The Small Trades Of Spitalfields
This Saturday 20th October at 11am I am giving an illustrated lecture on THE SMALL TRADES OF SPITALFIELDS in the crypt of Christ Church, exploring how the culture of artisans created the identity of Spitalfields and how the small traders are faring today. This event is part of HUGUENOT SKILLS DAY which includes demonstrations, workshops and lectures. Click here for tickets and further information
When these die-cut Victorian scraps of small trades are enlarged to several times their actual size, the detail and characterisation of these figures is revealed splendidly. Printed by rich-hued colour lithography, glossy and embossed, these appealing images celebrate the essential tradesmen and shopkeepers that were once commonplace but now are scarce.
In the course of my interviews, I have spoken with hundreds of shopkeepers and stallholders – and it is apparent that most only make just enough money to live, yet are primarily motivated by the satisfaction they get from their chosen trade and the appreciation of regular customers.
Here in the East End, these are the family businesses and independent traders who have created the identity of the place and carry the life of our streets. Consequently, I delight in these portraits of their predecessors, the tradesmen of the nineteenth century – rendered as giants by these monumental enlargements.
You may also like to take a look at these other sets of the Cries of London
Geoffrey Fletcher’s Pavement Pounders
William Craig Marshall’s Itinerant Traders
H.W.Petherick’s London Characters
John Thomson’s Street Life in London
Aunt Busy Bee’s New London Cries
Marcellus Laroon’s Cries of London
More John Player’s Cries of London
William Nicholson’s London Types
Francis Wheatley’s Cries of London
John Thomas Smith’s Vagabondiana of 1817
John Thomas Smith’s Vagabondiana II
John Thomas Smith’s Vagabondiana III
Thomas Rowlandson’s Lower Orders
Large and in charge! In a leisurely world (what’s THAT?) I would print all these characters out on cardstock, and construct a paper theater for them. Imagine them criss-crossing at centerstage, with the audience supplying the “cries”?
Thank you for igniting my imagination this morning.
Hurrah for the workers, today and yesteryear.