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	<title>
	Comments on: Paul Sandby&#8217;s Cries Of London, 1760	</title>
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	<link>https://spitalfieldslife.com/2024/06/22/paul-sandbys-cries-of-london-1760-2/</link>
	<description>In the midst of life I woke to find myself living in an old house beside Brick Lane in the East End of London</description>
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		<title>
		By: Lynne Perrella		</title>
		<link>https://spitalfieldslife.com/2024/06/22/paul-sandbys-cries-of-london-1760-2/#comment-1583889</link>

		<dc:creator><![CDATA[Lynne Perrella]]></dc:creator>
		<pubDate>Sat, 22 Jun 2024 14:30:58 +0000</pubDate>
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					<description><![CDATA[Thank you, kind GA, for presenting Mr. Sandby&#039;s trade card.  It is a keeper.  
There is no better example of &quot;complex relationship between buyer and seller&quot; than &quot;Shoe Cleaner&quot;.  Take another look, and spend some time with this twosome.   Notice the clothing of the shoe cleaner, and may I propose that she is using her feminine charms to boost business?  A fulsome bosom, lifted to great advantage by her corset, is surrounded with billowing white cloth
collar and sleeves.    The visual centerpiece of her presentation is her youthful cleavage, unmistakable and intentional, methinks.  Tendrils of hair have escaped her white cap; and her downward glance is earnestly focused on the work at hand, while she allows the customer to observe her.   Perhaps a generous tip will be presented?   Or a sly entreaty, murmured under his breath?  Or both?    The artist keeps our eye on the woman, providing descriptive detail, but the 
shadowy young swain is also part of the story.  His delicate profile, dandy clothes and wig, (even a walking stick, oh my) assure that he is of another world, but these realms have collided,
streetside.   

A wonderful series, artfully realized.   If indeed Mr. Sandby was a &quot;hawker in his own right&quot;, then we are the beneficiaries.]]></description>
			<content:encoded><![CDATA[<p>Thank you, kind GA, for presenting Mr. Sandby&#8217;s trade card.  It is a keeper.<br />
There is no better example of &#8220;complex relationship between buyer and seller&#8221; than &#8220;Shoe Cleaner&#8221;.  Take another look, and spend some time with this twosome.   Notice the clothing of the shoe cleaner, and may I propose that she is using her feminine charms to boost business?  A fulsome bosom, lifted to great advantage by her corset, is surrounded with billowing white cloth<br />
collar and sleeves.    The visual centerpiece of her presentation is her youthful cleavage, unmistakable and intentional, methinks.  Tendrils of hair have escaped her white cap; and her downward glance is earnestly focused on the work at hand, while she allows the customer to observe her.   Perhaps a generous tip will be presented?   Or a sly entreaty, murmured under his breath?  Or both?    The artist keeps our eye on the woman, providing descriptive detail, but the<br />
shadowy young swain is also part of the story.  His delicate profile, dandy clothes and wig, (even a walking stick, oh my) assure that he is of another world, but these realms have collided,<br />
streetside.   </p>
<p>A wonderful series, artfully realized.   If indeed Mr. Sandby was a &#8220;hawker in his own right&#8221;, then we are the beneficiaries.</p>
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		<title>
		By: Richard		</title>
		<link>https://spitalfieldslife.com/2024/06/22/paul-sandbys-cries-of-london-1760-2/#comment-1583841</link>

		<dc:creator><![CDATA[Richard]]></dc:creator>
		<pubDate>Sat, 22 Jun 2024 07:19:18 +0000</pubDate>
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					<description><![CDATA[These are great. Thanks]]></description>
			<content:encoded><![CDATA[<p>These are great. Thanks</p>
]]></content:encoded>
		
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		<title>
		By: Christine Swan		</title>
		<link>https://spitalfieldslife.com/2024/06/22/paul-sandbys-cries-of-london-1760-2/#comment-1583831</link>

		<dc:creator><![CDATA[Christine Swan]]></dc:creator>
		<pubDate>Sat, 22 Jun 2024 06:43:14 +0000</pubDate>
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					<description><![CDATA[Paul Standby has captured the poverty of most of the street traders illustrated here in their tatty clothes and often, sad faces. It must have been a hard and difficult life with little reward.
In my own research, I have found it challenging to find information other than parish records, earlier than 1800, so I savour any images of London streets and its people from that period. ]]></description>
			<content:encoded><![CDATA[<p>Paul Standby has captured the poverty of most of the street traders illustrated here in their tatty clothes and often, sad faces. It must have been a hard and difficult life with little reward.<br />
In my own research, I have found it challenging to find information other than parish records, earlier than 1800, so I savour any images of London streets and its people from that period. </p>
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