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William Oglethorpe, Cheese Maker

November 2, 2015
by the gentle author

William Oglethorpe, Cheese Maker of Bermondsey

Everyone knows Cheddar, Stilton, Wensleydale and Caerphilly, but now there is an unexpected new location on the cheese map of Great Britain. It is Bermondsey and the man responsible is William Oglethorpe – seen here bearing his curd cutter as a proud symbol of his domain, like a medieval king wielding a mace of divine authority.

Photographer Tom Bunning & I went along to Kappacasein Dairy under the railway arches beneath the main line out of London Bridge early last Tuesday morning to investigate this astonishing phenomenon. As we stepped from the chill of the autumn morning, we entered the humid warmth of the dairy and encountered a line of empty milk churns.

Already Bill had been awake since quarter to four. He had woken in Streatham then driven to Chiddingstone in Kent and collected six hundred litres of milk. Beyond us, in a separate room with a red floor and a large glass window sat a hundred-year-old copper vat containing that morning’s delivery of milk, which was still warm. Bill with his fellow cheesemakers Jem and Agustin, dressed all in white, worked purposefully in this chamber, officiating like priests over the holy process of conjuring cheese into existence. I stood mesmerised by the sight of the pale buttery liquid swirling against the gleaming copper as Bill employed his curd cutter, manoeuvring it through the milk as you might turn an oar in a river.

Taking a narrow flexible strip of metal, he wrapped a cloth around it so that the rest extended behind like a flag. Holding each end of the strip and grasping the corners of the cloth, Bill leaned over the vat plunging his arms deep down into the whey. When he lifted the cloth again, Agustin reached over with practised ease to take two corners of the cloth as Bill removed the sliver of metal and – hey presto! – they were holding a bundle of cheese, dredged from the mysterious depth of the vat. It was as spellbinding as any piece of magic I have ever seen.

“Cheesemaking is easy, it’s life that is hard,” Bill admitted to me with a disarming grin, when I joined the cheesemakers for their breakfast at a long table and he revealed the long journey he had travelled to arrive in Bermondsey. “I grew up in Zambia,” he explained, “And one day a Swiss missionary came to see my father and asked if I’d like to go to agricultural school in Switzerland.”

“I earned a certificate of competence,” he added proudly, assuring me with a wink, “I’m a qualified peasant.” Bill learnt to make cheese while working on a farm in Provence with a friend from agricultural college. “It was simply a way to sell all the milk from the goats, we made a cheese the same way the other farmers did,” he informed me, “We didn’t know what we were doing.”

Bill took me through to the next railway arch where his cheeses are stored while they mature for up to a year. He cast his eyes lovingly over the neat flat cylinders each impressed with word ‘Bermondsey’ on the side. Every Wednesday, the cheeses are attended to. According to their type, they are either washed or stroked, to spread the mould evenly, and they are all turned before being left to slumber in the chilly darkness for another week.

It was while working for Neals Yard Dairy that Bill decided to set up on his own as cheese maker. Today, Kappacasein is one of handful of newly-established dairies in London producing distinctive cheeses and bypassing the chain of mass production and supermarkets to distribute on their own terms and sell direct to customers. Yet Bill chooses to be self-deprecating in his explanation of why he is making cheese in London. “It’s just because I can’t buy a farm,” he claims, shrugging in enactment of his role of the peasant in exile, cast out from the rural into the urban environment.

“I’m interested in transformation,” Bill confided to me, turning serious as he reached his hand gently down into the vat and lifted up a handful of curds, squeezing out the whey. These would form the second cheese to come from the vat that morning, a ricotta. All across the surface, nodules of cheese were forming, coming into existence as if from primordial matter. “I don’t want to interfere,” Bill continued, thinking out loud and growing philosophical as he became absorbed in observing the cheese form, “Nature’s that much more complicated – if you let it do its own thing that’s much interesting to me than trying to impose anything. It’s about finding an equilibrium with Nature.”

Let me confess I had an ulterior motive for being there. A few weeks ago, I ate a slice of Bill’s Bermondsey cheese and became hooked. It was a flavour that was tangy and complex. One piece was not enough for me. Two pieces were not enough for me. Eventually, I had to seek the source of this wonder and there it was in front of me at last – the Holy Grail of London cheese in Bermondsey.

Cutting the curd

The curds

Squeezing the curds

Scooping out the cheese

The second batch of cheese from the whey is ricotta

Jem Kast, Cheese Maker

Ana Rojas, Yoghurt Maker

Agustin Cobo, Cheese Maker

The story of cheese

William Oglethorpe, Cheese Maker of Bermondsey

Photographs copyright © Tom Bunning

Visit KAPPACASEIN DAIRY, 1 Voyager Industrial Estate, Bermondsey, SE16 4RP

14 Responses leave one →
  1. David Tarrant permalink
    November 2, 2015

    Wonderful article Gentle Author. So amazing to learn of an artisan cheese maker in London. Great photos too. I love the old copper vat and the story of cheese diagram.

  2. November 2, 2015

    I LOVE the idea of Bermondsey cheese, and am always thrilled to see people learning and using old crafts these days, and defying the blandness of mass produced, cheaper products. Good luck to the cheese makers! Valerie

  3. November 2, 2015

    What a brilliant story of cheese and Bill sounds wonderful. I shall definitely go in search of some Bermondsey cheese. Thank you for telling us about him.

  4. November 2, 2015

    Photos that look like paintings. Lovely.

  5. Ros permalink
    November 2, 2015

    great piece and great photos – I love the one of the upturned churns dripping. Now to go in search of the cheese….

  6. Jo Mazelis permalink
    November 2, 2015

    Superb photographs!

  7. November 2, 2015

    Most wonderful portraits, they belong in the National Portrait Gallery – or in the Tate, to raise the level of acquisitions to that of really fine art

  8. Anthony permalink
    November 2, 2015

    Wow – this is one of those posts that has everything I like! A very interesting story and interviews, brilliant photography – and cheese!

  9. November 2, 2015

    Great story and pictures! Did you know that the great book-collector John Ratcliffe (1707–76) was inspired by the ‘waste’ paper – ancient manuscripts – he bought by the bundle to wrap the cheeses in his Bermondsey shop? http://bit.ly/1FVYfIG

  10. Chris F permalink
    November 2, 2015

    If you scroll down slowly and don’t include the wellington boots and flooring, then several of these photos would definitely pass as modern oil paintings. The only thing missing from the last picture is a large glass of red wine in William’s other hand…

  11. Carolyn permalink
    November 5, 2015

    The portraits (word and image) of people and cheese are simply wonderful.

    Thank you.

  12. Robert Molteno permalink
    November 6, 2015

    Congratulations to the author and photographer of this article; but especially, of course, to William Oglethorpe and his fellow artisanal cheese makers. It is inspiring in this world of huge corporations, ultra-new technologies, and an economic system that rides roughshod over Nature, to see William doing something totally different, drawing on old traditions of making wholesome and delicious food, and in ways respectful of the natural world. I can imagine how proud his parents, James and Ann, would be if they could look on this ‘Blue Planet’ and see what he is creating.

  13. Jan Kees van Donge permalink
    November 14, 2015

    We know William Oglethorpe since the 1970s and were always impressed by the way he shaped his life. This is another example of great creativity on a modest scale. To dedicate your working life to good food going against the universal spread of bland taste is a great thing.

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