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Luke Clennell’s Dance Of Death

October 3, 2015
by the gentle author

More than ten years have passed since my father died at this time of year, yet thoughts of mortality enter my mind as the nights begin to draw in and I face the spiritual challenge of another long dark winter ahead. So Luke Clennell’s splendid DANCE OF DEATH engravings inspired by Hans Holbein suit my mordant sensibility at this season.

First published in 1825 as the work of ‘Mr Bewick’, they have only recently been identified for me as the work of Thomas Bewick’s apprentice Luke Clennell by historian Dr Ruth Richardson.

In recent weeks, I have presented his Cries of London and London Melodies in these pages, ascribed to their creator for the first time, and I am delighted to draw attention to the inspired work of this unjustly neglected artist whose engravings I am including in my CRIES OF LONDON published in November.

The Desolation

The Queen

The Pope

The Cardinal

The Elector

The Canon

The Canoness

The Priest

The Mendicant Friar

The Councillor or Magistrate

The Astrologer

The Physician

The Merchant


The Wreck


The Swiss Soldier


The Charioteer or Waggoner

The Porter

The Fool

The Miser

The Gamesters


The Drunkards


The Beggar


The Thief


The Newly Married Pair


The Husband

The Wife


The Child


The Old Man

The Old Woman

You may also like to take a look at

Luke Clennell’s London Melodies

Luke Clennell’s Cries of London

11 Responses leave one →
  1. October 3, 2015

    The images are really good, very thought provoking. Valerie

  2. Yvonne Kolessides permalink
    October 3, 2015

    Bless you for making my morning cup of tea an extra pleasure..

  3. October 3, 2015

    As I approach forty, for the second time, my attention is drawn to the ‘Old Man’ and how he is helped on his way. I have so much going on at that every little help is welcome at the moment, and I don’t even have time to, “Rage against” anything.

    So please don’t let the Winter Woes set in, but occupy yourself/us with another of your wonderful projects … which help lighten our days.

  4. October 3, 2015

    Dear Gentle Author,

    I will humming and whistling Dance Macabre all day now.
    J

  5. October 3, 2015

    These are quite amazing: though I am surprised that they were ever ascribed to Bewick as the lines are so much looser and freer. Another reason to look forward to ‘The Cries of London’ – when will we be able to place orders?

  6. Sally Baldwin permalink
    October 3, 2015

    Why do you suppose that the Beggar, alone of all this company, isn’t visited by a skeletal Death? Or perhaps I’m not seeing it.

    A wonderful collection, many thanks, Gentle Author.

    Sally

  7. October 3, 2015

    I too am surprised that these were ever attributed to Bewick as, to me, they bear no resemblance to his work whatsoever.

  8. carolyn permalink
    October 4, 2015

    Wow….so clearly showing what we all know….no matter who we are, no matter what age or what standing in life…..our day of passing awaits us.
    Thanks gentle author

  9. Mary Moulder permalink
    October 4, 2015

    This is very amusing. In Tucson, we have a parade on The Day Of The Dead, dress up and laugh at death and ourselves, and have a merry time. It goes back to Native American traditions, so we also clean and decorate the grave sites, place votives, and platters of our lost family members favorite foods and drinks. We sing to them and “picnic” with them. Some will make a buffet of family favorites and invite the souls home for the sliver of the time fold, and make sure the souls know there will be another welcoming next year, same time and same place. If you miss a family member and have no such tradition, the 2 of November, put a plate of delights in a high place in your home, and include a beverage, and perhaps favorite music. It may make you very contented to know that love does not die, rather it endures to cross any barrier. We can’t see them, but the smells, the lights, and the sounds are shared by all.

  10. mike Battcock permalink
    October 10, 2015

    I love the work of Thomas Bewick. One of his engravings was of one of my ancestors – Robert Carr.

    “Dyers of Ovingham” by Thomas Bewick, in the later editions of the “Birds” (1816) was Robert Carr. “The master dyer was depicted as “a most dissolute and objectionable character” and Robert as “remarkable for his simplicity, integrity, and industry”. “The family of the former, who was fairly well-to-do, have long disappeared; the latter will go down to posterity as the grandfather of the famous engineer, George Stephenson, whose modest birthplace is still passed by all who take the rail for Prudhoe”.

  11. March 30, 2016

    Sally, it seems like a perverse irony that The Reaper won’t visit the only person who is yearning for death. However, there is a mundane explanation for this.

    The beggar was added to the books with Holbein’s dance of death in 1545, but in a separate section and not as part of the dance. Two years later, in 1547, the beggar was includes in the sequence along with the other dancers.

    Some of Holbein’s copyists have added Death to this scene as well. For more info, please see: http://www.dodedans.com/Eholbein47.htm

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