Philip Cunningham At Oxford House
Photographer Philip Cunningham took these lively pictures while working as a youth leader at Oxford House in Bethnal Green in the seventies. They are now the subject of an exhibition entitled Youth of Yesteryear at Oxford House from 22nd September until 17th December.
“In the early seventies, I was trying to get into art school but living in a small house in Mile End Place where there was no room to paint, so a friend suggested that I tried the art studio at Oxford House. I gave it a go and found myself surrounded by THARGS (Tower Hamlets Arts Group) who were mostly Abstract Expressionists.
Upstairs was an antiquated dark room used by kids from the youth club which was under the art workshop. I soon became involved and worked there for nearly five years. During this time, I gained a place at Ravensbourne Art College and used their darkroom equipment which was all new.
The tutors at Ravensbourne encouraged me to ‘Photograph everything!‘ and that was I started to do, which was how and why many of these pictures were taken. They capture an era and an effervescent energy that I still find inspirational.”
Philip Cunningham
Victor
Caretaker
Joe
Bob Drinkwater
Pat Leeder
Photographs copyright © Philip Cunningham
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People You May Meet On My Tour
My walking tour of Spitalfields is full this weekend but a few tickets remain for Saturday 25th & Sunday 26th September at noon. Email spitalfieldslife@gmail.com to book.
Map of the Gentle Author’s Tour drawn by Adam Dant
Join me on a ramble through Spitalfields taking no more than an hour and a half, but walking through two thousand years of history and encountering just a few of the people who have made the place distinctive. Here is a selection of those that we may meet. Click here for further information
Linda Carney, Machinist
Harry Landis, Actor
Udham Singh
Mary Wollstoncraft
Charles Dickens
Millie Rich (Photo by Patricia Niven)
Emilia Bassanio Lanier (Portrait by Nichols Hilliard)
Sir John Betjeman & Dan Cruickshank
Neville Turner
Audrey Kneller
Boy wearing Horace Warner’s Hat
Jessica & Rosalie Wakefield
Henrietta Barnett
Charlie Chaplin
Paul Gardner
Sandra Esqulant
Mavis Bullwinkle
Abdul Khalique
Joginder Singh
Nicholas Culpeper
David Prescott
Joan Lauder, the cat lady of Spitalfields
A Walk With Suresh Singh
We are proud to be the publishers of A MODEST LIVING, Memoirs of a Cockney Sikh, London’s first Sikh biography, telling the story of one family in Spitalfields over seventy years. Author Suresh Singh will be in conversation Stefan Dickers at Rich Mix this Sunday 19th September at 2pm. (Click here for tickets)
In the meantime, Suresh and I enjoyed a ramble round Spitalfields recently to visit some of his favourite places.
“I love Whitechapel Library, Aldgate East. It was the library I used to go to every Friday when I was at primary school. You could sit and read. It was just lovely. Upstairs was the art and music library. They had big oversize books of Michelangelo, Leonardo da Vinci, the Impressionists, Matisse, Degas and Le Corbusier’s book about Chandigarh.
It was amazing to have this in Brick Lane, at the end of my street. You were given freedom to look at the books and could borrow twelve books and five records at a time. The librarian in the music library would order whatever you requested. Even if you asked for ‘Yes’ album, he would get it by next week. My dad had a record player and I learnt to be really careful with a record because when you returned it they would meticulously check it.
The library was a whole world. It taught me to read quietly. It exposed me to books that I might never have found. My mum and dad could not read or write. We had no books at home. I liked the art section because the books had pictures and I learnt that pictures told stories as well as words. The librarians always helped me and I could spend hours there. It was a sanctuary from the mayhem outside, a kind of university of the ghetto.”
“Christ Church School, Brick Lane, was my primary school. I loved it when I came back after a long visit to India at six years old. I have frightening memories of it too, as the place I had to go to after the freedom I had experienced in our village. My mum used to walk me here every day and I would walk home for dinner at Princelet St and come back again. School dinners were so bland but my mum gave me dal and roti.
The water fountain used to work and we could drink from it. I remember it as so high, my friends had to give me a lift up so I could drink from it. You pressed the button and it worked. There were little fish that lived in there.
Later on, Eric Elstob – a friend whom I worked for in the renovation of his house in Fournier St – was treasurer of the school and he restored the railings, which was lovely. A couple of years ago, they were repainting them blue and I asked them to paint a bit of my bike with the same colour to remind me of the great memories I have of this school. We used to have great jumble sales at Christmas. You could climb through the school and out through the back, past the gardens of the houses in Fournier St and Nicholas Hawksmoor’s Christ Church into Itchy Park, and out into Commercial St and Spitalfields Market. I loved it because it was a backstreet school.”
“I have fond memories of the rectory at 2 Fournier St when Eddie Stride was Rector. It is one of the few Hawksmoor houses. I helped Eddie wash the steps with Vim when the tramps pissed all over them. There used to be queues outside and Irene Stride made sandwiches for them.
It was a place where Eddie made me feel very welcome. I rang the bell or knocked on the door, and he would always open it to me. The door was never closed. I could always go in and play in the garden. Later on, there were big power meetings at the rectory when Eddie became the chairman of the Festival of Light. So you would meet people like Malcolm Muggeridge, Mary Whitehouse, Cliff Richard and Lord Longford coming and going. It was always an open house.
I was brought up as a Sikh but there were no gurdwaras in Spitalfields, and my dad said ‘You need some moral purpose,’ so he send us to Sunday school and that was how I became friends with Eddie Stride. He was a great friend to our family. He helped me get grants for further education from the Sir John Cass Foundation which led me to study architecture. I loved that time and these steps mean a lot to me. It is amazing how Vim can clean Portland stone. ”
“I always knew the Hanbury Hall as 22a Hanbury St. In those days, Christ Church was closed because it was unsafe and this was used for services instead. There was a youth club at the top of the building on Thursdays and Fridays and we had our Sunday school in the hall.
Because it was built as a Huguenot chapel, everyone used to say that this hall is older than the church and sometimes that used to scare me late at night. There were these big wooden doors that closed with a hasp and I always feared someone might come down the winding stone staircase. Later, when I was doing carpentry work, Eddie gave me the task of housing the remains of the smallpox victims that they found when they were cleaning out the crypt.
When I started a group, we were allowed to rehearse in the vestry at the back. This place was a playground for me but also a church where services were held until the eighties. Then I helped move the furniture from here back to Christ Church. I remember we put the communion table on casters and I had to clear out all the copies of Lord Longford’s pornography report which were being stored in the church.
This hall was a treasure because it had a lovely atmosphere but also a haunted atmosphere too. It was the main meeting point for all of us in Spitalfields at that time.”
“Once, the Truman Brewery in Brick Lane was a dark scary corridor for me. It was my route from my home in Princelet St to my secondary school, Daneford in Bethnal Green. At that time, it used to smell of hops and it was dark and dirty. I got beaten up by a bunch of fascist skinheads at the corner of the brewery where it meets Buxton St. I still try to avoid this route but like a magnet it draws me through. I used to run through or cycle because to go round the other way was much longer and sometimes more scary- you would have to cut past Shoreditch Station and round the back to Cheshire St.
So this was the quickest route but it was like going through a factory. The brewery was always there in my childhood. The smell and the noise were twenty-four hours, and it was always dark beneath the brewery walls. The brewery was a landmark and I remember smoke coming out of that chimney. It was a place that you had no choice but to pass through. At the other end of the brewery was where the skinheads hung out but at this end was the Bengali area where I felt safer. Every day I hoped I would not get my head kicked in as I went to school.
As a kid, I found these long brewery walls interminable. I walked and walked and thought, ‘Will I ever get through to the end?’ It still scares me in a way.”
“I used to pass Franta Belsky’s sculpture in Bethnal Green every day when I walked along the little passageway to Daneford Secondary School. Today, I am wearing the tank top my mum knitted when I was eleven and I remember wearing it to a non-school uniform day all those years ago.
I always used to see this sculpture out of the side of my eye. My friends would say, ‘You go on Singhey, I dare you to touch her breasts and come back down again.’ But slowly I began to appreciate the beauty of it and began looking at books of Henry Moore and David Smith. It was a lovely thing to see before you went to school every day. It comforted me to see a woman and her baby because I thought, ‘That’s how my mum cares for me.’ It gave me a sense of security. I thought, ‘How amazing that we have a piece of sculpture outside our school.’ It made me feel proud because of the sculpture. My dad used to take me to Hyde Park where there were Henry Moores next to the Serpentine. I thought, ‘We’re on a par with the West End here in Bethnal Green.’
I slowly started loving it. I loved her plait and it reminded me of when I had a topknot. I appreciated it in different types of light and I still love it today.”
Suresh Singh & Jagir Kaur at 38 Princelet St last summer (Photograph by Patricia Niven)
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The Fight For The Soul Of Spitalfields
UPDATE: The Truman Brewery’s planning application was approved by Tower Hamlets Development Committeee with councillors Kevin Brady and Kahar Chowdhury voting in favour and Abdul Mukit against.
The bellman led the way as the campaign to SAVE BRICK LANE reached its climax on Sunday when protestors staged a mock funeral procession with speeches outside the Truman Brewery.
Contributing Photographer Sarah Ainslie was there to capture the drama of the occasion.
Tonight, Tuesday 14th September, Tower Hamlets Council’s Development Committee makes its decision upon the Truman Brewery’s controversial planning application for a shopping mall with four floors of offices on top, as the first step in the redevelopment of the entire brewery site into a corporate plaza.
Click here to watch the committee meeting live at 6:30pm
Local councillor Shad Chowdhury speaks for the community against the Truman Brewery development
Photographs copyright © Sarah Ainslie
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Hounds Of Hackney Downs
In strict alphabetical order, here are the latest heroic hounds to achieve canine immortality in the ever-growing gallery created by Hackney Mosaic Project under the inspired direction of Tessa Hunkin on Hackney Downs.
THE HACKNEY MOSAIC PROJECT is seeking commissions, so if you would like a mosaic please get in touch hackneymosaic@gmail.com
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A Walk On The White Cliffs
This is the last day of the Gentle Author’s holiday, so you only have until midnight to take advantage of our HARVEST SALE, selling all our books at half price. Simply add code ‘HARVEST’ at checkout to claim your discount.
CLICK HERE TO VISIT THE SPITALFIELDS LIFE BOOKSHOP
The White Cliffs are a popular source of inspiration for artists
In common with thousands of other travellers, the point of departure for my journey was Dover yet, unlike everyone else, I turned left at the ferry terminal to follow the coastal path eastward towards Deal.
Before I even began the climb uphill to the cliffs, I was confronted with a poignant reminder of the strategic importance of this small town situated at the narrowest point of the English Channel. A statue was being unveiled commemorating the seamen of the Merchant Navy who lost their lives in the Second World War, a third of whom never returned. Just a few frail veterans with medals gathered in sadness, as sailors lined up with flags and local dignitaries made speeches, while a vintage airplane puttered overheard in gathering clouds.
As the ceremony concluded and umbrellas unfurled, I walked on past narrow terraces tucked in at the foot of the tall cliffs towering aloft. The epic spectacle of the ferry port only becomes apparent as you ascend the narrow path crossing beneath the motorway suspended above, feeding the terminal with a ceaseless flow of traffic.
At this point, it seemed that my excursion might be over when a thunderstorm broke over my head, sending arrows of forked lightening into the sea. Impatient with standing under the concrete bridge waiting for the rain to stop, I set out again and was forced to take shelter again in a thicket, contemplating an abandoned shopping trolley and an old lawnmower. Once the storm relented, I struggled uphill to the cafeteria for visitors to the White Cliffs Experience, joining the melancholy throng eating all-day breakfasts and gazing jealously across the channel at the sunlit French coast.
How grateful I was when the rain stopped and I set out in earnest through the puddles and muddy paths. After a mile or so, I left the visitors behind and the grassy footpath became less worn, bordered with wild thyme and fennel. The undulating nature of the cliff exposed impressive deep chasms faced with sheer walls of chalk descending hundred of feet to the water below, inducing a sense of giddy exhilaration tinged with vertigo. The dark clouds were behind me and a warm wind was in my face, and the French coast gleamed in the sunlight twenty-three miles across the sparkling sea. When I descended to the bay at St Margaret’s At Cliffe, barely a soul disturbed the peace underscored by the gentle rise and fall of the waves.
Autumn declared itself in the red hips, hawthorn and sloe berries along the path and in the sight of a tractor ploughing up the stubble, trailed by a flock of seagulls. Yet, after the squall, the weather was benign, the walking was good and within a few hours the cliffs declined, delivering me to the long shingle beach at Kingsdown. On the last stretch, a hawk hovered overhead, drifting and swooping on the currents of warm air before folding his wings and dropping like a dart towards his prey.
For places so close to London, both Kingsdown and Walmer were unexpectedly quiet and unspoilt seaside towns. A magnificent long line of Edwardian villas borders the beach, which has a sparse forest of dwarf evergreen oaks shielding the land from the sea. This was where Julius Caesar landed two thousand years ago and it is not difficult to imagine the Roman galleys pulled onto the beach here. Castles at Walmer and Deal, and eighteenth century barracks in Deal, serve as a reminder of the threat of invasion that persisted into the last century. At Walmer, a handsome stone gothic boathouse on the seafront reveals the importance of the lifeboat to these small communities that relied upon the sea for their livelihood. Today just a handful of fishing boats remain, surrounded by their paraphernalia of plastic fish trays, lobster pots and nets.
A portion of cod and chips provided necessary sustenance to make it along this seemingly-endless seafront to Deal, where a cup of tea outside the ramshackle shed known as the Sea Cafe offered welcome refreshment upon arrival. The last of the afternoon sun was fading and the shops had all shut, which meant that an exploration of the manifold delights of Deal would have to wait for another day.
Twenty Years Ago Today
Twenty years ago this morning, I woke in an apartment in New York City. It was around eight thirty when my friend called from outside the bank in Midtown, where he had gone to deposit cheques. He had left early to be there at opening time and, as he was standing in line waiting for a teller, he saw on the television that there was a fire in one of the towers at the World Trade Centre.
I got out of bed and climbed up onto the flat roof of the apartment. It was a beautiful day, clear and bright with a blue sky after days of rain and cloud, and the humidity which overwhelms Manhattan in July and August had cleared. Although most people try to avoid New York in the summer, and residents who have the option seek refuge in beach houses, it is my favourite time of year in the city. The one time when the pace slows, languor prevails, and there is peace in the shadowy air-conditioned buildings where people linger to avoid the baking temperature and blinding light outside in the streets.
Summer was drawing to an end and there would be no more of the trips to Long Island that had punctuated my time in the City. Just a week earlier, on Labor Day, which marks the change in the season, the beaches had closed for the year.
I stood on this same roof on July 4th and watched the fleet line up in the East River, admiring the firework display as I ate dinner with friends. Looking across Manhattan that morning, I could see the distant plume of smoke from the westerly of the towers. It did not mean anything to me then, but I was puzzled how it could have happened, so I went downstairs and switched on the television. The television was reporting a plane had crashed into the tower. It was an extraordinary event for which the news anchor had no explanation, and so I went back to bed and dozed again.
I was awoken by the return of my friend who had cycled back from his errand at the bank. People were getting really excited about this fire, he told me, and he switched on the television again. For the first time, I sensed the panic and helplessness which was to envelop the city that day, as the presenters struggled to find words and keep their cool in the face of inexplicable and unprecedented events.
Then came the strangest moment of television I ever saw. Upon the screen, a plane jetted out of nowhere and disappeared into one the towers. “That’s a re-run, you’re seeing here, of the plane hitting the tower that we reported earlier,” commented the news-anchor, only to swallow her words – almost choking – as she exclaimed, “Oh no! That’s not a re-run, that’s another plane.”
Exactly a week earlier, at eight thirty in the morning, I visited the World Trade Centre accompanying my friend who was applying to an office there for a street traders’ licence. We came through the subway which opened up into a shopping mall and emerged onto the plaza directly beneath the towers. I recalled the first time I came to New York and stood at the top. Stretching my arms between those external struts and gazing down upon Manhattan from such a height, it was as if looking from the window of an aeroplane. My birthday was in a few days and we vowed to return to the top for a celebration, but we did not go back.
Once the second plane hit the towers, the tenor of events changed. Very quickly, reports came in of hijackings and other planes unaccounted for. I went back up onto the roof of the apartment and looked again to confirm the reality of the television news with my own eyes. Now there were two plumes of smoke in the sky, and sirens erupted through the streets as fire crews and police hurtled down the avenues of Manhattan. I returned to the television and stayed there, compelled. I had a pocket email machine and I was able to write messages to everyone in London to let them know I was alright, before the lines went dead.
A campaign was underway, something I could only comprehend through reference to science fiction such as “The War of the Worlds.” An attack had commenced that morning without indication how long it would last. As I sat there in shock at the accumulating reports of the plane hitting the Pentagon and the crash of United 93, a dread grew inside me. There was no reason to assume that this would not continue all day and it was impossible to know where and when it would end. It felt like the end of the world – there was no way to grasp the nature of what was happening. When I returned to the roof and looked again, the World Trade Centre had gone completely, replaced by a vast black tower of smoke billowing into the blue.
Twenty-one months earlier, I had been in Los Angeles at the time of the Millennium. Somehow, everybody expected a transformation and a new era to begin then. Nobody wanted to admit it was a non-event. But that morning, I realised that I was witnessing the actual moment when one century ended and a different world was born.
For a couple of years, I had been working with producers in Times Sq who were to present a play of mine on Broadway, opening on September 15th 2001. I loved being in New York in those days, it was a true metropolis of glamour and affluence – a world incarnated in the now over-familiar fiction of “Sex & the City.” Many times I enjoyed Cosmopolitans at the Bowery Bar, the location where Candice Bushnell’s novel, which was the origin of that series, began.
Walking out onto the street on that September day, several miles from the unfolding catastrophe at the World Trade Centre, the scene was not dissimilar from usual, except – as people went about their business – I knew what everyone was thinking. We were all looking at each other in fear and knowing that we could only enact the semblance of routine. I went to the grocery story and bought food for the next few days. On my way back to the apartment, I saw a postcard of the World Trade Centre on a rack and, without thinking, I took the entire stack in hand, went into the store and paid for them.
Back at the apartment, I addressed postcards to everybody in my address book in England and then I went to the Post Office and mailed them all. I still do not understand why I did this, because I never wrote any messages on the cards, yet I knew everyone would realise who sent them and why. In fact, half arrived within ten days and half arrived four months later, intercepted perhaps as suspicious material in the collective paranoia that ensued.
On the day J.F.Kennedy Airport reopened, I flew back to London, peering from the window of the jet at the smoke still rising from the foot of Manhattan. At once, I went to see my parents in Devon and found them well, but within a week my father died unexpectedly. My mother had dementia and could no longer live alone, so I chose to move back into the family house to care for her. My play never opened on Broadway and I did not have the American career that I so longed for at that time, but after the events I had witnessed it no longer mattered to me.
