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On Mothering Sunday

March 14, 2021
by the gentle author

Valerie, my mother

What are you to do on Mothering Sunday if you have no mother? My mother died in 2005 and each year I confront this troubling question when the annual celebration comes around.

If I was religious I might light a candle or lay flowers on a grave, yet neither of these is an acceptable option for me. Contemplating advertisements for Mothering Sunday gifts, I deliberate privately over the tender question as my sense of loss deepens in the approach to this particular day, only for it to dissipate afterwards. This uneasy resolution brings no peace, serving to remind me how much I miss her. It is a feeling which grows with each Mothering Sunday that passes, as the distance in time that separates us increases and the memories fade. I do not expect or wish to ‘get over it,’ I seek to live in peace with my sadness.

I wish she could see where I live now and I could share the joys of my life with her. I have a frustrated instinct to communicate delights, still identifying sights and experiences that I know she would enjoy.

My picture of her has changed. The painful experience of her final years when she was reduced to helpless paralysis by the onset of dementia has been supplanted by a string of fragmentary images from my childhood – especially of returning from school on summer afternoons and discovering her at work in her garden.

I think of how she raised her head when she smiled, tossing her hair in assertion of a frail optimism. ‘Not too bad, thank you!’ she is admitting, lifting her head to the light and assuming a confident smile with a flash of her eyes. This was her default answer to any enquiry into her wellbeing – whether it was a routine or genuine question – and she maintained it through the years, irrespective of actual circumstances. When life was smooth, it was a modest understatement and when troubles beset her, it was a discreet expression of personal resilience. For her, it was a phrase capable of infinite nuance and I do not believe she ever said it in the same way. Yet although I could always appreciate the emotional reality that lay behind her words, I think for everyone but me and my father it was an opaque statement which efficiently closed the line of enquiry, shielding her private self from any probing conversation. From her I learnt the value of maintaining equanimity and keeping a sense of proportion, whatever life brings.

I realise that I was lucky to have a mother who taught me to read before I started school at four years old. Denied the possibility of a university education herself, she encouraged me to fulfil her own thwarted ambitions and – perhaps more than I appreciate – I owe my life as a writer to her. Yet there is so much I could say about my mother that it is almost impossible to write anything. I recognise that the truth of what she means to me is in a region of emotion that is beyond language, but I do know that what she was is part of who I am today.

Increasingly, I am aware that many of those around me also share this situation of no longer having mothers. Perhaps I should buy them all flowers this Mothering Sunday? Certainly if anyone enquires, I shall reply ‘Not too bad, thank you!’ with a smile and raise my head. In that moment, I shall conjure her robust spirit from deep inside me and she will be present, in my demeanour and in my words, this Mothering Sunday.

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Portraits From Philip Mernick’s Collection

March 13, 2021
by the gentle author

In this selection from Philip Mernick‘s splendid collection of cartes de visite by nineteenth century East End photographers, amassed over the past twenty years, we publish portraits of men in which clothing and uniforms declare the wearer’s identity. All but two are anonymous portraits and we have speculated regarding their occupations, but we welcome further information from readers who may have specialist knowledge.

Superintendent of a Mission c. 1880

Dock Foreman 1891-4

Merchant Navy Officer c. 1880

Policeman c. 1880

Sailor c.1880

Beadle in Ceremonial Dress c. 1900

Private in the Infantry c.1890

Indian Gentleman 1863-5

Naval Recruit c. 1900

Sailor Merchant Navy c.1870

Chorister c. 1890

Cricketer c. 1870

Merchant Navy Officer c. 1870

East European Gentleman c. 1910

Clergymen c. 1890

Telegram Boy c.1890

Member of a Temperance Fraternity c. 1884

Naval Recuit

Policeman c.1890

Merchant Navy c. 1870

Royal Navy  1887/8

This sailor’s first medal was given by the Royal Maritime Society for saving a life, his second medal is the Khedive Star Egyptian Medal and the other is the British Egyptian Medal. The ribbon on his cap tells us he served on HMS Champion, the last class of steam-assisted sailing warships. In the early eighteen-eighties, HMS Champion was in the China Sea but it returned to the London Dock for a refit in 1887 when this photograph was taken, before going off to the Pacific.

Photographs reproduced courtesy of Philip Mernick

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Three Brick Lane Events

March 12, 2021
by the gentle author

The Spitalfields Trust presents three free webinars as part of their campaign to save Brick Lane from the ugly shopping mall with floors of corporate offices on top proposed at the Old Truman Brewery. Visit www.battleforbricklane.com

Brick Lane 1978 by Dan Jones

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THE THREAT TO BRICK LANE, HEARTLAND OF BRITISH BANGLADESHI CULTURE

7pm Monday 22nd March

A discussion of Brick Lane’s cultural significance for the British Bangladeshi community, its history and the challenges which threaten it.

Speakers include PROFESSOR CLAIRE ALEXANDER, author of the Runnymede Trust report Beyond Banglatown – Continuity, change and new urban economies in Brick Lane, DR FATIMA RAJINA and TASNIMA UDDIN, co-founders of Radical Socialist Bangladeshi Group Nijjor Manush, and COUNCILLOR ABDAL ULLAH, founder of the BBPI Foundation, whose first address was Brick Lane.

As the point of arrival for waves of immigration, Brick Lane is the nearest we have to an ‘Ellis Island’ in this country. It represents centuries of struggle by generations of migrants seeking to build a life and belong, creating the multicultural Britain of today. Yet it is currently under the shadow of redevelopment that threatens the authenticity of Brick Lane, driving up rents and pushing out the local community. We ask what can be done to prevent the undermining of such an important cultural location of national significance.

This session will be used as an opportunity to gather and provide insights to the Mayor of London’s Culture at Risk Office on these timely issues.

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Click here to register for free for THE THREAT TO BRICK LANE

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Messrs Truman, Hanbury, Buxton & Co’s Brewery at Brick Lane, published by J. Moore, 1842

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THE HISTORY OF THE TRUMAN BREWERY

7pm Tuesday 30th March

Historian DAN CRUICKSHANK outlines the story of the world famous Truman Brewery in Brick Lane.

Legend has it that brewing in Brick Lane dates back to 1666.

Long-term local resident and co-founder of the Spitalfields Trust, Dan Cruickshank, traces the histories of the families who managed the brewery through four centuries, the largest in the world before it closed in 1989.

It was Benjamin Truman who industrialised the process in the eighteenth century by creating a giant brewing plant and was knighted by George III. In the nineteenth century, brewer Thomas Fowell Buxton, made a reputation as an abolitionist, working closely with William Wilberforce to present the London petition of 72,000 signatures against slavery to the House of Commons in 1826.

Today some of the original fabric of the brewery still survives, and Dan has undertaken a survey of what remains to ensure its survival in the face of redevelopment plans by the current owners.

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Click here to register for free for THE HISTORY OF THE TRUMAN BREWERY

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Corporate block proposed on Brick Lane

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A CATALOGUE OF PLANNING DISASTERS IN SPITALFIELDS

7pm Tuesday 6th April

Planning & Heritage Expert, ALEC FORSHAW examines the appalling history of bad planning decisions in Spitalfields.

In recent years, Spitalfields has faced a wave of soulless corporate development spreading from the City of London, inflicting ugly steel and glass blocks that are entirely at odds with the narrow streets of old brick buildings.

First it was the Spitalfields Market, then the Fruit & Wool Exchange and Norton Folgate, and now the wave has reached the historic Truman Brewery.

In this humorous illustrated lecture, Alec shows how the same mistakes have been repeated over and over in Spitalfields, exploring what can be done to prevent this onslaught in future and discussing how more responsible planning could benefit the area and the community.

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Click here to register for free for A CATALOGUE OF PLANNING DISASTERS

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Shopping mall with corporate offices on top proposed for the Old Truman Brewery in Brick Lane

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HELP US SAVE BRICK LANE

* This development will undermine the authentic cultural quality of Brick Lane.

* The generic architecture is too tall and too bulky, ruining the Brick Lane & Fournier St Conservation Area.

* It offers nothing to local residents whose needs are for genuinely affordable homes and workspaces.

* It is an approach that is irrelevant to a post-Covid world, with more people working from home and shopping locally or online.

* Where it meets the terraces of nineteenth century housing, the development is out of scale and causes up to 60% loss of light.

* Instead of this arbitrary scheme, we need a plan for the entire brewery site that reflects the needs and wishes of residents.

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HOW TO OBJECT EFFECTIVELY

You can help us stop this bad proposal by writing a letter of objection to the council as soon as possible.

Please write in your own words and head it OBJECTION.

Quote Planning Application PA/20/00415/A1

Anyone can object wherever they live.

Members of one household can each write separately.

You must include your postal address.

Send your objection by email to  Patrick.Harmsworth@towerhamlets.gov.uk

Or by post to Planning Department, Town Hall, Mulberry Place, 5 Clove Crescent, London, E14 2BG

 

Follow the Spitalfields Trust to keep up to date with this story
Twitter @SpitalfieldsT

Facebook /thespitalfieldstrust

Instagram @spitalfields_trust

On Vaccination Day

March 11, 2021
by the gentle author

Statue of John Keats at Guy’s Hospital

It is now almost a year since I had the coronavirus and last week a letter arrived inviting me for a vaccination. Immediately, I booked the next available appointment at the nearest location and then cycled down to Guy’s Hospital at London Bridge yesterday to get it.

I joined the long line of people in masks, snaking through the hospital courtyard and leading into a large white steel-frame tent. There was collective expectation in the air and this sense of excited anticipation was heightened by the low-angled sunlight, blinding us in the queue and causing us all to raise our hands, shielding our eyes from the light as we shuffled forward to ascend the ramp.

The man supervising the line asked me to show him the text on my phone with my reference number, but when I reached the entrance of the tent another man asked my name. When I gave my surname, he checked it on a list and then called my first name through to another seated a desk inside. I was startled at this sudden transition from a number to a family name to my own name. In a moment, I had transformed from one of the masses to an individual and the nature of the experience changed from anonymous to personal.

Thirty metal chairs were arranged in lines, two metres apart, and, once I had sanitised my hands, I sat down upon an empty chair. An attendant walked up and down the lines of chairs, wiping them between occupants. In front of us was a large screen with our names upon it and, to one side, another ramp leading to where the vaccinations were being administered.

I cast my eyes around at my fellows. We were alone in this moment, carers and loved ones were not admitted. No-one spoke as we sat impassively watching our names move up the screen. When they reached the top of the list, each person stood up in turn and walked through to into the next room without looking back.

The diverse list of names revealed the range of our cultural origins and as I looked around the room, there were young and old, and those who were infirm and those evidently fit and healthy. I tried to guess which name belonged to which person from their appearance but failed. I could not discern any common factor between us, beyond that we were all human and Londoners.

Time was suspended as we sat in our shared reverie punctuated only by repeated summons to the next room every few minutes. We were waiting but we were calm. I imagined that perhaps this was how the afterlife could be and that the attendants were angels, shepherding us towards a reckoning.

Quickly, as chairs emptied, were wiped and filled again with new occupants, I moved from being the newest arrival to the one who had been waiting the longest. Then my name came up with the number of the station where I would receive my vaccine, and I stood and walked through into the next room, sanitising my hands again as I did so.

Cubicles with deep blue curtains lined a wide passageway and I walked inside to meet a young nurse who closed the curtain behind us. We sat on either side of a desk while she asked me questions and entered my answers into the computer.

Even though I have lived with the assumption of a degree of immunity since I recovered, which has reduced my fear of the virus, I was surprised at the strength of my emotions on receiving the vaccination. Yet these overwhelming feelings of gratitude were sublimated into a technical conversation about whether I had any recent experience of flu symptoms or whether I had allergies. I was struck that the nurse showed no sign of weariness and spoke to me as if I were the first person to whom she had ever asked these questions.

Automatically, I unbuttoned my shirt so the vaccination could be administered upon my upper arm. The nurse wrote the details of my vaccination upon a small card, the size of calling card, with the date for my next shot. ‘Now take good care of this,’ she said as she handed it over. Once I placed the card in my pocket, it acquired the quality of a magic talisman that will keep me safe.

When I walked back outside into the afternoon sunlight again and was alone, my breath faltered as I filled with a powerful surge of relief. I removed my mask. I felt blessed, as if the vaccination had been a religious experience. I felt relief that I have been fortunate enough only to suffer mild symptoms of the virus and recover last year. And relief that – after the tragedy of over two and a half million people who have died – the end of this collective global nightmare is now in sight.

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East End Preservation Society Bulletin

March 10, 2021
by the gentle author

The East End Preservation Society is eight years old now and I am republishing their latest bulletin to inform readers of current campaigns

We thought it time to update you on our battles to preserve the buildings, community and spirit of the East End. As always, corporate developers have their eye on profit opportunities in our area, ignoring its history and its people.

The East End Preservation Society is for those who care about the East End and are concerned about the future of its built environment. We value your support in making the council aware that the public at large is sick of this feeding frenzy at the expense of our history and community.

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Developers think this is appropriate for the Whitechapel Conservation Area

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101 WHITECHAPEL HIGH ST DEVELOPMENT

The consultation period ends on Friday 12th March and objections can be lodged on the Tower Hamlets Council website or by email development.control@towerhamlets.gov.uk quoting reference no. PA/20/02726/A1

The developers, a Panama-registered company, have submitted revised proposals for a huge office development on the corner of Whitechapel High St and Commercial St, within the Whitechapel High St Conservation Area.

This sixty-three metre high behemoth will completely overpower the setting of the Conservation Area including the nearby Whitechapel Gallery and Toynbee Hall. It will set a precedent for the wholesale destruction of the Conservation Area and create a development free-for-all, allowing the City of London to expand eastwards and destroy the historic fabric of Whitechapel.

Promised benefits to Canon Barnett School have been dropped – the school was not consulted – and the developer wants to move the children’s playground behind their building where it will receive little sunlight and be cold and windy. Nearby residents will suffer a loss of daylight up to 80%. This proposal takes away from the local community and gives nothing back.

Please object and help us to save the Whitechapel Conservation Area

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The proposed block on Brick Lane

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TRUMAN BREWERY DEVELOPMENT

The owners of the Old Truman Brewery want to build an ugly shopping mall with four floors of corporate offices on top at the corner of Woodseer Street and Brick Lane.

*It will undermine the authentic cultural quality of Brick Lane.

*The generic architecture is too tall and too bulky, ruining the Brick Lane & Fournier Street Conservation Area.

*It offers nothing to local residents whose needs are for genuinely affordable homes and workspaces.

*It is an approach that is irrelevant to a post-Covid world, with more people working from home and shopping locally or online.

*Where it meets the terraces of nineteenth century housing, the development is out of scale and causes up to 60% loss of light.

Instead of this arbitrary proposal, we are seeking a conversation about the future of the whole brewery – with input from the widest number of people – to create a plan for the entire site that reflects the needs and wishes of residents.

There is still time to object, please go to www.battleforbricklane.com to learn how

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THE BOUNDARY ESTATE

The Boundary Estate is Grade II listed and Arnold Circus is a Historic England registered landscape.

The Liveable Streets team engaged by Tower Hamlets Council in October last year started hacking at Victorian pavements to allow buses to turn into narrow residential streets. They did not consult any heritage associations and did not complete their consultation with residents and local communities.

Residents, local businesses together with Dan Cruickshank, Spitalfields Trust and EEPS started a protest which lasted three days. Concerned public also joined in to help Save Arnold Circus and to stop the digger. The media wrote about the impasse. A coalition was formed to meet with the council, demanding that work must be stopped and proper consultation be carried out.

The council agreed and has since implemented temporary closure of the circus using planters and fencing. Spitalfields Trust is asking the council to drop their non-compliant designs and have provided detailed recommendations which the council have so far ignored.

Please follow twitter @ourArnoldCircus 

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THE BETHNAL GREEN MULBERRY

We are delighted to welcome Dame Judi Dench as patron of our campaign to halt Crest Nicholson’s appalling redevelopment of the London Chest Hospital, destroying part of a listed building and digging up the 500 year old Bethnal Green Mulberry Tree. Thanks to the generosity of our supporters we have crowdfunded a Judicial Review of Tower Hamlets’ decision to grant permission, which has its hearing at the High Court on 4th & 5th May. A public link to watch the hearing will be published in due course.

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THE WHITECHAPEL BELL FOUNDRY

For five years, EEPS has been central to the campaign to Save the Whitechapel Bell Foundry as a fully working foundry, resisting the developer’s plans to convert it to a bell-themed boutique hotel.

We collected 28,000 signatures on our petition and persuaded the Secretary of State to call a Public Inquiry into the future of the Whitechapel Bell Foundry that happened last year.

Now we await the Inspector’s verdict which is due this spring. We hope for a decision in our favour, paving the way for Reform Heritage – who brought the Burleigh Pottery Factory back to life in Stoke – to do the same for the bell foundry in Whitechapel working in partnership with Factum Foundation, world leaders in digital casting.

Follow the East End Preservation Society

Facebook/eastendpsociety
Twitter/eastendpsociety

Click here to join the East End Preservation Society

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A Lost Corner Of Whitechapel

March 9, 2021
by the gentle author

The land at the rear of Whitechapel Station is now a construction site for Crossrail but Photographer Philip Cunningham recorded the vanished streets and yards that once occupied this lost corner

Winthrop St

“I first started taking photographs of Winthrop St and Woods Buildings in Whitechapel in the mid-seventies. I remember the first time I went to Winthrop St on a cold frosty morning with a bright blue sky. A woman came out of one of the houses and asked what I was doing. ‘Photographing the streets,’ I said. ‘You’d better hurry up they’re coming down!’ she replied. She was right, within a few months they were gone.

‘Comprehensive Development’ was the only philosophy pursued by the London County Council and Greater London Council for rebuilding London after the war. Their planners complained that too much pre-war building was left, making comprehensive planning really difficult. Yet it would not have taken much imagination to have incorporated streets like these within any new development, creating a richer and more diverse urban landscape.

Even Mile End Place, where I lived in my grandfather’s house, was designated for demolition in 1968 to become a car park for Queen Mary College. Fortunately, the council did not have enough money to build flats for us to be decanted into so our street was saved.”

Winthrop St

Durward St School was built in 1876 and eventually restored by the Spitalfields Trust in 1990

Winthrop St

Winthrop St

Winthrop St

Winthrop St

Woods Buildings looking towards Whitechapel Market

“Woods Buildings was a subject I photographed over and over, it always held that feeling for me of Dickens’ London. To the left, as you approached the arch under the buildings, was a urinal and when I climbed the wall to take a look, it appeared to be for public use but had been bricked up. It must have been quite intimidating to pass through that passage at night.”

‘We live here, it’s not a toilet’

Entrance to Woods Buildings in Whitechapel Market

“By 1984, the land opposite Woods Buildings on the north side comprised a combination of wasteland and sheds where a boot fair would be held every Sunday. It was licensed by the Council and very popular. One Sunday, I observed a group of Romanians selling secondhand clothes just outside the compound which did not go down well with the gatekeepers as they had not paid a fee. There followed a quite violent fracas, although fortunately no one was seriously hurt and only a little blood spilt. I felt sorry for the children, it must have been frightening for them. Those were desperate days!”

Durward St

Photographs copyright © Philip Cunningham

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The Bakers Of Widegate Street

March 8, 2021
by the gentle author

Next time you pass through Widegate St, walking from Bishopsgate towards Artillery Passage on your way to Spitalfields, lift up your eyes to see the four splendid sculptures of bakers by Philip Lindsey Clark (1889 – 1977) upon the former premises of Nordheim Model Bakery at numbers twelve and thirteen. Pause to take in the subtle proportions of this appealing yet modest building of 1926 by George Val Myers in which the sculpture is integrated so successfully, just as at Broadcasting House which Val Myers designed five years later, placing Eric’s Gill’s figures upon the front.

In fact, Philip Lindsey Clark was a friend of Eric Gill – his work shares the same concern with illuminating the transcendental in existence, and from 1930 onwards his sculpture was exclusively of religious subjects. Born in Brixton, son of Scots architectural sculptor Robert Lindsey Clark, he trained in his father’s studio in Cheltenham and then returned to London to study at the City & Guilds School in Kennington. Enlisted in 1914, he was severely wounded in action and received a Distinguished Service Order for conspicuous gallantry. Then, after completing his training at the Royal Academy Schools, he designed a number of war memorials including those in Southwark and in Kelvingrove Park, Glasgow.

The form of these ceramic reliefs of bakers – with their white glaze and sparing use of blue as a background – recalls religious sculpture, especially stations of the cross, and there is something deeply engaging about such handsome, austerely-modelled figures with their self-absorbed presence, preoccupied by their work. The dignity of labour and the poetic narrative of transformation in the baking of bread is made tangible by these finely judged sculptures. My own favourite is the figure of the baker with his tray of loaves upon his shoulder in triumph, a satisfaction which anyone who makes anything will recognise, borne of the work, skill and application that is entailed in creation.

These reliefs were fired by Carters of Poole, the company that became Poole Pottery, notable for their luminous white glazes, elegant sculptural forms and spare decoration using clear natural colours. They created many of the tiles for the London Underground and their relief tiles from the 1930s can still be seen on Bethnal Green Station.

Philip Lindsey Clark’s sculptures are those of a man who grew up in the artists’ studio, yet witnessed the carnage of First World War at first hand, carrying on fighting for two days even with a piece of shrapnel buried in his head, and then turned his talents to memorialise those of his generation that were gone. After that, it is no wonder that he saw the sublime in the commonplace activity of bakers. Eventually Lindsey Clark entered a Carmelite order, leaving London and retiring to the West Country where he lived until the age of eighty-eight.

So take a moment next time you pass through Widegate St – named after the wide gate leading to the ‘spital fields that once were there – and contemplate the sculptures by Philip Lindsey Clark, embodying his vision of the holiness of bakers.

George Val Myer’s former Nordheim Model Bakery with sculptures by Philip Lindsey Clark

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