clothes Shop, St Giles – “As a rule, secondhand clothes shops are far from distinguished in their cleanliness, and are often the fruitful medium for the propagation of fever, smallpox &c.”

Caney the Clown –  “thousands remember how he delighted them with his string of sausages at the yearly pantomime, but Caney has cut his last caper since his exertions to please at Stepney Fair caused the bursting of a varicose vein in his leg and, although his careworn face fails to reflect his natural joviality, the mending of chairs brings him constant employment.”

Dealer in Fancy Ware (termed swag selling)  – “it’s not so much the imitation jewels the women are after, it’s the class of jewels that make the imitation lady.”

William Hampton of the London Nomades – “Why what do I want with education? Any chaps of my acquaintance that knows how to write and count proper ain’t much to be trusted into the bargain.”

The Temperance Sweep – “to his newly acquired sobriety, monetary prosperity soon ensued and he is well known throughout the neighbourhood, where he advocates the cause of total abstinence..”

The Water Cart – “my mate, in the same employ, and me, pay a half-a-crown each for one room, washing and cooking. It costs me about twelve shillings a week for my living and the rest I must save, I have laid aside eight pounds this past twelve months.”

Survivors of Street Floods in Lambeth – “As for myself, I have never felt right since that awful night when, with my little girl, I sat above the water on my bed until the tide went down.”

The Independent Bootblack – “the independent bootblack must always carry his box on his shoulders and only put it down when he has secured a customer.”

Itinerant Photographer on Clapham Common – “Many have been tradesmen or owned studios in town but after misfortunes in business or reckless dissipations are reduced to their present more humble avocation.”

Public Disinfectors – “They receive sixpence an hour for disinfecting houses and removing contaminated clothing and furniture, and these are such busy times that they often work twelve hours a day.”

Flying Dustmen – “they obtained their cognomen from their habit of flying from from one district to another. When in danger of collison with an inspector of nuisances, they adroitly change the scene of their labours.”

Cheap Fish of St Giles – ” Little Mic-Mac Gosling, as the boy with the pitcher is familiarly called by all his extended circle of friends and acquaintances, is seventeen years old, though he only reaches to the height of three feet ten inches. His bare feet are not necessarily symptoms of poverty, for as a sailor during a long voyage to South Africa he learnt to dispense with boots while on deck.”

Strawberries, All Ripe! All Ripe! – “Strawberries ain’t like marbles that stand chuckin’ about. They won’t hardly bear to be looked at. When I’ve got to my last dozen baskets, they must be worked off for wot they will fetch. They gets soft and only wants mixin’ with sugar to make jam.”

The Wall-Workers (A system of cheap advertising whereby a wall is covered with an array of placards that are hung up in the morning and taken in at night) – Business, sir! Don’t talk to us of business! It’s going clean away from us.”

Cast-Iron Billy – “forty-three years on the road and more, and but for my rheumatics, I feel almost as hale and hearty as any man could wish .”

Labourers at Covent Garden Market – “it is in the early morning that they congregate in this spot, and they are soon scattered to all parts of the metropolis, laden with plants of every description.”

The London Boardmen – “If they walk on the pavement, the police indignantly throw them off into the gutter, where they become entangled in the wheels of carriages, and where cabs and omnibuses are ruthlessly driven against them.”

Workers on the Silent Highway – “their former prestige has disappeared, the silent highway they navigate is no longer the main thoroughfare of London life and commerce, the smooth pavements of the streets have successfully competed with the placid current of the Thames.”

Old Furniture Seller in Holborn – “As a rule,  second-hand furniture men take a hard and uncharitable view of humanity. They are accustomed to the scenes of misery, and the drunkenness and vice, that has led up to the seizure of the furniture that becomes their stock.”

Mush-Fakers and Ginger-Beer Makers. – “the real mush-fakers are men who not only sell but mend umbrellas. By taking the good bits from one old “mushroom” and adding it to another, he is able to make, out of two broken and torn umbrellas, a tolerably stout and serviceable gingham.”

Italian Street Musicans -“there is an element of romance about the swarthy Italian youth to which the English poor cannot aspire.”

A Convicts’ Home – “it is to be regretted that the accompanying photograph does not include one of the released prisoners, but the publication of their portraits might have interfered with their chances of getting employment.”

The Street Locksmith – “there are several devoted to this business along the Whitechapel Rd, and each possesses a sufficient number of keys to open almost every lock in London.”

The Seller of Shellfish – “me and my missus are here at this corner with the barrow in all weathers, ‘specially the missus, as I takes odd jobs beating carpets, cleaning windows, and working round the public houses with my goods. So the old gal has most of the weather to herself.”

The  “Crawlers” – “old women reduced by vice and poverty to that degree of wretchedness which destroys even the energy to beg.”

Images courtesy Bishopsgate Institute

Read the story of Hookey Alf of Whitechapel from Thomson’s Street Life in London

16 Responses leave one →
  1. February 6, 2016

    Inspector of nuisances sounds like the perfect job for me. Now I just need a time machine.

  2. February 6, 2016

    The camera has recorded accurately a past way of life. Shabbiness of the costume comes through strong here and I am fascinated by the shapes of the men’s hats. It has to be said this is a brilliant piece of social history. In a period of expanding small business/private enterprise and street-sellers, due to more wealth and the expanding population. Some trades lingered on into the 20th C in this form. For example bread delivery, coal was delivered to houses by horse and cart. Then deliveries became mechanized. I liked Janet M’s blog she has a sense of humour. John

  3. Greg Tingey permalink
    February 6, 2016

    Apart from the filth, we may be heading back in this direction.
    Do we need a new Mayhew?

  4. February 6, 2016

    Interesting -but not surprising – that the images that include horses all show them in a very sorry state. The ubiquitous presence of these animals in London , however, also meant that their condition was witnessing by compassionate people and campaigners and helped lead to campaigns for their protection.

  5. Peter Bailey permalink
    February 6, 2016

    Interesting to see your picture of the ex metropolitan policeman, Bayliss, outside his cook shop and lodging house in Drury Lane. He ran it in association with the Royal Society for the Aid of Discharged Prisoners. It was reported that he acted as a guide to Charles Dickens and George Augustus Sala when they wished to explore the less salubrious parts of London.
    My information comes from Gordon Winter’s book, “A Cockney Camera,” published by Penguin Books in 1975.

  6. February 6, 2016

    The Street Doctor wears a built up shoe and the clown wears a sad face which is no pantomime. Such a lot to look in and take in. Like Janet M wrote above, it would be great to have a time machine. I would ride on the horse drawn ominbus to West End and back again.

  7. Linda Granfield permalink
    February 6, 2016

    Yes, the built-up shoes of the Street Doctor, called to me as well. Both shoes ‘platformed’–one leg obviously shorter than the other, both needing special attention. I cannot imagine spending all day walking those cobbled streets in such shoes and wonder what other ailments the Doctor had.

    Not a smile to be seen–even the harpist’s audience is sober. (perhaps it’s better we not see the dental situation!)

    Makes me grateful for what I have and for what my ancestors didn’t have and yet persevered.
    thank you!

  8. February 6, 2016

    Without a doubt, one of my favorite postings by The Gentle Author. (and that’s saying a mouthful).
    I know that “comparisons are odious” (and unnecessary) — but these astounding photos remind me a bit of the work of American photographer Walker Evans. In both cases, we are presented with unguarded depictions of street vendors and all of their accompanying tenacity and frailties. It’s impossible to look away, and I was drawn into their world. As an appreciator of History of Costume, this added an extra layer of fascination for me — the huckster’s garb has a “found object” quality to it. Another expression of their resiliency, maybe. I know I will always find something valuable, fascinating, and insightful here — Many thanks. (and sign me up for the time travel tour to the West End)

  9. Sue permalink
    February 6, 2016

    Wonderful selection of characters.

  10. February 6, 2016

    I am fascinated by the poster ‘RENOVO’.
    I did a quick google but nothing came up apart from some sort of enegy company that still exists now.

    Please can you tell me…WHO or WHAT is Renovo as pictured on the poster?
    What is being sold?

    In appreciation to any enlightenment you can share.


  11. Peter Holford permalink
    February 6, 2016

    These are precious photos as they are so much older than the usual ones that we know from the turn of the century. Some are obviously posed but they still show so much of fashions(?) and the backdrop to everyday life. The ‘Cheap Fish of St Giles’ photo amuses me. Much is made of the boy being only 3′ 10″ and yet nobody else in the photo really towers over him – they may just about top the 5 foot mark! I have a group photo with my grandfather in it from about 1925 and he was much taller than the rest but according to his records from WWI he was only 5′ 7″. When I started working in Oldham in 1974 it was much the same and I used to get stared at being 6′ 3″. I guess the Welfare State is the difference!

    Thank you, GA

  12. Ann Featherstone permalink
    February 7, 2016

    Possibly RENOVO – a patent cleaner of gloves, furs, silks, etc.

  13. Ann Featherstone permalink
    February 7, 2016

    Just noticed the gloved hand in the brim of the RENOVO man’s hat!

  14. Alex Knisely permalink
    February 7, 2016

    So many different styles of men’s hats, and I know the name for not a one of them.

  15. February 7, 2016

    After enlarging the “Renovo” photo, it seems that the last word on the hand is “fabric”. The other words were unclear. Certainly, the gentleman featured on the signboard seems surrounded by exotic locales, but the text is not readable, at least to me. Either way, a compelling photo.

  16. Susan permalink
    February 8, 2016

    In reply to the comment about the people not smiling, it took so long to take a photo back then, smiling would hurt the face. This is also why the people are posing, rather than natural. We rather tend to take instamatic cameras for granted, these days.
    Those hats are wonderful. My 2xg grandfather, Amos Thomas Holmes, was a hatter from St George in the East… cant help but wonder if any shown here were of his making.
    Wonderful pictures that tell us so much, and yet conceal so much more.

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