Comments on: The Principal Operations of Weaving, 1748

By: Sonia Murray

Sonia Murray — Thu, 10 Feb 2022 16:46:37 +0000

Thanks, GA! No wonder so many bequests in the old wills I’m transcribing gave clothing to relatives! It had to be costly when it came from the arduous hand labor shown in your pictures, and pieces were hand stitched together with needle and thread. The picture of the shear man at work fascinated me because an ancestor at Sheffield, baptised in 1691, was apprenticed and became a shearsmith. Would love to see more detailed pictures of the shears and how exactly they were used.

By: Bob Gladding

Bob Gladding — Tue, 08 Feb 2022 18:26:59 +0000

My family were hearth rug weavers in Hoxton, and I discovered that their beautiful iron-framed hand loom dating from 1832 is crated up in the Science Museum’s reserve collection in Swindon. They closed down in 1940 – the last hearth rug weavers to do so, having woven rugs for Queen Victoria’s Coronation in 1838 and the House of Commons .
Sincere thanks to all the Museum and Library archivists who tirelessly help individuals to discover wonderful things about their family history.

By: Antony R Macer

Antony R Macer — Mon, 07 Feb 2022 15:41:44 +0000

As an O-level student, during the examination I answered a question which asked me to ‘Illustrate my answer’, which I did, but failed to write any text. Needless to say, it earned me no points.

Now, ‘These copperplate engravings published below illustrate The Principal Operations of Weaving reproduced from a book of 1748’… May we assume correctly that the book only contains engravings?

The Stroudwater Textile Trust is being sent the link to to this page of beautiful engravings!

By: Lynne Perrella

Lynne Perrella — Mon, 07 Feb 2022 15:13:26 +0000

Looking forward to your article in World of Interiors magazine. The magazine is my annual gift to myself, and I go into a tailspin if an issue is delayed, or my subscription gets scrambled. (alas, it happens………) With their history of showing eccentric and unique properties, I’m surprised it has taken them so long to get around to the Dennis Severs House — but am thrilled by the prospect.

WOI + Dennis Severs + GA = Brilliance!

By: Paul Loften

Paul Loften — Mon, 07 Feb 2022 11:24:53 +0000

Thank you for showing these looms and the link to Dennis Severs House. They take up quite some space inside and I can’t imagine them fitting in the small houses with tiny backyards that my grandma lived in Raven Row behind the London Hospital The machines and their operation are wonderful examples of 18 th Century technology.
Weaving was the backdrop to Silas Marner perhaps the greatest novel of the 19th century and it shows how important and widespread an industry weaving was . Although George Eliot’s novel wasn’t set in London there must be so many untold stories of the weavers of Spitalfields .

By: Jill Wilson

Jill Wilson — Mon, 07 Feb 2022 09:05:39 +0000

These are fascinating and show just how complicated the whole process of weaving was and how many different skills were involved. And how back breaking some of the processes look…

My first experience of weaving was when I made my own very simple loom aged about 8 and I can remember the excitement of seeing the finished ‘cloth’ evolve (it was only about 3″ wide!)
I also did some weaving as part of my art foundation course but again it was on a very simple loom – nothing at all like the amazing machines in the above pictures.