The Trade Of The Gardener

I am proud to publish these excerpts from PLANTING DIARIES by Sian Rees, a graduate of my writing course. Sian has created a fascinating horticultural blog exploring gardens, planting styles & their origins.
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I am taking bookings for the next writing course, HOW TO WRITE A BLOG THAT PEOPLE WILL WANT TO READ on February 7th & 8th. Come to Spitalfields and spend a winter weekend with me in an eighteenth century weaver’s house in Fournier St, enjoy delicious lunches and eat cakes baked to historic recipes, and learn how to write your own blog.

The Gardener, 1814
Stories about the real world and real lives were considered as interesting and exciting as fiction in children’s books of Georgian England. Trades were a popular subject – what people did and how things were made were described and illustrated with woodcuts, bringing these occupations to life for the young reader.
One such example is Little Jack of all Trades (1814) from Darton & Harvey, publishers of many children’s books from the later eighteenth century into the Victorian era. Author William Darton begins by likening workers in the various trades to bees in a hive, where everyone has their specific role to play within a larger inter-connected structure:
‘all are employed – all live cheerfully and whilst each individual works for the general good, the whole community works for him. The baker supplies the bricklayer, the gardener and the tailor with bread; and they, in return, provide him with shelter, food and raiment: thus, though each person is dependent on the other, all are independent.’
I was delighted to see that the book includes a profile of a gardener, who appears alongside other practical tradespeople such as the carpenter, blacksmith, cabinet maker, mason, bookbinder, printer and hatter – to cite but a few.
The gardener is portrayed handing a large bouquet of flowers to a well-dressed woman – most probably the wife of his employer. Our gardener is a manager – his two assistants behind him are engaged in digging over the soil and watering a bed of plants – while we learn his specialist skills include grafting and pruning.
In the background, a heated greenhouse extends the season for the production of fruits and other crops. Smoke from the building’s stove is visible rising from the chimney on the right. All the tools of the gardeners’ trade remain familiar to us today:
‘the spade to dig with, the hoe to root out weeds, the dibble to make holes which receive the seed and plants, the rake to cover seeds with earth when sown, the pruning hook and watering pot.’
From a contemporary perspective, it is interesting that Darton’s description of the gardener makes the connection between gardening and well-being:
‘Working in a garden is a delightful and healthy occupation; it strengthens the body, enlivens the spirits, and infuses into the mind a pleasing tranquillity, and sensations of happy independence.’
William Darton (1755 – 1819) was an engraver, stationer and printer in London and with partner Joseph Harvey (1764 – 1841) published books for children and religious tracts. His sons Samuel & William Darton were later active in the business.
Darton & Harvey’s books for children always contain plentiful illustrations, packed with details of clothes, buildings and interiors, that convey a powerful sense of working life in the early nineteenth century.
More recently, the status of gardening as a skilled trade has been undermined and eroded – so it is pleasing to see the gardener in this book taking his place on equal terms alongside other tradesmen.






The Basket Maker

The Carpenter

The Black Smith

The Wheelwright

The Cabinet Maker

The Boatbuilder

The Tin Man

The Mason
Images from The Victorian Collection at the Brigham Young University courtesy of archive.org
















