At The Italian Parade In Clerkenwell

Sunday 21st July sees the 134th Italian Parade in Clerkenwell and the weather promises to be much better this year than when photographer Colin O’Brien & I joined the crowds

In spite of the volatile weather, alternating downpours with blazing sunshine, I set out (with my umbrella in hand) to Clerkenwell, where photographer Colin O’Brien invited me to join him at the Italian Parade that he first attended in 1946.

For one Sunday each year, the narrow backstreets are transformed when the descendants of the immigrants who once lived in here in London’s “Little Italy” return to participate in a procession honouring Our Lady of Mount Carmel, and, such is their love for their culture and custom, they were not to be discouraged by a few drops of rain.

Growing up in Victoria Dwellings at the corner of the Clerkenwell Rd and Farringdon Rd, the Italian Parade was an annual fixture in Colin’s childhood and in 1946, at six years old, he marched in the procession as a little blond boy dressed in white – the picture of innocence – to celebrate his confirmation. Later, as a precocious child photographer, some of Colin’s earliest pictures were of the parade and when I first saw these I suggested that he might like to return to Clerkenwell, a lifetime later, to photograph the event again.

There is a certain magic that reigns on these occasions when a Neapolitan atmosphere presides upon these London streets where, for one day of each year, only Italian is spoken, and the recorded mellifluous tones of sentimental songs echo between tall old buildings towering over a full blown Festa taking place in the secret enclave of Warner St, between the major roads of Clerkenwell on either side.

Here, on this special day in July, polenta is cooked in a barrel and served with sizzling sausages and Chianti, old ladies offer homemade cakes, veterans of the Alpine brigade from the nineteen fifties run a coconut shy and old friends meet to enjoy ceaseless embraces, recounting the passing years with sentimental delight.

Walking a little further, you come to Back Hill where the floats assemble and encounter those who will feature in the tableaux, all toshed up in robes thrown together from pairs of old curtains, with unnatural orange makeup applied to their skin and sporting bad wigs and dodgy facial hair, all to give an authentic effect of life in Biblical times. Like a fantasy sequence from some mid-century Italian neo-realist movie, I once saw Jesus step from his car with his crown of thorns already in place. And, as you weave your way through the alleys and byways on this day, it is not uncommon to glimpse angels in tinsel nighties fleeting in the distance.

I joined the hushed crowds outside St Peter’s in the Clerkenwell Rd as three doves were released into the lowering sky. Then, in an explosion of glitter, came the procession of saints, borne aloft and bobbing over the heads of the crowd, each with their attendant retinue of dignified matriarchs from Woking, Aylesbury, Ponders End, Epsom and Hoddesdon – to name only a few of the Italian communities represented.

When the heavens opened and the rain fell upon us, a forest of umbrellas came forth and the saints were swathed in an additional layer of polythene robes, floating ethereally upon the breeze. And, since the commentator reminded us of the afflictions of these medieval holies, like St Rita of Cascia – the patron saint of the impossible – who suffered from a splinter of the cross lodged in her forehead, we were able to draw consolation that a shower of rain was an inconsequential discomfort by comparison. Yet there was an additional poignancy to the tableau of Jesus nailed to the cross, shivering in a loin cloth, as the rain poured down upon him, and to observe the devout concentration of those who maintained their static postures whilst holding trumpets aloft in frozen moments of religious transfiguration, seemingly oblivious of the wet.

With floats and marching bands, and the latest batch of newly-confirmed little children in white, the procession approached its climax, and along came St Michele with one figure raised heavenwards to a sky that was visibly lightening. Then, sure enough, as the figure Our Lady of Mount Carmel appeared, the clouds parted and a ray of sunlight descended upon the church, the catalyst for a spontaneous round of applause from the crowd and even for some, among the credulous, to wipe away a tear.

Once the procession had walked up Rosebery Avenue, down the Farringdon Rd and returned to Ray St, the Italian community had unified for another year in celebration of its common ancestry. It was time for the devout to attend mass, crossing themselves and dipping their fingers in holy water as they entered St Peter’s, London’s oldest Italian church. While for the rest, including Colin (who was a lapsed Catholic) and myself, it was time to savour the temporal delights of the Festa before the rain came down again.

Colin O’Brien marches in the Italian procession in 1946

The procession photographed by Colin O’Brien in the early nineteen fifties from the flat where he grew up at the junction of the Clerkenwell Rd and Farringdon Rd.

Photographs copyright © Estate of Colin O’Brien

More photographs by Colin O’Brien

Colin O’Brien, Photographer

Colin O’Brien’s Clerkenwell Car Crashes

Travellers’ Children in London Fields

Colin O’Brien’s Brick Lane Market